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The Execution of IRA Member George Plant

George Plant, member of the Irish Republican Army (IRA), is executed by the Irish Government on March 5, 1942.

Plant is born into a Church of Ireland farming family in Fethard, County Tipperary, on January 5, 1904, the second eldest child and son in a family of six children. His parents are John William Albert Plant, a farmer, and Catherine Hayden.

One Sunday in 1916, George and his older brother Jimmy are arrested by the Royal Irish Constabulary (RIC) after being seen speaking to two well-known republicans, Seán Hayes and Dan Breen. In custody the two brothers are beaten and mistreated resulting in a hatred of the RIC. He serves with the Irish Republican Army during the Irish War of Independence and with the Anti-Treaty IRA in the Irish Civil War.

In 1923, George and Jimmy leave Ireland for Canada and the United States but continue as active IRA members. In 1929 they return to Ireland and carry out a bank raid in Tipperary on behalf of the IRA. They are arrested two days later at the family farm and subsequently sentenced to seven years in prison. They are released in a general amnesty after the Fianna Fáil and Éamon de Valera election victory in 1932. He is a strong supporter of Seán Russell. In 1939 following the outbreak of World War II, known in Ireland as The Emergency, de Valera is determined to maintain Irish neutrality and is not going to allow the IRA to jeopardize this. The IRA links with Germany and campaign in Britain are severely straining Anglo-Irish relations so emergency legislation is introduced.

Russell, the IRA Chief of Staff, dies in August 1940 after taking ill on board a U-boat and Stephen Hayes from County Wexford becomes IRA Chief of Staff. In late August 1940 an address on Lansdowne Road, Dublin, is raided by the Garda Síochána. Among the men arrested is Michael Devereux, a 24-year-old married truck driver from County Wexford who is also Quartermaster of the IRAs Wexford Brigade. He is released after three days without charge. Shortly afterwards Gardaí in County Wexford find an IRA arms dump. Many in the IRA suspect that Devereux had turned informer, so Stephen Hayes orders Devereux’s execution. George Plant and another man, Michael Walsh from County Kilkenny, are ordered to carry out the order. Devereux meets Plant and Walsh who tell Devereux that Tom Cullimore, the Wexford Brigade’s OC is blamed for the arms dump and that they have shot him. They order Devereux to drive them to an IRA safe house at Grangemockler in south County Tipperary. Devereux, believing he is the prime suspect in a murder, stays willingly at the safe house. A week later, on September 27, 1940, Devereux is invited to go for a walk with Plant and Paddy Davern, the owner of the safe house. Somewhere along the walk Plant accuses Devereux of being an informer and shoots him dead. Plant is arrested nine weeks later on suspicion of IRA membership and brought before the Special Criminal Court in Dublin. On February 10, 1941 Radio Éireann broadcasts a radio appeal for Michael Devereux on behalf of his wife.

In September 1941, Stephen Hayes is accused of being an informer by a group of Northern IRA members led by Seán McCaughey. He manages to escape to a garda station. Shortly afterwards a large force of Garda Síochána and Irish Army descend on the area around the Davern farmhouse where they find Devereux’s car buried under an onion bed and eventually discover Devereux’s body, a year to the day after his death. Two weeks later, Plant, already in prison on IRA membership charges, is charged with Devereux’s murder. A trial is held with a senior IRA officer, Joseph O’Connor, also charged with Devereux’s murder. The first trial collapses after two days when Paddy Davern and Micheal Walsh, two of the prosecution witnesses, refuse to give evidence. This result leads to the court issuing a nolle prosequi order which should have meant the end of the affair, however both men are rearrested and recharged with the same offence, under Emergency Order 41f. Minister for Justice Gerald Boland transfers the case to a Special Military Court with army officers acting as judges. In addition to Plant, Paddy Davern and Michael Walsh are also now charged with Devereux’s murder. The second trial begins at Collins Barracks, Dublin in February 1942 with Seán MacBride, a former IRA Chief of Staff and future government minister as the defendant’s barrister. Davern states his original statement was given at gunpoint but under the new order even statements given under duress are admissible. The court only has two sentencing options – death or acquittal. Joseph O’Connor is acquitted and despite MacBride’s best efforts the other three are sentenced to death. Davern and Walsh have their sentences commuted to life imprisonment, and are both released in 1946.

Just one week after sentence is passed, Plant is executed on March 5, 1942, in Portlaoise Prison by a six-man firing squad drawn from the Irish Army. Much bitterness is caused by the treatment of Plant’s relatives. Neither his wife or mother or infant son are allowed to visit him in the week before his execution. Censorship ensures there is little mention in the newspapers, so his family only learns of his execution from a brief radio broadcast shortly before they receive a telegram. He is buried in the grounds of Portlaoise Prison, but is reinterred in 1948, when he is buried with full IRA military honours in his local church St. Johnstown in County Tipperary, and a Celtic cross is erected over his grave.

Plant’s wife moves to the United States where she remarries. His brother Jimmy dies in London in 1978. The Plant’s family farm is now part of the Coolmore Estate.


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Death of Radio Éireann’s Agony Aunt, Frankie Byrne

Frankie Byrne, Irish public relations consultant, broadcaster and Radio Éireann’s own agony aunt, dies in St. Vincent’s Hospital, Dublin, on December 11, 1993.

