Ó hEithir’s debut novel, Lig Sinn i gCathú (Lead Us Into Temptation, 1976), depicts university life in 1948 and becomes the first Irish language book to top Ireland’s bestseller list. Other notable works include:
The Begrudger’s Guide to Irish Politics (Poolbeg Press, 1986) — satirical commentary on Irish society
A Pocket History of Ireland (The O’Brien Press, 1989) — concise history from prehistory to the present
Sionnach ar mo Dhuán (1988) — his second novel
Ó hEithir also writes essays, lectures, and cultural commentary, often blending humour, satire, and irony.
Ó hEithir marries Catherine von Hildebrand in 1957. She is the daughter of Deirdre Mulcahy and Franz von Hildebrand, founders of Universidad de los Andes in Colombia. They have five children. He studies German and begins work on his first novel during a year in Germany with his family.
Ó hEithir dies of cancer in Dublin on October 26, 1990, at age 60 . He is awarded the Butler literary award in 1990 and receives a scholarship from the Irish American Cultural Institute in 1975 . His biography is written by Liam Mac Con Iomaire in 2000 . He is remembered as one of Ireland’s most accomplished bilingual writers and journalists of the twentieth century.
Mullen is first elected to Seanad Éireann (the Irish Senate) in 2007 for the National University of Ireland constituency, and has been continuously re-elected in 2011, 2016, 2020, and 2025, often topping the poll among NUI graduates. In 2018, he founds the Human Dignity Alliance, an anti-abortion political party. He is also affiliated with the European Christian Political Party (ECPP).
Mullen has built his career around social conservative causes:
Anti-abortion advocacy: He opposes the repeal of the Eighth Amendment and seeks stronger protections for conscientious objection among medical staff.
Opposition to same-sex marriage: He is prominent during the 2015 referendum opposing constitutional changes related to marriage.
Human rights and palliative care: He introduces bills and motions promoting hospice care and the protection of vulnerable adults.
Freedom of conscience and family values: He advocates policies emphasizing parental rights in education, ethical protections, and support for families.
International advocacy: He criticizes human rights abuses in China, the treatment of religious minorities, and European Union (EU) bureaucratic overreach, while seeking Ireland’s engagement on human dignity standards internationally.
A lifelong practicing Roman Catholic, Mullen emphasizes the principle of human dignity in both politics and daily life, integrating faith and reason in his ethical framework. He maintains a connection to Irish culture and the Irish language, and has engaged in public discussions on moral and social issues, grounding his positions in Catholic teaching without seeking to impose religious law.
In summary, Mullen is a long-standing independent Irish senator influential in debates on social policy, ethics, and human rights. His career is marked by consistent advocacy for pro-life positions, family integrity, and freedom of conscience, alongside active engagement in European and international policy discussions on human dignity and social justice.
Maude is born on May 22, 1941, in Casla, County Galway, and reared in the Irish language. Her mother, Máire Nic an Iomaire, is a school teacher, and she receives her primary education from her on a small island off the coast of Rosmuc. Her father, John Maude, is from Cill Bhriocáin township near Rosmuc. She attends secondary school at Coláiste Chroí Mhuire, Spiddal, an all-Irish language school in County Galway. She later credits one of her Irish language teachers there, Sister Ailbhe, as an early influence in cultivating her writing confidence.
Maude begins writing modern literature in Irish in secondary school and develops a rhythm of poetry closely attuned to the rhythms of the Conamara Theas dialect of Connacht Irish, spoken in her native district. Though not conventionally religious, she admits in an interview that she has a deep interest in spirituality and that this has left its mark on her poetry. She is noted as a highly effective reciter of her own verse. Géibheann is the best-known of her poems, and is studied at Leaving Certificate Higher Level Irish in the Republic of Ireland. A posthumous collected edition, Caitlín Maude, Dánta, is published in 1984, Caitlín Maude: file in 1985 in Ireland and Italy, and Coiscéim in 1985.
