The opera is originally prepared for the English Opera House but for some reason the theatrical manager, Samuel James Arnold, does not want it. Instead, Alfred Bunn, the manager of Drury Lane Theatre, seizes the opportunity and begins what is a very fruitful collaboration with Balfe that lasts a decade. Balfe is to become the mainstay of English Opera for almost the next 30 years with a succession of popular operas.
The opera runs for 70 nights on its initial run and is revived in the following three seasons with Balfe singing the role of Michel. Queen Victoria sees the opera on November 15, 1837, her first state visit to a theatre during her reign. In 1836, the opera is reported as staged in Leeds, York, Sheffield, Manchester, Liverpool, Bath and Dublin with Abigail Betts as Clara. John Wilson, who sings in the initial run of the opera, also sings in, at least, some of these. Madame Balfe chooses the opera for her benefit in 1841 and Bunn opens his 1843 season with it on September 30. Emma Romer uses it to open her 1853 season at the Surrey Theatre, although it is being described by then as “somewhat hacknied.”
October 1875 sees a revival of the opera by the Carl Rosa Opera Company at the Princess’s Theatre, and it is then included in the company’s repertoire that tours to Manchester in 1875, Liverpool in 1876, Birmingham in 1877 and Dublin in 1879. The Turner Company tours it in 1893. This is possibly the opera’s last performance until the Wexford Festival Opera performances in 1963. The overture and songs from the opera, such as “When I beheld the anchor weigh’d” continue to retain a place in the concert hall and the home into the 20th century.
In 1838, the opera is performed by the Caradori-Allan troupe at the Park Theatre in New York but fails although it appears to be retained in the repertory. In 1839, it is performed again in Dublin with Balfe as Michel and in Sydney in 1848.
The opera’s production sparks an acrimonious argument between a correspondent in The Examiner accusing Balfe of plagiarism from Luigi Ricci‘s 1832 opera, Chiara di Rosemberg, and, in defence, Frederick Beale, from Balfe’s publishers, and Balfe. The matter seems to be settled in Balfe’s favour when the score of Chiara di Rosemberg is displayed at music publisher Cramer, Beale and Co. so that people can compare the two for themselves. While Edward Fitzball probably uses Ricci’s libretto as the basis for his, it does not seem to have been a straight translation, as some allege, but similarities would help to feed the accusations of plagiarism, bolstered by the Italian training and approach of both composers and the fact that Balfe had sung in Chiara di Rosemberg in Italy in 1834.
Balfe is said to have been paid £5 a night by Bunn and 400 guineas for the score by the publishers Cramer, Beale and Co. In 1871, the Bury and Norwich Post (April 11, 1871) report that the copyright has sold for £156 and just over ten years later the AberdeenEvening Express (May 8, 1883) notes that the copyright has been sold again for approximately £20, adding “So much for Balfe’s ‘popularity.”
After spending a year on the continent, Rynne returns to Ireland in 1957 to join the antiquities division of the National Museum of Ireland (NMI) in Kildare Street. One of his first assignments is to participate in the excavations at the Hill of Tara, previously headed by his old mentor at UCD, the recently deceased Professor Seán P. Ó Ríordáin. Already an expert on the Iron Age, he expands his expertise to cover Irish Celtic and early Christian art. He becomes an influential figure at the museum, remaining until 1967 and gaining much valuable experience in archaeological research, cataloguing and display, and is once described as the “true master of the Kildare Street crypt.” Intimately acquainted with the museum’s early Christian artefacts, he is particularly drawn to the eighth-century Ardagh chalice, on which he compiles extensive research notes relating to its dismantling and conservation. Although he is recognised as a leading authority on the chalice, his workload at the NMI and various academic commitments, not least his thirty-five years as editor of the North Munster Antiquarian Journal (NMAJ), prevent publication of his great work on the treasure.
During Rynne’s time at the NMI, he develops a close friendship with its director, Dr. Anthony T. Lucas, and on April 1, 1967 marries his daughter Aideen in the Church of the Miraculous Medal, Clonskeagh, Dublin. That year, he leaves the museum to take up a lectureship in archaeology at University College Galway (UCG), remaining there for thirty-one years until his retirement as professor of Celtic archaeology in 1998. During his professorship, he introduces many innovative changes at UCG, placing great emphasis on the value of well-planned field trips to historical monuments and archaeological sites around Connacht and north Clare, including Poulnabrone in his beloved Burren and Dún Aonghasa on Inishmore, which in 1991 he is first to suggest was built for ceremonial rather than defensive purposes. He often ventures further afield to sites such as the Jorvik Viking Centre, York, and the West Kennet Long Barrow in Wiltshire. Many local expeditions include small excavations, which he continues to conduct on behalf of the NMI.