Byrne is born into a successful family of journalists from Dublin. Cared for by servants, from a young age Byrne feels like she isn’t loved as much as the other children in the family. She is the middle child with two brothers and two sisters. She attends boarding school in Rathfarnham and has a limited relationship with her parents. Her father is a racing journalist and broadcaster who lives in the Gresham Hotel on O’Connell Street where his job at Radio Éireann is located. She becomes addicted to nicotine and alcohol. Two of her siblings die from alcoholism.

In the late 1940s, Byrne works at the Brazilian embassy in Dublin. She is a pioneer in Irish radio and her program, “Agony Aunt,” leads to public confessionals on the radio. She writes an Agony Aunt column for the Evening Press during the same period. She is best known for her 22 years of the radio program ‘Dear Frankie.’ On the show she gives relationship advice to listener requests. Dear Frankie, sponsored by Jacob’s, paves the way for the contemporary radio programs such as The Gerry Ryan Show and RTÉ Radio 1’s Liveline with Joe Duffy.

Dear Frankie is broadcast from 1963 to 1985. It opens with the words, ‘Welcome to Women’s Page, a program for and about you.’ The program begins as a 15-minute question and answer format on household issues but soon becomes a radio program that allows people to share confidences and seek advice. She shares household problems with her listeners ranging from jealous husband to lovelorn teenagers. She claims to know nothing about domestic science but that she does know about love. She advises on domestic relationships while living a life of turmoil. The most unique feature of Dear Frankie is that the program sets people to talking, and helps begin a national conversation on the lonely struggles of generations of Irish women.

Byrne never marries but has a 25+ year relationship with Frank Hall, the satirist and columnist for the Evening Herald. Their relationship has been disputed by some family members who deny they had a child together and that the couple were just good friends. Nevertheless, in the middle of this relationship, she becomes pregnant in the mid-1950s, giving birth to their daughter Valerie on July 12, 1956. She wants to keep the baby but ultimately gives her up to St. Clare’s Orphanage in Stamullen. She frequently visits her baby daughter until she is eventually adopted some 15 weeks later, going to a family who goes on to adopt four more children. Her relationship with Frank Hall comes to an end in the mid-1970s. Although she had struggled with alcoholism for many years, she stops drinking in the mid-1970s, but is subsequently prescribed Valium and is addicted to the drug for the remainder of her life.

Byrne and her daughter are reunited on December 13, 1983, a decade before her death. The last time Valerie sees her mother is exactly ten years later, on December 13, 1993, in the mortuary in St. Vincent’s Hospital.

Byrne dies at the age of 71 from Alzheimer’s disease in St. Vincent’s Hospital, Dublin, on Saturday, December 11, 1993. Tributes are paid by colleagues and friends including the RTÉ assistant Director-General, Bobby Gahan, who describes her voice as “one of the greatest sounds of radio.” Others who pay public tribute to her include fellow broadcasters Larry Gogan and Gay Byrne.

Byrne is remembered as an influential force during the time of her radio show, and it has been said that an entire generation can hum the signature tune to her radio program. Following her death there is an outburst of support. Gay Byrne describes her as having been “a national institution who had been loved by everyone.” Dear Frankie is often credited as the first ‘agony aunt’ radio show program format in Ireland.

Byrne’s talk show and life inspire numerous pieces of literature including a stage production in 2010 and 2012, authored by Niamh Gleeson and produced by the Five Lamps Theater Company, which tells the story of her ‘tragic and secretive life.’ She is also the subject of a book published in 1998, which compiles the advice which she gave on Dear Frankie. In 2006, RTÉ airs a documentary on Byrne, in which they explore her life following the show, and include interviews with her family and friends, including her daughter Valerie.

Byrne is also famous for having been the first woman to found a public relations company in 1963, that works almost exclusively in promoting Jacob’s.


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Death of Seumas O’Kelly, Journalist, Writer & Playwright

Seumas O’Kelly, journalist, fiction writer, and playwright, dies in Dublin on November 14, 1918, following a cerebral haemorrhage.

O’Kelly is born James Kelly in Mobhill, Loughrea, County Galway, youngest of seven (or possibly eight) children of Michael Kelly, corn merchant, and his wife, Catherine Fitzgerald. His date of birth is uncertain. Some commentators believe he is the James Kelly whose birth was registered on November 16, 1875, but relatives claim this was a sibling and namesake who died prematurely. His death certificate implies he was born in 1878, and family members maintained he was born in 1880.

Loughrea is at the centre of the bitterly-fought plan of campaign agitation on the Clanricarde estate from the late 1880s. Many tenants in the town and surrounding rural districts are evicted for non-payment of rent, and Lord Clanricarde resists reinstatement until the estate is purchased by special legislation shortly before World War I. According to one source, the O’Kellys are themselves evicted during the Plan of Campaign, though they seem to retain a degree of financial stability. A widespread perception that nationalist politicians had exploited the evicted tenants contributes to the relative strength of Parnellism in the area, and the early appearance of Sinn Féin. This background inspires such works as O’Kelly’s 1917 play, The Parnellite.

