seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: The Irish Times (newspaper)


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Birth of Padraic Fallon, Poet & Playwright

padraic-fallon

Padraic Fallon, Irish poet and playwright, is born in Athenry, County Galway, on January 3, 1905.

Fallon’s upbringing and his early impressions of Athenry and the surrounding landscape are intimately described in his poetry. After passing the civil service exams in 1923 he moves to Dublin to work in the Customs House. In Dublin he becomes part of the circle of George William Russell (Æ) who encourages his literary ambitions and arranges for the publication of his early poetry. His early poetry, short stories, and literary criticism are published in The Dublin Magazine and The Bell.

He forms close friendships with Seumas O’Sullivan, editor of The Dublin Magazine, the poets Austin Clarke, Robert Farren, F.R. Higgins, and Patrick McDonagh and later the novelist James Plunkett. In 1939, Fallon leaves Dublin to serve as a Customs official in County Wexford, living in Prospect House, near Wexford Town with his wife, Dorothea (née Maher) and his six sons. During this time, he becomes a close friend of the painter Tony O’Malley.

Fallon is a regular contributor to Radio Éireann in the 1940s and 1950s, serving variously as a journalist, scriptwriter, and literary critic. A number of his short stories and early dramatic pieces are broadcast by the station during the 1940s. The first of Fallon’s verse plays for radio, Diarmuid and Gráinne, is broadcast by Radio Éireann in November 1950. This is followed by The Vision of Mac Conglinne (1953), Two Men with a Face (1953), The Poplar (1953), Steeple Jerkin (1954), A Man in the Window (1955), Outpost (1955), The Wooing of Étain (1955), Deirdre’s King (1956), The Five Stations (1957), The Hags of Clough (1957), The Third Bachelor (1958), At the Bridge Inn (1960), and Lighting up Time (1961).

Three plays adapted from Irish mythology, Diarmuid and Gráinne, The Vision of Mac Conglinne, and Deirdre’s King receive particular contemporary critical acclaim. The landscape, mythology, and history of Ireland, interwoven with classical themes and religious symbolism, are frequent themes in his poetry and dramatic works.

A number of his radio plays are later broadcast on the BBC Third Programme, and, in translation, in Germany, Holland, and Hungary. A stage play, The Seventh Step, is staged at The Globe Theatre in Dublin in 1954. A second stage play, Sweet Love ’till Morn, is staged in the Abbey Theatre in 1971. Fallon also writes dramatic pieces for television such as A Sword of Steel (1966) and The Fenians (1967), the latter produced by James Plunkett.

Fallon retires from the Civil Service in 1963, returning to Dublin before moving to Cornwall in 1967 to live with his son, the sculptor Conor Fallon and his daughter-in-law, the artist Nancy Wynne-Jones. He and his wife return to Ireland in 1971. He spends his last years in Kinsale. He is visiting his son Ivan Fallon in Kent at the time of his death on October 9, 1974.

While his poetry has previously appeared in The Dublin Magazine, The Bell, The Irish Times, and a number of anthologies, his first volume of collected poetry, Poems, incorporating a number of previously unpublished poems, is not produced until 1974, months before his death. Three volumes of his poetry, edited by his son, the journalist and critic Brian Fallon, are published after his death – Poems and Versions (1983), Collected Poems (1990), with an introduction by Seamus Heaney, and A Look in the Mirror and Other Poems (2003), with an introduction by Eavan Boland. In 2005, three of Fallon’s verse plays, The Vision of Mac Conglinne, The Poplar, and The Hags of Clough are published in a single volume. A selection of his prose writings and criticism edited by Brian Fallon, A Poet’s Journal, is published in the same year.


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Last British Troops Leave the Irish Free State

british-troops-leave-ireland

The last British troops leave the Irish Free State on December 17, 1922. They are the remnants of a 5,000 strong garrison maintained up to that point in Dublin, commanded by Nevil Macready.

It appears to be a friendly farewell, even while Ireland is embroiled in its own Civil War. The Union Jack is lowered at the hospital and Macready goes to review the final contingent of troops as they leave the Royal barracks, later known as the Collins barracks. He then motors to Kingstown, now Dún Laoghaire, where he receives a 17-gun salute and joins Admiral Cecil Fox, the Sligo-born naval commander in the area, on board the cruiser HMS Dragon to sail home to England and retirement.