Maude is widely known as an actress. She acts at the university, at An Taibhdhearc in Galway and the Damer Theatre in Dublin, and is particularly successful in a production of An Triail by Máiréad Ní Ghráda at the Damer Theatre in 1964. She plays the protagonist, Máire Ní Chathasaigh, an unmarried mother who experiences family rejection, a stay in a Magdalene laundry, and ultimately murders her infant child followed by suicide. In 2017, Former Irish Minister For JusticeMáire Geoghegan-Quinn cites this performance as “pathbreaking”: “Caitlín Maude played the role, when nobody talked about the issue and when, as we know, women were still devalued, still caricatured, still incarcerated and disenfranchised if they became mothers out of wedlock.” Maude herself is a playwright and co-authors An Lasair Choille with poet Michael Hartnett.
Maude is very active in the Celtic Revival. She founds An Bonnán Buí, an Irish-speaking social club in the 1970s in Dublin. As a member of the Dublin Metropolitan Gaelgeoir community, she is active in many direct action campaigns by the language revival organization Gluaiseacht Chearta Sibhialta na Gaeltachta, including the campaign that forces the Irish State to establish a Gaelscoil (Irish-medium primary school) Scoil Santain in the suburb of Tallaght, County Dublin. A second Irish language school, Scoil Chaitlin Maude, opens in Tallaght in 1985 shortly after her death. It begins as a two-room school with 35 children and has grown to a 16 room new building serving 345 children as of 2023.
Maude is also a distinguished sean-nós singer. She makes one album in this genre, Caitlín, released in 1975 on Gael Linn Records and now available as a CD. It contains both traditional songs and a selection of readings of her poetry.
Maude marries Cathal Ó Luain in 1969. They have one child Caomhán, their son.
Maude dies of complications from cancer on June 6, 1982, at the age of 41. She is buried in Bohernabreena graveyard, which overlooks the city from the Wicklow Mountains.
In 2001, a new writers’ centre in Galway is named after her: Ionad Scríbhneoirí Chaitlín Maude, Gaillimh.
Since Maude’s death, critics in several languages have continued to study her literary works. Irish writer and The Irish Times columnist Michael Harding cites her as one of a few examples of groundbreaking women to “spin the hurt and wound of their oppression, and weave new loves songs and laments.” Irish Studies professor Sarah McKibben notes that Maude’s innovation in the poem represents an instance of recent Irish writers transgressing “literary, nationalistic, sociolinguistic and gender norms to craft new ways of writing in Irish.”
According to Louis de Paor, “Although no collection of her work was published during her lifetime, Caitlín Maude had a considerable influence on Irish language poetry and poets, including Máirtín Ó Direáin, Micheál Ó hAirtnéide, Tomás Mac Síomóin, and Nuala Ní Dhomhnaill. That influence is a measure of the dramatic force of her personality, her exemplary ingenuity and commitment to the language, and her ability as a singer to embody the emotional disturbance at the heart of a song. Her collected poems are relatively slight, including incomplete drafts and fragments, but reveal a poetic voice confident of its own authority, drawing on the spoken language of the Connemara Gaeltacht but rarely on its conventions of oral composition or, indeed, on precedents in Irish poetry in either language. The best of her work is closer to the American poetry of the 1960s in its use of looser forms that follow the rhythms of the spoken word and the sense of the poem as direct utterance without artifice, a technique requiring a high degree of linguistic precision and formal control.”
Maude’s work has also been translated into English and Spanish. Spanish language critic Pura Coloma notes that Maude’s work played a role in preserving Connemaran culture, as she “utilizes her own style to replicate the deep rhythms and tonalities of the regional voice.”
Boland is born in Dublin on September 24, 1944. Her father, Frederick Boland, is a career diplomat and her mother, Frances Kelly, was a noted painter.