While growing up in Loughrea, O’Kelly is profoundly influenced by contact with older relatives and country folk from whom he learns some Irish and the folklore/storytelling tradition that shapes many of his stories. The example of his mother and friendship with the local Carmelite fathers, whom he serves as an altar boy, gives him a strong commitment to Catholicism. This coexists in his work with an Ibsenite-Parnellite insistence on individual defiance of conformity, and a gentle exaltation of the sensitive dreamer isolated from the life around him. The mixture is sometimes uneasy. His observations on domestic violence, the sexual exploitation of servant girls by hypocritically pious employers, and prejudice against children born outside marriage or raised in the workhouse are unobtrusive but biting. His play, The Bribe (1913), gives a devastating depiction of the social and economic pressures which induce a small-town shopkeeper and poor law guardian to accept a bribe to appoint an underqualified dispensary doctor, with disastrous results. The corrupt and snobbish doctor is called Power O’Connor, an unsubtle hit at the nationalist MP, T. P. O’Connor. This element of social observation distinguishes him from the more symbolist city-born Daniel Corkery, to whom he is often compared. Much of his writing is recognisably set in Loughrea.

O’Kelly begins working as a journalist on local papers, including the Midland Tribune, the Tuam News, and the Connacht Leader. He becomes editor of The Southern Star, based in Skibbereen, County Cork, in 1903, and is said to be the youngest newspaper editor in Ireland at the time. He moves to Naas, County Kildare, in 1906, as editor of the Leinster Leader. Here he lives in a house by the canal, which provides the inspiration for his linked series of short stories, The Golden Barque, along with his father, a nephew, and his brother Michael. Already a contributor to The United Irishman published by Arthur Griffith, and later its successor, Sinn Féin, he is active in the Naas Sinn Féin club and makes regular weekend visits to Dublin, where Griffith introduces him to Dublin literary circles. Here his closest friends are James Stephens, whose influence is visible in the more whimsical and fantastic elements of O’Kelly’s work, and Seumas O’Sullivan, who recalls O’Kelly as a man of remarkable gentleness and integrity.

O’Kelly’s journalistic career is accompanied by his development as a writer, publishing stories in a variety of outlets, including the Irish Rosary and the Irish Packet. From 1908 he has several plays produced by the Theatre of Ireland, a nationalist-oriented rival to the Abbey Theatre. Lustre (1913), written jointly with Casimir Markievicz, later becomes the basis for a Soviet film.

Around 1911, O’Kelly suffers a severe attack of rheumatic fever, which leaves him with a chronic heart condition and a strong sense of mortality. He continues to write extensively and with increasing skill. He becomes editor of Dublin’s The Saturday Evening Post in 1912 and moves to Dublin, where he lives in Drumcondra. At this time he is an occasional contributor to The Manchester Guardian, turning down a permanent job on that paper. He leaves the Post in 1915 because of continuing ill-health and is offered the editorship of The Sunday Freeman but has to retire after two weeks. He then returns to Naas. At this time his play Driftwood, commissioned by Annie Horniman, is produced in Manchester and London.

When O’Kelly’s brother is interned after the Easter Rising, he resumes the editorship of the Leinster Leader until his brother’s release at Christmas 1916. He also contributes topical articles to the Sunday Independent. His literary reputation continues to increase with a short story collection, Waysiders (1917), and his best-regarded full-length novel, The Lady of Deerpark (1917), a melancholy story about the last heiress of a declining Catholic gentry family. Another novel, Wet Clay (1922), is published posthumously and is the story of the tense relationship between a “returned Yank” and his small-farmer cousins, which shows deeply unresolved ambivalence about the nature and prospects of Irish rural society after the Land War.

When Griffith and many other Sinn Féin activists are arrested and imprisoned in May 1918, O’Kelly returns to Dublin to edit the Sinn Féin paper Nationality. During the days after the Armistice of November 11, 1918, a crowd of soldiers and women whose husbands are serving in the British Army attack the paper’s premises, which are also the headquarters of Sinn Féin. As a result of these attacks O’Kelly suffers a cerebral haemorrhage which leads to his death on November 14, 1918.

O’Kelly’s funeral turns into a major political demonstration and his status as a nationalist martyr leads to the posthumous publication of many of his works. These include the novella, The Weaver’s Grave (1920), generally regarded as his masterpiece. It has been reprinted regularly and translated into several languages. A 1961 Radio Éireann adaptation by Micheal Ó hAodha wins the Prix Italia. The twenty-fifth and fiftieth anniversaries of his death see various commemorations in his honour and a short-lived Seumas O’Kelly Society is founded in 1968. O’Kelly never marries but is said to have cherished a hopeless passion for the actress and nationalist activist, Máire Níc Shiubhlaigh, for whom he writes the play The Shuiler’s Child (1909).

(From: “O’Kelly, Seumas” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Alice Curtayne, Writer & Lecturer

Alice Curtayne, Irish writer and lecturer, is born on November 6, 1898, in Upper Castle Street, Tralee, County Kerry.

Curtayne is the youngest child of John Curtayne, founder and proprietor of the Tralee Carriage Works, and his wife Bridget Curtayne (née O’Dwyer). She receives her initial education at local convents before attending La Sainte Union College in Southampton, England. Having taken a typing course, she is engaged as a secretary in Milan, where she remains for four and a half years. This proves to be a formative period in her life. She comes to regard Italy as a second home and is greatly influenced by the work of the Italian Catholic philosopher, Giovanni Papini.

