Campbell is known as a guitarist and has a rough voice similar to the late founding member of The Dubliners, Ronnie Drew. He tour with three other ex-Dubliners as “The Dublin Legends,” now that the group name has been retired with the death of Barney McKenna. Although originally from Drogheda in County Louth, he later lives in Walkinstown, a suburb of Dublin.
It was Campbell’s suggestion that The Dubliners work with London-based Irish band The Pogues in the mid-1980s, thus giving them their second biggest UK hit to date, “The Irish Rover.” Their biggest hit is “Seven Drunken Nights” which reaches number 7 in the charts in 1967 and an appearance on Top of the Pops.
Campbell produces all of The Dubliners’ albums from 1987 onwards, as well as albums for many other Irish artists, including Foster and Allen, Brendan Shine, Daniel O’Donnell and Paddy Reilly. He plays locally with the Delta Showband, The Bee Vee Five and the Country Gents before joining Dermot O’Brien and the Clubmen and first meets The Dubliners when both acts tour England together in 1967. In the mid to late 1970s he more or less retires from the road and becomes involved in the growing Irish recording scene, first as a session musician and later moving to production.
In 2002, Campbell puts a complaint to a commission to inquire into sexual abuse as he says he was abused by the Christian Brothers as a child. In an interview he says “I felt emotional with hate at what this arsehole had got away with. He was abusing the whole class. I still haven’t heard anything back.”
While on tour in the Netherlands with The Dublin Legends, Campbell feels unwell during his final performance. He returns to his hotel at around 1:00 AM and goes to bed. He dies during the early hours of the morning of October 18, 2017. His body is flown back to Dublin where his funeral takes place on October 26, 2017.
Christy Brown, Irish writer and painter who has cerebral palsy and is able to write or type only with the toes of one foot, dies on September 7, 1981 in Parbrook, Somerset, England. His most recognized work is his autobiography, My Left Foot (1954).
Brown is born into a working-class Irish family at the Rotunda Hospital in Dublin on June 5, 1932. He is one of 22 siblings of parents Bridget Fagan and Patrick Brown. After his birth, doctors discover that he has severe cerebral palsy, a neurological disorder which leaves him almost entirely spastic in his limbs. Though urged to commit him to a hospital, his parents are unswayed and subsequently determined to raise him at home with their other children. During his adolescence, social worker Katriona Delahunt becomes aware of his story and begins to visit the Brown family regularly. She brings him books and painting materials as, over the years, he has shown a keen interest in the arts and literature. He has also demonstrated extremely impressive physical dexterity since, soon after discovering several household books, he had learned to both write and draw himself with his left leg, the only limb over which he has unequivocal control.
Brown quickly matures into a serious artist. Although he famously receives almost no formal schooling during his youth, he does attend St. Brendan’s School-Clinic in Sandymount intermittently. At St. Brendan’s he comes in contact with Dr. Robert Collis, a noted author. Collis discovers that Brown is also a natural novelist and, later, helps use his own connections to publish My Left Foot, by then a long-gestating autobiographical account of Brown’s struggle with everyday life amidst the vibrant culture of Dublin.
When My Left Foot becomes a literary sensation, one of the many people who write letters to Brown is married American woman Beth Moore. Brown and Moore become regular correspondents and, in 1960, he holidays in North America and stays with Moore at her home in Connecticut. When they meet again in 1965 they began an affair. Brown journeys to Connecticut once more to finish his magnum opus, which he had been developing for years. He finally does so in 1967 with help from Moore, who introduces and administers a strict working regimen, mostly by denying him alcohol until a day’s work is completed. The book, Down All the Days, is published in 1970. It is an ambitious project drawn largely from a playful expansion of My Left Foot. It becomes an international best-seller, translated into fourteen languages. The Irish Times reviewer Bernard Share claims the work is “the most important Irish novel since Ulysses.”
Down All the Days is followed by a series of other novels, including A Shadow on Summer (1972), Wild Grow the Lilies (1976) and A Promising Career (published posthumously in 1982). He also publishes three poetry collections: Come Softly to My Wake, Background Music and Of Snails and Skylarks. All the poems are included in The Collected Poems of Christy Brown.
