Fay attends Belvedere College in Dublin. He works for a time in the 1890s with a touring theatre company in Ireland, Scotland, and Wales. When he returns to Dublin, he works with his brother Frank, staging productions in halls around the city. Finally, they form W. G. Fay’s Irish National Dramatic Company, focused on the development of Irish acting talent.
The brothers participate in the founding of the Abbey Theatre and are largely responsible for evolving the Abbey style of acting. After a falling-out with the Abbey directors in 1908, the brothers emigrate to the United States to work in theatre there.
Fay moves to London in 1914, working as an actor on stage and in films. One of his most notable film roles is as Father Tom in Carol Reed‘s Belfast-set Odd Man Out (1947), whose cast is dense with actors from the Abbey Theatre. His memoir, The Fays of the Abbey Theatre, appears in 1935.
Willie Fay dies in London on October 27, 1947, at the age of 74.
(Pictured: William George Fay 1903, Dublin City Council Image Galleries, http://www.dublincity.ie)
Unlike most Protestants in Northern Ireland, Bunting becomes a militant republican. His father, by contrast, was a committed Ulster loyalist. Despite their political differences, they remain close.
Bunting joins the Official Irish Republican Army (OIRA) around 1970 as he is attracted to their left-wing and secular interpretation of Irish republicanism and believes in the necessity of armed revolution. The other wing of the IRA, the Provisional Irish Republican Army, is seen to be more Catholic and nationalist in its outlook. At this time, the communal conflict known as the Troubles is beginning and the Official IRA is involved in shootings and bombings. He is interned in November 1971 and held in Long Kesh until the following April.
In 1974, Bunting follows Seamus Costello and other militants who disagree with the Official IRA’s ceasefire of 1972, into a new grouping, the Irish National Liberation Army (INLA). Immediately, a violent feud breaks out between the Official IRA and the INLA.
In 1975, Bunting survives an assassination attempt when he is shot in a Belfast street. In 1977, Costello is killed by an Official IRA gunman in Dublin. Bunting and his family hide in Wales until 1978, when he returns to Belfast. For the remaining two years of his life, he is the military leader of the INLA. The grouping regularly attacks the British Army and Royal Ulster Constabulary (RUC) in Belfast. He calls in claims of responsibility to the media by the code name “Captain Green.”
At about 4:30 AM on October 15, 1980, several gunmen wearing balaclavas storm Bunting’s home in the Downfine Gardens area of Andersonstown. They shoot Bunting, his wife Suzanne and another Protestant INLA man and ex-member of the Red Republican Party, Noel Lyttle, who has been staying there after his recent release from detention.
Both Bunting and Lyttle are killed. Suzanne Bunting, who is shot in the face, survives her serious injuries. The attack is claimed by the Ulster Defence Association (UDA), but the INLA claims the Special Air Service are involved.
Upon his death, Bunting’s body is kept in a funeral parlour on the Newtownards Road opposite the headquarters of the UDA. On the day of the funeral, as the coffin is being removed, UDA members jeer from their building. The Irish Republican Socialist Party wants a republican paramilitary-style funeral for Bunting but his father refuses and has his son buried in the family plot of a Church of Ireland cemetery near Donaghadee.
Loftus is born in 1533, the second son of a monastic bailiff, Edward Loftus, in the heart of the English Yorkshire Dales. He embraces the Protestant faith early in his development. He is an undergraduate at Trinity College, Cambridge, where he reportedly attracts the notice of the young Queen Elizabeth, as much by his physique as through the power of his intellect. Although this encounter may never have happened, Loftus certainly meets with the Queen more than once, and she becomes his patron for the rest of her reign. At Cambridge Loftus takes holy orders as a Catholic priest and is appointed rector of Outwell St. Clement in Norfolk. He comes to the attention of the Catholic Queen Mary, who names him vicar of Gedney, Lincolnshire. On Elizabeth’s accession in 1558 he declares himself Anglican.