On leaving Italy Curtayne works for a time in Liverpool. She joins the Liverpool Catholic Evidence Guild, from where she receives her diploma as a diocesan catechist. While in England she also develops an interest in public speaking. Her first book, Catherine of Siena (1929), is followed by numerous publications on religious and historical subjects, including Lough Derg (1933), Patrick Sarsfield (1934), The Trial of Oliver Plunkett (1953), Twenty Tales of Irish Saints for children (1955), and The Irish Story (1962).

Curtayne’s enthusiasm for Italy is reflected in her many publications of Italian interest, including a scholarly work on Dante, and a novel House of Cards (1940), which centres on the experiences of a young Irish woman living in Italy. In 1972 she produces Francis Ledwidge: A Life of the Poet, her well regarded biography of the poet Francis Ledwidge, and in 1974 it is followed by an edition of his complete poems, The Complete Works of Francis Ledwidge. Throughout her journalistic career she is a contributor to various magazines and papers, among them The Irish Times, Irish Independent, The Irish Press, Books on Trial, The Spectator, and The Standard.

During the 1950s and early 1960s Curtayne makes five lecture tours in the United States, speaking on Irish life, history, and literature. In 1959 she receives an honorary doctorate in Humane Letters from Anna Maria College in Paxton, Massachusetts, where she briefly teaches. She is presented with the Key to Worcester City by Mayor James D. O’Brien. She also gives a course of lectures on Dante at Craiglockhart College, Edinburgh, in 1956, and in 1965 she again speaks on Dante in a Radio Éireann Thomas Davis lecture.

In December 1954 The Irish Press sends Curtayne to Rome to write daily reports on the close of the Marian year. She goes to Rome again for the final session of the Second Vatican Council. She is commissioned to send weekly reports to local newspapers, The Nationalist (Carlow) and The Kerryman. She also sends a series of profiles of outstanding personages of this Vatican Council to The Universe and an article for Hibernia journal.

In 1935, Curtayne marries the English-born writer and broadcaster Stephen Rynne, with whom she has two sons and two daughters. They run a farm at Prosperous, County Kildare, and are well known advocates of the values of rural living. One son, Andrew Rynne, becomes a medical practitioner and well known for his liberal views on birth control. Daughter Brigid Rynne later illustrates some of her mother’s books.

Curtayne dies on August 9, 1981, in the Hazel Hall Nursing Home in Clane, County Kildare, and is buried at Killybegs Cemetery.


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Death of A. J. Potter, Irish Composer & Teacher

Archibald James (Archie) Potter, Irish composer and teacher who writes hundreds of works including operas, a mass, and four ballets, as well as orchestral and chamber music, dies suddenly in Greystones, County Wicklow, on July 5, 1980.

Potter is born in Belfast on September 22, 1918 to a Presbyterian family who, oddly, lives on the Falls Road, a republican (Catholic) stronghold. His father is a church organist and piano tuner who has been blind since childhood. His mother is, in Potter’s own words, “a raging alcoholic.” He escapes a rather grim childhood when he goes to live with an aunt in Kent, England.

Possessed of a good voice and natural musical ability, Potter is accepted as a treble by the world-famous choir of All Saints, Margaret Street. In 1933, after four years as a chorister, he is sent to Clifton College, Bristol. From there he goes to the Royal College of Music on a scholarship and studies composition under Vaughan Williams. While at the Royal College he wins the Cobbett prize for chamber music.

World War II interrupts Potter’s music education, and he leaves college to serve with the London Irish Rifles in Europe and the Far East. After the war he settles in Dublin, where he continues his studies at Trinity College, Dublin, gaining a Doctorate in Music in 1953.

Potter had already started composing chamber and vocal music before the war. Now, established in Dublin, he chooses the orchestra as his principal means of expression. His early pieces, such as Rhapsody under a High Sky and Overture to a Kitchen Comedy, show that he has absorbed Vaughan Williams’ pastoral style and his love of folk music. In 1952, both pieces are awarded Radio Éireann‘s “Carolan Prize” for orchestral composition by the adjudicator Arnold Bax. A year later Potter repeats this success when his Concerto da Chiesa, a concerto for piano and orchestra, also wins the Carolan Prize.

In 1955 Potter is appointed Professor of Composition at the Royal Irish Academy of Music, where he becomes an effective administrator and inspiring teacher.

In the 1960s, Potter turns to ballet, writing four orchestral scores for the Cork Ballet company. The first of these, Careless Love, becomes the composer’s own favourite of all his compositions. Several years later, following a successful battle with alcoholism, he writes what some regard as his magnum opus, Sinfonia “de Profundis” (1969). The première is given at the Gaiety Theatre, Dublin on March 23, 1969 in a performance by the RTÉ Symphony Orchestra under the baton of Albert Rosen. The Irish Times refers to the concert as a “major national event.” In December 1969, he receives a Jacob’s Award for the composition.

Potter’s last substantial work, an opera entitled The Wedding, receives its first public performance in Dublin in 1981, almost a year after his death.

Potter dies suddenly at his home in Greystones, County Wicklow on July 5, 1980, at the age of 61. He is buried in the nearby Redford cemetery.


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Death of Cecil Ffrench Salkeld, Painter, Printmaker, Critic & Writer

Cecil Ffrench Salkeld, Irish painter, printmaker, critic and writer dies in Dublin on May 11, 1969.