Brown’s fame continues to spread internationally and he becomes a prominent celebrity. Upon his return to Ireland, he is able to use proceeds from the sales of his books to design and move into a specially constructed home outside Dublin with his sister’s family. Though he and Beth had planned to marry and live together at the new home, and though Moore had informed her husband of these plans, it is around this time that he begins an affair with Englishwoman Mary Carr, whom he meets at a party in London. He then terminates his affair with Moore and marries Carr at the Registry Office, Dublin, in 1972. They move to Stoney Lane, Rathcoole, County Dublin, to Ballyheigue, County Kerry and then to Somerset. He continues to paint, write novels, poetry and plays. His 1974 novel, A Shadow on Summer, is based on his relationship with Moore, whom he still considers a friend.
Brown’s health deteriorates after marrying Carr. He becomes mainly a recluse in his last years, which is thought to be a direct result of Carr’s influence and perhaps abusive nature. He dies at the age of 49 on September 7, 1981 after choking during a lamb chop dinner. His body is found to have significant bruising, which leads many to believe that Carr had physically abused him. Further suspicions arise after Georgina Hambleton’s biography, The Life That Inspired My Left Foot, reveals a supposedly more accurate and unhealthy version of their relationship. The book portrays Carr as an abusive alcoholic and habitually unfaithful. He is buried in the Glasnevin Cemetery in Dublin.
The Anglo-Irish rock band The Pogues pay tribute to Christy Brown with a song titled “Down All the Days.” It is the seventh track on their 1989 recording Peace and Love. Similarly, U2 releases a song titled “Down All the Days” with the 20th anniversary edition of Achtung Baby. The Men They Couldn’t Hang also writes a song “Down All the Days” which appears on their Silver Town album also released in 1989.
“Whiskey in the Jar” is the tale of a highwayman or footpad who, after robbing a military or government official, is betrayed by a woman. Whether she is his wife or sweetheart is not made clear. Various versions of the song take place in County Kerry, Kilmoganny, Cork, Sligo, and other locales throughout Ireland. It is also sometimes placed in the American South, in various places among the Ozarks or Appalachians, possibly due to Irish settlement in these places. Names in the song change, and the official can be a Captain or a Colonel, called Farrell or Pepper among other names. The protagonist’s wife or lover is sometimes called Molly, Jenny, Emzy, or Ginny among various other names. The details of the betrayal are also different, being either betraying him to the person he robbed and replacing his ammunition with sand or water, or not, resulting in his killing the person.
The song’s exact origins are unknown. The song first gains wide exposure when the Irish folk band The Dubliners perform it internationally as a signature song, and record it on three albums in the 1960s. In the United States, the song is popularized by The Highwaymen, who record it on their 1962 album Encore. Building on their success, the Irish rock band Thin Lizzy hits the Irish and British pop charts with the song in 1973. In 1990 The Dubliners re-record the song with The Pogues with a faster rocky version charting at No.4 in Ireland and No.63 in the UK. The American metal band Metallica brings it to a wider rock audience in 1998 by playing a version very similar to that of Thin Lizzy’s, though with a heavier sound, winning a Grammy Award for the song in 2000 for Best Hard Rock Performance.
Thin Lizzy’s 1972 single stays at the top of the Irish charts for 17 weeks, and the British release stays in the top 30 for 12 weeks, peaking at No. 6, in 1973. This version has since been covered by U2, Pulp (first released on a 1996 various artist compilation album Childline and later on deluxe edition of Different Class in 2006), Smokie, Metallica (Garage Inc. 1998, which wins a Grammy), Belle and Sebastian (The Blues Are Still Blue EP 2006), Gary Moore (2006), Nicky Moore (Top Musicians Play Thin Lizzy 2008), Simple Minds (Searching for the Lost Boys 2009), and Israeli musician Izhar Ashdot. The song is also on the Grateful Dead live compilation So Many Roads(1965-1995) disc five.
Born in New York City on April 23, 1926 to Irish immigrants Margaret and Patrick Donleavy, Donleavy receives his education at various schools in the United States. He declares himself to be an atheist at the age of 14. He serves in the United States Navy during World War II. After the war ends, he moves to Ireland. In 1946 he begins studying at Trinity College, Dublin, but leaves in 1949 before taking a degree. Also in 1946, he marries Valerie Heron and the couple has two children: Philip (born 1951) and Karen (born 1955). They divorce in 1969 and he remarries in 1970 to Mary Wilson Price. That union also ends in divorce in 1989.