Despite his heavy workload, Rynne writes close to one hundred academic papers in local and international journals, his expansive subject matter including not only archaeology but also folklore and Irish War of Independence history, the latter interest stemming from his father’s involvement in the formation of the Irish state (1917–23). His editorial tenure at the NMAJ includes the publication in 1975 and 1978 of dedicated issues on Edward MacLysaght and John Hunt respectively, and he is editor of Figures from the Past (1987), the Festschrift for Helen Maybury Roe. He also uses the national press to express his sometimes eccentric views on various subjects, such as Irish neutrality, the American justice system and running the M3 motorway through Tara. A highly engaging and entertaining speaker, he thrives in front of an audience, be it a small group of students standing in a muddy field or an official address to the Royal Society of Antiquaries of Ireland, of which he serves as president from 1985 to 1989. His lectures are marked by his erudite and characteristically passionate delivery, complete with subtle intonation, and he is as comfortable speaking French as he is English or Irish.
Rynne’s legacy cannot be fairly assessed without reference to his largely unpopular stance in the Wood Quay controversy of the late 1970s. When Dublin’s original Viking settlement at Wood Quay is unearthed by archaeologists, he sides with the NMI, which, under the directorship of Joseph Raftery, decides to excavate only a small section of the site before handing it over to developers. This results in the destruction of much unexcavated archaeology. The NMI’s decision results in serious damage to its reputation, with Rynne one of the few archaeologists publicly supporting its unpopular stance. His loyalty to the NMI administration, which includes his father-in-law Lucas, alienates many fellow archaeologists, and is described by Patrick Wallace, then director of excavations at Wood Quay and among the many scholars who campaign to save the site, as “excessive, unnecessary and so unquestioning that it led to his being on the … wrong side during the Wood Quay court case.”
Rynne’s contribution to the history and heritage of his adopted province of Connacht and city of Galway is, however, widely acknowledged as immense. Once settled in UCG, he makes his home in the medieval town of Athenry, where he engages enthusiastically with the local community via lectures, walks and talks on the town’s famous walls and castle. Although Dublin-born, he becomes firmly entrenched in Galway’s colourful past, and is instrumental in the founding of the city’s first municipal museum in Comerford House, adjacent to the Spanish Arch, in 1971. Drawing on his considerable NMI experience, he acts as honorary curator for the Galway museum for over a decade, before its move to the present purpose-built building in 2007. Ever willing to disseminate the story of Galway’s past beyond the twin towers of its university, to its citizens and the wider public, he compiles the Tourist Trail of Old Galway (1977). This signposted walking tour of Galway communicates the city’s importance in the medieval world, not only from an Irish, but also from a European and global perspective, and represents an enduring legacy to the self-styled promoter and protector of the city’s heritage.
In the summer of 2012 Rynne suffers a stroke and dies at the age of 79 on June 22, 2012, at University Hospital Galway. He is survived by Aideen, his wife of forty-five years, and their four sons and one daughter. A fifth son pre-deceases him. He is buried in the New Cemetery, Athenry.
(From: “Rynne, Etienne Andrew” by Frank Cullen, Dictionary of Irish Biography, http://www.dib.ie, June 2018)
Magee joins the Belfast Brigade of the IRA and receives a five-year sentence in 1971 for possession of firearms. He is imprisoned in Long Kesh, where he holds the position of camp adjutant. In the late 1970s and early 1980s he is part of a four-man active service unit, along with Joe Doherty and Angelo Fusco, nicknamed the “M60 gang” due to their use of an M60general-purpose machine gun. On April 9, 1980, the unit lures the Royal Ulster Constabulary (RUC) into an ambush on Stewartstown Road, killing Constable Stephen Magill and wounding two others. On May 2 the unit is planning another attack and has taken over a house on Antrim Road, when an eight-man patrol from the British Army‘s Special Air Service (SAS) arrives in plain clothes, after being alerted by the RUC. A car carrying three SAS members goes to the rear of the house, and another car carrying five SAS members arrives at the front of the house. As the SAS members at the front of the house exit the car the IRA unit opens fire with the M60 machine gun from an upstairs window, hitting Captain Herbert Westmacott in the head and shoulder. Westmacott is killed instantly and is the highest-ranking member of the SAS killed in Northern Ireland. The remaining SAS members at the front of the house, armed with Colt Commando automatic rifles, submachine guns and Browning pistols, return fire but are forced to withdraw. Magee is apprehended by the SAS members at the rear of the house while attempting to prepare the IRA unit’s escape in a transit van, while the other three IRA members remain inside the house. More members of the security forces are deployed to the scene, and after a brief siege the remaining members of the IRA unit surrender.
