Ó hEithir’s parents are national school teachers, Pádraic Ó hEithir and Delia Ní Fhlaithearta. He is a nephew of Aran Islands authors Liam Ó Flaithearta and Tom Maidhc Ó Flaithearta, the brothers of his mother. He attends the Kilronan national school where his parents teach. He receives his secondary school education at Coláiste Éinde (St. Enda’s College), Galway. He attends University College Galway for three years, finishing his university course in 1952 but leaves without sitting his final examinations. He writes in both Irish and English, and is highly regarded for the originality and liveliness of his journalism, especially his work in Irish.
Ó hEithir marries Catherine von Hildebrand, a young student recently arrived in Dublin from Colombia, in 1957 and they have five children: Ruairí, Máirín, Brian, Aindriú, and Rónán. Catherine is born in Paris, the daughter of Deirdre Mulcahy from Sligo and Franz von Hildebrand from Munich, son of the noted philosopher and theologian Dietrich von Hildebrand.
After college, Ó hEithir spends a number of years working as an itinerant bookseller for Comhdháil Náisiúnta na Gaeilge. He serves as an editor at Sáirséal agus Dill, the Irish language publishing house, and as Irish language editor for The Irish Press from 1957 to 1963. He also writes a column for The Sunday Press. He is a regular columnist with the journal Comhar and also contributes a weekly column to The Irish Times. He also serves as a staff journalist with Raidió Teilifís Éireann (RTÉ), working on the current affairs programmes Cúrsaí and Féach.
In 1975 the Irish American Cultural Institute awards Ó hEithir a scholarship of £2,000 to allow him to devote more time to writing. The following year his first novel, Lig sinn i gcathú (1976), loosely based on his student days in Galway, becomes a best-seller. He and Catherine move to Paris in 1986, where most of his second novel, Sionnach ar mo Dhuán (1988), is written. Hopes of having produced his definitive novel are soon dashed by a series of devastating reviews.
Ó hEithir visits Colombia with his wife in the summer of 1990. On his return, he is presented with the Butler literary award of $10,000 in further recognition of his writing in Irish. A month later, after a very short illness, he dies of cancer in St. Vincent’s University Hospital in Dublin on October 26, 1990. He is survived by his wife, Catherine, daughter Máirín, and sons Ruairí, Brian, and Aindriú.
Keating is born in Limerick, County Limerick on September 28, 1889. He studies drawing at the Limerick Technical School before a scholarship arranged by William Orpen allows him to go study at the Metropolitan School of Art in Dublin at the age of twenty. Over the next few years, he spends two weeks or so during the late summer on the Aran Islands and his many portraits of island people depict them as rugged heroic figures.
In 1914 he wins the RDS Taylor award with a painting titled The Reconciliation. The prize includes £50.00 which allows him to go to London to work as Orpen’s studio assistant in 1915. In late 1915 or early 1916, he returns to Ireland where he documents the Irish War of Independence and the subsequent Irish Civil War. Examples include Men of the South (1921–22) which shows a group of Irish Republican Army (IRA) men ready to ambush a military vehicle and An Allegory (first exhibited in 1924), in which the two opposing sides in the Irish Civil War are seen to bury the tri-colour covered coffin amid the roots of an ancient tree. The painting includes a self-portrait of the artist.
Keating is elected an Associate of the Royal Hibernian Academy (RHA) in 1918, and a full member in 1923. One of the cardinal achievements of the Irish Free State in the 1920s is the building, in partnership with Siemens, of a hydro-electric power generator at Ardnacrusha, near Limerick. Between 1926 and 1927, at his own volition, he produces a considerable number of paintings related to this scheme. He exhibits several examples of the paintings in the RHA exhibitions in 1927 and 1928. Most of the paintings are now in the collection of ESB Group.
