seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Charles McAuley, Irish Painter

Charles McAuley, an Irish painter, is born on March 15, 1910, at Lubatavish, Glenaan, near Cushendall, County Antrim.

McAuley is the youngest of eight children in a family whose forebears had inhabited the Glens for many generations. He pursues painting from an early age, in a rural area when farming is one of the main sources of life and income. He goes on to become one of Ireland’s most celebrated landscape and figurative painters, his work synonymous with the Glens of Antrim.

A key encounter comes in McAuley’s mid-teens, when the artist James Humbert Craig, who is arts adjudicator at the Feis na nGleann, praises several of his youthful paintings, telling him, “You go ahead with this, and you’ll do well.” His paintings depicted the rivers, mountains, seascapes and rural life that surround him. He briefly studies at both the Belfast School of Art and Glasgow School of Art until he returns to his homeland to which he is utterly devoted. He is a member of the Royal Ulster Academy and the Royal Hibernian Academy.

In 1984. McAuley collaborates with his friend, the poet John Hewitt, on The Day of the Corncrake, a publication by the Glens of Antrim Historical Society, in which twenty-five colour reproductions of his paintings are coupled with thirty poems about the Glens by Hewitt. In a foreword, Hewitt writes that his “awareness was not merely graphic but demographic. This has made him for me the authentic regional artist, the painter who belongs to and finds his themes in a known place. Nowadays, with the rapid flow of international styles succeeding each other, this is a distinctive title one can seldom confer.”

In a BBC Television film made in the mid-1980s, McAuley remarks that he might have enjoyed more success if he had made a career in the wider world, but that he certainly would not have been happier. “I’ve spent my boyhood and manhood in the Glens. . .and I have no desire to leave them until I die.”

McAuley dies at the age of 89 on September 30, 1999. He is buried in St. Mary’s Roman Catholic Churchyard in Glenarm, County Antrim, Northern Ireland. On his death, BBC Northern Ireland describes him as “one of Ireland’s greatest colourists, but most significantly, a true and modest gentleman.”

The McAuley’s obituary in The Irish Times notes “Charles McAuley could fairly have claimed to be the artist of “the Glens”; for his native knowledge of the local landscape and people brought to the best of his work a special quality of emotion. Yet it is not a claim he would have made for himself, for self-promotion was a trait absent from his personality.”

McAuley is the uncle of BBC Northern Ireland broadcasters and writers Tony McAuley and Roisin McAuley.

Many of McAuley’s works are in private collections internationally. There are several of his paintings in public collections, for example at the Ulster Museum and Queen’s University Belfast.

(Pictured: “Bridge Near Cushendall” by Charles McAuley)


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Birth of Mariga Guinness, Co-founder of the Irish Georgian Society

Mariga Guinness, architectural conservationist and socialite, and co-founder of the Irish Georgian Society, is born in London on September 21, 1932.

Guinness is born Hermione Maria-Gabrielle von Urach, the only child of the marriage of Albrecht von Urach, from Lichtenstein Castle, a member of the royal house of Wurtemberg, and Rosemary Blackadder (1901–1975) from Berwickshire in Scotland, a journalist and artist, who are married in Oslo, Norway in 1931. For the first few months of her life, she is very ill. In 1934, her parents, both working as journalists, move the family to Venice. They later move again to Japan. Her mother develops depression, and in 1937 tries to gain uninvited access to Emperor Hirohito‘s palace with her daughter. This results in her mother being arrested, sedated, and deported, which is the beginning of a decline in her mental health which culminates in a lobotomy in 1941 and spending the rest of her life in private mental institutions. Urach is returned to Europe, where she is raised by her godmother, Hermione Ramsden, in Surrey and Norway. She is educated by as many as seventeen governesses, with brief spells in boarding schools. Until the age of eighteen she is known as Gabrielle.

Urach meets Desmond Guinness in 1951, when she is nineteen, and they are married in Oxford in 1954. They have two children, Patrick (born 1956) and Marina (born 1957).

The couple moves to Ireland in 1955 where they rent Carton House, County Kildare. They share a love of Georgian architecture which results in them buying Leixlip Castle in 1958 and establishing the Irish Georgian Society on February 21 of the same year. Through the society they campaign for the restoration and protection of architectural sites such as Mountjoy Square, the gateway to the Dromana estate in County Waterford, the Tailors’ Hall in Dublin, and Conolly’s Folly in County Kildare. In 1967 they purchase Castletown House, also in County Kildare, with a plan to restore it, and make it a base for the Irish Georgian Society.

During the 1960s Leixlip Castle is a hub for those interested in architecture and conservation, and the Guinnesses work hands-on on a range of projects. By 1969, their marriage is in difficulties and Guinness moves to London. She later moves to Glenarm, County Antrim to live with Hugh O’Neill, and when that relationship ends, she returns to Leixlip Castle, but a divorce is finalised in 1981. Having lived in Dublin for a time, she rents Tullynisk House, the dower house of Birr Castle in County Offaly in 1983. Guinness becomes isolated and develops a problem with alcohol. While returning to Ireland from Wales on a car ferry on May 8, 1989, she has a massive heart attack which is compounded by a reaction to an injection of penicillin. She is buried at Conolly’s Folly.

Through Patrick, Guiness becomes grandmother of the fashion model Jasmine Guinness. Her daughter Marina is a patron of the arts and of Irish musicians including Glen Hansard, Damien Rice, and the band Kíla. Marina has three children of her own: Patrick (by Stewart Copeland of The Police), Violet (by photographer Perry Ogden), and Finbar (by record producer Denny Cordell).

In 2020, a new film on Guinness’s life and work, entitled Memory of Mariga, receives its United States premiere as part of the Elizabethtown Film Festival on Saturday, September 19, at the Crowne Pointe Theatre in Elizabethtown, Kentucky. In 2021, the same film receives its Irish premiere at the Fastnet Film Festival.