The trial of Magee and the other members of the M60 gang begins in early May 1981, with them facing charges including three counts of murder. On June 10 Magee and seven other prisoners, including Joe Doherty, Angelo Fusco and the other member of the IRA unit, take a prison officer hostage at gunpoint in Crumlin Road Jail. After locking the officer in a cell, the eight take other officers and visiting solicitors hostage, also locking them in cells after taking their clothing. Two of the eight wear officer’s uniforms while a third wears clothing taken from a solicitor, and the group moves toward the first of three gates separating them from the outside world. They take the officer on duty at the gate hostage at gunpoint and force him to open the inner gate. An officer at the second gate recognises one of the prisoners and runs into an office and presses an alarm button, and the prisoners run through the second gate towards the outer gate. An officer at the outer gate tries to prevent the escape but is attacked by the prisoners, who escape onto Crumlin Road. As the prisoners are moving toward the car park where two cars are waiting, an unmarked RUC car pulls up across the street outside Crumlin Road Courthouse. The RUC officers open fire, and the prisoners return fire before escaping in the waiting cars. Two days after the escape, Magee is convicted in absentia and sentenced to life imprisonment with a minimum recommended term of thirty years.
Magee escapes across the border into the Republic of Ireland. Eleven days after the escape he appears in public at the Wolfe Tone commemoration in Bodenstown Graveyard, County Kildare, where troops from the Irish Army and the Garda‘s Special Branch attempt to arrest him but fail after the crowd throws missiles and lay down in the road blocking access. He is arrested in January 1982 along with Angelo Fusco and sentenced to ten years imprisonment for the escape under extra-jurisdictional legislation. Shortly before his release from prison in 1989, he is served with an extradition warrant, and he starts a legal battle to avoid being returned to Northern Ireland. In October 1991, the Supreme Court of Ireland in Dublin orders his return to Northern Ireland to serve his sentence for the murder of Captain Westmacott, but Magee jumps bail, and a warrant is issued for his arrest.
Magee flees to England, where he is part of an IRA active service unit. On June 7, 1992, Magee and another IRA member, Michael O’Brien, are traveling in a car on the A64 road between York and Tadcaster, when they are stopped by the police. Magee and O’Brien are questioned by the unarmed police officers, who become suspicious and call for back-up. Magee shoots Special Constable Glenn Goodman, who dies later in hospital, and then shoots the other officer, PC Kelly, four times. Kelly escapes death when a fifth bullet ricochets off the radio he is holding to his ear, and the IRA members drive away. Another police car begins to follow the pair and comes under fire near Burton Salmon. The lives of the officers in the car are in danger, but Magee and O’Brien flee the scene after a member of the public arrives. A manhunt is launched, and hundreds of police officers, many of them armed, search woods and farmland. Magee and O’Brien evade capture for four days by hiding in a culvert, before they are both arrested in separate police operations in the town of Pontefract.
On March 31, 1993, Magee is found guilty of the murder of Special Constable Goodman and the attempted murder of three other police officers and sentenced to life imprisonment. O’Brien is found guilty of attempted murder and receives an eighteen-year sentence. On September 9, 1994, Magee and five other prisoners, including Danny McNamee, escape from HM Prison Whitemoor. The prisoners, in possession of two guns that had been smuggled into the prison, scale the prison walls using knotted sheets. A guard is shot and wounded during the escape, and the prisoners are captured after being chased across fields by guards and the police. In 1996 Magee stages a dirty protest in HM Prison Belmarsh, in protest at glass screens separating prisoners from their relatives during visits. He has refused to accept visits from his wife and five children for two years, prompting Sinn Féin to accuse the British government of maintaining “a worsening regime that is damaging physically and psychologically.”