Loftus makes the acquaintance of the Queen’s favourite Thomas Radclyffe, 3rd Earl of Sussex and serves as his chaplain in Ireland in 1560. In 1561 he becomes chaplain to Alexander Craike, Bishop of Kildare and Dean of St. Patrick’s Cathedral in Dublin. Later that year he is appointed rector of Painstown in Meath, and evidently earns a reputation as a learned and discreet advisor to the English authorities in Dublin. In 1563, he is consecrated Archbishop of Armagh at the unprecedented age of 28 by Hugh Curwen, Archbishop of Dublin.
Following a clash with Shane O’Neill, the real power in Ulster during these years, he comes to Dublin in 1564. To supplement the meager income of his troubled archbishopric he is temporarily appointed to the Deanery of St. Patrick’s Cathedral by the queen in the following year. He is also appointed president of the new commission for ecclesiastical causes. This leads to a serious quarrel with the highly respected Bishop of Meath, Hugh Brady.
In 1567 Loftus, having lobbied successfully for the removal of Hugh Curwen, who becomes Bishop of Oxford, and having defeated the rival claims of the Bishop of Meath, is appointed Archbishop of Dublin, where the queen expects him to carry out reforms in the Church. On several occasions he temporarily carries out the functions of Lord Keeper of the Great Seal, and in August 1581 he is appointed Lord Chancellor of Ireland after an involved dispute with Nicholas White, Master of the Rolls in Ireland. He is constantly occupied in attempts to improve his financial position by obtaining additional preferment, and is subject to repeated accusations of corruption in public office.
In 1582 Loftus acquires land and builds a castle at Rathfarnham, which he inhabits from 1585. In 1569–1570 the divisions in Irish politics take on a religious tinge with the First Desmond Rebellion in Munster and Pope Pius V‘s 1570 papal bullRegnans in Excelsis. The bull questions Elizabeth’s authority and thereafter Roman Catholics are suspected of disloyalty by the official class unless they are discreet.
Loftus takes a leading part in the execution of Dermot O’Hurley, Archbishop of Cashel. When O’Hurley refuses to give information, Francis Walsingham suggests he should be tortured. Although the Irish judges repeatedly decide that there is no case against O’Hurley, on June 19, 1584 Loftus and Sir Henry Wallop write to Walsingham “We gave warrant to the knight-marshal to do execution upon him, which accordingly was performed, and thereby the realm rid of a most pestilent member.”
Between 1584 and 1591 Loftus has a series of clashes with Sir John Perrot on the location of an Irish University. Perrot wants to use St. Patrick’s Cathedral, Dublin as the site of the new University, which Loftus seeks to preserve as the principal place of Protestant worship in Dublin, as well as a valuable source of income for himself. The Archbishop wins the argument with the help of his patron, Queen Elizabeth I, and Trinity College, Dublin is founded at its current location, named after his old college at Cambridge, leaving the Cathedral unaffected. Loftus is named as its first Provost in 1593.
The issue of religious and political rivalry continue during the two Desmond Rebellions (1569–83) and the Nine Years’ War (1594–1603), both of which overlap with the Anglo-Spanish War (1585–1604), during which some rebellious Irish nobles are helped by the Papacy and by Elizabeth’s arch-enemy Philip II of Spain. Due to the unsettled state of the country Protestantism makes little progress, unlike in Celtic Scotland and Wales at that time. It comes to be associated with military conquest and is therefore hated by many. The political-religious overlap is personified by Loftus, who serves as Archbishop and as Lord Chancellor of Ireland. An unlikely alliance forms between Gaelic Irish families and the Norman “Old English“, who had been enemies for centuries but who now mostly remain Roman Catholic.
Adam Loftus dies in Dublin on April 5, 1605 and is interred in the building he had helped to preserve for future generations, while many of his portraits hang today within the walls of the University which he helped found. Having buried his wife Jane (Purdon) and two sons (of their 20 children) in the family vault at St. Patrick’s, Loftus dies at his Episcopal Palace in Kevin Street “worn out with age” and joins his family in the same vault. His zeal and efficiency are commended by James I upon the king’s accession.
