seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Duke of York’s Theatre


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“Stones in His Pockets” Receives Three Tony Award Nominations

On May 7, 2001, the Broadway play Stones in His Pockets by Belfast playwright Marie Jones receives three nominations for the theatre world’s top honour, the Tony Awards, in New York. Conleth Hill and Sean Campion are nominated in the Leading Actor category and Ian McElhinney is nominated for Best Director. It is a two-hander written in 1996 by Jones for the DubbleJoint Theatre Company in Dublin.

The play is a tragicomedy about a small rural town in Ireland where many of the townspeople are extras in a Hollywood film. The story centres on Charlie Conlon and Jake Quinn, who, like much of the town, are employed as extras for the filming. The key point in the play is when a local teenager commits suicide, by drowning himself with stones in his pockets, after he is humiliated by one of the film stars. The script calls upon the cast of two to perform all 15 characters (men and women), often switching gender and voice swiftly and with minimal costume change. Comedy also derives from the efforts of the production crew to create the proper “Irish feel” – a romanticised ideal that often conflicts with the reality of daily life.

The play is first shown as a DubbleJoint Production premiering in West Belfast in August 1996. The set design, by Jack Kirwan, is simple – a backcloth depicting the cloudy sky above the Blasket Islands, a row of shoes (symbolising the myriad characters) and a trunk, a box, and two tiny stools. The lighting design is originally by James C. McFetridge and this design is used in both the London West End and the Broadway versions of the show.

The show moves to the Edinburgh Festival Fringe in 1999. It then returns to Ireland and has a brief run in Dublin before moving to London‘s Tricycle Theatre. It then transfers to the New Ambassadors Theatre in London’s West End. The show, however, proves so successful, its run is extended and moves to the Duke of York’s Theatre up the road, where it remains for three years.

The original cast of Hill and Campion take the show to Broadway and, as its West End run continues to play to packed houses, actors line up to play Charlie and Jake, most notably Bronson Pinchot, Rupert Degas and Simon Delaney.

The play wins the Irish Times/ESB Irish Theatre Award for Best Production in 1999, wins two Laurence Olivier Awards in 2001 for Best New Comedy and Best Actor (Conleth Hill) and is also nominated for three Tony Awards in 2001.

Gothenburg English Studio Theatre makes a production of Stones in His Pockets in 2009. It is directed by Malachi Bogdanov with Mike Rogers and Gary Whitaker.

The play is translated to Finnish and has been on repertoire since 2002 at Helsinki City Theatre in Finland.

The play is revived at London’s Tricycle Theatre in 2011, with Jamie Beamish as Charlie and Owen McDonnell as Jake, and at the Tron Theatre, Glasgow in 2012 performed by Robbie Jack and Keith Fleming.

For the 20th anniversary of the first production, The Dukes in Lancaster and The Theatre Chipping Norton co-produce a touring production which opens at The Dukes on February 25, 2016, and tours 35 venues between then and May 28, 2016. Charlie de Bromhead plays Jake and Conan Sweeny plays Charlie.

The original version of the play is created in collaboration with theatre director Pam Brighton, who later sues Marie Jones for co-authorship rights. Brighton loses the case in the high court, and subsequently becomes bankrupt.


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Death of Hamilton Deane, Actor, Playwright & Director

Hamilton Deane, Irish actor, playwright and director, dies on October 25, 1958, in Ealing, London, England. He plays a key role in popularising Bram Stoker‘s 1897 novel Dracula as a 1924 stage play and a 1931 film.

Deane is born on December 2, 1879, in New Ross, County Wexford, and grows up in Clontarf, a suburb of Dublin. His family lives close to the families of both Bram Stoker and his wife, Florence Balcombe, and his mother had been acquainted with Bram Stoker in her youth.

Deane enters the theater as a young man, first appearing in 1899 with the Henry Irving Company, of which Stoker is stage manager for many years. Even before he forms his own troupe in the early 1920s, he has been thinking about bringing Dracula to the stage. Stoker had attempted this in 1897 but the verdict from Irving consigned it to the waste-paper basket. Unable to find a scriptwriter to take on the project, Deane writes the play himself in a four-week period of inactivity while he is suffering with a severe cold. He then contacts Florence Stoker, Bram’s widow, and negotiates a deal for the dramatic rights.