In 1936 group of prominent Limerick politicians, artists and patrons establish the first Limerick City Collection of Art from various donations and bequests. Keating is part of this artist-led initiative to form a municipal art gallery in Limerick similar to those already in Dublin and Cork. The collection is formed primarily out of donations and bequests. As a pivotal member of the committee, Keating himself donates many works to the collection which is first exhibited as a municipal collection in the Savoy Cinema, Limerick City on November 23, 1937. It is not until 1948 that an extension to the rear of Limerick Free Library and Museum becomes the home to the City Collection as the Limerick Free Art Gallery. In 1985 the Library and Museum are transferred to larger buildings.
In 1939 Keating is commissioned to paint a mural for the Irish pavilion at the New York World’s Fair. He is President of the RHA from 1950 to 1962 and shows at the annual exhibition for 61 years from 1914. Although he is an intellectual painter in the sense that he consciously sets out to explore the visual identity of the Irish nation, and his paintings show a very idealised realism, he fears that the modern movement will bring back a decline in artistic standards. Throughout his career, he exhibits nearly 300 works at the RHA and also shows at the Oireachtas.
Seán Keating dies on December 21, 1977 at the Adelaide Hospital in Dublin and is buried at Cruagh Cemetery, Rathfarnham. The 1978 RHA Exhibition features a small memorial collection of his work.
Posthumous exhibitions of his work are mounted by The Grafton Gallery, Dublin (1986) and the Electricity Supply Board (1987). Sean Keating – The Pilgrim Soul, a documentary presented and written by his son Justin Keating, airs on RTÉ in 1996.
(Pictured: Photograph of Keating’s “An Allegory” painted between 1922 and 1924. The painting represents Keating’s own disillusionment and loss of idealism resulting from the outbreak of the Irish Civil War. The only figure of the group addressing the observer is a self-portrait of the artist.)
Dirrane is born in Oatquarter in the townland of Kilmurvey on Inishmore, Aran Islands, County Galway on November 15, 1894. She is the youngest child of Joseph Gillan and Maggie (née Walsh). Her father is a weaver of flannel cloth and has a small farm. She has four brothers and three sisters. Her oldest brother is a fisherman, who dies at age 21 in 1901, and her father dies before 1911. Despite this hardship, all of the children go to school, with one of her brothers becoming an Irish teacher, and later an Irish inspector. The family speaks Irish at home, but they are all bilingual with English. She is schooled at the national school in Oatquarter until the age of 14. She leaves to work in local homes, looking after children. When she writes her memoirs late in life, she claims to have met Joseph Plunkett, Éamonn Ceannt, Thomas MacDonagh, Thomas Ashe and Patrick Pearse when they visited the island, visiting a house where she looked after the children, discussing politics and plans for the Easter Rising with them. She is a republican, becoming a member of Cumann na mBan in 1918 while she is working for Fr. Matthew Ryan as a housekeeper. She is involved in drilling and assisting fugitives from the authorities. Because of their known republican sympathies, the Black and Tans raid the Gillan family homes.
Dirrane moves to Dublin in 1919 to train in Saint Ultan’s Children’s Hospital as a nurse. She is still under surveillance, being arrested alongside her employer, Claude Chavasse, when she is working as a nurse in his house. She is held in Dublin’s Bridewell Garda Station for two days before being transferred to Mountjoy Prison. In the time of her imprisonment, she is not charged or put on trial. Her refusal to speak English angers the guards, culminating in her going on hunger strike for a number of days in 1920 until she is released. She takes part in the Cumann na mBan vigil outside of Mountjoy Prison in November 1920, when Kevin Barry is hanged.
Dirrane works in Richard Mulcahy‘s house for two years, before emigrating to the United States in 1927 to continue her career as a nurse. She works in Boston where she is an active member of the Irish emigrant community alongside former neighbours from the Aran Islands and some relatives. She works in a hotel for a time, but returns to nursing after her marriage to Edward ‘Ned’ Dirrane in November 1932 in the Jamaica Plain section of Boston. Ned, a labourer in Boston and also from Inishmore, dies from heart failure in 1940. Dirrane continues her career nursing in hospitals and as a district nurse. On May 13, 1940, she naturalises as U.S. citizen. During World War II, she works as a nurse in a munitions factory, and at a U.S. Army Air Forcesbomber base in Mississippi. She canvases for John F. Kennedy in the Irish community in South Boston when he runs for president in 1960. Jean Kennedy Smith visits Dirrane in 1997 in Galway to acknowledge her contribution. She also meets Senator Edward Kennedy.
