seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Death of Poet Matthew Gerard Sweeney

Matthew Gerard Sweeney, Irish poet, dies at Cork University Hospital in Wilton, Cork on August 5, 2018. His work has been translated into Dutch, Italian, Hebrew, Japanese, Latvian, Mexican Spanish, Romanian, Slovakian and German.

Sweeney is born at Lifford, County Donegal, on October 6, 1952. Growing up in Clonmany, he attends Gormanston College (1965–70). He then reads sciences at University College Dublin (1970–72). He goes on to study German and English at the Polytechnic of North London, spending a year at the University of Freiburg, before graduating with a BA Honours degree in 1978.

Sweeney meets Rosemary Barber in 1972 and they marry in 1979. Two offspring – daughter Nico and son Malvin – are produced before the couple goes their separate ways in the early 21st century. Having lived in London for many years until 2001, he separates from Rosemary and goes to live in Timișoara, Romania and Berlin. In 2007, he meets his partner, Mary Noonan, and in early 2008 he moves to Cork to live with her there.

Sweeney produces numerous collections of poetry for which he wins several awards. His novels for children include The Snow Vulture (1992) and Fox (2002). He authors a satirical thriller, co-written with John Hartley Williams, and entitled Death Comes for the Poets (2012).

As Bill Swainson, Sweeney’s editor at Allison & Busby in the 1980s, recalls: “As well as writing his own poetry, Matthew was a great encourager of poetry in others. The workshops he animated, and later the residencies he undertook, were famous for their geniality and seriousness and fun. Sometime in the late 1980s I attended one of these workshops in an upstairs room of a pub in Lamb’s Conduit Street, Bloomsbury, where the poems were circulated anonymously and carefully read and commented on by all. Around the pushed-together tables were Ruth Padel, Eva Salzman, Don Paterson, Maurice Riordan, Jo Shapcott, Lavinia Greenlaw, Michael Donaghy, Maura Dooley and Tim Dooley.” Sweeney later has residencies at the University of East Anglia and Southbank Centre, among many others. He reads at three Rotterdam Poetry Festivals, in 1998, 2003 and 2009.

According to the poet Gerard Smyth: “I always sensed that in the first instance [Sweeney] regarded himself as a European rather than an Irish poet – and rightly so: like the German Georg Trakl whom he admired he apprehended the world in a way that challenged our perceptions and commanded our attention.” Sweeney’s work has been considered “barely touched by the mainstream of English writing” and more so by the German writers Heinrich von Kleist, Georg Büchner, Franz Kafka, Günter Grass and Heinrich Böll, as well as the aforementioned Georg Trakl. According to Poetry International Web, he would be among the top five most famous Irish poets on the international scene.

Sweeney’s final year sees the publication of two new collections: My Life As A Painter (Bloodaxe Books) and King of a Rainy Country (Arc Publications), inspired by Charles Baudelaire‘s posthumously published Petits poèmes en prose.

Having been diagnosed with motor neuron disease the previous year, Sweeney dies at the age of 65 at Cork University Hospital on August 5, 2018, surrounded by family and friends. He continues writing up until three days before his death. In an interview shortly before his death he is quizzed on his legacy, to which he gives the response, “Mostly what awaits the poet is posthumous oblivion. Maybe there will be a young man in Hamburg, or Munich, or possibly Vienna, for whom my German translations will be for a while important – and might just contribute to him becoming a German language poet with Irish leanings.”

Among those attending a special ceremony on August 8, 2018 at the Triskel Arts Centre in Cork to celebrate Sweeney’s life are fellow poets Jo Shapcott, Thomas McCarthy, Gerry Murphy, Maurice Riordan and Padraig Rooney. On August 9, 2018, he is buried in Clonmany New Cemetery in County Donegal.


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Birth of Irish Novelist Arthur Joyce Lunel Cary

arthur-joyce-lunel-caryIrish novelist Arthur Joyce Lunel Cary is born in a hospital in Derry, County Londonderry, Northern Ireland on December 7, 1888. Shortly after his birth the family moved to London.

Cary is born into an old Anglo-Irish family, and at age 16 he studies painting in Edinburgh and then in Paris. From 1909 to 1912 he is at Trinity College, Oxford, where he reads law. Having joined the colonial service in 1914, he serves in the Nigeria Regiment during World War I. He is wounded while fighting in Cameroon and returns to civil duty in Nigeria in 1917 as a district officer. West Africa becomes the locale of his early novels.

Resolved to become a writer, Cary settles in Oxford in 1920. Although that year he publishes ten short stories in The Saturday Evening Post, he decides he knows too little about philosophy, ethics, and history to continue writing in good conscience. Study occupies the next several years, and it is only in 1932 that his first novel, Aissa Saved, appears. The story of an African girl converted to Christianity but still retaining pagan elements in her faith, it is followed by three more African novels — An American Visitor (1933), The African Witch (1936), and Mister Johnson (1939) — and a novel about the decline of the British Empire, Castle Corner (1938). Childhood is the theme of his next two novels, his own in A House of Children (1941) and that of a cockney wartime evacuee in the country in Charley Is My Darling (1940).

Cary’s trilogy on art begins with the first-person narration of a woman, Sara Monday, in Herself Surprised (1941) and follows with that of two men in her life, the lawyer Tom Wilcher in To Be a Pilgrim (1942) and the artist Gulley Jimson in The Horse’s Mouth (1944), his best-known novel. Monday is portrayed as a warm-hearted, generous woman who is victimized both by the conservative upper-class Wilcher and by the talented but disreputable painter Jimson. The latter character is a social rebel and visionary artist whose humorous philosophy and picaresque adventures in The Horse’s Mouth helped make him one of the best-known characters in 20th-century fiction.

Similarly, Cary’s other trilogy is seen from the vantage of a politician’s wife in A Prisoner of Grace (1952), the politician himself in Except the Lord (1953), and the wife’s second husband in Not Honour More (1955).

In 1952, Cary has some muscle problems which are originally diagnosed as bursitis, but as more symptoms are noted over the next two years, the diagnosis is changed to that of motor neuron disease (known as Lou Gehrig’s disease (ALS) in North America), a wasting and gradual paralysis that is terminal. As his physical powers fail, Cary has to have a pen tied to his hand and his arm supported by a rope to write. Finally, he resorts to dictation until unable to speak, and then ceases writing for the first time since 1912. His last work, The Captive and the Free (1959), first volume of a projected trilogy on religion, is unfinished at his death on March 29, 1957. His short stories are collected in Spring Song (1960).