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Birth of Archaeologist Etienne Andrew Rynne

Etienne Andrew Rynne, archaeologist, is born on September 11, 1932, at 20 Upper Pembroke Street, Dublin.

Rynne is one of six children (five boys and a girl) of Dr. Michael Rynne, a civil servant and diplomat, and Nathalie Rynne (née Fournier), from Auvergne, France. He has a twin brother, Michael, and is a nephew of the writer and broadcaster Stephen Rynne. He receives his early education in a number of institutions in Ireland and abroad, including Terenure College in Dublin, Clongowes Wood College in County Kildare, Coláiste na Rinne in County Waterford and École des Roches in Normandy. He then attends University College Dublin (UCD), where he graduates BA in archaeology and French (1953) and MA in archaeology (1955). He wins the prestigious National University of Ireland (NUI) travelling studentship for his thesis on Iron Age weapons.

After spending a year on the continent, Rynne returns to Ireland in 1957 to join the antiquities division of the National Museum of Ireland (NMI) in Kildare Street. One of his first assignments is to participate in the excavations at the Hill of Tara, previously headed by his old mentor at UCD, the recently deceased Professor Seán P. Ó Ríordáin. Already an expert on the Iron Age, he expands his expertise to cover Irish Celtic and early Christian art. He becomes an influential figure at the museum, remaining until 1967 and gaining much valuable experience in archaeological research, cataloguing and display, and is once described as the “true master of the Kildare Street crypt.” Intimately acquainted with the museum’s early Christian artefacts, he is particularly drawn to the eighth-century Ardagh chalice, on which he compiles extensive research notes relating to its dismantling and conservation. Although he is recognised as a leading authority on the chalice, his workload at the NMI and various academic commitments, not least his thirty-five years as editor of the North Munster Antiquarian Journal (NMAJ), prevent publication of his great work on the treasure.

During Rynne’s time at the NMI, he develops a close friendship with its director, Dr. Anthony T. Lucas, and on April 1, 1967 marries his daughter Aideen in the Church of the Miraculous Medal, Clonskeagh, Dublin. That year, he leaves the museum to take up a lectureship in archaeology at University College Galway (UCG), remaining there for thirty-one years until his retirement as professor of Celtic archaeology in 1998. During his professorship, he introduces many innovative changes at UCG, placing great emphasis on the value of well-planned field trips to historical monuments and archaeological sites around Connacht and north Clare, including Poulnabrone in his beloved Burren and Dún Aonghasa on Inishmore, which in 1991 he is first to suggest was built for ceremonial rather than defensive purposes. He often ventures further afield to sites such as the Jorvik Viking Centre, York, and the West Kennet Long Barrow in Wiltshire. Many local expeditions include small excavations, which he continues to conduct on behalf of the NMI.

Despite his heavy workload, Rynne writes close to one hundred academic papers in local and international journals, his expansive subject matter including not only archaeology but also folklore and Irish War of Independence history, the latter interest stemming from his father’s involvement in the formation of the Irish state (1917–23). His editorial tenure at the NMAJ includes the publication in 1975 and 1978 of dedicated issues on Edward MacLysaght and John Hunt respectively, and he is editor of Figures from the Past (1987), the Festschrift for Helen Maybury Roe. He also uses the national press to express his sometimes-eccentric views on various subjects, such as Irish neutrality, the American justice system and running the M3 motorway through Tara. A highly engaging and entertaining speaker, he thrives in front of an audience, be it a small group of students standing in a muddy field or an official address to the Royal Society of Antiquaries of Ireland, of which he serves as president from 1985 to 1989. His lectures are marked by his erudite and characteristically passionate delivery, complete with subtle intonation, and he is as comfortable speaking French as he is English or Irish.

Rynne’s legacy cannot be fairly assessed without reference to his largely unpopular stance in the Wood Quay controversy of the late 1970s. When Dublin’s original Viking settlement at Wood Quay is unearthed by archaeologists, he sides with the NMI, which, under the directorship of Joseph Raftery, decides to excavate only a small section of the site before handing it over to developers. This results in the destruction of much unexcavated archaeology. The NMI’s decision results in serious damage to its reputation, with Rynne one of the few archaeologists publicly supporting its unpopular stance. His loyalty to the NMI administration, which includes his father-in-law Lucas, alienates many fellow archaeologists, and is described by Patrick Wallace, then director of excavations at Wood Quay and among the many scholars who campaign to save the site, as “excessive, unnecessary and so unquestioning that it led to his being on the … wrong side during the Wood Quay court case.”

