His birth into the politically influential Beresford family affords him a degree of opportunity, and he is made a vice-regal chaplain in 1766. Brother of George de la Poer Beresford, 1st Marquess of Waterford, he marries Elizabeth Fitzgibbon, sister of John FitzGibbon, 1st Earl of Clare, on June 16, 1763. They had three sons and five daughters. These connections, however, do not automatically result in his being promoted to bishop, despite reaching episcopal age in 1773, and he spends several years as a well-beneficed rector of Urney in the Diocese of Derry. The Beresford family complains that he has been overlooked for several episcopal vacancies in the 1770s and it is not until 1780 that he is created Doctor of Divinity and consecrated Bishop of Dromore on April 8, 1780. At Dromore he erects a handsome new episcopal residence. On May 21, 1782, he is transferred to the diocese of Ossory and, as bishop there, takes his seat in the Irish parliament and exercises influence over the ecclesiastical borough of St. Canice.
The death of Primate Richard Robinson in 1794 is the stimulus for a reorganisation within the Church of Ireland hierarchy, and Beresford is one of the candidates rumoured to succeed him. However, his familial ties disadvantage him, because the government does not want to favour one Irish “party” over another. He is instead appointed to the vacant archbishopric of Tuam on October 10, 1794. An influential and senior position within the church, it is worth £5,000 per annum, which is more than Archbishop Charles Agar receives for the archbishopric of Cashel and provides him with extensive patronage.
In the late 1790s Beresford regularly attends parliament, particularly in the crucial session of 1799 as the Acts of Union is debated and shares his brother John’s view that a union is the best means of securing the Protestant interest in Ireland.
In the years following the union Beresford gains a temporal peerage, becoming 1st Baron Decies on December 22, 1812. He is an amiable, kind and loquacious individual, and is patron to artists, including Gilbert Stuart, who produces a portrait of him as Bishop of Ossory. His long years of service within the established church also makes him very wealthy, worth £250,000 at the time of his death.
Beresford dies on September 6, 1819, at Tuam, County Galway, and is succeeded in the barony by his eldest surviving son John on September 8, 1819. His eldest son Marcus had died in 1803. His youngest daughter Louisa, widow of Thomas Hope, marries, by special license, her cousin William Carr Beresford on November 29, 1832. Through Louisa he is a grandfather of British MP and patron of the arts, Henry Thomas Hope.
(From: “Beresford, William” by Martin McElroy, Dictionary of Irish Biography, http://www.dib.ie, October 2009, revised June 2024)
Born in Derry in 1677, Farquhar is one of seven children born to William Farquhar, a clergyman of modest means. The author of “Memoirs of Mr. George Farquhar,” a biographical sketch prefixed to certain 18th-century editions of his works, claims that he “discovered a Genius early devoted to the Muses. When he was very young, he gave Specimens of his Poetry; and discovered a Force of Thinking, and Turn of Expression, much beyond his years.”
Farquhar is educated at Foyle College and later enters Trinity College Dublin at age seventeen as a sizar under the patronage of the Bishop of Dromore, who may have been related to Farquhar’s mother. He may have initially intended to follow his father’s profession and become a clergyman but is “unhappy and rebellious as a student” and leaves college after two years to become an actor. His 18th-century biographer claims that the departure is because “his gay and volatile Disposition could not long relish the Gravity and Retirement of a College-life,” but another story of uncertain veracity has him being expelled from Trinity College due to a “profane jest.” The two accounts are not necessarily mutually exclusive.
Farquhar joins a company performing on the Dublin stage, probably through his acquaintance with the well-known actor Robert Wilks. However, he is reportedly not that impressive as an actor. It is said that “his voice was somewhat weak” and that “his movements [were] stiff and ungraceful.” But he is well received by audiences and thought to continue in this career “till something better should offer.” Some of the roles reportedly played by Farquhar are Lennox in William Shakespeare‘s Macbeth, Young Bellair in The Man of Mode by George Etherege, Lord Dion in Philaster by Francis Beaumont and John Fletcher, and Guyomar in The Indian Emperour by John Dryden.
During one of the performances in the Dryden play, an accident on stage puts an end to Farquhar’s acting career. As Guyomar, he is supposed to “kill” Vasquez, one of the Spanish generals in the drama. Forgetting to exchange his sword for a foil before enacting this scene, he severely wounds Price, the actor playing Vasquez. Although Price recovers, Farquhar resolves after this mishap to give up acting for good.