A charter incorporates Derry as the city of Londonderry on March 29, 1613 and also creates the new county of Londonderry. Despite the official name, the city is more usually known as simply Derry, which is an anglicisation of the Old IrishDaire, which in modern Irish is spelled Doire, and translates as “oak-grove/oak-wood.” The name derives from the settlement’s earliest references, Daire Calgaich (“oak-grove of Calgach”). The name is changed from Derry in 1613 during the Plantation of Ulster to reflect the establishment of the city by the London guilds.
Ulster is finally brought under the control of Elizabeth I’s government at the beginning of the 17th century following a long struggle between the Tudor monarchy and the Gaelic chieftains. This follows the defeat of the chieftains at the Siege of Kinsale in 1601 after a war lasting nine years. Although the Gaelic chieftains are allowed to remain on their land, their positions have been weakened. A group of them leave Ireland for the continent in 1607, never to return. The “Flight of the Earls”, as it is known, is seen as treason by James I’s government and their lands are confiscated. This important event opens the way for James I to further increase his control over Ulster by settling tens of thousands of settlers from England, Scotland and Wales on the confiscated lands.
Surveying and planning for the plantation take place during 1608 and 1609 and the plantation proper begins in 1610. The towns of Derry and Coleraine, as well as much of the lands that are to become County Londonderry, are granted to the City of London Corporation, which is charged with planting them.
The Society of the Governor and Assistants, London, of the New Plantation in Ulster, within the realm of Ireland, known after the Restoration as the Irish Society, is formed in 1609 by the City of London, to manage the estates which it has been obliged very reluctantly to take on. The Irish Society takes charge of the overall management of the Irish estates, with direct control of the new city of Derry and of the town of Coleraine.
The City of Londonlivery companies are required to take on estates in the surrounding County of Londonderry. The Great Twelve livery companies bear the heaviest financial burden. The county is divided among them into twelve “proportions,” distributed by the drawing of lots. The Great Twelve are in turn supported by a number of minor companies, so that thirty livery companies in all have Irish estates derived from their participation in James I’s scheme for the plantation of Ulster.
However, the first phase of the existence of the Irish Society is short-lived. The Great Parchment Book is compiled in the late 1630s when Charles I claims the estates as forfeit after a politically-motivated case in Star Chamber rules that the Londoners have not fulfilled their obligations of plantation.
The City of Londonderry is very much a product of the plantation and plays a pivotal role in safeguarding the plantation. Its walls, which are still intact today, repulse sieges in 1641, 1649 and 1689.
By the end of the 17th century, Ulster, which had been the most Gaelic part of Ireland, has become the most “British.” The plantation creates Ulster we know today with its socio-economic base, its religious and political diversity, and its shared heritage.
Harris’s father, Thomas Vernon Harris, is a naval officer from Fishguard, Pembrokeshire, Wales. While living with his older brother he is, for a year or more, a pupil at The Royal School, Armagh. At the age of twelve he is sent to Wales to continue his education as a boarder at the Ruabon Grammar School in Denbighshire, a time he is to remember later in My Life and Loves. He is unhappy at the school and runs away within a year.
Harris runs away to the United States in late 1869, arriving in New York City virtually penniless. The 13-year-old takes a series of odd jobs to support himself, working first as a shoeshiner, a porter, a general laborer, and a construction worker on the erection of the Brooklyn Bridge. He later turns these early occupational experiences into art, incorporating tales from them into his book The Bomb (1908).
From New York Harris moves to Chicago, where he takes a job as a hotel clerk and eventually a manager. Owing to Chicago’s central place in the meat packing industry, he makes the acquaintance of various cattlemen, who inspire him to leave the big city to take up work as a cowboy. He eventually grows tired of life in the cattle industry and enrolls at the University of Kansas, where he studies law and earns a degree, gaining admission to the Kansas Bar Association.