Salkeld is born in Assam, India on July 9, 1904. His parents are Henry Lyde Salkeld, a member of the Indian Civil Service (ICS), and Blanaid Salkeld (née Mullen), a poet. He returns to Ireland with his mother in 1910 following the death of his father in 1909. He attends Mount St. Benedict’s, Gorey, County Wexford, and the Dragon School in Oxford, England. He wins a scholarship to Oundle School in Oundle, North Northhamptonshire, but returns to Dublin where he enters the Dublin Metropolitan School of Art in 1919 to study under Seán Keating and James Sleator. He marries Irma Taesler in Germany in 1922. They have two daughters, Celia and Beatrice. The latter marries Brendan Behan in 1954.

Salkeld works in tempera and oil, as well as etching and wood engraving. In 1921 he travels to Germany to study under Ewald Dulberg at the Kassell Kunstschule. He attends the Union of Progressive International Artists in Düsseldorf in May 1922, and is exhibited at the Internationale Kunstausstellung. Upon his return to Dublin in 1924, he holds his first solo exhibition in the Society of Dublin Painters gallery. He becomes a member of the Dublin Painters in 1927. With Francis Stuart, he co-edits the first two issues of To-morrow in 1924. His studio is in a converted labourer’s cottage at Glencree, County Wicklow. He also exhibits with the New Irish Salon and the Radical Painters’ Group.

Salkeld wins the 1926 Royal Dublin Society‘s Taylor scholarship, and has his first exhibited work with the Royal Hibernian Academy (RHA) in 1929. He lives in Berlin for a year in 1932. He exhibits in Daniel Egan’s Gallery in Dublin in 1935. He has a wide circle of literary friends, including Samuel Beckett and Flann O’Brien. In O’Brien’s At Swim-Two-Birds, the character of Michael Byrne is designed for Salkeld, reflecting his debilitating alcoholism. He also teaches at the Dublin Metropolitan School of Art, teaching artists such as Reginald Gray.

From 1937 to 1946 Salkeld runs a private press called Gayfield Press. This is co-founded with his mother, and operates from a garden shed at their home, 43 Morehampton Road. The press is a small Adana wooden hand press. He illustrates her 1938 The Engine Left Running, as well as Ewart Milne‘s Forty North Fifty West (1938) and Liam O’Flaherty‘s Red Barbara and Other Stories (1928). In 1951, he loans the press to Liam and Josephine Miller to found the Dolmen Press.

Salkeld’s most famous public work is his 1942 three-part mural in Davy Byrne’s pub. He is a co-founder of the Irish National Ballet School in the 1940s in his capacity as a pianist. In 1946 he is appointed an associate member of the RHA. In 1953 his play Berlin Dusk is staged at 37 Theatre Club, Dublin. During the 1950s he is a broadcaster with Radio Éireann as well as a director of cultural events for An Tóstal. He dies on May 11, 1969 in St. Laurence’s Hospital, Dublin.

The National Gallery of Ireland holds a portrait by Salkeld of his daughter, Celia.

(Pictured: “The Climber” by Cecil Ffrench Salkeld, oil on canvas)


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Birth of Charles McCarthy, Trade Unionist & Academic

Charles McCarthy, trade unionist and academic, is born on January 25, 1924, at 12 Annmount, Friars Walk, Cork, County Cork.

McCarthy is the second child of John George McCarthy of Cork, plumber, and Agnes Abina McCarthy (née O’Donoghue). He is educated at Presentation Brothers College, Cork, University College Dublin (UCD), and King’s Inns, where he enrolls in 1948. He is called to the bar in 1956.

On June 7, 1951, McCarthy marries Muriel, daughter of Liam Breslin. She becomes (1989) keeper of Marsh’s Library, Dublin, receives an honorary LL.D from National University of Ireland (NUI), and is also made an honorary lay canon of St. Patrick’s Cathedral, Armagh. They live at 367 Howth Road, Raheny, Dublin, and have one son and two daughters.

After graduating from UCD McCarthy briefly works as a clerk on a building site and as an insurance agent before becoming an actor with the Radio Éireann Repertory in 1947. During his time with Radio Éireann he also writes four plays, one of which, entitled Jericho’s trumpets, is based on his experiences in the insurance industry. He is later employed as a speech and drama teacher by Cork vocational educational committee. At the same time, he develops an interest in industrial relations as treasurer of the actors’ trade union Equity and then as secretary of the Civil Service Alliance. In 1956 he becomes full-time general secretary of the Vocational Teacher’s Association, which later becomes the Teachers’ Union of Ireland (TUI). Through this post he eventually becomes president (1963–64) of the Irish Congress of Trade Unions (ICTU) and sits on the executive committee for ten years. As secretary to the International Committee of Technical Teachers he organises conferences around the world and develops countless international contacts.

In 1968 McCarthy publishes his first book, The distasteful challenge. A damning indictment of the static nature of Irish society at the time, it stresses the need to face up to change, particularly in the areas of education, the civil service, and local government. This is followed in 1971 by Industrial democracy. The following year he takes a leave of absence from the TUI to become a research fellow at Trinity College Dublin (TCD). In 1973 his dedication to the arts is rewarded with a seat (1973–76) on the RTÉ Authority and in the same year he publishes Decade of upheaval, which documents the experiences of the trade union movement during the turbulent era of the 1960s. In 1977 he becomes a lecturer in industrial relations at TCD and his 670-page magnum opus, Trade unions in Ireland, 1894–1960, is published to critical acclaim. In 1979 he is appointed to the chair in industrial relations at TCD and becomes head of the school of business and administrative studies. He is later appointed dean of the faculty of economic and social studies and made a fellow of TCD.

