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Tag Archives: William Henry Fox Talbot


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Birth of Mary Field Parsons, Countess of Rosse

Mary Parsons (née Field), Countess of Rosse, Anglo-Irish amateur astronomer, architect, furniture designer, and pioneering photographer, is born on April 14, 1813, at Heaton Hall, Heaton, Bradford, West Yorkshire, England. Often known simply as Mary Rosse, she is one of the early practitioners of making photographs from waxed-paper negatives.

Field is the daughter of John Wilmer Field, a wealthy estate owner. She has a sister, Delia, and they are educated at home by Susan Lawson, a governess who encourages her creativity and broad interests, including astronomy. The sisters are joint heirs to their father’s fortune.

Through her family Field meets William Parsons, then Lord Oxmantown and the future 3rd Earl of Rosse, an Anglo-Irish astronomer and naturalist, and they are married on April 14, 1836, her 23rd birthday. In February 1841, Lord Oxmantown succeeds his father in the family peerage to become the 3rd Earl of Rosse. She, Baroness Oxmantown since her marriage, thus now becomes the Countess of Rosse.

In the early 1840s the couple becomes interested in astronomy, and the Countess of Rosse helps her husband build a number of giant telescopes, including the so-called Leviathan of Parsonstown, that is considered a technical marvel in its time. The author, Henrietta Heald, contends that she is not only a financial support to the building of the telescope, but is also involved in a practical and intellectual capacity. The Leviathan of Parsontown is completed in 1845 and holds the record as the world’s largest telescope for over 70 years. It is mentioned in Jules Verne’s science fiction novel, From the Earth to the Moon.

The Countess of Rosse is an accomplished blacksmith, which is very unusual for higher class women of the time, and she may have constructed some of the iron work that supports the telescope. Other metal cast items around the castle grounds are designed by her, including bronze gates.

During the Great Famine of 1845–47 in Ireland, the Countess of Rosse is responsible for keeping over five hundred men employed in work in and around Birr Castle, where she and her husband live.

The Countess of Rosse creates a huge dining room at Birr Castle in which to entertain scientific guests, which becomes increasingly used when Lord Rosse becomes President of the Royal Society of London in 1848. Guests include mathematician William Rowan Hamilton, who writes her a sonnet about his experience of gazing through the Leviathan.

In 1842, Lord Rosse begins experimenting in daguerreotype photography, possibly learning some of the art from his acquaintance William Henry Fox Talbot. In 1854, he writes to Fox Talbot saying that the Countess too has just commenced photography and sends some examples of her work. Fox Talbot replies that some of her photographs of the telescope “are all that can be desired.”

The Countess of Rosse becomes a member of the Dublin Photographic Society, and in 1859 she receives a silver medal for “best paper negative” from the Photographic Society of Ireland. Many examples of her photography are in the Birr Castle Archives. Much of the topography of Birr Castle that she portrayed has changed very little, and it is possible to compare many of her photographs with the actual places. She records the Leviathan in her photographs including one image showing her three sons, Clere, Randal and Charles along with her sister-in-law, Jane Knox, standing upright at the mouth of the telescope.

The Countess of Rosse gives birth to eleven children, but only four survive to adulthood:

Mary, Dowager Countess of Rosse, dies in 1885.


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Birth of The Reverend Edward Hincks

edward-hincks

The Reverend Edward Hincks, Anglo-Irish clergyman best remembered as an Assyriologist and one of the decipherers of Mesopotamian cuneiform, is born in Cork, County Cork on August 19, 1792. He is one of the three men known as the “holy trinity of cuneiform,” with Sir Henry Creswicke Rawlinson and Jules Oppert.

Hincks is the eldest son of the Rev. Thomas Dix Hincks, a distinguished Protestant minister, orientalist and naturalist. He is an elder brother of Sir Francis Hincks, a prominent Canadian politician who is also sometime Governor of Barbados, and William Hincks, the first Professor of Natural History at Queen’s College, Cork and afterwards University College, Toronto.

Hincks is educated at home by his father and at Midleton College before entering Trinity College Dublin. He is elected a Scholar of the College in 1810, and in 1812 wins the Gold Medal and Bishop Law‘s Prize for Mathematics. He is elected a Fellow of the College in 1813 and four years later takes his M.A. In 1819, following the death of Thomas Meredith, he is presented to the Rectory of Ardtrea in County Tyrone. Though Ardtrea is a valuable and highly prized Rectory, it is also isolated for a young bachelor, and he resigns the position in 1826, taking up the Rectory in nearby Killyleagh, County Down, an office he holds for the remainder of his life.

The undemanding nature of his clerical duties leave him with more than enough time to pursue his interest in ancient languages. His first love is for the hieroglyphic writing of ancient Egypt. His greatest achievement is the decipherment of the ancient language and writing of Babylon and Assyria: Akkadian cuneiform.

Hincks deduces correctly that cuneiform writing had been invented by one of the earliest civilisations of Mesopotamia, who then bequeathed it to later states such as Babylon, Assyria and Elam. In 1848 he is awarded the Cunningham Medal of the Royal Irish Academy for his achievements.

By 1850 Hincks comes to a number of important conclusions regarding the nature of Assyro-Babylonian cuneiform. He also discovers that cuneiform characters are “polyphonic,” by which he means that a single sign can have several different readings depending on the context in which it occurs. However, not everyone is convinced by the claims being made by the Irishman and his distinguished colleagues. Some philologists even suggest that they are simply inventing multiple readings of the signs to suit their own translations.

In 1857 the versatile English Orientalist William Henry Fox Talbot suggests that an undeciphered cuneiform text be given to several different Assyriologists to translate. If, working independently of one another, they come up with reasonably similar translations, it will surely dispel the doubts surrounding their claims.

As it happens, Talbot, Hincks, Rawlinson and Oppert, are in London in 1857. Edwin Norris, secretary of the Royal Asiatic Society, gives each of them a copy of a recently discovered inscription from the reign of the Assyrian emperor Tiglath-Pileser I. A jury of experts is impaneled to examine the resulting translations and assess their accuracy.

In all essential points the translations produced by the four scholars are found to be in close agreement with one another. There are of course some slight discrepancies. The inexperienced Talbot makes a number of mistakes, and Oppert’s translation contains a few doubtful passages due to his unfamiliarity with the English language. But Hincks’ and Rawlinson’s versions are virtually identical. The jury declares itself satisfied, and the decipherment of cuneiform is adjudged a fait accompli.

Hincks devotes the remaining years of his life to the study of cuneiform and makes further significant contributions to its decipherment. He dies at his rectory in Killyleagh on December 3, 1866, at the age of 74. He is survived by a wife and four daughters.