In January 1997, Magee and the other five escapees from Whitemoor are on trial on charges relating to the escape for a second time, as four months earlier the first trial had been stopped because of prejudicial publicity. Lawyers for the defendants successfully argued that an article in the Evening Standard prejudiced the trial as it contained photographs of Magee and two other defendants and described them as “terrorists,” as an order had been made at the start of the trial preventing any reference to the background and previous convictions of the defendants. Despite the judge saying the evidence against the defendants was “very strong”, he dismisses the case stating, “What I have done is the only thing I can do in the circumstances. The law for these defendants is the same law for everyone else. They are entitled to that, whatever they have done.”
On May 5, 1998, Magee is repatriated to the Republic of Ireland to serve the remainder of his sentence in Portlaoise Prison, along with Liam Quinn and the members of the Balcombe Street Gang. He is released from prison in late 1999 under the terms of the Good Friday Agreement and returns to live with his family in Tralee, County Kerry. On March 8, 2000, he is arrested on the outstanding Supreme Court extradition warrant from 1991 and remanded to Mountjoy Prison. The following day he is granted bail at the High Court in Dublin, after launching a legal challenge to his extradition. In November 2000 the Irish government informs the High Court that it is no longer seeking to return him to Northern Ireland. This follows a statement from Secretary of State for Northern IrelandPeter Mandelson saying that “it is clearly anomalous to pursue the extradition of people who appear to qualify for early release under the Good Friday Agreement scheme, and who would, on making a successful application to the Sentence Review Commissioners, have little if any of their original prison sentence to serve.” In December 2000 Magee and three other IRA members, including two other members of the M60 gang, are granted a Royal Prerogative of Mercy which allows them to return to Northern Ireland without fear of prosecution.
William Parsons, 3rd Earl of Rosse, Anglo-Irishastronomer, naturalist, and engineer, is born in York, England on June 17, 1800. He is President of the Royal Society (UK), the most important association of naturalists in the world in the nineteenth century. He builds several giant telescopes. His 72-inch telescope, built in 1845 and colloquially known as the “Leviathan of Parsonstown,” is the world’s largest telescope, in terms of aperture size, until the early 20th century. From April 1807 until February 1841, he is styled as Baron Oxmantown.
Parsons marries Mary Field, daughter of John Wilmer Field, on April 14, 1836. They have thirteen children, of which four sons survive to adulthood: Lawrence, 4th Earl of Rosse, Rev. Randal Parsons, the Hon. Richard Clere Parsons, and the Hon. Sir Charles Algernon Parsons.
During the 1840s, Parsons has the Leviathan of Parsonstown built, a 72-inch telescope at Birr Castle, Parsonstown, County Offaly. He has to invent many of the techniques he uses for constructing the Leviathan, both because its size is without precedent and because earlier telescope builders had guarded their secrets or had not published their methods. Details of the metal, casting, grinding and polishing of the 3-ton ‘speculum’ are presented in 1844 at the Belfast Natural History Society. His telescope is considered a marvelous technical and architectural achievement, and images of it are circulated widely within the British commonwealth. Building of the Leviathan begins in 1842 and it is first used in 1845, with regular use waiting another two years due to the Great Famine. Using this telescope, he sees and catalogues a large number of nebulae, including a number that would later be recognised as galaxies.
Parsons performs astronomical studies and discovers the spiral nature of some nebulas, today known to be spiral galaxies. His telescope Leviathan is the first to reveal the spiral structure of M51, a galaxy nicknamed later as the “Whirlpool Galaxy,” and his drawings of it closely resemble modern photographs.
Parsons’s son publishes his father’s findings, including the discovery of 226 New General Catalogue of Nebulae and Clusters of Stars (NGC) objects in the publication Observations of Nebulae and Clusters of Stars Made With the Six-foot and Three-foot Reflectors at Birr Castle From the Year 1848 up to the Year 1878, Scientific Transactions of the Royal Dublin Society Vol. II, 1878.
Todhunter is the eldest son of Thomas Harvey Todhunter, a Quaker merchant of English origin. He is educated at Quaker schools, including Bootham School in York and in Mountmellick, County Laois. He starts work at his father’s offices in Dublin and London before continuing on to attend Trinity College, Dublin, where he studies medicine. While at Trinity, he wins the Vice-Chancellor’s prize for English Verse 1864, 1865 and 1866, and the Gold Medal of the Philosophical Society 1866 for an essay. He also clerks for William Stokes while studying. He receives his Bachelor of Medicine in 1867 and his Doctor of Medicine degree in 1871.