Farquhar then leaves for London, “possibly with a draft of his first play in his portmanteau.” Some writers tie his move to that of his friend Wilks, who had received an offer from the manager of Drury Lane to come to London and join that theatre. Wilks is also credited with encouraging Farquhar’s efforts at writing plays.
Farquhar’s first comedy, Love and a Bottle, premieres in 1698 and is well received by the audience. Called a “licentious piece” by one scholar and cited as proof that Farquhar had “absorbed the stock topics, character-types, and situations of Restoration comedy” by another, the play deals with Roebuck, “An Irish Gentleman of a wild roving Temper” who is “newly come to London.” The general character of the play can be evaluated by considering that in the opening scene, Roebuck tells his friend Lovewell that he has left Ireland due to getting a woman pregnant with twins and to Roebuck’s father trying to force Roebuck to marry the woman; however, Roebuck remarks, “Heav’n was pleas’d to lessen my Affliction, by taking away the She-brat.”
After the favourable reception of Love and a Bottle, Farquhar decides to devote himself to playwriting. He also at this point receives a commission in the regiment of the Earl of Orrery, so his time for the next few years is divided between the vocations of soldier and dramatist. It is also at about this time that he discovers Anne Oldfield, who is reading aloud a scene from The Scornful Lady at her aunt’s tavern. Impressed, he brings her to the notice of Sir John Vanbrugh, and this leads to her theatrical career, during which she is the first performer of major female roles in Farquhar’s last comedies.
In 1700, Farquhar’s The Constant Couple is acted at Drury Lane and proves a great success, helped considerably by his friend Wilks’ portrayal of the character of Sir Henry Wildair. The playwright follows up with a sequel, Sir Harry Wildair, the following year, and in 1702 writes the comedies The Inconstant and The Twin Rivals. Also in 1702, he publishes Love and Business, a collection that includes letters, verse, and A Discourse Upon Comedy.
The next year, Farquhar marries Margaret Pemell, “a widow with three children, ten years his senior,” who reportedly tricks him into the marriage by pretending to have a great fortune. His 18th century biographer records that “though he found himself deceived, his Circumstances embarrassed, and his Family increasing, he never upbraided her for the Cheat but behaved to her with all the Delicacy and Tenderness of an indulgent Husband.” He is engaged in recruiting for the army, due to the War of the Spanish Succession, for the next three years, writing little except The Stage Coach in collaboration with Peter Motteux, an adaptation of a French play. He draws on his recruiting experience for his next comedy, The Recruiting Officer (1706). However, he has to sell his army commission to pay debts, reportedly after the Duke of Ormonde advises him to do so, promising him another but failing to keep his promise.
Early in 1707, Farquhar’s friend Wilks visits him. Farquhar is ill and in distress, and Wilks is said to have “cheered him with a substantial present and urged him to write another comedy.” This comedy, The Beaux’ Stratagem, is given its première on March 8, 1707. It is known from Farquhar’s own statement prefacing the published version of the play that he wrote it during his sickness:
“The reader may find some faults in this play, which my illness prevented the amending of; but there is great amends made in the representation, which cannot be match’d, no more than the friendly and indefatigable care of Mr. Wilks, to whom I chiefly owe the success of the play.”
Malone is born to Edmond Malone Sr. (1704–1774), MP of the Irish House of Commons and judge of the Court of Common Pleas in Ireland, and Catherine Collier, the niece of Robert Knight, 1st Earl of Catherlough. He has two sisters, Henrietta and Catherine, and an older brother, Richard (later Lord Sunderlin). His father is a successful lawyer and politician in England, but his practice fails and he returns to Ireland. Little is known of his childhood and adolescence except that in 1747 he is sent to Dr. Ford’s preparatory school in Molesworth Street, Dublin. The next record of his education is ten years later, in 1757, when he enters Trinity College, Dublin. He receives his BA degree on February 23, 1762.
In the following months Malone sends a steady stream of notes and corrections to George Steevens, who, by then the inheritor, from Samuel Johnson, of the editor’s mantle for the Jacob Tonson edition of Shakespeare’s collected works, is busy preparing a second edition. His main contribution appears in the first volume as “An Attempt to Ascertain the Order in Which the Plays Attributed to Shakspeare Were Written.”