To stage the production, Deane is required to submit the completed script to the Lord Chamberlain for a license under the Theatres Act 1843. The play is censored to limit violence – for example, the count’s death cannot be shown to the audience – but is approved on May 15, 1924.

Deane re-imagines Count Dracula as a more urbane and theatrically acceptable character who could plausibly enter London society. It is Deane’s idea that the count should wear a tuxedo and stand-up collar, and a flowing cape which conceals Dracula while he slips through a trap-door in the stage floor, giving the impression that he has disappeared. He also arranges to have a uniformed nurse available at performances, ready to administer smelling salts should anyone faint.

Deane’s play premieres on August 5, 1924, at the Grand Theatre in Derby, England. Despite critics’ misgivings, the audiences love it. Although he originally intended to play the title role himself, Raymond Huntley plays the role of the Count and Deane fills the role of Van Helsing. It is a huge success and the production tours England for three years before settling in London, where it opens at the Little Theatre in the Adelphi on February 14, 1927. It later transfers to the Duke of York’s Theatre and then the Prince of Wales Theatre to accommodate larger audiences.

When the play crosses the Atlantic in 1927, the role of Dracula is taken by the then-unknown Hungarian-American actor Bela Lugosi. For its United States debut, Dracula is rewritten by the American playwright John L. Balderston. The show runs for a year on Broadway and for two more years on tour, breaking all previous records for any show put on tour in the United States. It is the Deane/Balderston interpretation upon which the classic Tod Browning film Dracula (1931) is based.


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“The Beauty Queen of Leenane” Wins Four Tony Awards

the-beauty-queen-of-leenane

After being nominated in six categories, Galway’s Druid Theatre Company wins four Tony Awards on June 8, 1998, for its production of The Beauty Queen of Leenane, a 1996 comedy by Irish playwright Martin McDonagh.

The play receives its world premiere when the Druid Theatre Company opens the production at the Town Hall Theatre, Galway on February 1, 1996. It then tours Ireland, stopping off in Longford, Kilkenny and Limerick. It transfers to London‘s West End, where it opens at the Royal Court Theatre on February 29, 1996.

The Druid production returns to Ireland to embark on an extensive national tour, playing in Galway, Cork, Kerry, Limerick, Fermanagh, Donegal and Derry amongst others. The play returns to London where it is revived at the Duke of York’s Theatre on November 29, 1996, for several months.

The play is produced as part of Druid’s Leenane Trilogy, which includes two other plays by Martin McDonagh, in 1997 where it plays as part of another Irish and UK tour, which includes stops at the Olympia Theatre, Dublin and the Royal Court Theatre in London again.

The play receives its American premiere opening Off-Broadway on February 11, 1998, presented by the Atlantic Theatre Company at the Linda Gross Theater. It transfers to the Walter Kerr Theater on Broadway where it opens on April 14, 1998. It receives six Tony Award nominations, winning four for Best Supporting Actor (Tom Murphy), Best Actress (Marie Mullen), Best Supporting Actress (Anna Manahan), and Best Director (Garry Hynes), the first female recipient of a Tony Award for directing a play.

The play is produced in Australia in 1998 and again in 1999. The 1999 production is a tour by the Royal Court Theatre Company, appearing at the Adelaide Festival Centre (May – June 1999) and Wharf 1 (July 1999) and directed by Garry Hynes. The production returns to Ireland in 2000 as part of a final national tour.

The play is revived in July 2010 at the Young Vic Theatre in the West End, starring Irish actress Rosaleen Linehan. The production transfers to Dublin’s Gaiety Theatre where Linehan reprises her role opposite Derbhle Crotty. It then returns to the Young Vic for another run, closing in September 2011.

The Druid Theatre Company presents a revival in 2016–2017. The production starts in Ireland in Galway at the Town Hall Theatre in September 2016, and then tours to The Everyman in Cork, the Lime Tree Theatre in Limerick and the Gaiety Theatre, Dublin. The play then tours in the United States starting in November 2016. The play runs at the Mark Taper Forum in Los Angeles in November 2016 then opens at the Brooklyn Academy of Music in New York City, running from January 11, 2017, to February 5. The production returns to Ireland, playing at The Gaiety Theatre from March 28 to April 15, 2017.