When she is six, Boland’s father is appointed Irish Ambassador to the United Kingdom, and the family moves to London, where she has her first experiences of anti-Irish sentiment. Her dealing with this hostility strengthens her identification with her Irish heritage. She speaks of this time in her poem, “An Irish Childhood in England: 1951.”
In 1969, Boland marries the novelist Kevin Casey. They have two daughters together. Her experiences as a wife and mother influence her to write about the centrality of the ordinary, as well as providing a frame for more political and historical themes. According to her friend Gabrielle Calvocoressi, she “loved gossip like fish love water.”
In the late 1970s and 1980s, Boland teaches at the School of Irish Studies in Dublin. From 1996 she is a tenured Professor of English at Stanford University where she is the Bella Mabury and Eloise Mabury Knapp Professor in the Humanities and Melvin and Bill Lane Professor for Director of the Creative Writing program. She divides her time between Palo Alto and her home in Dublin.
Boland’s first book of poetry is New Territory published in 1967 with Dublin publisher Allen Figgis. This is followed by The War Horse (1975) and In Her Own Image (1980). Night Feed (1982) establishes her reputation as a writer on the ordinary lives of women and on the difficulties faced by women poets in a male-dominated literary world. While she is writer in residence at the National Maternity Hospital in Dublin in 1994, she composes “Night Feed” and “The Tree of Life,” and her work remains on a plaque in the hospital garden.
In March 2018, RTÉ broadcasts a documentary on Boland’s life as a poet called “Eavan Boland: Is it Still the Same?” In the same year, she is commissioned by the Government of Ireland and the Royal Irish Academy (RIA) to write the poem “Our future will become the past of other women” to be read at the United Nations (UN) and in Ireland during the centenary commemorations of women gaining the vote in Ireland in 1918.
Boland co-edits The Making of a Poem: A Norton Anthology of Poetic Forms (with Mark Strand; W. W. Norton & Co., 2000). She also publishes a volume of translations in 2004 called After Every War (Princeton University Press). With Edward Hirsch, she co-edits “The Making of a Sonnet: A Norton Anthology of the Sonnet” (W. W. Norton & Co., 2008).
In 1976, Boland wins a Jacob’s Award for her involvement in The Arts Programme broadcast on RTÉ Radio. Her other awards include a Lannan Foundation Award in Poetry and an American Ireland Fund Literary Award. Her collection In a Time of Violence (1994) receives a Lannan Award and is shortlisted for the T. S. Eliot Prize.
Boland receives the Bucknell Medal of Distinction 2000 from Bucknell University, the Corrington Medal for Literary Excellence by Centenary College of Louisiana in 2002, the Smartt Family prize from The Yale Review and the John Frederick Nims Award from Poetry magazine 2002. Her volume of poems Against Love Poetry is a New York Times Notable Book of the Year. Her volume Domestic Violence (2007) is shortlisted for the Forward Prize in the United Kingdom. Her poem “Violence Against Women” from the same volume is awarded the James Boatwright III Prize for Poetry for the best poem published in 2007 in Shenandoah magazine. In 2012, she wins a PEN Award for creative nonfiction with her collection of essays, A Journey With Two Maps: Becoming a Woman Poet, published in 2012.
On May 25, 2018, Boland is elected an honorary member of the Royal Irish Academy. She receives the Irish PEN Award for Literature in 2019. She is writer in residence at the National Maternity Hospital, Dublin, in 1994. During this time she composes “Night Feed” and “The Tree of Life,” and her work remains on a plaque in the hospital garden.
Boland dies in Dublin on April 27, 2020, at the age of 75. Later that year she is posthumously awarded the Costa Book Award for poetry for her final collection The Historians.
In 2024, Trinity College Dublin announces the renaming of the “denamed” former Berkeley Library as the Eavan Boland Library. This makes it the first building named after any woman on Trinity’s city centre campus. The name is made official in March 2025.
As of 2009, the Irish Texts Society has published sixty-three items in its main series and twenty items in its subsidiary series. Other publications have included Patrick S. Dinneen‘s Irish-English Dictionary and the Historical Dictionary of Irish Placenames.