McCarthy is a firm believer in resolving industrial relations problems through negotiation. Both unions and management alike respect his views and abilities and he is frequently called on by the private and public sectors, as well as governments, to use his expertise to bring an end to protracted disputes. He sits on numerous public bodies including the National Industrial & Economic Council and the Irish National Productivity Committee. In 1985 his ability to bridge the divide between management and unions is recognised with his election to the council of the Irish Management Institute. Despite his career in industrial relations he maintains his interest in drama and is an original shareholder in the new Abbey Theatre. In 1973 he is appointed to the board of the theatre, serving as chairman from 1982–85. He is also a member of the board of governors and guardians of Dr. Steevens’ Hospital, Dublin.

McCarthy dies on September 8, 1986 in Dublin of atherosclerosis of the coronary arteries.

(From: “McCarthy, Charles” contributed by Shaun Boylan, Dictionary of Irish Biography, http://www.dib.ie)


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Birth of George Plant, Member of the Irish Republican Army

George Plant, Irish Republican Army (IRA) member who is executed by the Irish Government in 1942, is born into a Church of Ireland farming family in Fethard, County Tipperary, on January 5, 1904.

Plant is the second eldest child and son in a family of six children. His parents are John William Albert Plant, a farmer, and Catherine Hayden.

One Sunday in 1916 George and his older brother Jimmy are arrested by the Royal Irish Constabulary (RIC) after being seen speaking to two well known republicans, Seán Hayes and Dan Breen. In custody the two brothers are beaten and mistreated resulting in a hatred of the RIC. He serves with the Irish Republican Army during the Irish War of Independence and with the Anti-Treaty IRA in the Irish Civil War.

In 1923 George and Jimmy leave Ireland for Canada and the United States but continue as active IRA members. In 1929 they return to Ireland and carry out a bank raid in Tipperary on behalf of the IRA. They are arrested two days later at the family farm and subsequently sentenced to 7 years in prison. They are released in a general amnesty after the Fianna Fáil and Éamon de Valera election victory in 1932. He is a strong supporter of Seán Russell. In 1939 following the outbreak of World War II, known in Ireland as The Emergency, de Valera is determined to maintain Irish neutrality and is not going to allow the IRA to jeopardize this. The IRA links with Germany and campaign in Britain are severely straining Anglo-Irish relations so emergency legislation is introduced.

Russell, the IRA Chief of Staff, dies in August 1940 after taking ill on board a U-boat and Stephen Hayes from County Wexford becomes IRA Chief of Staff. In late August 1940 an address on Lansdowne Road Dublin is raided by the Garda Síochána. Among the men arrested is Michael Devereux, a 24-year-old married truck driver from County Wexford who is also Quartermaster of the IRAs Wexford Brigade. He is released after three days without charge. Shortly afterwards Gardaí in County Wexford find an IRA arms dump. Many in the IRA suspect that Devereux had turned informer, so Stephen Hayes orders Devereux’s execution. George Plant and another man, Michael Walsh from County Kilkenny, are ordered to carry out the order. Devereux meets Plant and Walsh who tell Devereux that Tom Cullimore, the Wexford Brigade’s OC is blamed for the arms dump and that they have shot him. They order Devereux to drive them to an IRA safe house at Grangemockler in south County Tipperary. Devereux, believing he is the prime suspect in a murder, stays willingly at the safe house. A week later, on September 27, 1940, Devereux is invited to go for a walk with Plant and Paddy Davern, the owner of the safe house. Somewhere along the walk Plant accuses Devereux of being an informer and shoots him dead. Plant is arrested nine weeks later on suspicion of IRA membership and brought before the Special Criminal Court in Dublin. On February 10, 1941 Radio Éireann broadcasts a radio appeal for Michael Devereux on behalf of his wife.

In September 1941 Stephen Hayes is accused of being an informer by a group of Northern IRA members led by Seán McCaughey. He manages to escape to a garda station. Shortly afterwards a large force of Garda Síochána and Irish Army descend on the area around the Davern farmhouse where they find Devereux’s car buried under an onion bed and eventually discover Devereux’s body, a year to the day after his death. Two weeks later, Plant, already in prison on IRA membership charges, is charged with Devereux’s murder. A trial is held with a senior IRA officer, Joseph o’Connor, also charged with Devereux’s murder. The first trial collapses after two days when Paddy Davern and Micheal Walsh, two of the prosecution witnesses, refuse to give evidence. This result leads to the court issuing a nolle prosequi order which should have meant the end of the affair, however both men are rearrested and recharged with the same offence, under Emergency Order 41f. Minister for Justice Gerald Boland transfers the case to a Special Military Court with army officers acting as judges. In addition to Plant, Paddy Davern and Michael Walsh are also now charged with Devereux’s murder. The second trial begins at Collins Barracks, Dublin in February 1942 with Seán MacBride, a former IRA Chief of Staff and future government minister as the defendant’s barrister. Davern states his original statement was given at gunpoint but under the new order even statements given under duress are admissible. The court only has two sentencing options – death or acquittal. Joseph O’Connor is acquitted and despite MacBride’s best efforts the other three are sentenced to death. Davern and Walsh have their sentences commuted to life imprisonment, and are both released in 1946.