Donleavy’s first published work is a short story entitled A Party on Saturday Afternoon, which appears in the Dublin literary periodical, Envoy, A Review of Literature and Art in 1950. He gains critical acclaim with his first novel, The Ginger Man (1955), which is one of the Modern Library 100 best novels. The novel, of which his friend and fellow writer Brendan Behan is the first person to read the completed manuscript, is banned in Ireland and the United States by reason of obscenity. Lead character Sebastian Dangerfield is in part based on Trinity College companion Gainor Crist, an American Navy veteran also studying at Trinity College on the G.I. Bill, whom Donleavy once describes in an interview as a “saint,” though of a Rabelaisian kind.
In 2011, it is reported that Donleavy had not fathered his two children with Mary Wilson Price. A DNA test in the early 1990s confirms that Rebecca is the daughter of brewing scion Kieran Guinness, and Rory is the son of Kieran’s older brother Finn, whom Price marries after her divorce from Donleavy. “My interest is only to look after the welfare of the child,” Donleavy tells The Times, “and after a certain stage, you can’t worry about their parentage.”
J.P. Donleavy dies of an apparent stroke in Mullingar, County Westmeath on September 11, 2017 at the aged of 91.
Drew is most recognised for his lead vocals on the singles “Seven Drunken Nights” and “The Irish Rover,” both charting in the UK top 10 and then performed on Top of the Pops. He is recognisable for his long beard and his voice, which was once described by Nathan Joseph as being “like the sound of coke being crushed under a door.”
Drew is born in Dún Laoghaire, County Dublin on September 16, 1934 and is educated at CBS Eblana. Despite his aversion to education, he is considered the most intelligent in his class by schoolfriend and future Irish film censor, Sheamus Smith. Drew also sings as a boy soprano before his voice breaks.
In the 1950s, Drew moves to Spain to teach English and learn Spanish and flamenco guitar. His interest in folk music begins at the age of nineteen. When he returns to Ireland, he performs in the Gate Theatre with John Molloy and soon goes into the music business full-time, after holding a number of short-term jobs.
In 1962, he founds the Ronnie Drew Group with Luke Kelly, Barney McKenna and Ciarán Bourke. They soon change their name to The Dubliners, with John Sheahan joining shortly afterwards to form the definitive line-up, and quickly become one of the best known Irish folk groups. They play at first in O’Donoghue’s Pub in Merrion Row, Dublin where they are often accompanied by Mary Jordan on the spoons and vocalist Ann Mulqueen, a friend of McKenna’s. Mary Jordan’s mother, Peggy Jordan, introduces them to the Abbey Tavern in Howth, which becomes a regular Monday night venue for the emerging group. They also play across the road in the Royal Hotel, at all-night parties in Peggy’s large house in Kenilworth Square in Rathgar, and in John Molloy’s flat at Ely Place.
Drew leaves the Dubliners in 1974, goes to Norway in 1978 and records two songs with the Norwegian group Bergeners. He rejoins The Dubliners in 1979 and leaves for good in 1995, though he does reunite with the group in 2002 for a 40th anniversary celebration. He makes several television appearances with the group between 2002 and 2005.
He fronts a campaign to encourage the use of Dublin’s light-rail infrastructure (the DART) and, before that, the “My Dublin” ads for radio stations 98FM and FM104. He narrates a retelling of the great Irish Myths and Legends over a six CD set in 2006. He also narrates the stories of Oscar Wilde in his distinctive voice for a series released on CD by the News of the World newspaper. Both were re-released as CD box sets in 2010.
On August 22, 2006, Drew is honoured in a ceremony where his hand prints are added to the “Walk of Fame” outside Dublin‘s Gaiety Theatre.
In September 2006, Drew is reported to be in ill-health after being admitted to St. Vincent’s University Hospital, Dublin, to undergo tests for suspected throat cancer. On October 25, 2007, Drew, now bald and beardless, appears on Ryan Confidential on RTÉ One to give an interview about his role in The Dubliners, his life since leaving the band and being diagnosed with throat cancer. Later in 2007, he appears on The Late Late Show, where he speaks about the death of his wife and his ongoing treatment for cancer.