Following her retirement, Dirrane lives with her nephew, but she returns to the Aran Islands in 1966 at age 72. There she lives with her brother-in-law, Pat Dirrane, a widower with three grown sons. They marry in a private ceremony on April 27, 1966. She continues to live on the island after Pat’s death on February 28, 1990, living with her stepson. She eventually moves into a nursing home in Newcastle in the suburbs of Galway. When she celebrates her 100th birthday, she funds a statue of Our Lady Mary at a holy well in Corough on Inishmore. At age 103, the matron of her nursing home arranges for a local writer, Jack Mahon, to record her memories and collate the information into a book. The book, A Woman of Aran, is published in 1997 and is a bestseller for several weeks. She is awarded an honorary degree, an MA honoris causa, from NUI Galway in May 1998, the oldest person to ever receive one.
Dirrane dies at age 109 on December 31, 2003, in Galway. She is buried on Inishmore.
From an early age Ford has an interest in painting and sailing, and in July 1914 moves to California, where his older brother Francis is an actor with a small film company. Adopting the name ‘Jack Ford,’ he learns his trade as a filmmaker and acts in a number of silent pictures. Reveling in his Irish heritage, he makes his director’s debut with The Tornado (1917) and follows it with more than forty movies over the next six years. On July 3, 1920, he marries Mary McBryde Smith, a former officer in the army medical corps. They meet at a party thrown by the director Rex Ingram and have one son and one daughter.
In 1921 Ford visits Ireland for the first time and later claims to have travelled on the same boat that brought Michael Collins back from the treaty negotiations. He meets his relatives at Spiddal, falls in love with the countryside, and becomes a fervent Irish nationalist. It is later claimed that he brought over funds for his cousin Martin Feeney, a member of an Irish Republican Army (IRA) flying column.
Returning to Hollywood, Ford becomes friends with the retired marshal Wyatt Earp and makes a number of commercially successful films, now as ‘John Ford’. In 1926 he directs The Shamrock Handicap, a horse-racing yarn partly set in Ireland. In 1928 he shoots Mother Machree, a movie about Irish emigration, starring Victor McLaglen, a regular collaborator. McLaglen also stars in Hangman’s House, made the same year, Ford’s first major movie about Ireland.
In 1934 Ford purchases a luxury yacht which he names the Araner after the Aran Islands. He also begins shooting The Informer, a film set in Ireland during the Irish War of Independence, and based on a short novel by Liam O’Flaherty. The picture is a major box office success and wins four Academy Awards, including Best Director. O’Flaherty is so impressed with the film that he dedicates his next book, Famine, to Ford.
In 1934 Ford visits Ireland for the second time, and approaches Seán O’Casey about directing a version of The Plough and the Stars. Released in 1936, the film stars Barry Fitzgerald as Fluther, but it is reedited by the studio, much to Ford’s fury, and is a commercial and critical flop.
In 1952 Ford returns to Ireland to film The Quiet Man, starring Wayne, McLaglen, and Maureen O’Hara. Shot at Ashford Castle, County Mayo, the picture becomes one of the most popular Irish films of all time. He is immensely proud of the work and is in tears leaving Ireland. The following year he makes Mogambo, with Clark Gable, Grace Kelly and a young English actor, Donald Sinden, who later recalls that Ford berated him personally for all the problems of Ireland from the time of William of Orange. Ford’s strong sense of Irishness is central to his character and is crucial for any understanding of his work. Back in Ireland in 1956, he shoots The Rising of the Moon, a portmanteau film for which he takes no salary, starring Tyrone Power, Cyril Cusack, and Noel Purcell. A minor film, it makes no impact at the box office.
Two of Ford’s finest movies are made in his later years. The Searchers (1956) is a powerful study of vengeance, while The Man Who Shot Liberty Valance (1962) is an elegiac revisionist western which concludes with the famous line, “When the legend becomes fact, print the legend.”
