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Tag Archives: Samuel Taylor Coleridge


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Birth of James Sheridan Knowles, Dramatist & Actor

James Sheridan Knowles, Irish dramatist and actor, is born in Cork, County Cork, on May 12, 1784. A relative of Richard Brinsley Sheridan, he enjoys success writing plays for the leading West End theatres. Later in his career he also produces several novels.

Knowles’s father is the lexicographer James Knowles, cousin of Richard Brinsley Sheridan. The family moves to London in 1793, and at the age of fourteen he publishes a ballad entitled The Welsh Harper, which, set to music, is very popular. His talents secure him the friendship of William Hazlitt, who introduces him to Charles Lamb and Samuel Taylor Coleridge. He serves for some time in the Wiltshire and afterwards in the Tower Hamlets militia, leaving the service to become a pupil of Dr. Robert Willan. He obtains the degree of M.D. and is appointed vaccinator to the Jennerian Society.

Although Dr. Willan offers him a share in his practice, Knowles decides to give up medicine for the stage, making his first appearance as an actor probably at Bath, and plays Hamlet at the Crow Street Theatre, Dublin. At Wexford he marries, in October 1809, Maria Charteris, an actress from the Edinburgh Theatre. In 1810, he writes Leo, a successful play in which Edmund Kean appears. Another play, Brian Boroihme, written for the Belfast Theatre in the next year, attracts crowds. Nevertheless, his earnings are so small that he is obliged to become assistant to his father at the Royal Belfast Academical Institution. In 1817 he moves from Belfast to Glasgow, where, besides keeping a flourishing school, he continues to write for the stage.

Knowles first important success is Caius Gracchus, produced at the Belfast Theatre in 1815. His Virginius, written for William Charles Macready, is first performed in 1820 at Covent Garden. In William Tell (1825), he writes for Macready one of his favourite parts. His best-known play, The Hunchback, is produced at Covent Garden in 1832, and he wins praise acting in the work as Master Walter. The Wife is brought out at the same theatre in 1833. The Daughter, better known as The Wrecker’s Daughter, in 1836, and The Love Chase in 1837. His 1839 play Love is praised by Mary Shelley for its “inspiring situations founded on sentiment and passion.” His second wife is the actress, Emma Knowles.

In his later years Knowles forsakes the stage for the pulpit and, as a Baptist preacher, attracts large audiences at Exeter Hall and elsewhere. He publishes two polemical works: the Rock of Rome and the Idol Demolished by Its Own Priests in both of which he combats the special doctrines of the Roman Catholic Church. He is for some years in the receipt of an annual pension of £200, bestowed by Sir Robert Peel in 1849. In old age he befriends the young Edmund Gosse, whom he introduces to Shakespeare. He makes a happy appearance in Gosse’s Father and Son.

Knowles dies at Torquay on November 30, 1862. He is buried under a huge tomb at the summit of the Glasgow Necropolis.

A full list of the works of Knowles and of the various notices of him can be found in The Life of James Sheridan Knowles (1872), privately printed by his son, Richard Brinsley Knowles (1820–1882), who is well known as a journalist. It is translated into German.


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Birth of Charles Maturin, Clergyman, Playwright & Novelist

Charles Robert Maturin, also known as C. R. Maturin, an Irish Protestant clergyman ordained in the Church of Ireland and a writer of Gothic plays and novels, is born in Dublin on September 25, 1780. His best-known work is the novel Melmoth the Wanderer.

Maturin is descended from Huguenots who found shelter in Ireland, one of whom is Gabriel Jacques Maturin who becomes Dean of St. Patrick’s Cathedral, Dublin, after Jonathan Swift in 1745. He attends Trinity College Dublin. Shortly after being ordained as curate of Loughrea, County Galway, in 1803, he moves back to Dublin as curate of St. Peter’s Church. He lives in York Street with his father William, a Post Office official, and his mother, Fedelia Watson. He marries the acclaimed singer Henrietta Kingsbury on October 7, 1804.

Maturin’s first three works are Gothic novels published under the pseudonym Dennis Jasper Murphy and are critical and commercial failures. They do, however, catch the attention of Sir Walter Scott, who recommends Maturin’s work to Lord Byron. With their help, his play Bertram is staged in 1816 at the Theatre Royal, Drury Lane for 22 nights, with Edmund Kean starring in the lead role as Bertram. Financial success, however, eludes Maturin, as the play’s run coincides with his father’s unemployment and another relative’s bankruptcy, both of them assisted by the fledgling writer. To make matters worse, Samuel Taylor Coleridge publicly denounces the play as dull and loathsome, and “melancholy proof of the depravation of the public mind,” going nearly so far as to decry it as atheistic.

The Church of Ireland takes note of these and earlier criticisms and, having discovered the identity of Bertram‘s author after Maturin had shed his nom de plume to collect the profits from the play, subsequently bar his further clerical advancement. Forced to support his wife and four children by writing on his curate salary of £80-90 per annum, compared to the £1000 he made for Bertram, he switches back from playwright to novelist after a string of his plays meet with failure. He produces several novels in addition to Melmoth the Wanderer, including some on Irish subjects and The Albigenses, a historical novel which features werewolves. Various poems have also been ascribed to Maturin on dubious grounds and appear to be the work of others. The prize-winning “Lines on the Battle of Waterloo” is published in 1816 under the name of the university graduate John Shee. “The Universe” appears with Maturin’s name on the title page in 1821 but is now thought to be almost completely the work of James Wills.