Meanwhile, the troops, 3,500 men mostly from the Leicester, Worchester, and Border regiments, march to the port. At Beresford Place they are greeted by 500 members of the Legion of Irish Ex-Servicemen, in civilian clothes but wearing their decorations. Thousands of other people line the quays and the armoured cars and the Dublin Metropolitan Police stand by, but there is no trouble. Embarkation onto six ships begins around 1:15 PM. At 3:10 PM, the last ship to leave, the steamer Arvonia chartered from the London and North Western Railway, weighs anchor while a band on deck plays “God Save the King” and a crowd breaks into the North Wall Extension to wave a final farewell as it enters Alexandra Basin.

The armoured cars them drive north to Ulster and the evacuation of the Irish Free State, apart from the Treaty ports, is over. General Richard Mulcahy, who takes over the Royal barracks that day, claims “the incubus of occupation that has lain as a heavy hand on the country for years has been removed.”

In his memoirs, Macready expresses annoyance that a photograph of Fox and himself published in The Irish Times on December 18 has the caption “two gallant Irishmen.” Although he has an Irish grandfather, he cordially loathes Ireland.

The British leave fully outfitted barracks to the Irish Army and artifacts including a large card in the Headquarters in Parkgate Street printed with the admonition “LOVE ONE ANOTHER.”


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First Edition of The Cork Examiner

cork-examiner

The Cork Examiner, now known as the Irish Examiner, an Irish national daily newspaper, hits the streets for the first time on August 30, 1841. Today the newspaper primarily circulates in the Munster region surrounding its base in Cork, though it is available throughout Ireland. Its primary national rivals are The Irish Times and the Irish Independent.

The paper is founded by John Francis Maguire under the title The Cork Examiner in 1841 in support of the Catholic Emancipation and tenant rights work of Daniel O’Connell. The newspaper is originally published three times a week on Mondays, Wednesdays, and Fridays. In July 1861, it becomes a daily newspaper with editions Monday through Saturday.

In August 1922, during the Irish Civil War, The Cork Examiner’s printing presses are destroyed by Republican forces before the Free State army can arrive in Cork. During the Spanish Civil War, The Cork Examiner takes a strongly pro-Franco tone in its coverage of the conflict.

Though originally appearing under The Cork Examiner title, it has re-branded in recent years to The Examiner, and subsequently The Irish Examiner to appeal to a more national readership.

The newspaper was part of the Thomas Crosbie Holdings group. Thomas Crosbie Holdings went into receivership in March 2013. The newspaper has since been acquired by Landmark Media Investments. The newspaper is based on Academy Street in Cork for over a century before moving to new offices at Lapp’s Quay, Cork in early November 2006.

Historical copies of The Cork Examiner, dating back to 1841, are available to search and view in digitised form at The British Newspaper Archive.


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Birth of Irish Novelist Maeve Binchy

maeve-binchy

Maeve Binchy Snell, known as Maeve Binchy, Irish novelist, playwright, short story writer, columnist, and speaker best known for her sympathetic and often humorous portrayal of small-town life in Ireland, is born on May 28, 1939, in Dalkey, County Dublin.

Binchy is the oldest of four children born to William and Maureen (née Blackmore) Binchy. Educated at St. Anne’s, Dún Laoghaire, and later at Holy Child Convent, Killiney, she goes on to study at University College Dublin, where she earns a bachelor’s degree in history. She works as a teacher of French, Latin, and history at various girls’ schools.

A 1963 trip to Israel profoundly affects both her career and her faith. One Sunday, attempting to find the location of the Last Supper, she climbs a mountainside to a cavern guarded by an Israeli soldier. She weeps with despair and the soldier asks, “What’ya expect ma’am – a Renaissance table set for 13?” She replies, “Yes! That’s just what I did expect.” This experience causes her to renounce her Catholic faith and eventually turn to atheism.

In 1968, Binchy joins the staff at The Irish Times, and works there as a writer, columnist, the first Women’s Page editor, and the London editor reporting for the paper from London before returning to Ireland.