Struck with cancer in his final years, Ford dies on August 31, 1973 at his home in Palm Desert, California, and is buried at Holy Cross Cemetery, Culver City. His will disinherits his son, Michael Patrick Roper, and leaves everything to his wife, daughter, and grandchildren.
When asked to name the finest American directors, Orson Welles replies simply, “John Ford, John Ford, and John Ford.” An alcoholic, Ford is a difficult and often tyrannical director, but he makes films of extraordinary power and vision. He ranks as one of the greatest film-makers of the twentieth century. As Frank Capra concludes, “John is half-tyrant, half-revolutionary; half-saint, half-Satan; half-possible, half-impossible; half-genius, half-Irish.”
(From: “Ford, John,” contributed by Patrick M. Geoghegan, Dictionary of Irish Biography, http://www.dib.ie)
The Games are hosted in Dublin, with participants staying in 177 towns, cities and villages and the Aran Islands in the lead up to the Games before moving to Dublin for the events. Events are held from June 21-29, 2003 at many venues including Morton Stadium, the Royal Dublin Society, the National Basketball Arena, all in Dublin. Croke Park serves as the central stadium for the opening and closing ceremonies, even though no competitions take place there. Belfast is the venue for roller skating events at the King’s Hall, as well as the Special Olympics Scientific Symposium held on June 19-20.
Approximately 7,000 athletes from 150 countries compete in the Games in 18 official disciplines and three exhibition sports. The participants from Kosovo are the region’s first team at an international sporting event. A 12-member team from Iraq receives special permission to attend the games, despite ongoing war in their home nation. This is the largest sporting event held in 2003.
The Games Flame is lit at the culmination of the Law Enforcement Torch Run, in which more than 2,000 members of the Garda Síochána and the Police Service of Northern Ireland participate. This is a series of relays carrying the Special Olympics Torch, the “Flame of Hope,” from Europe to the Games’ official opening.
The 2003 Games are the first to have their opening and closing schemes broadcast on live television, and Raidió Teilifís Éireann provides extensive coverage of the events through their ‘Voice of the Games’ radio station which replaces RTÉ Radio 1 on medium wave for the duration of the event. There is also a nightly television highlight programme. A daily newspaper, the Games Gazette, was published for each day of the Games.
Among the activities carried out during the Games are thorough medical checks on the athletes, some of whom have previously undiagnosed conditions uncovered, as some of the athletes come from countries with limited medical facilities or have difficulty communicating their symptoms.
Micheal O’Siadhail, poet and linguist, is born in Dublin on January 12, 1947. Among his awards are The Marten Toonder Prize and The Irish American Culture Institute Prize for Literature.
O’Siadhail is born into a middle-class Dublin family. His father, a chartered accountant, is born in County Monaghan and works most of his life in Dublin, and his mother is a Dubliner with roots in County Tipperary. Both of them are portrayed in his work in several poems such as “Kinsmen” and “Promise”. From the age of twelve, he is educated at the Jesuit boarding school Clongowes Wood College, an experience he is later to describe in a sequence of poems “Departure” (The Chosen Garden).
At Clongowes O’Siadhail is influenced by his English teacher, the writer Tom MacIntyre, who introduces him to contemporary poetry. At thirteen he first visits the Aran Islands. This pre-industrial society with its large-scale emigration has a profound impact on him. His earlier work reflects this tension between his love of his native Dublin and his emotional involvement with those outlying communities and which features in the sequence “Fists of Stone” (The Chosen Garden).
In 1970 O’Siadhail marries Bríd Ní Chearbhaill, who is born in Gweedore, County Donegal. She is for most of her life a teacher and later head mistress in an inner-city Dublin primary school until her retirement in 1995 due to Parkinson’s disease. She is a central figure in his oeuvre celebrated in the sequence “Rerooting” in The Chosen Garden and in Love Life, which is a meditation on their lifelong relationship. One Crimson Thread travels with the progression of her Parkinson’s Disease. She dies on June, 17, 2013.