In 1870, one year prior to receiving his Doctor of Medicine, Todhunter becomes a Professor of English Literature at Alexandra College, Dublin. Four years later, he resigns from that position and travels to Egypt and several places in Europe. He marries Dora L. Digby in 1879. In 1881, he finally settles in London, where his home in Bedford Park, Chiswick is located in a small community of writers and artists, including William Butler Yeats. Informal “symposia” are held at his house about once a fortnight, when friends gather at his fireside to discuss poetry and philosophy. He is involved in the founding of the Irish Literary Society there.
Todhunter’s first volume is a collection of narrative and lyrical poems entitled Laurella (1876). Grace, tenderness, and melody mark these poems. In later years he does much stronger work under the influence of ancient Celtic literature, to the study of which he is led by the memorable rendering of the Cú Chulainn legend published in 1878 by Standish O’Grady. The Banshee and Other Poems (1888) and The Irish Bardic Tales (1896) contain the best of his work in poetry.
Three of Todhunter’s plays have been acted with success. One of them, The Black Cat (1893), produced by the Independent Theatre Society, a private club formed to forestall censorship by the Lord Chamberlain’s Office, is a factor in the revival of the literary drama. However, it only receives one performance, on December 8, 1893, at the Opera Comique. His translation of Heinrich Heine‘s Buch der Lieder is perhaps the best complete English version of a work than which none more irresistibly attracts or more cruelly eludes the art of the translator. He is also author of a few brief prose works, including “The Life of Patrick Sarsfield, Earl of Lucan” and “A Study of Shelley.”
Todhunter dies on October 25, 1916, at his residence in Bedford Park.
Brontë is the youngest of six children of Patrick Brontë, a poor Irish clergyman in the Church of England, and Marie Brontë. She lives most of her life with her family at the parish of Haworth on the Yorkshire moors and is taught in the family’s Haworth home and at Roe Head School. With her sister Emily, she invents the imaginary kingdom of Gondal, about which they write verse and prose, the latter now lost, from the early 1830s until 1845.
Brontë takes a position as governess briefly in 1839 and then again for four years, 1841–45, with the Robinsons, the family of a clergyman, at Thorpe Green, near York. There her irresponsible brother, Branwell, joins her in 1843, intending to serve as a tutor. Anne returns home in 1845 and is followed shortly by her brother, who has been dismissed, charged with making love to his employer’s wife.
In 1846 Brontë contributes 21 poems to Poems by Currer, Ellis and Acton Bell, a joint work with her sisters Charlotte and Emily. Her first novel, Agnes Grey, is published together with Emily’s Wuthering Heights in three volumes, of which Agnes Grey is the third, in December 1847. The reception to these volumes, associated in the public mind with the immense popularity of Charlotte’s Jane Eyre (October 1847), lead to quick publication of Anne’s second novel, again as Acton Bell, The Tenant of Wildfell Hall, published in three volumes in June 1848. It sells well.
Emily’s death in December 1848 deeply affects Brontë and her grief undermines her physical health. Over Christmas, she comes down with influenza. Her symptoms intensify and her father sends for a Leeds physician in early January. The doctor diagnoses her condition as consumption (tuberculosis) and intimates that it is quite advanced, leaving little hope of recovery. Anne meets the news with characteristic determination and self-control.
In February 1849, Brontë seems somewhat better and decides to make a return visit to Scarborough in the hope that the change of location and fresh sea air might initiate a recovery. On May 24, 1849, she sets off for Scarborough with Charlotte and Ellen Nussey. However, it is clear that Anne has little strength left.
On Sunday, May 27, Brontë asks Charlotte whether it would be easier if she returned home to die instead of remaining in Scarborough. A doctor, consulted the next day, indicates that death is close. Conscious and calm, she dies in the afternoon of Monday, May 28, 1849 at the age of 29. She is buried in Scarborough in St. Mary’s churchyard, beneath the castle walls, overlooking the bay.
Her novel Agnes Grey, probably begun at Thorpe Green, records with limpidity and some humour the life of a governess. George Moore calls it “simple and beautiful as a muslin dress.” The Tenant of Wildfell Hall presents an unsoftened picture of the debauchery and degradation of the heroine’s first husband and sets against it the Arminian belief, opposed to Calvinist predestination, that no soul shall be ultimately lost. Her outspokenness raised some scandal, and Charlotte deplored the subject as morbid and out of keeping with her sister’s nature, but the vigorous writing indicates that Brontë found in it not only a moral obligation but also an opportunity of artistic development.