The Society holds an annual seminar at University College Cork (UCC), with the 27th event scheduled to take place on November 7, 2026.
Distinguished past members include Norma Borthwick, Rachel Bromwich, Myles Dillon, Patrick Dinneen, Idris Foster, Robin Flower, Eleanor Hull, Douglas Hyde, Gerard Murphy, Maurice O’Connell, Noel O’Connell.
De Bhaldraithe is born Thomas MacDonagh Waldron on December 14, 1916, in Ballincurra, County Limerick. He moves to Dublin with his family at the age of five. He is named after Thomas MacDonagh, one of the signatories of the Proclamation of the Irish Republic, who had been executed after the Easter Rising earlier in the year. He adopts the use of the Irish language version of the name in both Irish and English. He receives his second-level education at Belvedere College in Dublin.
De Bhaldraithe’s stance on standard forms and spellings is supported by Éamon de Valera despite opposition from traditionalists in the Department of Education, and the work is widely seen as an important benchmark in Irish scholarship.
In 1942, de Bhaldraithe is appointed a professor at the Dublin Institute for Advanced Studies (DIAS) in the department of Celtic Studies. In 1960 he is appointed professor of modern Irish language and literature in University College Dublin (UCD), where he develops an impressive archive of material on Irish dialects. Much of the material in this archive is later used as the basis of Niall Ó Dónaill‘s Foclóir Gaeilge-Béarla, published in 1978, for which he is consulting editor. Also during the 1970s, he translates the Irish language diary of Amhlaoibh Ó Súilleabháin into English. It is then published by Mercier Press as “The Diary of an Irish Countryman.”
The language laboratory which de Bhaldraithe sets up in UCD is the first of its kind in any university in Ireland. His interest in seanchas (folklore) leads to his publication of Seanchas Tomás Laighléis in 1977, while his earlier work includes the ground-breaking study of the Cois Fharraige dialect (a variety of Connacht Irish), Gaeilge Chois Fharraige: Deilbhíocht. In later years he works extensively on the definitive Irish dictionary, Foclóir Stairiúil na Nua-Ghaeilge, which remains unfinished when he dies on April 24, 1996, but which is still in progress today.
In addition to Beckett’s activity as a music critic for The Irish Times, he also writes biographical articles for dictionaries, in particular for the first edition of Die Musik in Geschichte und Gegenwart. His books include studies on Franz Liszt and ballet music.
Beckett’s more ambitious musical works from the 1940s and 1950s are a Suite for Orchestra (1945), Four Higgins Songs (1946), The Falaingin Dances (1958) and a Suite of Planxties (1960) for harp and orchestra.
In 1963 Beckett moves to England, where he teaches music at various schools before returning to Ireland in 1970 to succeed A. J. Potter at the RIAM as professor of harmony and counterpoint. In the 1980s he produces a number of remarkable works such as Quartet for Strings (1980) and Dublin Symphony (1989) for narrator, chamber choir and large orchestra. While he is never a modernist, his later works nevertheless contain some advanced harmony, particularly in the quartet.
Beckett is forced to retire from the RIAM in 1985 after suffering a stroke. In 1986 he is elected a member of Aosdána and an Honorary Fellow of the RIAM in 1990. He dies in Dublin on April 3, 1996. He is buried in Rathnew Cemetery, County Wicklow.
Hamilton enters Trinity College Dublin on November 17, 1742, at the age of 13 with Thomas McDonnell as his tutor. He graduates Bachelor of Arts (BA) in 1747 and Trinity Master of Arts (MA Dubl) in 1750. He takes the competitive examination for a vacant fellowship of the college in 1750, but the position is secured instead by his friend Richard Murray, who is a few years older. Two fellowships become vacant the following year and Hamilton is elected to one of them at the age of 22. He is appointed Erasmus Smith’s Professor of Natural and Experimental Philosophy at Trinity College Dublin in 1759 and that same year graduates Bachelor of Divinity (BD). He is elected a Fellow of the Royal Society on February 19, 1761, and graduates Doctor of Divinity (DD) in 1762.