Malone’s three supplemental volumes (1780–1783) to Steevens’ edition of Johnson’s Shakespeare, containing apocryphal plays, textual emendations, and the first critical edition of the sonnets, are landmarks in Shakespearean studies. His “Historical Account of the Rise and Progress of the English Stage, and of the Economy and Usages of the Ancient Theatres in England” (1800) is the first treatise on English drama based on original sources. His own edition of Shakespeare in 11 volumes appears in 1790. A new octavo edition, unfinished at his death, is completed by James Boswell, the son of Samuel Johnson’s biographer, and published in 1821 in 21 volumes. This work, which includes a memoir of Malone, is the standard edition of Shakespeare’s writings for more than a century.
Malone dies at the age of 70 in London on May 25, 1812.
(Pictured: Portrait of Edmond Malone by Joshua Reynolds (1778), National Portrait Gallery)
The Pontifical Irish College, a Roman Catholic seminary for the training and education of priests, is founded in Rome, Italy, on November 6, 1628.
Towards the close of the sixteenth century, Pope Gregory XIII sanctions the foundation of an Irish college in Rome and assigns a large sum of money as the nucleus of an endowment. However, the pressing needs of the Irish chieftains make him think that, under the circumstances, the money might as well be used for religion by supplying the Irish Catholics with the sinews of war in Ireland as by founding a college for them at Rome.
The project is revived in 1625 by the Irish bishops, in an address to Pope Urban VIII. Cardinal Ludovico Ludovisi, who is Cardinal Protector of Ireland, resolves to realize at his own expense the desire expressed to the pope by the Irish bishops. A house is rented opposite Sant’Isodoro a Capo le Case, and six students go into residence January 1, 1628. Eugene Callanan, Archdeacon of Cashel, is the first rector, Father Luke Wadding, OFM being a sort of supervisor. Cardinal Ludovisi dies in 1632 and as he is of a princely family with a large patrimony, he makes provision in his will for the college. It is to have an income of one thousand crowns a year, a house is to be purchased for it, and he leaves a vineyard as Castel Gandolfo where the students might pass their villeggiatura. The cardinal’s will directs that the college should be placed under the charge of the Jesuits. Both the heirs and Wadding suspect that provision and disputed it. A protracted lawsuit is finally decided in 1635 in favour of the Jesuits.
On February 8, 1635, the Jesuits take charge of the college and govern it until financial difficulties force them to give up control in September 1772. An Italian priest, Abbate Luigi Cuccagni, is made rector. The rectorate of Cuccagni comes to an end in 1798, when the college is closed by order of Napoleon.
Dr. Michael Blake, Bishop of Dromore, who is the last student to leave the college at its dissolution in 1798, returns a quarter of a century later to arrange for its revival, which is affected by a brief of Pope Leo XII, dated February 18, 1826. He becomes the first rector of the restored college, and among the first students who seek admission is Francis Sylvester Mahony of Cork, known to the literary world as Father Prout. Having set the college well to work, Blake returns to Ireland and is succeeded by Dr. Boylan, of Maynooth, who soon resigns and dies in 1830. He is succeeded by a young priest, later CardinalPaul Cullen.
Dr. Cullen is succeeded by Dr. Tobias Kirby, known for his holiness of life. He governs the college for more than forty years. His successor is Michael Kelly, later coadjutor to the Archbishop of Sydney.
In 2011, under orders from Pope Benedict XVI, Cardinal Timothy Dolan, Archbishop of New York, leads a root and branch review of all structures and processes at the college. He is assisted in the visitation report by then Archbishop of Baltimore and now Cardinal Edwin O’Brien and Msgr. Francis Kelly of the Northern American College in Rome. The report is highly critical of the college and, as a result of which, three Irish members of the staff are sent home and a fourth resigns.
Today the Pontifical Irish College serves as a residence for clerical students from all over the world. Every year over 250 Irish couples choose the college chapel as a means to marry in Rome. It organises events for the Irish and wider international community who are currently residing in Rome and has over the years become an unofficial centre for Irish visitors to Rome seeking advice and information.
seamus dubhghaill 