Just one week after sentence is passed, Plant is executed in Portlaoise Prison by a six-man firing squad drawn from the Irish Army. Much bitterness is caused by the treatment of Plant’s relatives. Neither his wife or mother or infant son are allowed to visit him in the week before his execution. Censorship ensures there is little mention in the newspapers so his family only learns of his execution from a brief radio broadcast shortly before they receive a telegram. He is buried in the grounds of Portlaoise Prison, but is reinterred in 1948, when he is buried with full IRA military honours in his local church St. Johnstown in County Tipperary, and a Celtic cross is erected over his grave.

Plant’s wife moves to the United States where she remarries. His brother Jimmy dies in London in 1978. The Plant’s family farm is now part of the Coolmore Estate.


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Birth of León Ó Broin, Civil Servant, Historian & Author

León Ó Broin, senior civil servant, historian, and author, is born Leo Byrne on November 10, 1902 at 21 Aungier Street, Dublin, the second of four sons of James P. Byrne, a potato factor’s bookkeeper, and Mary Byrne (née Killeen), daughter of a seaman who abandoned his family.

After early education in convent school, Ó Broin attends Synge Street CBS, where he is especially adept at languages. After working in several minor clerical employments, he becomes a clerk in the Kingsbridge headquarters of the Great Southern Railway. Joining a local Sinn Féin club, he canvasses for the party in the College Green ward during the 1918 Irish general election. Sent from an early age to Irish language classes by his father, he attends the Irish summer college in Spiddal, County Galway, and joins the Gaelic League, becoming by early 1921 secretary of central branch. He writes articles for the league’s successive weekly organs, each in its turn suppressed by the authorities. Despite regarding such writing as practice work within a language he is yet learning, he is selected best writer of Irish at the 1920 Dublin feis.

Arrested with his father and two brothers just before Christmas 1920 when Black and Tans discover a letter in Irish on his person during a house raid, Ó Broin is imprisoned for several weeks in Wellington Barracks. Leaving his railway job, he works as a clerk in the clandestine office of the Dáil Éireann Department of Agriculture (1921–22). During the Irish Civil War, with departmental work at a standstill, he joins the National Army as a commissioned officer assigned to general headquarters staff at Portobello Barracks. Having recently commenced legal studies at the King’s Inns and University College Dublin (UCD), he handles army legal matters, such as compensation claims for damage to property.

Called to the bar in 1924, Ó Broin enters the civil service. Assigned to the Department of Education (1925–27), he was involved in launching the Irish language publishing imprint An Gúm, intended to redress the paucity of reading material, apart from school texts, in the language. Transferred to the Department of Finance (1927), he serves as estimates officer and parliamentary clerk, and is assistant secretary of the economy committee established by the Cumann na nGaedheal government to make recommendations on reductions in current expenditure. Appointed private secretary to the Minister for Finance (1931–32), he serves both Ernest Blythe and the first Fianna Fáil minister, Seán MacEntee. Promoted to assistant principal (1932), and to principal officer (1939), he represents the department on the Irish Folklore Commission, and serves on the interdepartmental committee that, after the disastrous Kirkintilloch bothy fire in 1937, investigates seasonal migration to Scotland. During the emergency he is regional commissioner for Galway and Mayo (1940–45), one of eight such officers charged with organising contingency preparations for dealing with the likely collapse of central administration in the event of invasion by any of the wartime belligerents.

Transferred out of Finance, Ó Broin becomes assistant secretary (1945–48) and secretary (1948–67) of the Department of Posts and Telegraphs, administering both the postal service and telecommunications. He works closely with Fianna Fáil minister Patrick Little to improve the range and quality of music offered by the broadcasting service, playing a large part in the decision to form and adequately staff a full Radio Éireann symphony orchestra. He represents Ireland in several post-war conferences in Europe and America that reorganise the international regulation of broadcasting activities. He is elected to the European Broadcasting Union‘s administrative council (1953). He establishes and serves on a departmental committee in 1953 that studies all facets of launching a television service.

A devout but liberal Catholic, Ó Broin is prominent for many years in the Legion of Mary, founded by his close friend and civil-service colleague Frank Duff. President of a legion presidium of writers, actors, and artists, he is first editor (1937–47) of the quarterly organ Maria Legionis. Sharing Duff’s ecumenism, he belongs to the Mercier Society, the Pillar of Fire Society, and Common Ground, groups organised by Duff in the early 1940s to facilitate discussion between Catholics and, respectively, protestants, Jews, and secular intellectuals. The first two are suspended amid disapproval by the Catholic Archbishop of Dublin, John Charles McQuaid.