Trinity College presents him to the rectory of Kilmacrennan in the diocese of Raphoe, County Donegal, in 1764. This is a small benefice in the gift of the college, for which he resigns his fellowship. He retains the Erasmus Smith’s chair, however, being succeeded in that by Thomas Wilson in 1769. He resigns from Kilmacrenan in 1767 and becomes vicar of St. Ann’s Church in Dublin.
Hamilton then becomes Dean of Armagh, the chief resident cleric of St. Patrick’s Cathedral in Armagh, County Armagh, from April 1768 to 1796. Finding the existing dean’s house inconvenient and poorly situated, he has a new one built in a better location just off Portadown Road, now known as Dean’s Hill. The house, of three stories and a semi-basement, is built in 1772–74. The house is later sold by the church and the present owners provide bed and breakfast accommodation in it. While dean he also acts as treasurer for the infirmary or county hospital, he establishes Sunday schools in the districts of the parish, and he founds a charitable loan for poor tradesmen. He is also instrumental in planning a piped water supply for the town, which is later put into effect. He is one of the 38 original members of the Royal Irish Academy when it is founded in 1785. Gilbert Stuart paints his portrait in about 1790 (pictured above).
Hamilton is promoted to Bishop of Clonfert and Kilmacduagh on January 20, 1796, without seeking it. On January 24, 1799, he is translated to Ossory, where he is bishop until 1805. He dies of a fever at Kilkenny, County Kilkenny, on December 1, 1805. He is buried in the graveyard of St. Canice’s Cathedral at Kilkenny, and there is a memorial to him inside the cathedral.
Hamilton writes a mathematical treatise on conic sections called De Sectionibus Conicis: Tractatus Geometricus, published in 1758. In this book he “was the first to deduce the properties of the conic section from the properties of the cone, by demonstrations which were general, unencumbered by lemmas, and proceeding in a more natural and perspicuous order,” according to writer James Wills in 1847. The work is acclaimed for its lucidity and Leonhard Euler describes it as a perfect book. It is “soon adopted in all the British universities” and is translated from Latin into English as A Geometrical Treatise of the Conic Sections in 1773.
Hamilton also writes Philosophical Essays on Vapours (1767), Four Introductory Lectures on Natural Philosophy (1774), and An Essay on the Existence and Attributes of the Supreme Being (1784). His principal works are collected and republished, with a memoir, as The Works of the Right Rev. Hugh Hamilton by his eldest son, Alexander Hamilton, in two volumes in 1809.
Hamilton marries Isabella, daughter of Hans Widman Wood of Rosmead, County Westmeath, in 1772. Isabella’s mother Frances is the twin sister of Edward King, 1st Earl of Kingston. They have five sons and two daughters. They are Alexander, who was a barrister; Frances; Hans, who is rector of Knocktopher, County Kilkenny, and associated with the Carrickshock incident of 1831; Isabella; Henry; George, who is a biblical scholar; and Hugh, who marries Elizabeth Staples, a daughter of John Staples, a Member of Parliament. The younger Hugh is the great-grandfather of Clive Staples Lewis, better known as C. S. Lewis. Bishop Hugh Hamilton is a great-great-great-grandfather of the mathematicians John Lighton Synge and his brother Edward Hutchinson Synge. Dodgson Hamilton Madden, the High Court judge and noted scholar, is Hamilton’s great-grandson.
(Pictured: “Hugh Hamilton,” oil on canvas by Gilbert Stuart)
Boycott is the eldest surviving son of William Boycatt (1798–1877), rector of Wheatacrebury, Norfolk, and Elizabeth Georgiana Boycatt (née Beevor). The family name is changed to Boycott by his father in 1862. Educated at a boarding school in Blackheath, London, and the Royal Military Academy, Woolwich, he is commissioned ensign in the 39th (Dorsetshire) Regiment of Foot on February 15, 1850, and serves briefly in Ireland. He sells his commission on December 17, 1852, having attained the rank of captain, marries Annie Dunne of Queen’s County (County Laois) in 1852, and leases a farm in south County Tipperary.
