“Whiskey in the Jar” is the tale of a highwayman or footpad who, after robbing a military or government official, is betrayed by a woman; whether she is his wife or sweetheart is not made clear. Various versions of the song take place in County Kerry, Kilmoganny, Cork, Sligo and other locales throughout Ireland. It is also sometimes placed in the American South, in various places among the Ozarks or Appalachians, possibly due to Irish settlement in these places. Names in the song change, and the official can be a Captain or a Colonel, called Farrell or Pepper among other names. The protagonist’s wife or lover is sometimes called Molly, Jenny, Emzy, or Ginny among various other names. The details of the betrayal are also different, being either betraying him to the person he robbed and replacing his ammunition with sand or water, or not, resulting in his killing the person.
“Whiskey in the Jar” is the tale of a highwayman or footpad who, after robbing a military or government official, is betrayed by a woman. Whether she is his wife or sweetheart is not made clear. Various versions of the song take place in County Kerry, Kilmoganny, Cork, Sligo, and other locales throughout Ireland. It is also sometimes placed in the American South, in various places among the Ozarks or Appalachians, possibly due to Irish settlement in these places. Names in the song change, and the official can be a Captain or a Colonel, called Farrell or Pepper among other names. The protagonist’s wife or lover is sometimes called Molly, Jenny, Emzy, or Ginny among various other names. The details of the betrayal are also different, being either betraying him to the person he robbed and replacing his ammunition with sand or water, or not, resulting in his killing the person.
The song’s exact origins are unknown. The song first gains wide exposure when the Irish folk band The Dubliners perform it internationally as a signature song, and record it on three albums in the 1960s. In the United States, the song is popularized by The Highwaymen, who record it on their 1962 album Encore. Building on their success, the Irish rock band Thin Lizzy hits the Irish and British pop charts with the song in 1973. In 1990 The Dubliners re-record the song with The Pogues with a faster rocky version charting at No.4 in Ireland and No.63 in the UK. The American metal band Metallica brings it to a wider rock audience in 1998 by playing a version very similar to that of Thin Lizzy’s, though with a heavier sound, winning a Grammy Award for the song in 2000 for Best Hard Rock Performance.
Thin Lizzy’s 1972 single stays at the top of the Irish charts for 17 weeks, and the British release stays in the top 30 for 12 weeks, peaking at No. 6, in 1973. This version has since been covered by U2, Pulp (first released on a 1996 various artist compilation album Childline and later on deluxe edition of Different Class in 2006), Smokie, Metallica (Garage Inc. 1998, which wins a Grammy), Belle and Sebastian (The Blues Are Still Blue EP 2006), Gary Moore (2006), Nicky Moore (Top Musicians Play Thin Lizzy 2008), Simple Minds (Searching for the Lost Boys 2009), and Israeli musician Izhar Ashdot. The song is also on the Grateful Dead live compilation So Many Roads(1965-1995) disc five.
Born into a musical family, O’Connell is the third of four sisters. Her mother’s family owns Costello’s fish shop in Ennis where O’Connell works until music becomes her full-time career. She grows up listening to her mother’s light opera, opera, and parlour music records. Her father’s interest leans towards the rebel ballads. Despite the presence of classical music in the house, O’Connell gets very involved in the local folk club scene and together with Mike Hanrahan, who later fronts folk rock outfit Stockton’s Wing, they perform a country music set, as a duo called “Tumbleweed.”
O’Connell attends St. Joseph’s Secondary School in Spanish Point from 1971 to 1974, where she takes part in the school choir. She is also a member of the “Cúl Aodha Choir”, led by Peader Ó Riada, that sings at the funeral of Willie Clancy in 1973.
O’Connell begins her professional musical journey during a six-week tour of the United States in 1980, as vocalist for the traditionally-based Celtic group De Dannan. The following year, she is featured on the band’s landmark album, The Star Spangled Molly, which becomes something of a national phenomenon in her homeland. However, not long after joining the group she becomes very interested in the experimental roots music of America’s New Grass Revival when the bands’ paths cross. She moves to the United States in 1986, settling in Nashville, Tennessee. There she meets progressive bluegrass pioneers Béla Fleck and Jerry Douglas, with whom she works on most of her records.
O’Connell records her first solo album in 1983, however, it does not make any impact in Ireland or in the United States. She receives a Grammy Award nomination for her 1989 album, Helpless Heart, which is her first record released under Warner Bros. Records. Real Life Story (1990) and Blue is the Colour of Hope (1992) register a move toward a pop synthesis. Her versions of “Living in These Troubled Times” and Cheryl Wheeler‘s “Summerfly” become standout tracks on the 1993 album A Woman’s Heart, on four all-female overseas tours and on the 1994 follow-up album in her homeland. A Woman’s Heart Vol. 2 features her heartfelt renditions of Nanci Griffith‘s “Trouble in the Fields” and Gerry O’Beirne’s “Western Highway.” After numerous albums heavily inspired by American newgrass music, she returns to her Irish roots with the 1997 release Wandering Home.
