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Death of Ella MacMahon, Romance Novelist

Ella MacMahon, prolific Irish romance novelist, dies in the United Kingdom on April 19, 1956.

MacMahon is born Eleanor Harriet on July 23, 1864, in Dublin, the elder of two children of the Rev. John Henry MacMahon (1829–1900), curate of St. Werburgh’s Church, Dublin (1860-71), and later chaplain of Mountjoy Prison (1887–1900), and Frances MacMahon (née Snagge). Her father is also secretary to the board of religious education of the Church of Ireland, editor of The Irish Ecclesiastical Gazette, and author of four books, including a translation of Aristotle‘s Metaphysics (1857) and Church and State in England, Its Origin and Use (1872).

MacMahon, who is educated at home, is also literary. From the 1890s she begins contributing to periodicals such as the New Ireland Review, for which she writes on local history. Her first novel, A New Note, appears in 1894 and over the next thirty-five years she is prolific, publishing over twenty novels as well as making numerous contributions to magazines, and several to BBC radio programmes. She is unmarried and writing is her main source of income, but during World War I she works as a civil servant in various government departments including War, Trade, and the newly created Intelligence department. Afterward she lives in Brockenhurst, Hampshire, England, and converts at some stage to Catholicism.

MacMahon’s novels are romances. Typical of them is An Honorable Estate (1898), which features an English heiress marrying an impoverished Irish clergyman in a fit of pique, only to fall in love with him. They are undemanding but entertaining and occasionally ironic, with clever social commentary. Irish Book Lover, a quarterly review of Irish literature and bibliography, commends The Job (1914) for its insightful and sympathetic characterisation. It is an account of a baronet‘s struggle to improve his Irish estate despite the fecklessness of the inhabitants. Ireland is a frequent setting for her stories. Her view of it verges on the sentimental, and she often features eccentric but ultimately good-hearted country people.

However, MacMahon’s last book, Wind of Dawn (1927), is a more profound, interesting study. Set during the Irish War of Independence and the truce, it looks at the complexities within Irish society and the differences in attitude between the Anglo- and native Irish. Rich in characters, it features a naive English girl in love with Ireland, a papist-hating domestic servant, and an ascendancy grande dame who finds England monotonous but is adamant that her children will be educated there and will not acquire a brogue. Unlike MacMahon’s other books, it is not a romance and ends in tragedy and then acceptance for the coming change of regime. It reads like a lesser novel by Elizabeth Bowen and resembles in theme and argument, though not in quality, The Last September (1929), which it predates. Unfortunately, she is not inspired to go further in this line. She writes no more and retires on a government civil pension.

By the time of her death on April 19, 1956, MacMahon has fallen into complete obscurity, and surprisingly, given the quantity and relative merit of her work, she has no entry to date in any of the numerous anthologies of Irish or women writers.


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Death of Isabella Augusta, Lady Gregory

lady-gregory

Isabella Augusta, Lady Gregory, an Irish playwright, folklorist and theatre manager, dies at her home in Galway on May 22, 1932.

Augusta is born at Roxborough, County Galway, the youngest daughter of the Anglo-Irish gentry family Persse. She is educated at home, and her future career is strongly influenced by the family nanny, Mary Sheridan, a Catholic and a native Irish speaker, who introduces her to the history and legends of the local area.

Augusta marries Sir William Henry Gregory on March 4, 1880, in St Matthias’ Church, Dublin. He is a well-educated man with many literary and artistic interests, and the house at Coole Park houses a large library and extensive art collection. He also owns a house in London, where the couple spends a considerable amount of time, holding weekly salons frequented by many leading literary and artistic figures of the day, including Robert Browning, Lord Tennyson, John Everett Millais and Henry James.

Augusta’s earliest work to appear under her own name is Arabi and His Household (1882), a pamphlet in support of Ahmed Orabi Pasha, leader of what has come to be known as the Urabi Revolt. In 1893 she publishes A Phantom’s Pilgrimage, or Home Ruin, an anti-Nationalist pamphlet against William Ewart Gladstone‘s proposed second Home Rule Act.

Augusta continues to write prose during the period of her marriage. She also writes a number of short stories in the years 1890 and 1891, although these never appear in print. A number of unpublished poems from this period have also survived. When Sir William Gregory dies in March 1892, Lady Gregory goes into mourning and returns to Coole Park. There she edits her husband’s autobiography, which she publishes in 1894.

A trip to Inisheer in the Aran Islands in 1893 re-awakes for Lady Gregory an interest in the Irish language and in the folklore of the area in which she lives. She organises Irish lessons at the school at Coole and begins collecting tales from the area around her home. This activity leads to the publication of a number of volumes of folk material, including A Book of Saints and Wonders (1906), The Kiltartan History Book (1909) and The Kiltartan Wonder Book (1910).

With William Butler Yeats and Edward Martyn, she co-founds the Irish Literary Theatre and the Abbey Theatre and writes numerous short works for both companies. Lady Gregory produces a number of books of retellings of stories taken from Irish mythology. Born into a class that identifies closely with British rule, she turns against it. Her conversion to cultural nationalism, as evidenced by her writings, is emblematic of many of the political struggles to occur in Ireland during her lifetime.

Lady Gregory, whom George Bernard Shaw once described as “the greatest living Irishwoman” dies at home at the age of 80 from breast cancer on May 22, 1932. She is buried in the New Cemetery in Bohermore, County Galway. The entire contents of Coole Park are auctioned three months after her death, and the house is demolished in 1941.

Lady Gregory is mainly remembered for her work behind the Irish Literary Revival. During her lifetime her home at Coole Park in County Galway serves as an important meeting place for leading Revival figures. Her early work as a member of the board of the Abbey Theatre is at least as important as her creative writings for that theatre’s development. Lady Gregory’s motto is taken from Aristotle: “To think like a wise man, but to express oneself like the common people.”