In 1855, Boycott leaves for Achill Island, County Mayo, where he sub-leases 2,000 acres and acts as land agent for a friend, Murray McGregor Blacker, a local magistrate. He settles initially near Keem Strand but after some years builds a fine house near Dooagh overlooking Clew Bay. He clashes with local landowners and agents and is regularly involved in litigation. Twice summonsed unsuccessfully for assault (1856, 1859), he is involved (1859–60) in a bitter dispute with a land agent over salvage rights for shipwrecks, one of the few lucrative activities on the island. Achill’s remoteness and the difficulties of wresting a living from its harsh environment adds a roughness to the island’s social relations and probably aggravates Boycott’s tendency to high-handedness.
In 1873, Boycott inherits money and moves to mainland County Mayo, leasing Lough Mask House near Ballinrobe and its surrounding 300 acres. He also becomes agent for John Crichton, 3rd Earl Erne‘s neighbouring estate of 1,500 acres, home to thirty-eight tenant farmers paying rents of £500 a year, of which he receives 10 per cent as agent. He also serves as a magistrate and is unpopular because of his brusque and authoritarian manner, and for denying locals such traditional indulgences as collecting wood from the Lough Mask estate or taking short cuts across his farm. In April 1879, he purchases the 95-acre Kildarra estate between Claremorris and Ballinlough and an adjoining wood for £1,125, taking out a mortgage of £600 which stretches his finances.
Boycott is no brutal tyrant, but he is aloof, stubborn, and pugnacious, and believes that the Irish peasantry is prone to idleness and require firm handling. Such qualities and beliefs are unremarkable enough, but in the peculiar circumstances of the land war in County Mayo, they are enough to catapult this rather ordinary man to worldwide notoriety.
In autumn 1879, concerted land agitation begins in County Mayo, and on August 1, 1879, Boycott receives a notice threatening his life unless he reduces rents. He ignores it and evicts three tenants, which embitter relations on the estate. Lough Mask House is placed under Royal Irish Constabulary (RIC) surveillance beginning in November 1879. In August 1880, his farm labourers, encouraged by the Irish National Land League, strike successfully for a wage increase from 7s. –11s. to 9s. –15s. Since the harvest is poor, Lord Erne allows a 10 per cent rent abatement. But in September 1880, when Boycott demands the rent, most tenants seek a 25 per cent abatement. Lord Erne refuses, and on September 22, Boycott attempts to serve processes against eleven defaulters. Servers and police are attacked by an angry crowd of local women and forced to take refuge in Boycott’s house. Almost immediately he is subjected to the ostracism against land grabbers advocated by Charles Stewart Parnell in his September 19 speech at Ennis, County Clare. This weapon proves as devastating against an English land agent as an Irish land-grabber. His servants leave him, labourers refuse to work his land, his walls and fences are destroyed, and local traders refuse to do business with him. He is jeered on the roads, is hissed and hustled by hostile crowds in Ballinrobe, and requires police protection.
The campaign against Boycott is largely orchestrated by Fr. John O’Malley, a local parish priest and president of the Neale branch of the Irish National Land League. It is probably O’Malley who coins the term “boycott” as an alternative to the word “ostracise,” which he believes would mean little to the local peasantry. Propagated by O’Malley’s friend, the American journalist, James Redpath, it is adopted by advocates and opponents alike.