As the new millennium approaches, O’Connell signs with Sugar Hill Records in late 2000 and begins working on her seventh album. Instead of working with her longtime producer Jerry Douglas, she has Ray Kennedy produce Walls and Windows, which is released in 2001, and features an eclectic collection of songs, including work by Kim Richey, Van Morrison, John Prine, Eric Clapton and Patty Griffin. Her 2004 album, Don’t I Know, contains musical textures added by everything from fiddles, to clavinets, to lap steel guitar and B-3 organ.
In addition to her solo work, O’Connell has collaborated with a number of Celtic, folk, pop and country artists, including Van Morrison, Brian Kennedy, Moya Brennan, Mary Black, John Prine, Jerry Douglas, Tim O’Brien, John Gorka, Béla Fleck, Robert Earl Keen, Dolly Parton and Shawn Colvin. She has also sung background vocals for a number of artists, including Van Morrison’s 1988 project with The Chieftains, Irish Heartbeat and Stockton’s Wing on Take A Chance.
Aside from the music world, Martin Scorsese casts O’Connell, scruffed up for the role, as an Irish migrant street singer in his 19th-century epic Gangs of New York, released in 2002.
O’Connell announces the end of her solo career in 2013.
He starts as a stand-up comedian in San Francisco and Los Angeles in the mid-1970s. He is credited with leading San Francisco’s comedy renaissance. After rising to fame as an alien called Mork in the TV sci-fi sitcom series Mork & Mindy, he establishes a career in both stand-up comedy and feature film acting. He is known for his improvisational skills.
On August 11, 2014, Williams commits suicide at his home in Paradise Cay, California, at the age of 63. His wife attributes his suicide to his struggle with diffuse Lewy body dementia. His body is cremated at Montes Chapel of the Hills in San Anselmo and his ashes are scattered in San Francisco Bay on August 21.
Williams’s death instantly becomes global news. The entertainment world, friends, and fans respond to his death through social and other media outlets. U.S. PresidentBarack Obama said of Williams, “He was one of a kind. He arrived in our lives as an alien—but he ended up touching every element of the human spirit.”
Whelan is best known for composing a piece for the interval of the 1994 Eurovision Song Contest. The result, Riverdance, is a seven-minute display of traditional Irish dancing that becomes a full-length stage production and spawns a worldwide craze for Irish dancing and Celtic music and also wins him a Grammy Award. It is released as a single in the United Kingdom in 1994, credited to “Bill Whelan and Anúna featuring the RTÉ Concert Orchestra.” It reaches number 9 and stays in the charts for 16 weeks. The album of the same title reaches number 31 in the album charts in 1995. He also composes a symphonic suite version of Riverdance, with its premiere performed by the Ulster Orchestra on BBC Radio 3 in August 2014.
Moya Brennan, born Máire Ní Bhraonáin, Irish folk singer, songwriter, harpist, and philanthropist, is born in Dublin on August 4, 1952.
After leaving secondary school, Brennan spends a few years at the Royal Irish Academy of Music in Dublin studying the harp, the piano, and singing. She has also taught music at Holy Cross College in Falcarragh, County Donegal.
In 1970 Brennan joins her two brothers, Pól and Ciarán, and their mother’s twin brothers, Noel and Pádraig Ó Dúgáin, and form the band Clannad. They are identified and introduced to television by Tony MacMahon. After enjoying a decade of being among the world’s foremost Irish musical groups, Clannad graduates to chart success in 1982 with the album Magical Ring. Brennan is at the forefront of the group’s success and her voice suddenly becomes synonymous with Celtic music and Irish music at the time. Brennan records 17 albums with Clannad and wins a Grammy Award, a BAFTA, and an Ivor Novello award with the quintet. Her sister, Eithne Ní Bhraonáin, who spends some time with Clannad, continues to pursue a very successful solo career under the name Enya.
In total Brennan has recorded 25 albums, and has sold 20 million records. Brennan and Clannad are credited with the creation of contemporary Celtic music and are held in high esteem for their vast contribution to bringing new life to old Irish songs. They have been compared to Seán Ó Riada, in that they brought the Irish language into popular culture through their music. One critic said, “Clannad’s music offers a terrific fusion between traditional and modern influences.” U2 front man Bono says of her voice, “I think Máire has one of the greatest voices the human ear has ever experienced.”
Paul David Hewson, Irish singer-songwriter, musician, venture capitalist, businessman, and philanthropist known by his stage name Bono, is born in the Rotunda Hospital, Dublin, on May 10, 1960.
Bono writes almost all U2 lyrics, frequently using religious, social, and political themes. During U2’s early years, his lyrics contribute to their rebellious and spiritual tone. As the band matures, his lyrics become inspired more by personal experiences shared with the other members. Bono wins numerous awards with U2, including twenty-two Grammy Awards and the 2003 Golden Globe Award for best original song, The Hands That Built America, for the film Gangs of New York.