Ronnie Drew dies in St. Vincent’s University Hospital, Dublin, on August 16, 2008, following his long illness. He is buried three days later in Redford Cemetery in Greystones.
Joseph Ronald “Ronnie” Drew, singer, folk musician and actor who achieves international fame during a fifty-year career recording with The Dubliners, is born in Dún Laoghaire, County Dublin, on September 16, 1934. He is most recognised for his lead vocals on the single “Seven Drunken Nights” and “The Irish Rover” both charting in the U.K. top 10. He is recognisable for his long beard and his voice, which is once described by Nathan Joseph as being “like the sound of coal being crushed under a door.”
Drew is educated at CBS Eblana. Despite his aversion to education, he is considered the most intelligent in his class by schoolfriend and future Irish film censor, Sheamus Smith. Drew also sings as a boy soprano before his voice breaks.
In the 1950s, Drew moves to Spain to teach English and learn Spanish and flamenco guitar. His interest in folk music begins at the age of nineteen. When he returns to Ireland, he performs in the Gate Theatre with John Molloy and soon goes into the music business full-time, after holding a number of short-term jobs.
In 1962, he founds the Ronnie Drew Group with Luke Kelly, Barney McKenna and Ciarán Bourke. They soon change their name to The Dubliners, with John Sheahan joining shortly afterwards to form the definitive line-up, and quickly become one of the best known Irish folk groups. They play at first in O’Donoghue’s Pub in Merrion Row, Dublin where they are often accompanied by Mary Jordan on the spoons and vocalist Ann Mulqueen, a friend of McKenna’s. Mary Jordan’s mother, Peggy Jordan, introduces them to the Abbey Tavern in Howth, which becomes a regular Monday night venue for the emerging group. They also play across the road in the Royal Hotel, at all-night parties in Peggy’s large house in Kenilworth Square in Rathgar, and in John Molloy’s flat at Ely Place.
Drew leaves the Dubliners in 1974, goes to Norway in 1978 and records two songs with the Norwegian group Bergeners. He rejoins The Dubliners in 1979 and leaves for good in 1995, though he does reunite with the group in 2002 for a 40th anniversary celebration. He makes several television appearances with the group between 2002 and 2005.
He fronts a campaign to encourage the use of Dublin’s light-rail infrastructure and, before that, the “My Dublin” ads for radio stations 98FM and FM104. He narrates a retelling of the great Irish Myths and Legends over a six CD set in 2006. He also narrates the stories of Oscar Wilde in his distinctive voice for a series released on CD by the News of the World newspaper. Both were re-released as CD box sets in 2010.
On August 22, 2006, Drew is honoured in a ceremony where his hand prints are added to the “Walk of Fame” outside Dublin‘s Gaiety Theatre.
In September 2006, Drew is reported to be in ill-health after being admitted to St. Vincent’s Hospital, Dublin, to undergo tests for suspected throat cancer. On October 25, 2007, Drew, now bald and beardless, appears on Ryan Confidential on RTÉ 1 to give an interview about his role in The Dubliners, his life since leaving the band and being diagnosed with throat cancer. Later in 2007, he appears on The Late Late Show, where he speaks about the death of his wife and his ongoing treatment for cancer.
Ronnie Drew dies in St. Vincent’s Hospital, Dublin, on August 16, 2008, following his long illness. He is buried three days later in Redford Cemetery in Greystones.
MacGowan spends his early childhood in County Tipperary, before his family moves back to England when he is six years old. He lives in many parts of the southeast of England, including Brighton and London.
MacGowan’s father, Maurice, works for a department store. MacGowan’s mother, Therese, is a singer and traditional Irish dancer, and has worked as a model in Dublin. In 1971, after attending Holmewood House School at Langton Green, Tunbridge Wells, MacGowan earns a literature scholarship and is accepted into Westminster School. He is found in possession of drugs and is expelled in his second year.
MacGowan gets his first taste of fame in 1976 at a concert by British punk band The Clash, when his earlobe is damaged by Jane Crockford, later to be a member of Mo-dettes. A photographer snaps a picture of him covered in blood and it makes the papers, with the headline “Cannibalism at Clash Gig.” Shortly after this, he forms his own punk rock band, The Nipple Erectors, later renamed The Nips.