On October 22, 1880, before his story breaks on the world, Boycott gives evidence of his treatment to the Bessborough Commission in Galway. He publicises his plight in an October 18, 1880, letter to The Times, and in a long interview with The Daily News on October 24, which is reprinted in Irish unionist newspapers and arouses considerable sympathy for him. Although he rarely uses his former military rank, he becomes universally known as “Captain Boycott,” since it suits both sides to portray him as someone of social standing. Letters of support appear in unionist papers and the Belfast News Letter sets up a “Boycott Relief Fund” and proposes a relief expedition, portraying Boycott as a peaceable English gentleman unjustly subjected to intimidation.
The prospect of hundreds of armed loyalists descending on County Mayo alarms the government, who announce on November 8 that they will provide protection for a small group of labourers to harvest Boycott’s crops. On November 12, fifty-seven loyalists from counties Cavan and Monaghan, “the Boycott Relief Expedition,” arrive at Lough Mask with an escort of almost a thousand troops. After harvesting Boycott’s crops, they leave on November 26. The entire operation costs £10,000 – about thirty times the value of the crops. Although the expedition passes off largely without incident, it focuses international media attention on the affair and establishes the word “boycott” in English and several other languages as a standard term for communal ostracism.
On November 27, Boycott and his wife go to the Hammam Hotel, Dublin, where he receives death threats. On December 1, he travels to London and then to the United States (March–May 1881) to see Murray McGregor Blacker, the friend from his time on Achill Island who has since settled in Virginia. In an interview with the New York Herald, he criticises the liberal government’s weakness toward the Land League and claims that the Irish land question is an intractable problem that can only be solved in the long term by emigration and industrialisation.
Boycott returns to Lough Mask on September 19, 1881, and at an auction in Westport is mobbed and burned in effigy. This, however, is the last outburst of hostility against him, and as the land agitation wanes so does his unpopularity. Although unsuccessful in efforts to win compensation from the government, he receives a public subscription of £2,000. He remains in County Mayo as Lord Erne’s agent until February 1886, when he obtains the post of land agent for Sir Hugh Adair in Flixton, Suffolk, but he keeps the small Kildarra estate, where he continues to holiday. On December 12, 1888, he gives evidence of his treatment to the parliamentary commission on “Parnellism and crime.”
After suffering from ill-health for some years, Boycott dies at Flixton on June 19, 1897, and is buried in the churchyard of Burgh St. Peter. A British-made film, Captain Boycott (1947), stars Cecil Parker in the title role.
A snappy dresser who earns the nickname “the yellow rose of Finglas,” Tunney is sometimes seen as pompous, a perception possibly attributable to his acting background, which once leads to an audition at Dublin’s Abbey Theatre.
In 1963 Tunney joins Fianna Fáil, and stands for the party at the 1965 Irish general election but is not elected. He is elected to Dáil Éireann as a Fianna Fáil TD for the Dublin North-West constituency at the 1969 Irish general election. He serves continuously in the Dáil until losing his seat at the 1992 Irish general election, having been a TD for Dublin Finglas from 1977 to 1981 when Dublin constituencies are reconfigured as 3-seaters, before being returned for Dublin North-West in 1981.
During this period Tunney serves as Parliamentary Secretary to the Minister for Education (after 1978, Minister of State at the Department of Education) in three governments. He serves as Leas-Ceann Comhairle of Dáil Éireann from 1981 to 1982, and from 1987 to 1993. He is also chair of the Fianna Fáil parliamentary party for ten years. He is a member of Dublin City Council, and serves as Lord Mayor of Dublin from 1984 to 1985.
Following Tunney’s death, TaoiseachBertie Ahern describes him as “a parliamentarian and a gentleman who was passionately committed to serving his country.” Ahern adds, “he was not only a man of substance but one of style. From the flower that was always in his buttonhole to the elegance of his language in both Irish and English he had a commanding and stylish presence.”
Fine Gael leader Michael Noonan says Tunney had gained “the widespread affection and respect of colleagues of all political parties.”
Leader of the Labour PartyRuairi Quinn describes Tunney as a “thoughtful and courteous colleague” who carried out his duties with “fairness but also with wit and style.”