Rynne’s contribution to the history and heritage of his adopted province of Connacht and city of Galway is, however, widely acknowledged as immense. Once settled in UCG, he makes his home in the medieval town of Athenry, where he engages enthusiastically with the local community via lectures, walks and talks on the town’s famous walls and castle. Although Dublin-born, he becomes firmly entrenched in Galway’s colourful past and is instrumental in the founding of the city’s first municipal museum in Comerford House, adjacent to the Spanish Arch, in 1971. Drawing on his considerable NMI experience, he acts as honorary curator for the Galway museum for over a decade, before its move to the present purpose-built building in 2007. Ever willing to disseminate the story of Galway’s past beyond the twin towers of its university, to its citizens and the wider public, he compiles the Tourist Trail of Old Galway (1977). This signposted walking tour of Galway communicates the city’s importance in the medieval world, not only from an Irish, but also from a European and global perspective, and represents an enduring legacy to the self-styled promoter and protector of the city’s heritage.

Elected a member of the Royal Irish Academy (RIA) in 1966, Rynne is a fellow of the Society of Antiquaries of London (1975), and president of both the Cambrian Society of Wales (1999) and the Galway Archaeological and Historical Society (1989–94). Although diagnosed with heart disease in 1991, he remains active long after his retirement in 1998, continuing to publish papers on aspects of Irish archaeology up to his death.

In the summer of 2012 Rynne suffers a stroke and dies at the age of 79 on June 22, 2012, at University Hospital Galway. He is survived by Aideen, his wife of forty-five years, and their four sons and one daughter. A fifth son pre-deceases him. He is buried in the New Cemetery, Athenry.

(From: “Rynne, Etienne Andrew” by Frank Cullen, Dictionary of Irish Biography, http://www.dib.ie, June 2018)


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Death of George Petrie, Painter & Musician

george-petrie

George Petrie, Irish painter, musician, antiquary and archaeologist of the Victorian era dies on January 17, 1866.

Petrie is born and grows up in Dublin, living at 21 Great Charles Street, just off Mountjoy Square. He is the son of the portrait and miniature painter James Petrie, a native of Aberdeen, Scotland, who had settled in Dublin. He is interested in art from an early age. He is sent to the Royal Dublin Society‘s schools, being educated as an artist, where he wins the silver medal in 1805 at the age of fourteen.

After an abortive trip to England in the company of Francis Danby and James Arthur O’Connor, both of whom are close friends of his, he returns to Ireland where he works mostly producing sketches for engravings for travel books including among others, George Newenham Wright‘s guides to Killarney, Wicklow and Dublin, Thomas Cromwell‘s Excursions through Ireland, and James Norris Brewer‘s Beauties of Ireland.

In the late 1820s and 1830s, Petrie significantly revitalises the Royal Irish Academy‘s antiquities committee. He is responsible for their acquisition of many important Irish manuscripts, including an autograph copy of the Annals of the Four Masters, as well as examples of insular metalwork, including the Cross of Cong. His writings on early Irish archaeology and architecture are of great significance, especially his essay on the Round Towers of Ireland, which appear in his 1845 book titled The Ecclesiastical Architecture of Ireland. He is often called “the father of Irish archaeology.” His survey of the tombs at Carrowmore still informs study of the site today.

From 1833 to 1843 Petrie is employed by Thomas Frederick Colby and Thomas Larcom as head of the Topographical Department of the Irish Ordnance Survey. Amongst his staff are John O’Donovan, one of Ireland’s greatest ever scholars, and Eugene O’Curry. A prizewinning essay submitted to the Royal Irish Academy in 1834 on Irish military architecture is never published, but his seminal essay On the History and Antiquities of Tara Hill is published by the Academy in 1839. During this period Petrie is himself the editor of two popular antiquarian magazines, the Dublin Penny Journal and, later, the Irish Penny Journal.

Another major contribution of Petrie’s to Irish culture is the collection of Irish traditional airs and melodies which he records. William Stokes’s contemporary biography includes detailed accounts of Petrie’s working methods in his collecting of traditional music: “The song having been given, O’Curry wrote the Irish words, when Petrie’s work began. The singer recommenced, stopping at a signal from him at every two or three bars of the melody to permit the writing of the notes, and often repeating the passage until it was correctly taken down …”

As an artist, Petrie’s favourite medium is watercolour which, due to the prejudices of the age, is considered inferior to oil painting. Nonetheless, he can be considered as one of the finest Irish Romantic painters of his era. Some of his best work is in the collections of the National Gallery of Ireland, such as his watercolour painting Gougane Barra Lake with the Hermitage of St. Finbarr, County Cork (1831).

Petrie is awarded the Royal Irish Academy’s prestigious Cunningham Medal three times: firstly in 1831 for his essay on the round towers, secondly in 1834 for the now lost essay on Irish military architecture, and thirdly in 1839 for his essay on the antiquities of Tara Hill.

The closing years of Petrie’s life are devoted to the publication of a portion of his collection of Irish music. He dies at the age of 77 at Rathmines, Dublin, on January 17, 1866. He is buried in Mount Jerome Cemetery.