For seventeen years, O’Siadhail earns his living as an academic; firstly as a lecturer at Trinity College (1969–73) where he is awarded a Master of Letters degree in 1971 and then as a research professor at the Dublin Institute for Advanced Studies. During these years he gives named lectures in Dublin and at Harvard University and Yale University and is a visiting professor at the University of Iceland in 1982. In 1987 he resigns his professorship to devote himself to writing poetry which he describes as “a quantum leap.”
During his years as an academic, O’Siadhail, writing under the Irish spelling of his name, published works on the linguistics of Irish and a textbook for learners of Irish.
O’Siadhail serves as a member of the Arts Council of the Republic of Ireland (1987–93), of the Advisory Committee on Cultural Relations (1989–97) and is editor of Poetry Ireland Review. He is the founding chairman of ILE (Ireland Literature Exchange). As a founder member of Aosdána (Academy of Distinguished Irish Artists) he is part of a circle of artists and works with his friend the composer Seóirse Bodley, the painters Cecil King and Mick O’Dea and in 2008 gives a reading as part of Brian Friel‘s eightieth birthday celebration.
John Millington Synge, a leading figure in the Irish Literary Revival, dies in Dublin, on March 24, 1909. He is a poetic dramatist of great power who portrays the harsh rural conditions of the Aran Islands and the western Irish seaboard with sophisticated craftsmanship.
Synge is educated privately at schools in Dublin and Bray, and later studies piano, flute, violin, music theory and counterpoint at the Royal Irish Academy of Music. He enters Trinity College, Dublin, in 1889. He graduates with a BA in 1892, having studied Irish and Hebrew, as well as continuing his music studies and playing with the Academy Orchestra in the Antient Concert Rooms.
After studying at Trinity College and at the Royal Irish Academy of Music in Dublin, Synge pursues further studies from 1893 to 1897 in Germany, Italy, and France. In 1894 he abandons his plan to become a musician and instead concentrates on languages and literature. He meets William Butler Yeats while studying at the Sorbonne in Paris in 1896. Yeats inspires him with enthusiasm for the Irish renaissance and advises him to stop writing critical essays and instead to go to the Aran Islands and draw material from life. Already struggling against the progression of Hodgkin’s lymphoma which is untreatable at the time and eventually leads to his death, Synge lives in the islands during part of each year between 1898 and 1902, observing the people and learning their language, recording his impressions in The Aran Islands (1907) and basing his one-act plays In the Shadow of the Glen and Riders to the Sea (1904) on islanders’ stories. In 1905 his first three-act play, The Well of the Saints, is produced.
Synge’s travels on the Irish west coast inspire his most famous play, The Playboy of the Western World (1907). This morbid comedy deals with the moment of glory of a peasant boy who becomes a hero in a strange village when he boasts of having just killed his father but who loses the villagers’ respect when his father turns up alive. In protest against the play’s unsentimental treatment of the Irishmen’s love for boasting and their tendency to glamorize ruffians, the audience riots at its opening at Dublin’s Abbey Theatre. Riots of Irish Americans accompany its opening in New York City in 1911, and there are further riots in Boston and Philadelphia. Synge remains associated with the Abbey Theatre, where his plays gradually win acceptance, until his death. His unfinished Deirdre of the Sorrows, a vigorous poetic dramatization of one of the great love stories of Celtic mythology, is performed there in 1910.
In the seven plays he writes during his comparatively short career as a dramatist, Synge records the colourful and outrageous sayings, flights of fancy, eloquent invective, bawdy witticisms, and earthy phrases of the peasantry from County Kerry to County Donegal. In the process he creates a new, musical dramatic idiom, spoken in English but vitalized by Irish syntax, ways of thought, and imagery.
Keating studies drawing at the Limerick Technical School before a scholarship arranged by William Orpen allows him to go study at the Metropolitan School of Art in Dublin at the age of twenty. Over the next few years, he spends two weeks or so during the late summer on the Aran Islands and his many portraits of island people depict them as rugged heroic figures.