Binchy, tall and rather stout, never considers herself to be attractive. She ultimately encounters the love of her life, children’s author Gordon Snell, while recording a piece for Woman’s Hour in London. Their friendship blossoms into a cross-border romance, with her in Ireland and him in London, until she eventually secures a job in London through The Irish Times. They are married in 1977 and eventually return to live in Dalkey, not far from where she had grown up.

In all, Binchy publishes 16 novels, four short-story collections, a play, and a novella. A 17th novel, A Week in Winter, is published posthumously. Her literary career begins with two books of short stories, Central Line (1978) and Victoria Line (1980). She publishes her debut novel Light a Penny Candle in 1982.

Most of Binchy’s stories are set in Ireland, dealing with the tensions between urban and rural life, the contrasts between England and Ireland, and the dramatic changes in Ireland between World War II and the present day. Her books have been translated into 37 languages.

In 2002, Binchy suffers a health crisis related to a heart condition, which inspires her to write Heart and Soul. The book about a heart failure clinic in Dublin and the people involved with it, reflects many of her own experiences and observations in the hospital.

Binchy dies on July 30, 2012, at the age of 73, in a Dublin hospital with her husband at her side. She had suffered from various maladies, including painful osteoarthritis, which results in a hip operation. A month before her death she suffers a severe spinal infection and finally succumbs to a heart attack. Just ahead of that evening’s Tonight with Vincent Browne and TV3‘s late evening news, Vincent Browne and then Alan Cantwell, who respectively anchor these shows, announce to Irish television viewers that Binchy has died earlier in the evening.

Despite being an atheist, Binchy is given a traditional Requiem Mass which takes place at the Church of the Assumption, in her hometown of Dalkey. She is later cremated at Mount Jerome Cemetery and Crematorium.


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Birth of Henry Wilfrid Brambell in Dublin

henry-wilfred-brambellHenry Wilfrid Brambell, Irish film and television actor best known for his role in the British television series Steptoe and Son, is born in Dublin on March 22, 1912.

Brambell is the youngest of three sons born to Henry Lytton Brambell, a cashier at the Guinness Brewery, and his wife, Edith Marks, a former opera singer. His first appearance is as a child, entertaining the wounded troops during World War I. Upon leaving school he works part-time as a reporter for The Irish Times and part-time as an actor at the Abbey Theatre before becoming a professional actor for the Gate Theatre. He also does repertory at Swansea, Bristol and Chesterfield. In World War II, he joins the British military forces entertainment organisation Entertainments National Service Association (ENSA).

His television career begins during the 1950s, when he is cast in small roles in three Nigel Kneale/Rudolph Cartier productions for BBC Television, The Quatermass Experiment (1953), Nineteen Eighty-Four (1954), and Quatermass II (1955). All of these roles earn him a reputation for playing old men, though he is only in his forties at the time.

It is this ability to play old men that leads to his casting in his best remembered role, as Albert Steptoe, the irascible father in Steptoe and Son. This begins as a pilot on the BBC’s Comedy Playhouse, and its success leads to a full series being commissioned, running from 1962 to 1974 including a five-year hiatus. There are two feature film spin-offs, a stage show, and an American incarnation entitled Sanford and Son, some episodes of which are almost exact remakes of the original British scripts.

The success of Steptoe and Son makes Brambell a high-profile figure on British television, and earns him the supporting role of Paul McCartney‘s grandfather in The Beatles‘ first film, A Hard Day’s Night (1964). In 1965, Brambell tells the BBC that he does not want to do another series of Steptoe and Son and, in September that year, he goes to New York City to appear in the Broadway musical Kelly at the Broadhurst Theatre, however, it closes after just one performance.

Apart from his role as the older Steptoe, Brambell achieves recognition in many films. His performance in The Terence Davies Trilogy wins him critical acclaim, far greater than any achieved for Steptoe and Son. Although he appears throughout the full 94-minute piece, Brambell does not speak a single word.

After the final series of Steptoe and Son is made in 1974, Brambell has some guest roles in films and on television. He and Harry H. Corbett also undertake a tour of Australia in 1977 in a Steptoe and Son stage show.

Brambell dies of cancer in Westminster, London, on January 18, 1985, at the age of 72. He is cremated on January 25, 1985 at Streatham Park Cemetery, where his ashes are scattered.