Harris is not cut out to be a lawyer and soon decides to turn his attention to literature. He returns to England in 1882, later traveling to various cities in Germany, Austria, France, and Greece on his literary quest. He works briefly as an American newspaper correspondent before settling down in England to seriously pursue the vocation of journalism.
From 1908 to 1914 Harris concentrates on working as a novelist, authoring a series of popular books such as The Bomb, The Man Shakespeare, and The Yellow Ticket and Other Stories. With the advent of World War I in the summer of 1914, he decides to return to the United States.
From 1916 to 1922 Harris edits the U.S. edition of Pearson’s Magazine, a popular monthly which combines short story fiction with socialist-tinted features on contemporary news topics. One issue of the publication is banned from the mails by United States Postmaster GeneralAlbert S. Burleson during the period of American participation in World War I. Despite this Harris manages to navigate the delicate situation which faces the left wing press and keeps Pearson’s Magazine functioning and solvent during the war years.
Harris becomes an American citizen in April 1921. In 1922 he travels to Berlin to publish his best-known work, his four volume autobiography My Life and Loves (1922–1927). It is notorious for its graphic descriptions of his purported sexual encounters and for its exaggeration of the scope of his adventures and his role in history. A fifth volume, supposedly taken from his notes but of doubtful provenance, is published in 1954, long after his death.
Harris also writes short stories and novels, two books on William Shakespeare, a series of biographical sketches in five volumes under the title Contemporary Portraits and biographies of his friends Oscar Wilde and George Bernard Shaw. His attempts as a playwright are less successful. Only Mr. and Mrs. Daventry (1900), which is based on an idea by Oscar Wilde, is produced on the stage.
Admitted to the Irish Bar, Sampson becomes Junior Counsel to John Philpot Curran, and helps him provide legal defences for many members of the Society of United Irishmen. A member of the Church of Ireland, he is disturbed by anti-Catholic violence and contributes writings to the Society’s newspapers. He is arrested at the time of the Irish Rebellion of 1798, imprisoned, and compelled to leave Ireland for exile in Europe.
Shipwrecked at Pwllheli in Wales, Sampson makes his way to exile in Porto, Portugal, where he is again arrested, imprisoned in Lisbon, and then expelled. After living some years in France, and then Hamburg, he flees to England ahead of the approach of Napoleon‘s armies where he is re-arrested. After unsuccessfully petitioning for a return to Ireland, he arrives in New York City on July 4, 1806.
In the United States, Sampson successfully continues his career in the law, eventually sending for his family. He sets up a business publishing detailed accounts of the court proceedings in cases with popular appeal. In 1809 he reports on the case of a Navy Lieutenant Renshaw prosecuted for dueling. That same year he handles a case against Amos and Demis Broad, accused of brutally beating their slave, Betty, and her 3-year-old daughter where Sampson succeeded in having both slaves manumitted. The authorities in Ireland had disbarred Sampson, which causes him some bitter amusement, as it does not affect his work in the United States.
Sampson’s most important case in the United States is in 1813 and is referred to as “The Catholic Question in America.” Police investigating the misdemeanor of receiving stolen goods question the suspects’ priest, the Reverend Mr. Kohlman. He declines to given any information that he has heard in confession. The priest is called to testify at the trial in the Court of General Sessions in the City of New York. He again declines. The issue whether to compel the testimony is fully briefed and carefully argued on both sides, with a detailed examination of the common law. In the end, the confessional privilege is accepted for the first time in a court of the United States.
William Sampson dies on December 28, 1836 and is buried in the Riker Family graveyard on Long Island in what is now East Elmhurst, Queens, New York. He is later reinterred in Green-Wood Cemetery in Brooklyn, where he is now buried in the same plot as Matilda Witherington Tone and William Theobald Wolfe Tone, the wife and son of the Irish revolutionary Wolfe Tone, and his daughter Catherine, the wife of William Theobald Wolfe Tone.
