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Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Martin Archer Shee, Portrait Painter

martin-archer-sheeSir Martin Archer Shee, portrait painter and president of the Royal Academy of Arts, is born in Dublin on December 23, 1769.

Shee is born into an old Irish Catholic family, the son of Martin Shee, a merchant, who regards the profession of a painter as an unsuitable occupation for a descendant of the Shees. He nevertheless studies art in the Royal Dublin Society and comes to London. There, in 1788, he is introduced by Edmund Burke to Joshua Reynolds, on whose advice he studies in the schools of the Royal Academy of Arts.

In 1789 Shee exhibits his first two pictures, the “Head of an Old Man” and “Portrait of a Gentleman.” Over the next ten years he steadily increases in practice. In 1798 he is chosen an associate of the Royal Academy and in 1800 he is elected a Royal Academician. He moves to George Romney‘s former house at 32 Cavendish Square and sets up as his successor.

Shee continues to paint with great readiness of hand and fertility of invention, although his portraits are eclipsed by more than one of his contemporaries, and especially by Thomas Lawrence. His earlier portraits are carefully finished, easy in action, with good drawing and excellent discrimination of character. They show an undue tendency to redness in the flesh painting, a defect which is still more apparent in his later works, in which the handling is less square, crisp and forcible. In addition to his portraits, he executes various subjects and historical works, such as Lavinia, Belisarius, his diploma picture “Prospero and Miranda,” and the “Daughter of Jephthah.”

In 1805 Shee publishes a poem consisting of Rhymes on Art, and a second part follows in 1809. Lord Byron speaks well of it in his English Bards and Scotch Reviewers. He publishes another small volume of verse in 1814, entitled The Commemoration of Sir Joshua Reynolds, and other Poems, but this is less successful. He also produces a tragedy, Alasco, set in Poland. The play is accepted at Covent Garden, but is refused a licence, on the grounds that it contains treasonable allusions, and Shee angrily resolves to make his appeal to the public. He carries out his threat in 1824, but Alasco is still on the list of unacted dramas in 1911. He also publishes two novels – Oldcourt (1829, in three volumes) and Cecil Hyde (1834).

On the death of Sir Thomas Lawrence in 1830, Shee is chosen president of the Royal Academy in his stead and shortly afterwards receives a knighthood. In 1831 he is elected a Fellow of the Royal Society. In an examination before the parliamentary committee of 1836 concerning the functions of the Royal Academy, he ably defends its rights. He continues to paint until 1845, when illness makes him retire to Brighton. He is deputised for at the Academy by J. M. W. Turner, who had appointed him a trustee of the projected Turner almshouse.

From 1842–1849, Shee is the first president of the Royal Birmingham Society of Artists.

Martin Archer Shee dies in Brighton, Sussex, England on August 13, 1850 and is buried in the western extension to St. Nicholas’ Churchyard in Brighton. His headstone remains but has been laid flat and moved to the perimeter of the site.

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Birth of Irish Statesman John Beresford

john-beresfordJohn Beresford, Irish statesman, is born in Cork on March 14, 1738. He is a younger son of Sir Marcus Beresford who, having married Catherine, sole heiress of James Power, 3rd Earl of Tyrone, is created Earl of Tyrone in 1746. After the death of the earl in 1763, Beresford’s mother successfully asserts her claim suo jure to the barony of La Poer. John Beresford thus inherits powerful family connections. He is educated at Kilkenny College and Trinity College, Dublin and is called to the Irish bar.

Beresford enters the Irish House of Commons as member for Waterford County in 1761. In 1768, 1783, 1789 and finally in 1798, he stands also for Coleraine, however choosing each time to sit for Waterford.

His industry, added to the influence of his family, procures his admission to the Privy Council of Ireland in 1768, and his appointment as one of the commissioners of revenue two years later. In 1780 he becomes first commissioner of revenue, a position which gives him powerful influence in the Irish administration. He introduces some useful reforms in the machinery of taxation and is the author of many improvements in the architecture of the public buildings and streets of Dublin. He is first brought into conflict with Henry Grattan and the popular party in 1784, by his support of the proposal that the Irish parliament in return for the removal of restrictions on Irish trade should be bound to adopt the English navigation laws.

In 1786, Beresford is sworn a member of the Privy Council of Great Britain, and the power which he wields in Ireland through his numerous dependants and connections grows to be so extensive that a few years later he is spoken of as the “King of Ireland.” He is a vehement opponent of the increasing demand for Catholic Emancipation and when it becomes known that the Earl Fitzwilliam is to succeed John Fane, 10th Earl of Westmorland, as Lord Lieutenant of Ireland in 1795 for the purpose of carrying out a conciliatory policy, Beresford expresses strong hostility to the appointment. One of Fitzwilliam’s first acts is to dismiss Beresford from his employment for corruption, but with permission to retain his entire official salary for life, and with the assurance that no other member of his family will be removed. Fitzwilliam has been encouraged in this course of action by William Ponsonby. Beresford immediately exerts all his influence with his friends in England, to whom he describes himself as an injured and persecuted man. He appeals to William Pitt the Younger and goes to London to lay his complaint before the English ministers.

The recall of Fitzwilliam, which is followed by such momentous consequences in the history of Ireland is, as the viceroy himself believes, mainly due to Beresford’s dismissal. There has been a misunderstanding on the point between Pitt and Fitzwilliam. The latter, whose veracity is unimpeachable, asserts that previous to his coming to Ireland he had informed the prime minister of his intention to dismiss Beresford, and that Pitt had raised no objection. Pitt denies all recollection of any such communication, and on the contrary describes the dismissal as an open breach of the most solemn promise. In a letter to Frederick Howard, 5th Earl of Carlisle, justifying his action, Fitzwilliam mentions that malversation had been imputed to Beresford. Beresford sends a challenge to Fitzwilliam, but the combatants are interrupted on the field and Fitzwilliam then makes an apology.

When John Pratt, 1st Marquess Camden, replaces Fitzwilliam in the viceroyalty in March 1795, Beresford resumes his former position. On the eve of the Irish Rebellion of 1798 his letters to William Eden, 1st Baron Auckland, give an alarming description of the condition of Ireland and he counsels strong measures of repression. When first consulted by Pitt on the question of the union, Beresford appears to dislike the idea but he soon becomes reconciled to the policy and warmly supports it. After the union Beresford continues to represent County Waterford in the Parliament of the United Kingdom, and he remains in office until 1802, taking an active part in settling the financial relations between Ireland and Great Britain.

In 1760, Beresford marries Constantia Ligondes, who dies in 1772. In 1774, he marries Barbara Montgomery, a celebrated beauty who figures in Sir Joshua Reynolds‘ picture of The Graces. He has large families by both marriages. His sons include Marcus Beresford, George Beresford, and John Claudius Beresford. John Beresford dies near Derry on November 5, 1805.