MacGowan draws upon his Irish heritage when founding The Pogues and changes his early “punk” voice for a more authentic sound with tutoring from his extended family. Many of his songs are influenced by Irish nationalism, Irish history, the experiences of the Irish in London and the United States, and London life in general.
Between 1985 and 1987, he co-writes “Fairytale of New York,” which he performs with Kirsty MacColl. In the coming years MacGowan and The Pogues release several albums.
After The Pogues throw MacGowan out for unprofessional behaviour, he forms a new band, Shane MacGowan & The Popes, recording two studio albums, a live album, three tracks on The Popes Outlaw Heaven (2010) and a live DVD, and touring internationally. From December 2003 until May 2005, Shane MacGowan & The Popes tour extensively in the UK, Ireland, and Europe.
The Pogues and MacGowan reform for a sell-out tour in 2001 and each year from 2004 to 2009 for further tours, including headline slots at GuilFest in England and the Azkena Rock Festival in Basque Country. In May 2005, he rejoins The Pogues permanently.
For many years MacGowan suffers from binge drinking and heroin use. In 2001, Sinéad O’Connor reports MacGowan to the police in London for drug possession in what she says is an attempt to discourage him from using heroin. Initially furious, MacGowan later expresses gratitude towards O’Connor and claims that the incident helped him kick his heroin habit.
MacGowan has long been known for having very bad teeth. He loses the last of his natural teeth around 2008. In 2015, he has 28 new dentures on a titanium frame fitted in a nine-hour procedure which is the subject of an hour-long television programme. Dr. Darragh Mulrooney, the dental surgeon who carries out the procedure, comments that MacGowan recorded most of his great works while he still had some teeth: “We’ve effectively re-tuned his instrument and that will be an ongoing process.”
In the summer of 2015, MacGowan falls as he is leaving a Dublin studio, fracturing his pelvis. He is seen in public on crutches by December 2015, and continues to experience difficulty with general mobility.
Kirsty Anna MacColl, English singer and songwriter, dies on December 18, 2000, at the age of 41 after being hit by a powerboat while on holiday in Cozumel, Mexico.
Early in her career, MacColl signs a solo deal with Stiff Records. She moves to Polydor Records in 1981 but they drop her just as she has completed recording the songs for a planned second album. She returns to Stiff Records however, following their 1986 bankruptcy, MacColl is left unable to record in her own right, as no record company buys her contract from the Official Receiver. She has regular session work as a backing vocalist, and she frequently sings on records produced or engineered by her husband including tracks for Robert Plant, The Smiths, Alison Moyet, Shriekback, Simple Minds, Talking Heads, Big Country, Anni-Frid Lyngstad (of ABBA), and The Wonder Stuff among others.
MacColl re-emerges in the British charts in December 1987, reaching Number 2 with The Pogues on “Fairytale of New York,” a duet with Shane MacGowan. This leads to her accompanying The Pogues on their British and European tour in 1988.
After the contract issue is resolved, MacColl returns to recording as a solo artist and receives critical acclaim upon the release of Kite in 1989. While continuing to write and record, she is also featured on the British sketch comedy French and Saunders.
In 2000, following her participation in the presentation of a radio programme for the British Broadcasting Corporation in Cuba, MacColl takes a holiday in Cozumel, Mexico, with her sons and her partner, musician James Knight. On December 18, she and her sons go diving at the Chankanaab reef, part of the National Marine Park of Cozumel, in a designated diving area that watercraft are restricted from entering. With the group is a local veteran divemaster, Iván Díaz. As the group is surfacing from a dive, a powerboat moving at high speed enters the restricted area. MacColl sees the boat coming before her sons. Louis, then 13, is not in its path, but 15-year-old Jamie is. She is able to push him out of the way but in doing so she is struck by the boat and dies instantly. MacColl’s body is repatriated to the United Kingdom and is cremated after a humanist funeral at Mortlake Crematorium in South-West London.
In 2001, a bench is placed by the southern entrance to London’s Soho Square as a memorial to MacColl, after a lyric from one of her most poignant songs: “One day I’ll be waiting there / No empty bench in Soho Square.” Every year on the Sunday nearest her October 10 birthday, fans from all over the world hold a gathering at the bench to pay tribute to her and sing her songs.