Steele is born in Dublin on March 12, 1672 to Richard Steele, an attorney, and Elinor Symes (née Sheyles). He is largely raised by his uncle and aunt, Henry Gascoigne and Lady Katherine Mildmay. A member of the Protestant gentry, he is educated at Charterhouse School, where he first meets Addison. After starting at Christ Church, Oxford, he goes on to Merton College, Oxford, then joins the Life Guards of the Household Cavalry in order to support King William‘s wars against France. He is commissioned in 1697, and rises to the rank of captain within two years. He leaves the army in 1705, perhaps due to the death of the 34th Foot’s commanding officer, Robert Lucas, 3rd Baron Lucas, which limits his opportunities of promotion.
Steele is a member of the Kit-Kat Club. Both Steele and Addison become closely associated with Child’s Coffee-house in St. Paul’s Churchyard.
Steele’s first published work, The Christian Hero (1701), attempts to point out the differences between perceived and actual masculinity. Written while he is serving in the army, it expresses his idea of a pamphlet of moral instruction.
Steele writes a comedy that same year titled The Funeral. This play meets with wide success and is performed at Theatre Royal, Drury Lane, bringing him to the attention of the King and the Whig party. Next, he writes The Lying Lover, one of the first sentimental comedies, but a failure on stage. In 1705, he writes The Tender Husband with contributions from Addison, and later that year writes the prologue to The Mistake, by John Vanbrugh, also an important member of the Whig Kit-Kat Club with Addison and Steele.
The Tatler, Steele’s first journal, first appears on April 12, 1709, and appears three times a week. He writes this periodical under the pseudonym Isaac Bickerstaff and gives Bickerstaff an entire, fully developed personality. The Tatler is closed down to avoid the complications of running a Whig publication that had come under Tory attack.
While at Drury Lane, Steele writes and directs the sentimental comedyThe Conscious Lovers, which is an immediate hit. However, he falls out with Addison and with the administration over the Peerage Bill (1719), and in 1724 he retires to his second wife’s homeland of Wales. He remains in Carmarthen after his wife’s death, dying there on September 1, 1729. He is buried there at St. Peter’s Church. During restoration of the church in 2000, his skull is discovered in a lead casket, having previously been accidentally disinterred during the 1870s.
(Pictured: Portrait of Sir Richard Steele by Jonathan Richardson)
German aircraft bomb a creamery at Campile, County Wexford, a small village located fourteen kilometres outside the town of New Ross, on August 26, 1940 killing three women.
Ireland remains officially neutral during World War II. However, on August 26, 1940, the GermanLuftwaffe bombs Campile in daylight. Three women are killed – Mary Ellen Kent (30), her sister Catherine Kent (26), both from Terrerath, and Kathleen Hurley (27) from Garryduff. Four German bombs are dropped on the creamery and restaurant sections of Shelburne Co-op on that day. The railway is also targeted by the bombers. The 20-minute ordeal terrorises the peaceful village and leaves behind a trail of devastation. The attack has never been fully explained, although there are numerous theories as to why the bombing occurred.
One theory is that the German pilots were lost and had mistaken the southeast coast of Wexford for Wales. It is also suggested that butter boxes emblazoned with the Shelburne Co-op name were discovered by the Nazis a few months earlier following the evacuation of Dunkirk and that the bombing was in retaliation for supplying foodstuffs to the Allied armies.
However, Campile historian John Flynn, who wrote a book to mark the 70th anniversary of the disaster, argues that the bombing was a message from Adolf Hitler to TaoiseachÉamon de Valera warning him to keep his promise on Ireland’s neutrality.
On the occasion of the 50th anniversary of the bombing, a plaque is erected on the co-op walls in memory of the three women.
The local Harts bar and lounge contains many artifacts relating to the bombing. The description and history related to each artifact can be found in an old leather-bound book kept underneath the counter in the adjoining sweet shop.
William Windham Sadler makes the first balloon crossing of the Irish Sea, from Dublin to Anglesey, on July 22, 1817.