(Pictured: A sketch of Anne Brontë by sister Charlotte, circa 1834)
Ball is the youngest of six children born to John and Mable Clare Bennet Ball. Her father is a wealthy silk weaver. Catholicism is still suppressed in Ireland at this time. She is therefore sent to England at the age of nine to the Bar Convent in York. Henry James Coleridge describes her as “a bright, quiet, high spirited girl, fond of fun, and with much depth of character.” In these times students do not return home for Easter, Christmas or summer holidays. They stay at the school, and live like religious people, until they leave school, usually in their late teens.
In 1807, her eldest sister, Cecilia is professed at the Ursuline convent in Cork. Ball travels from Dublin to Cork for the ceremony, where she meets Mary Aikenhead. Cecilia Ball takes the name of Sister Francis Regis and is within a few years made Superior of the convent in Cork. Upon the death of her father in 1808, Ball returns to Dublin. She is expected to make an admirable wife for the son and heir of some rich Catholic Dublin merchant family.
In June 1814, under the direction of Dr. Daniel Murray, Archbishop of Dublin, Ball returns to York and enters the novitiate of the Institute of the Blessed Virgin Mary. There she receives her religious training, and makes her profession in September 1816, taking, in religion, the name of Mary Teresa.
Recalled by Archbishop Murray, Ball returns to Dublin in 1821 with two novices to establish the Irish Branch of the Institute of the Blessed Virgin Mary for the instruction of children. They stay with Mary Aikenhead and the Irish Sisters of Charity in Stanhope Street while Rathfarnham House is being renovated. In 1822 she opens the first institution of the order in Ireland, in Rathfarnam House, four miles from Dublin. She decides to call the house “Loreto” after the village in Italy to which the Nazareth house of the Holy Family is said to have been miraculously transported.
Ball is a woman of great piety and administrative ability. Her energies are devoted to the establishment of schools and to the development of the sisterhood which now has members in many countries. The first offshoot is planted in Navan, County Meath, in the year 1833. The year 1840 is marked by the erection of the first church in Ireland dedicated to the Sacred Heart, in Loretto Abbey, Rathfarnham. In addition to the boarding and day schools the sisters conduct orphanages.
For almost forty years after bringing the IBVM to Ireland, Ball establishes a wide network of convents and schools across Ireland, as well as in India, Mauritius and Canada. The nuns are usually called Sisters of Loreto after the shrine at Loreto, Marche in Italy.
Mother Mary Teresa Ball dies at Rathfarnham Abbey on May 19, 1861 after a long illness.
“Betterton” is not her real name, despite her father`s promotion of the fiction. She is born Julianna Butterton, the daughter of the Newry`s theatre manager William Butterton. His venture fails and he decides there will be financial benefit to him if her name is changed to “Betterton,” claiming links to a famous actor and long dead Thomas Betterton. With this deception he and his family travel round the theatres and the young Julia is acclaimed as an infant acting prodigy in York, the West Country, Bath, and elsewhere.
In 1790, at age nine, she makes her debut in Scotland at the Dumfries Theatre Royal. In 1795 she goes to Bath and plays the parts of Juliet, Imogen, Desdemona, Lady Macbeth, and Lydia Languish. She becomes well known, particularly praised for her comic role as Languish, and news of her success reaches London. A number of job offers are made, but they are declined by her father. He eventually accepts a lucrative offer, taking her salary for himself, for which she makes her London début in 1797 as Percy by Hannah More.
In 1800, her father sells her in marriage to Samuel Glover, the son of an industrial family from Birmingham, for £1, 000, although the money is never paid. Unhappily married, she has eight children, four of whom survive childhood. In 1820, she plays Hamlet at the Lyceum Theatre to critical acclaim. In 1822, she appears as Nurse in Romeo and Juliet at the Theatre Royal, Drury Lane. Her daughter Phyllis plays Juliet. On February 8, 1837, her father, with whom she has had an unhappy relationship, dies.
One of her sons is Edmund Glover and another is William Howard Glover. In 1850, Glover announces her retirement from the stage. After two weeks confined to her bed, she appears at Drury Lane for her farewell benefit performance on July 12, 1850 as Mrs. Malaprop in The Rivals. She is noticeably ill and weak during her performance and is unable to stand to receive her applause at the end of the play. Instead, the curtain rises to reveal Glover seated, surrounded by the rest of the cast. She dies in London four days later on July 16, 1850. She is buried in St. George’s Churchyard Gardens in London.
Mother 
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