seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Thin Lizzy’s “Whiskey in the Jar” Charts in UK

whiskey-in-the-jarWhiskey in the Jar” by Thin Lizzy enters the UK charts on January 20, 1973.

“Whiskey in the Jar” is the tale of a highwayman or footpad who, after robbing a military or government official, is betrayed by a woman. Whether she is his wife or sweetheart is not made clear. Various versions of the song take place in County Kerry, Kilmoganny, Cork, Sligo, and other locales throughout Ireland. It is also sometimes placed in the American South, in various places among the Ozarks or Appalachians, possibly due to Irish settlement in these places. Names in the song change, and the official can be a Captain or a Colonel, called Farrell or Pepper among other names. The protagonist’s wife or lover is sometimes called Molly, Jenny, Emzy, or Ginny among various other names. The details of the betrayal are also different, being either betraying him to the person he robbed and replacing his ammunition with sand or water, or not, resulting in his killing the person.

The song’s exact origins are unknown. The song first gains wide exposure when the Irish folk band The Dubliners perform it internationally as a signature song, and record it on three albums in the 1960s. In the United States, the song is popularized by The Highwaymen, who record it on their 1962 album Encore. Building on their success, the Irish rock band Thin Lizzy hits the Irish and British pop charts with the song in 1973. In 1990 The Dubliners re-record the song with The Pogues with a faster rocky version charting at No.4 in Ireland and No.63 in the UK. The American metal band Metallica brings it to a wider rock audience in 1998 by playing a version very similar to that of Thin Lizzy’s, though with a heavier sound, winning a Grammy Award for the song in 2000 for Best Hard Rock Performance.

Thin Lizzy’s 1972 single stays at the top of the Irish charts for 17 weeks, and the British release stays in the top 30 for 12 weeks, peaking at No. 6, in 1973. This version has since been covered by U2, Pulp (first released on a 1996 various artist compilation album Childline and later on deluxe edition of Different Class in 2006), Smokie, Metallica (Garage Inc. 1998, which wins a Grammy), Belle and Sebastian (The Blues Are Still Blue EP 2006), Gary Moore (2006), Nicky Moore (Top Musicians Play Thin Lizzy 2008), Simple Minds (Searching for the Lost Boys 2009), and Israeli musician Izhar Ashdot. The song is also on the Grateful Dead live compilation So Many Roads (1965-1995) disc five.

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Death of Singer & Songwriter Kirsty MacColl

kirsty-maccollKirsty Anna MacColl, English singer and songwriter, dies on December 18, 2000, at the age of 41 after being hit by a powerboat while on holiday in Cozumel, Mexico.

MacColl records several pop hits between the early 1980s and the 1990s, including “There’s a Guy Works Down the Chip Shop Swears He’s Elvis” and cover versions of Billy Bragg‘s “A New England” and The Kinks‘ “Days.” She also sings on recordings produced by her husband Steve Lillywhite, most notably “Fairytale of New York” by The Pogues.

Early in her career, MacColl signs a solo deal with Stiff Records. She moves to Polydor Records in 1981 but they drop her just as she has completed recording the songs for a planned second album. She returns to Stiff Records however, following their 1986 bankruptcy, MacColl is left unable to record in her own right, as no record company buys her contract from the Official Receiver. She has regular session work as a backing vocalist, and she frequently sings on records produced or engineered by her husband including tracks for Robert Plant, The Smiths, Alison Moyet, Shriekback, Simple Minds, Talking Heads, Big Country, Anni-Frid Lyngstad (of ABBA), and The Wonder Stuff among others.

MacColl re-emerges in the British charts in December 1987, reaching Number 2 with The Pogues on “Fairytale of New York,” a duet with Shane MacGowan. This leads to her accompanying The Pogues on their British and European tour in 1988.

After the contract issue is resolved, MacColl returns to recording as a solo artist and receives critical acclaim upon the release of Kite in 1989. While continuing to write and record, she is also featured on the British sketch comedy French and Saunders.

In 2000, following her participation in the presentation of a radio programme for the British Broadcasting Corporation in Cuba, MacColl takes a holiday in Cozumel, Mexico, with her sons and her partner, musician James Knight. On December 18, she and her sons go diving at the Chankanaab reef, part of the National Marine Park of Cozumel, in a designated diving area that watercraft are restricted from entering. With the group is a local veteran divemaster, Iván Díaz. As the group is surfacing from a dive, a powerboat moving at high speed enters the restricted area. MacColl sees the boat coming before her sons. Louis, then 13, is not in its path, but 15-year-old Jamie is. She is able to push him out of the way but in doing so she is struck by the boat and dies instantly. MacColl’s body is repatriated to the United Kingdom and is cremated after a humanist funeral at Mortlake Crematorium in South-West London.

empty-bench-in-soho-squareIn 2001, a bench is placed by the southern entrance to London’s Soho Square as a memorial to MacColl, after a lyric from one of her most poignant songs: “One day I’ll be waiting there / No empty bench in Soho Square.” Every year on the Sunday nearest her October 10 birthday, fans from all over the world hold a gathering at the bench to pay tribute to her and sing her songs.

MacColl’s collaboration with the Pogues, “Fairytale of New York,” remains a perennial Christmas favourite. In 2004, 2005, and 2006, it is voted favourite Christmas song in a poll by music video channel VH1. The song is re-released in the United Kingdom in December 2005, with proceeds being split between the Justice for Kirsty Campaign and charities for the homeless. The re-release reaches number 3 on the U.K. charts, and spends five weeks in the top 75 over the Christmas and New Year period. It reaches the top 10 for the third time in its history in 2006, peaking at number 6, and charts yet again in December 2007. The song also makes the Top 20 in subsequent years, and has spent more time in the top 20 than any other song.