In 1914 he wins the RDS Taylor award with a painting titled The Reconciliation. The prize includes £50.00 which allows him to go to London to work as Orpen’s studio assistant in 1915. In late 1915 or early 1916, he returns to Ireland where he documents the Irish War of Independence and the subsequent Irish Civil War. Examples include Men of the South (1921–22) which shows a group of Irish Republican Army (IRA) men ready to ambush a military vehicle and An Allegory (first exhibited in 1924), in which the two opposing sides in the Irish Civil War are seen to bury the tri-colour covered coffin amid the roots of an ancient tree. The painting includes a self-portrait of the artist.
Keating is elected an Associate of the Royal Hibernian Academy (RHA) in 1918, and a full member in 1923. One of the cardinal achievements of the Irish Free State in the 1920s is the building, in partnership with Siemens, of a hydro-electric power generator at Ardnacrusha, near Limerick. Between 1926 and 1927, at his own volition, he produces a considerable number of paintings related to this scheme. He exhibits several examples of the paintings in the RHA exhibitions in 1927 and 1928. Most of the paintings are now in the collection of ESB Group.
In 1936 group of prominent Limerick politicians, artists and patrons establish the first Limerick City Collection of Art from various donations and bequests. Keating is part of this artist-led initiative to form a municipal art gallery in Limerick similar to those already in Dublin and Cork. The collection is formed primarily out of donations and bequests. As a pivotal member of the committee, Keating himself donates many works to the collection which is first exhibited as a municipal collection in the Savoy Cinema, Limerick City on November 23, 1937. It is not until 1948 that an extension to the rear of Limerick Free Library and Museum becomes the home to the City Collection as the Limerick Free Art Gallery. In 1985 the Library and Museum are transferred to larger buildings.
In 1939 Keating is commissioned to paint a mural for the Irish pavilion at the New York World’s Fair. He is President of the RHA from 1950 to 1962, and shows at the annual exhibition for 61 years from 1914. Although he is an intellectual painter in the sense that he consciously sets out to explore the visual identity of the Irish nation, and his paintings show a very idealised realism, he fears that the modern movement will bring back a decline in artistic standards. Throughout his career, he exhibits nearly 300 works at the RHA and also shows at the Oireachtas.
Seán Keating dies on December 21, 1977 at the Adelaide Hospital in Dublin and is buried at Cruagh Cemetery, Rathfarnham. The 1978 RHA Exhibition features a small memorial collection of his work.
Posthumous exhibitions of his work are mounted by The Grafton Gallery, Dublin (1986) and the Electricity Supply Board (1987). Sean Keating – The Pilgrim Soul, a documentary presented and written by his son Justin Keating, airs on RTÉ in 1996.
(Pictured: Photograph of Keating’s “An Allegory” painted between 1922 and 1924. The painting represents Keating’s own disillusionment and loss of idealism resulting from the outbreak of the Irish Civil War. The only figure of the group addressing the observer is a self-portrait of the artist.)
Augusta is born at Roxborough, County Galway, the youngest daughter of the Anglo-Irish gentry family Persse. She is educated at home, and her future career is strongly influenced by the family nanny, Mary Sheridan, a Catholic and a native Irish speaker, who introduces her to the history and legends of the local area.
Augusta marries Sir William Henry Gregory on March 4, 1880 in St Matthias’ Church, Dublin. He is a well-educated man with many literary and artistic interests, and the house at Coole Park houses a large library and extensive art collection. He also owns a house in London, where the couple spends a considerable amount of time, holding weekly salons frequented by many leading literary and artistic figures of the day, including Robert Browning, Lord Tennyson, John Everett Millais and Henry James.
Augusta’s earliest work to appear under her own name is Arabi and His Household (1882), a pamphlet in support of Ahmed Orabi Pasha, leader of what has come to be known as the Urabi Revolt. In 1893 she publishes A Phantom’s Pilgrimage, or Home Ruin, an anti-Nationalist pamphlet against William Ewart Gladstone‘s proposed second Home Rule Act.
Augusta continues to write prose during the period of her marriage. She also writes a number of short stories in the years 1890 and 1891, although these never appear in print. A number of unpublished poems from this period have also survived. When Sir William Gregory dies in March 1892, Lady Gregory goes into mourning and returns to Coole Park. There she edits her husband’s autobiography, which she publishes in 1894.