MacColl’s collaboration with the Pogues, “Fairytale of New York,” remains a perennial Christmas favourite. In 2004, 2005, and 2006, it is voted favourite Christmas song in a poll by music video channel VH1. The song is re-released in the United Kingdom in December 2005, with proceeds being split between the Justice for Kirsty Campaign and charities for the homeless. The re-release reaches number 3 on the U.K. charts, and spends five weeks in the top 75 over the Christmas and New Year period. It reaches the top 10 for the third time in its history in 2006, peaking at number 6, and charts yet again in December 2007. The song also makes the Top 20 in subsequent years, and has spent more time in the top 20 than any other song.
Stacy leaves school at the age of 16 after failing to attend regularly. He holds a few jobs, including working at a carwash and as a used car salesman for nearly two years. One of Stacy’s early bands was The Millwall Chainsaws, which Stacy describes as more of an idea than an actual band, although they perform seven gigs within two years. The band features Stacy on vocals and Shane MacGowan on guitar. Stacy and MacGowan had met at the Roundhouse at a Ramones concert that also featured The Saints and Talking Heads. They play some Irish rebel songs, later renaming themselves the New Republicans. This band later forms the genesis of The Pogues. Stacy has heard a good deal of Irish music growing up in London but becomes increasingly interested in it after meeting MacGowan.
Stacy co-founds The Pogues, along with MacGowan, Jem Finer, and James Fearnley, and appears on all of their recordings. He is credited with suggesting the band’s original name, Pogue Mahone, which is Irish for “kiss my arse.” The band’s original intent is for MacGowan and Stacy to share vocal duties, but decide to leave them to MacGowan after the first performance. Stacy opts to learn the tin whistle. Stacy still frequently contributes backing vocals and occasional lead vocals throughout his long tenure with the band. After MacGowan is fired from the The Pogues in 1991, Joe Strummer fills in for him for a short period after which Stacy assumes the role of lead vocalist. The Pogues record two albums with Stacy on lead vocals – Waiting for Herb and Pogue Mahone. Stacy resumes his original role in the band when they begin performing reunion shows in 2001.
Stacy appears in several movies and television productions over his career, including the Alex Cox films Straight to Hell (1986) and Walker (1986), as well as Eat the Rich (1987). Most recently, he appears as “Slim Jim” Lynch in two seasons of the HBO series Treme, which is set in New Orleans.
Stacy and his wife have lived in New Orleans since 2010.
After college at Keele University, Finer travels around Europe and spends some time working on a barge in France. He settles in London and becomes the bass player in a group called The Petals and lives in 32 Burton Street, a house which he sometimes shares with Spider Stacey and Shane MacGowan. Together with James Fearnley they found The Pogues. Primarily a banjoist, he also plays other instruments, including mandola, saxophone, hurdy-gurdy, and the guitar. Apart from Shane MacGowan, Finer is the most prolific composer for the band.
Finer appears on all the band’s albums until their breakup in 1996. He continues working as a musician and composer after leaving The Pogues.
On January 1, 2000, the Finer-composed Longplayer piece of music is started and is designed to last 1,000 years without ever repeating itself. It currently exists in both computer-generated and live versions. Longplayer represents a convergence of many of his concerns, particularly those relating to systems, long-durational processes, and extremes of scale in both time and space.
Finer serves as “Artist in Residence” at the Astrophysics Sub-department of the University of Oxford between October 2003 and June 2005. Finer and Hamburg-based swamp pop legend DM Bob begin recording and performing together in 2005, releasing their album Bum Steer in August of that year and co-producing the debut album by experimental pop band Marseille Figs. In July 2005, Finer wins the PRS Foundation New Music Award on the basis of his proposal to build a device that will automatically “compose” a song of indeterminate length by harnessing the creative force of the weather.
In March 2012, Mobile Sinfonia, a global composition for ringtones is launched, developed during a year Finer spends as a non-resident artist at the University of Bath. This piece concerns mutual invasion of soundscape via ringtones.
Finer is currently working on a number of new projects continuing his interest in long-term sustainability and the reconfiguring of older technologies, including Spiegelei, a spherical camera obscura featuring Finer’s innovative 360-degree projection system and the Supercomputer in Cambridge, a 5-bit mechanical sculpture which will compute minimal musical scores.
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In 2001, a bench is placed by the southern entrance to London’s 
seamus dubhghaill 