In 2005, the U2 band members are inducted into the Rock and Roll Hall of Fame in their first year of eligibility. In November 2008, Rolling Stone magazine ranks Bono as the 32nd-greatest singer of all time.
In 1992, Bono, along with The Edge, purchase and refurbish Dublin’s two-star 70-bedroom Clarence Hotel, converting it into a five-star 49-bedroom hotel.
Bono is on the board of Elevation Partners, a private-equity firm, which attempts to purchase Eidos Interactive in 2005 and has since gone on to invest in other entertainment businesses. Bono invests in the Forbes Media group in the United States through Elevation Partners. Elevation Partners becomes the first outsider to invest in the company, taking a minority stake in Forbes Media LLC, a new company encompassing the 89-year-old business which includes Forbes magazine, the Forbes.com website and other assets. The terms of the deal are not disclosed, but reports say the stake is worth about $250 million. The firm also owns a 1.5 percent stake in the social networking site Facebook, originally purchased for $210 million.
Bono is also widely known for his activism concerning Africa, for which he co-founds DATA, EDUN, the ONE Campaign and Product Red. He organises and plays in several benefit concerts and meets with influential politicians. Over the years, Bono is praised and criticised for his activism and involvement with U2.
In 2007, Bono is named in the U.K.’s New Years Honours List as an honorary Knight Commander of the Order of the British Empire. On March 29, 2007, Bono is formally granted knighthood by Queen Elizabeth II of the United Kingdom for “his services to the music industry and for his humanitarian work.” He is also made a Commandeur of the French Ordre des Arts et des Lettres (Order of Arts and Letters). Together with Bill and Melinda Gates, Bono is named Time Person of the Year in 2005, among other awards and nominations.
In contrast to the ambient experimentation of their 1984 release The Unforgettable Fire, the band aims for a harder-hitting sound within the limitation of conventional song structures on The Joshua Tree. The album is influenced by American and Irish roots music, and depicts the band’s love–hate relationship with the United States, using socially and politically conscious lyrics embellished with spiritual imagery.
Inspired by American tour experiences, literature, and politics, U2 chooses America as a theme for the album. Recording begins in Ireland in January 1986. Several events during the recording sessions help shape the conscious tone of the album, including the band’s participation in A Conspiracy of Hope tour, the death of roadie Greg Carroll, and lead vocalist Bono’s travels to Central America. Recording is completed in November 1986 and additional production continues into January 1987. Throughout the sessions, U2 seeks a “cinematic” quality for the record, one that will evoke a sense of location, in particular, the open spaces of America. They represent this in the sleeve photography depicting them in American desert landscapes.
The Joshua Tree receives critical acclaim, topping the charts in over 20 countries, and selling in record-breaking numbers. According to Rolling Stone, the album increases the band’s stature “from heroes to superstars.” It produces the hit singles With or Without You, I Still Haven’t Found What I’m Looking For, and Where the Streets Have No Name. The album wins Grammy Awards for Album of the Year and Best Rock Performance by a Duo or Group with Vocal in 1988. The group supports the record with the Joshua Tree Tour throughout 1987.
Frequently featured on critics’ lists of music’s greatest records, The Joshua Tree is one of the world’s best-selling albums, with over 25 million copies sold. U2 releases a remastered edition of the record in 2007 to commemorate its 20th anniversary. In 2014, it is deemed “culturally, historically, or aesthetically significant” by the U.S. Library of Congress and selected for preservation in the National Recording Registry.
Born George Ivan Morrison in Belfast in 1945, Morrison has received six Grammy Awards (1996-2007), the 1994 Brit Award for Outstanding Contribution to Music, and has been inducted into the Irish Music Hall of Fame (September 1999) and the Songwriters Hall of Fame (June 2003). In 2015 he is knighted by Queen Elizabeth II for his musical achievements and his services to tourism and charitable causes in Northern Ireland.
Morrison’s influence can readily be heard in the music of a diverse array of major artists and according to The Rolling Stone’s Encyclopedia of Rock and Roll, “his influence among rock singers/song writers is unrivaled by any living artist outside of that other prickly legend, Bob Dylan. Echoes of Morrison’s rugged literateness and his gruff, feverish emotive vocals can be heard in latter day icons ranging from Bruce Springsteen to Elvis Costello.”
Morrison is inducted into the Hall along with luminaries Ruth Brown, Cream, Creedence Clearwater Revival, The Doors, Frankie Lymon & The Teenagers, and Etta James. In his induction speech of Morrison, the Band’s Robbie Robertson says, “In the tradition of the great Irish poets and the great soul singers, he is the Caruso of rock and roll.” Morrison becomes notable as the first living inductee into the Rock and Roll Hall of Fame not to attend his own ceremony. Robertson accepts the award on Morrison’s behalf.
This “Caruso of rock and roll” and magnificent songwriter is also one of the most curmudgeonly live performers in rock and roll history. The satirical Onion newspaper writes of him, “Morrison deserves a spot in the Rock Hall based on his record-breaking streak of 4,256 consecutive shows performed without cracking a smile.”