Sadler is born near Dublin on October 17, 1796, the son by a second wife of James Sadler, one of the earliest British balloonists. The elder Sadler makes his first ascent on May 5, 1785, in company with William Windham, the politician, who subsequently consents to stand godfather to his son. In October 1811 he makes a rapid flight from Birmingham to Boston, Lincolnshire, in less than four hours. Less successful is his attempt to cross the Irish Sea on October 1, 1812, when he ascends from the lawn of the Belvedere House, Dublin, receiving his flag from the Duchess of Richmond. In spite of a tear in the balloon fabric, which he partially repairs with his neckcloth, he nearly succeeds in crossing the Channel. However, when over Anglesey a strong southerly current carries him out to sea, and he has a most perilous escape, being rescued by a fishing craft, which ran its bowsprit through the balloon. He is not deterred from making other ascents, and his name is long familiar in connection with ballooning. George III takes a special interest in his ascents.
The younger Sadler is brought up as an engineer, acquires a good practical knowledge of chemistry, and enters the service of the first Liverpool gas company. He gives up his employment there for professional aërostation, with which, upon his marriage in 1819, he combines the management of an extensive bathing establishment at Liverpool.
Sadler’s most notable feat is performed in 1817, when, with a view to carrying his father’s adventure of 1812 to a successful issue, he ascends from the Portobello barracks at Dublin on June 22. He rises to a great height, obtains the proper westerly current, and manages to keep the balloon in it across the St. George’s Channel. In mid-channel he writes, “I enjoyed at a glance the opposite shores of Ireland and Wales, and the entire circumference of Man.” Having started at 1:20 PM, Sadler alights a mile south of Holyhead at 6:45 PM.
On September 29, 1824 Sadler makes his thirty-first ascent at Bolton. He prepares to descend at dusk near Blackburn, but the wind dashes his car against a lofty chimney, and he is hurled to the ground, sustaining injuries of which he dies at 8:00 on the following morning. He is buried at Christchurch in Liverpool, where he was very popular. He well deserves the title of ‘intrepid’ bestowed on his father by Erasmus Darwin, but he did little to advance a scientific knowledge of aërostation by making systematic observations.
In 1962 Jordan re-founds and edits the literary magazine Poetry Ireland in hopes of contributing towards the recreation of Dublin as a literary centre. In this journal, he introduces a number of poets who are to become quite famous later, including Paul Durcan, Michael Hartnett and Seamus Heaney. This series of Poetry Ireland lasts until 1968–69.
In 1981 Jordan becomes the first editor of the new magazine published by the Poetry Ireland Society, called Poetry Ireland Review. He serves as a reviewer of novels for The Irish Times, writes a column for Hibernia, contributes to Envoy, A Review of Literature and Art and The Irish Press among others, a serves as a TV presenter and arts interviewer. He is a defender of Gaelic literature, translates Pádraic Ó Conaire, edits The Pleasures of Gaelic Literature (Mercier Press, 1977), and champions the later plays of Seán O’Casey. His translation of one of Aogán Ó Rathaille‘s essays is published in The Pleasures of Gaelic Poetry (London: Allen Lane, 1982).
Jordan’s Collected Poems (Dedalus Press) and Collected Stories (Poolbeg Press) are edited by his literary executor, Hugh McFadden, and published in Dublin in 1991. His Selected Prose, Crystal Clear, also edited by McFadden, is published by The Lilliput Press in Dublin in 2006. His Selected Poems, edited with an introduction by McFadden, is published in February 2008 by Dedalus Press. Uncollected stories appear in Penguin Book of Irish Short Stories, Cyphers, and The Irish Press, among other places.
Jordan’s literary papers and letters are held in the National Library of Ireland. In 1953 the young Irish artist Reginald Gray is commissioned by University College Dublin to design the decor and costumes for their production of “The Kings Threshold” by William Butler Yeats. The leading role is given to Jordan. During the preparations for the production, Gray starts a portrait of Jordan, which he never finishes. This work now hangs in the Dublin Writers Museum.
(Pictured: John Jordan, by Patrick Swift, c. 1950)
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