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Tag Archives: New Ireland Review (magazine)


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Birth of Justin Huntly McCarthy, Writer & Politician

Justin Huntly McCarthy, writer and nationalist politician, is born in Liverpool, England, on September 30, 1856, son of the writer and politician Justin McCarthy and his wife, Charlotte, daughter of William George Allman of Bandon, County Cork.

McCarthy spends his childhood in Liverpool, London, and New York City, where his father works on the New York Independent from 1868 to 1871. He is educated at University College School and University College London. On graduating he travels extensively in Europe and the Middle East, adding oriental literature to the list of his interests, which included Greek and Irish mythology, Irish history, and contemporary politics.

McCarthy’s early career was meteoric: his first book, An outline of Irish history from the earliest times, appears in 1883 and is a fast-moving, strongly worded, nationalist sketch of Irish history. This is followed by a heavy-handed dramatic poem, Serapion (1883), about the early Christian era. In June of the following year he is returned as the Home Rule League MP for Athlone on the death of the sitting member, and also publishes, to excellent reviews, England under Gladstone, which runs to a second edition within a year. In November 1884, his first play, The Candidate, is an overnight success in the Criterion Theatre in London. Its plot is thin but the humour and political badinage ensures it a long run.

At the 1885 United Kingdom general election McCarthy is elected nationalist MP for Newry, and he holds this seat until 1892. In the two years after his election he writes a number of novels, translates works from Persian, and writes Ireland Since the Union (1887), which is well researched, nationalist and impassioned in tone, showing a flair for biographical sketches. During this period he is known for his good attendance in the House of Commons though he does not speak much – throughout his life he is more an observer than a participator – and he is said by William O’Brien to conceal “under the gentlest of exteriors the fire of the ‘Spirit of the Nation’ ballad” (New Ireland Review, 523). In London he is well known for his controversial drama reviews in The Gentleman’s Magazine and the Sunday Sun, and in Dublin for his numerous verse and prose contributions to United Ireland. Although he makes a name for himself as a brilliant young man, he never fulfills his early promise.

In later years McCarthy continues to publish prolifically but produces only ephemeral works, and his parliamentary attendance slackens off. His political commitment is soured possibly by the party’s split in 1890. He originally sides with Charles Stewart Parnell, emphasizing in a speech on December 1, 1890, that he believes in the old-fashioned theory of personal loyalty to a leader. However, five days later he causes a minor drama by rising at the last minute to follow his father and the forty-three other anti-Parnellites, claiming that he feels he must abide by the decision of the majority. Two years later he leaves politics for good without standing in the 1892 United Kingdom general election. A sympathetic profile of him in the New Ireland Review in 1894 remarks that “no man of equal talents made so slight an impression on the political world.”

Thereafter McCarthy has less involvement in Irish affairs and writes no more Irish history books, though his novels continue to have Irish themes. He lives in London in Putney Common, and continues to travel widely. In 1894, he marries in some haste a popular comic actress, Cecilia Loftus, and the event is widely reported in the English press. However, the marriage is dissolved in the United States five years later. In 1908, his second marriage is to Loullie, daughter of Henry Killick of Budapest. He continues to enjoy success as a dramatist and has five plays, four sketches, and three duologues performed in London in the 1890s. However, he concentrates increasingly on historical fiction, which he produces at breakneck speed. In the first decade of the twentieth century he writes over twelve novels based on periods in English, Italian, French, and Irish history. The Illustrious O’Hagan (1906), The O’Flynn (1910), and The King Over the Water (1911) pointedly contradict English stereotypes of the “stage Irishman.” The Fair Irish Maid (1911) is an allegory of the Irish Parliamentary Party‘s political marriage to the ordinary Irish people rather than to the Anglo-Irish ascendancy.

McCarthy dies at home in Putney on March 20, 1936 aged 79, although his obituaries all put his age at 75.

(From: “McCarthy, Justin Huntly” by Bridget Hourican, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of Ella MacMahon, Romance Novelist

Ella MacMahon, prolific Irish romance novelist, dies in the United Kingdom on April 19, 1956.

MacMahon is born Eleanor Harriet on July 23, 1864, in Dublin, the elder of two children of the Rev. John Henry MacMahon (1829–1900), curate of St. Werburgh’s Church, Dublin (1860-71), and later chaplain of Mountjoy Prison (1887–1900), and Frances MacMahon (née Snagge). Her father is also secretary to the board of religious education of the Church of Ireland, editor of The Irish Ecclesiastical Gazette, and author of four books, including a translation of Aristotle‘s Metaphysics (1857) and Church and State in England, Its Origin and Use (1872).

MacMahon, who is educated at home, is also literary. From the 1890s she begins contributing to periodicals such as the New Ireland Review, for which she writes on local history. Her first novel, A New Note, appears in 1894 and over the next thirty-five years she is prolific, publishing over twenty novels as well as making numerous contributions to magazines, and several to BBC radio programmes. She is unmarried and writing is her main source of income, but during World War I she works as a civil servant in various government departments including War, Trade, and the newly created Intelligence department. Afterward she lives in Brockenhurst, Hampshire, England, and converts at some stage to Catholicism.

MacMahon’s novels are romances. Typical of them is An Honorable Estate (1898), which features an English heiress marrying an impoverished Irish clergyman in a fit of pique, only to fall in love with him. They are undemanding but entertaining and occasionally ironic, with clever social commentary. Irish Book Lover, a quarterly review of Irish literature and bibliography, commends The Job (1914) for its insightful and sympathetic characterisation. It is an account of a baronet‘s struggle to improve his Irish estate despite the fecklessness of the inhabitants. Ireland is a frequent setting for her stories. Her view of it verges on the sentimental, and she often features eccentric but ultimately good-hearted country people.

However, MacMahon’s last book, Wind of Dawn (1927), is a more profound, interesting study. Set during the Irish War of Independence and the truce, it looks at the complexities within Irish society and the differences in attitude between the Anglo- and native Irish. Rich in characters, it features a naive English girl in love with Ireland, a papist-hating domestic servant, and an ascendancy grande dame who finds England monotonous but is adamant that her children will be educated there and will not acquire a brogue. Unlike MacMahon’s other books, it is not a romance and ends in tragedy and then acceptance for the coming change of regime. It reads like a lesser novel by Elizabeth Bowen and resembles in theme and argument, though not in quality, The Last September (1929), which it predates. Unfortunately, she is not inspired to go further in this line. She writes no more and retires on a government civil pension.

By the time of her death on April 19, 1956, MacMahon has fallen into complete obscurity, and surprisingly, given the quantity and relative merit of her work, she has no entry to date in any of the numerous anthologies of Irish or women writers.