The exaggerated effectiveness of Maturin’s preaching can be gauged from the two series of sermons that he publishes. On the occasion of the death of Princess Charlotte, he declares, “Life is full of death; the steps of the living cannot press the earth without disturbing the ashes of the dead – we walk upon our ancestors – the globe itself is one vast churchyard.” A contemporary account records that there had seldom been seen such crowds at St Peter’s. “Despite the severe weather, people of all persuasions flocked to the church and listened spellbound to this prince of preachers. In his obituary it is said that ‘did he leave no other monument whereon to rest his fame, these sermons alone would be sufficient.'”

Maturin dies in Dublin on October 30, 1824. A writer in the University Magazine later sums up his character as “eccentric almost to insanity and compounded of opposites – an insatiable reader of novels; an elegant preacher; an incessant dancer; a coxcomb in dress and manners.”

A sister of Maturin’s wife marries Charles Elgee, whose daughter, Jane Francesca, becomes the mother of Oscar Wilde. Thus, Charles Maturin is Oscar Wilde’s great-uncle by marriage. Wilde discards his own name and adopts the name of Maturin’s novel, Melmoth, during his exile in France.

Maturin’s eldest son, William Basil Kingsbury Maturin, follows him into the ministry, as do several of his grandsons. One of these, Basil W. Maturin, dies in the sinking of RMS Lusitania on May 7, 1915. The second son is Edward Maturin, who emigrates to the United States and becomes a novelist and poet there.


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Birth of Aubrey Thomas de Vere, Critic & Poet

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Aubrey Thomas de Vere, a critic and poet who adapts early Gaelic tales, is born on January 10, 1814, at Curraghchase House, now in ruins at Curraghchase, Kilcornan, County Limerick.

Hunt de Vere is the third son of Sir Aubrey de Vere, 2nd Baronet and his wife Mary Spring Rice, daughter of Stephen Edward Rice and Catherine Spring, of Mount Trenchard, County Limerick. He is a nephew of Thomas Spring Rice, 1st Baron Monteagle of Brandon and a younger brother of Sir Stephen de Vere, 4th Baronet. His sister Ellen marries Robert O’Brien, the brother of William Smith O’Brien. In 1832, his father drops the original surname “Hunt” by royal licence, assuming the surname “de Vere.”

de Vere is strongly influenced by his friendship with the astronomer Sir William Rowan Hamilton through whom he comes to a knowledge and reverent admiration for William Wordsworth and Samuel Taylor Coleridge. He is educated privately at home and in 1832 enters Trinity College, Dublin, where he reads Immanuel Kant and Coleridge. Later he visits Oxford, Cambridge, and Rome, and comes under the potent influence of John Henry Newman. He is also a close friend of Henry Taylor.

The characteristics of de Vere’s poetry are high seriousness and a fine religious enthusiasm. His research in questions of faith leads him to the Roman Catholic Church where in 1851 he is received into the Church by Cardinal Henry Edward Manning in Avignon. In many of his poems, notably in the volume of sonnets called St. Peters Chains (1888), he makes rich additions to devotional verse. For a few years he holds a professorship, under Newman, in the Catholic University in Dublin.

In A Book of Irish Verse, W. B. Yeats describes de Vere’s poetry as having “less architecture than the poetry of Ferguson and Allingham, and more meditation. Indeed, his few but ever memorable successes are enchanted islands in gray seas of stately impersonal reverie and description, which drift by and leave no definite recollection. One needs, perhaps, to perfectly enjoy him, a Dominican habit, a cloister, and a breviary.”

de Vere also visits the Lake Country of England, and stays under Wordsworth’s roof, which he calls the greatest honour of his life. His veneration for Wordsworth is singularly shown in later life, when he never omits a yearly pilgrimage to the grave of the poet until advanced age makes the journey impossible.

de Vere is of tall and slender physique, thoughtful and grave in character, of exceeding dignity and grace of manner, and retains his vigorous mental powers to a great age. According to Helen Grace Smith, he is one of the most profoundly intellectual poets of his time. His census return for 1901 lists his profession as “Author.”

Aubrey de Vere dies at Curraghchase on January 20, 1902, at the age of eighty-eight. As he never married, the name of de Vere at his death becomes extinct for the second time and is assumed by his nephew.


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Birth of Thomas Dermody, Scholar & Poet

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Thomas Dermody, classical scholar and poet, is born in Ennis, County Clare, on January 15, 1775. He writes under several pseudonyms including Mauritius Moonshine and Marmaduke Myrtle.

Dermody is scholarly but lives hard and makes little of his life. At the age of nine he is employed as a classical teacher in his father’s school, and has already acquired from his father a love for literature and the bottle.

Dermody has the genius of a poet, and writes fairly good poetry, but his genius is not enough. He lives for 27 years, half his life a promising boy and half a ne’er-do-well. His promise brings him generous patrons in his early days in Ireland, but he scorns the hand that feeds him, denies the friends who could nurse his genius, and runs away to England to keep bad company.

At the age of nineteen, he enlists in the army and behaves uncommonly well under military discipline. He becomes corporal, sergeant, and eventually second lieutenant, serving with distinction. He is wounded in France, and upon his return to England, is retired on half-pay.

He gains and loses friend after friend and abuses patron after patron. They clothe and clean him and make him presentable, but he then drinks himself to nakedness and rags and behaves like a brute. Such from day to day and year to year is his life, and in the end he drinks himself to death and perishes in a miserable cottage near Lewisham on July 15, 1802. He is filled with conceit and a slave to his desires, but the lines that are fading away on the stone above his grave show that he was a poet. Dermody is buried in the churchyard of St. Mary’s Church Lewisham.

Dermody publishes two books of poems which, after his death, are collected as The Harp of Erin. Some 56 of his sonnets have been published in various works, from his first 1789 collection Poems to those published in 1792, with a few posthumously published verses in the biography by James Grant Raymond. Samuel Taylor Coleridge takes an interest in some of his verse which has been included in the literary magazine The Anthologia Hibernica.