A trip to Inisheer in the Aran Islands in 1893 re-awakes for Lady Gregory an interest in the Irish language and in the folklore of the area in which she lives. She organises Irish lessons at the school at Coole, and begins collecting tales from the area around her home. This activity leads to the publication of a number of volumes of folk material, including A Book of Saints and Wonders (1906), The Kiltartan History Book (1909) and The Kiltartan Wonder Book (1910).
With William Butler Yeats and Edward Martyn, she co-founds the Irish Literary Theatre and the Abbey Theatre, and writes numerous short works for both companies. Lady Gregory produces a number of books of retellings of stories taken from Irish mythology. Born into a class that identifies closely with British rule, she turns against it. Her conversion to cultural nationalism, as evidenced by her writings, is emblematic of many of the political struggles to occur in Ireland during her lifetime.
Lady Gregory, whom George Bernard Shaw once described as “the greatest living Irishwoman” dies at home at the age of 80 from breast cancer on May 22, 1932. She is buried in the New Cemetery in Bohermore, County Galway. The entire contents of Coole Park are auctioned three months after her death, and the house is demolished in 1941.
Lady Gregory is mainly remembered for her work behind the Irish Literary Revival. During her lifetime her home at Coole Park in County Galway serves as an important meeting place for leading Revival figures. Her early work as a member of the board of the Abbey Theatre is at least as important as her creative writings for that theatre’s development. Lady Gregory’s motto is taken from Aristotle: “To think like a wise man, but to express oneself like the common people.”
The Irish language has largely retreated from Meath when O’Growney is born, and neither of his parents speak it. He becomes interested in the language when he chances upon the Irish lessons in the nationalist newspaper Young Ireland. He has help at first from a few old people who speak the language, and while at Maynooth, where he continues his studies for the priesthood from the year 1882, he spends his holidays in Irish-speaking areas in the north, west and south. He gets to know the Aran Islands and writes about them in the bilingual Gaelic Journal (Irisleabhar na Gaedhilge), which he is later to edit. He is ordained in 1888. His proficiency in the language leads him to be appointed in the re-established Chair of Irish at Maynooth in 1891. He is editor of the Gaelic Journal between 1894 and 1899 and during his tenure ensures that more material is published in Irish.
For O’Growney language, nationality and religion are closely linked. In 1890, writing in the Irish Ecclesiastical Review, he describes literature in Irish as “the most Catholic literature in the world.” He is aware, however, of its other aspects, adding that “even if Irish were to perish as a spoken language, it would remain valuable from the pure literature point of view.”
His Simple Lessons in Irish, first published in the newspaper The Weekly Freeman, proves so popular that they are published in booklet form. There are five books in the series and 320,000 copies have been sold by 1903. In a foreword he states:
“The following course of simple lessons in Irish has been drawn up chiefly for the use of those who wish to learn the old language of Ireland, but who are discouraged by what they have heard of its difficulties… But the difficulties of Irish pronunciation and construction have always been exaggerated. A I myself was obliged to study Irish as a foreign language, and as I have been placed in circumstances which have made me rather familiar with the language as now spoken, I have at least a knowledge of the difficulties of those who, like myself, have no teacher.”
O’Growney is a founding member of the Gaelic League, which is created in Dublin in 1893 “for the purpose of keeping the Irish language spoken in Ireland,” and later becomes its vice-president.
In 1894, failing health causes him to go to Arizona and California, where he dies in Los Angeles on October 18, 1899. Some years later, with the aid of Irish sympathisers in the United States, his body is returned to Ireland. His funeral, held on September 26, 1903 at the St. Mary’s Pro-Cathedral, Dublin, is attended by 6,000 people, including members of the trade guilds, clerics, politicians, members of the nationalist Gaelic Athletic Association and students. He is buried at Maynooth.
(Pictured: Statue of Fr. Eugene O’Growney on the grounds of St. James’ Church in Athboy, courtesy of http://www.athboyparish.ie)
seamus dubhghaill 