On retirement from the civil service in 1967, Ó Broin concentrates on the parallel career of research and writing that he had cultivated over many years. Having begun writing articles and short stories in Irish from his earliest years in the Gaelic League, he publishes his first collection of short stories, Árus na ngábhad, in 1923. With the establishment of An Gúm, he publishes three more collections of original short stories and translations of such masters of the genre as Alexander Pushkin, Prosper Mérimée, Guy de Maupassant, and Jerome K. Jerome. He translates several popular modern novels, including Robert Louis Stevenson‘s Kidnapped and H. G. Wells‘s The War of the Worlds. Active as secretary, actor, and writer with the state-subsidised Gaelic Drama League (An Comhar Drámaíochta), which produces Irish language plays, he publishes many plays in Irish, both original and translated. His best-selling book in Irish is Miss Crookshank agus coirp eile (1951), about the mummified corpses in the vaults of St. Michan’s Church, Dublin.

Ó Broin writes prolifically on modern Irish history and biography. His Irish language biography of Charles Stewart Parnell (1937), the first full-scale study of its kind in Irish since the commencement of the language revival, is a landmark publication, praised for the quality of its prose by such critics as Frank O’Connor and Seán Ó Faoláin. His biography of Robert Emmet, published in Irish in 1954, and awarded the Douglas Hyde prize, pioneers the scholarly subversion of the romantic myth surrounding its subject, and includes consideration of the political and social context. The subjects of subsequent biographies include Richard Robert Madden, Charles Gavan Duffy, Joseph Brenan, Michael Collins, and Frank Duff.

Ó Broin takes a largely biographical approach to historical writing, researching neglected aspects of pivotal historical events, and basing his studies on previously unexploited primary sources, often the papers of a single individual, whose career serves as the linchpin of his narrative, filtering events through the perspective of that person. Another vein of his scholarship is his primary research into the history of Irish separatism, especially with sources in the Irish State Paper Office.

Ó Broin receives an honorary LL.D from the National University of Ireland (NUI) in 1967. Elected a member of the Royal Irish Academy (RIA) in 1971, he is a council member (1974–76) and senior vice-president (1976–77), and chairs the group whose recommendations results in the academy’s establishment of the National Committee on International Affairs. He is president of the Irish Historical Society (1973–74), and a member of the Irish Manuscripts Commission.

In 1925 Ó Broin marries Cait Ní Raghallaigh, an office assistant reared in Baltinglass, County Wicklow, whom he met in the Gaelic League. They have two sons and three daughters. After residing in the south city suburbs, they move to Booterstown, County Dublin in the 1930s, and from there to the Stillorgan Road in the 1950s.

Ó Broin dies February 26, 1990 in Dublin, and is buried in Deans Grange Cemetery. His papers are in the National Library of Ireland (NLI). His eldest son, Eimear Ó Broin, is an accomplished musicologist and assistant conductor of the several Radio Éireann orchestras (1953–89).

(From: “Ó Broin, León” by Lawrence William White, Dictionary of Irish Biography, http://www.dib.ie)


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Birth of A. J. Potter, Composer & Teacher

Archibald James (Archie) Potter, Irish composer and teacher who writes hundreds of works including operas, a mass, and four ballets, as well as orchestral and chamber music, is born in Belfast on September 22, 1918.

Potter is born to a Presbyterian family who, oddly, lives on the Falls Road, a republican (Catholic) stronghold. His father is a church organist and piano tuner who has been blind since childhood. His mother is, in Potter’s own words, “a raging alcoholic.” He escapes a rather grim childhood when he goes to live with an aunt in Kent, England.

Possessed of a good voice and natural musical ability, Potter is accepted as a treble by the world-famous choir of All Saints, Margaret Street. In 1933, after four years as a chorister, he is sent to Clifton College, Bristol. From there he goes to the Royal College of Music on a scholarship and studies composition under Vaughan Williams. While at the Royal College he wins the Cobbett prize for chamber music.

World War II interrupts Potter’s music education, and he leaves college to serve with the London Irish Rifles in Europe and the Far East. After the war he settles in Dublin, where he continues his studies at Trinity College, Dublin, gaining a Doctorate in Music in 1953.

Potter had already started composing chamber and vocal music before the war. Now, established in Dublin, he chooses the orchestra as his principal means of expression. His early pieces, such as Rhapsody under a High Sky and Overture to a Kitchen Comedy, show that he has absorbed Vaughan Williams’ pastoral style and his love of folk music. In 1952, both pieces are awarded Radio Éireann‘s “Carolan Prize” for orchestral composition by the adjudicator Arnold Bax. A year later Potter repeats this success when his Concerto da Chiesa, a concerto for piano and orchestra, also wins the Carolan Prize.

In 1955 Potter is appointed Professor of Composition at the Royal Irish Academy of Music, where he becomes an effective administrator and inspiring teacher.

In the 1960s, Potter turns to ballet, writing four orchestral scores for the Cork Ballet company. The first of these, Careless Love, becomes the composer’s own favourite of all his compositions. Several years later, following a successful battle with alcoholism, he writes what some regard as his magnum opus, Sinfonia “de Profundis” (1969). The première is given at the Gaiety Theatre, Dublin on March 23, 1969 in a performance by the RTÉ Symphony Orchestra under the baton of Albert Rosen. The Irish Times refers to the concert as a “major national event.” In December 1969, he receives a Jacob’s Award for the composition.

Potter’s last substantial work, an opera entitled The Wedding, receives its first public performance in Dublin in 1981, almost a year after his death.

Potter dies suddenly at his home in Greystones, County Wicklow on July 5, 1980, at the age of 61. He is buried in the nearby Redford cemetery.