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Promoting Irish Culture and History from Little Rock, Arkansas, USA

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Death of Albert Morrow, Illustrator, Poster Designer & Cartoonist

Albert George Morrow, Irish illustrator, poster designer and cartoonist, dies at his home in West Sussex, England, on October 26, 1927.

Morrow is born on April 26, 1863, in Comber, County Down, the second son of George Morrow, a painter and decorator from Clifton Street in west Belfast. Of his seven brothers, four, George, Jack, Edwin, and Norman, are also illustrators and all but one are artists. He is a keen ornithologist in his youth. In later life he is a keen walker and paints landscapes for leisure.

Morrow is educated at the Belfast Model School and latterly at the Belfast Government School of Art between 1878 and 1881.

While studying under T. M. Lindsay at the Government School of Art in 1880, Morrow is awarded a £10 prize for drawing from the eminent publishers Cassell, Petter and Galpin. In 1881, while still learning his trade, he paints a mural of Belfast for the Working Men’s Institute in Rosemary Street, where his father is chairman. Later in that same year he exhibits a watercolour sketch of a standing figure entitled Meditative at the gallery of Rodman & Company, Belfast.

Morrow then wins a three-year scholarship worth £52 per year which he takes to the National Art Training School at South Kensington in 1882, where he begins a lifelong friendship with the British sculptor Albert Toft. In 1883, while still attending South Kensington, he joins the staff of The English Illustrated Magazine in preparation for the launch of the first edition. Two of his works are published in the Sunday at Home magazine in September of the same year.

J. Comyns Carr, first editor of The English Illustrated Magazine, commissions Morrow to complete a series on English industry when he has yet to complete his studies at South Kensington.

In 1890, Morrow begins illustrating for Bits and Good Words. He exhibits nine works at the Royal Academy of Arts between 1890 and 1904, all of which are watercolours, and another in 1917, and an offering in chalk at the 159th Exhibition, in the year of his death.

Morrow becomes a member of the Belfast Art Society in 1895, exhibiting with them in the same year. In 1896, a Morrow print is published in Volume 2 of the limited-edition print-collection Les Maîtres de l’Affiche selected by “Father of the Poster” Jules Chéret. In the same year he shows a watercolour of a Gurkha at the Earls Court in the Empire of India and Ceylon exhibition. In 1900, he exhibits with two Ulster artists, Hugh Thomson and Arthur David McCormick, at the Linen Hall Library in Belfast, who along with Morrow had contributed to the early success of The English Illustrated Magazine.

Morrow is one of the founders of the Ulster Arts Club in November 1902 along with five of his brothers, an organisation that has a nonsectarian interest in Celtic ideas, language and aesthetics. In November 1903, he exhibits at the first annual exhibition of the Club when he shows alongside John Lavery, Hans Iten, James Stoupe and F. W. Hull. He exhibits The Itinerant Musician, a watercolour that he had previously shown at the Royal Academy in 1902. Honorary membership is conferred upon him the following year. Three years later he is honoured with a solo exhibition of sketches and posters in conjunction with the Ulster Arts Club, at the Belfast Municipal Gallery.

In 1908, Morrow joins his brothers in an exhibition at 15 D’Olier Street, Dublin, an address which is later registered to the family business in 1913. Among his contributions to the family exhibition is his painting of Brandon Thomas, The Clarionette Player, which had previously been exhibited at the Royal Academy, and a poster entitled Irving in Dante.

In 1917, Morrow joins his brother George and 150 artists and writers, in petitioning the British Prime Minister David Lloyd George to find a way of enacting the unsigned codicil to Hugh Lane’s will and establish a gallery to house Lane’s art collection in Dublin. Among the 32 notable artists who sign this petition are Jack B. Yeats, Sir William Orpen, Sir John Lavery, and Augustus John.

Morrow illustrates books for children and adults, but he is best known for the hundreds of posters he designs for the theatre, with the bulk of his commissions coming from just one lithographical printer, David Allen and Sons. As a cartoonist he draws for children’s annuals, and contributes three cartoons to Punch in 1923, 1925 and posthumously in 1931.

Morrow dies at his home in West Hoathly, West Sussex, on October 26, 1927, at the age of 64. He is survived by his wife and two children. His headstone in the local churchyard at All Saints Church, Highbrook is designed by his friend, the sculptor and architect, Albert Toft.

Morrow’s works can be found in many public and private collections such as the Victoria and Albert Museum, Musée des Arts Décoratifs and the British Museum.

(Pictured: Colour lithograph poster by Albert Morrow advertising a cinematic showing at the Curzon Hall, Birmingham, c. 1902)


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Eamonn Casey, Former Bishop of Galway & Kilmacduagh, Returns from Exile

Eamonn Casey, Irish Catholic prelate who serves as bishop of Galway and Kilmacduagh from 1976 until his resignation 1992, returns to Ireland on February 5, 2006, following fourteen years in exile. He fled Ireland after he admitted to fathering his son, Peter.

Casey is born on April 24, 1927, in Firies, County Kerry. He is educated in Limerick before training for the priesthood at St. Patrick’s College, Maynooth. He is ordained a priest for the Diocese of Limerick on June 17, 1951, and appointed Bishop of Kerry on July 17, 1969.

Casey holds this position until 1976, when he is appointed Bishop of Galway and Kilmacduagh and apostolic administrator of Kilfenora. While in Galway, he is seen as a progressive. It is a significant change in a diocese that had been led for nearly forty years by the very conservative Michael Browne, bishop from 1937 to 1976. He is highly influential in the Irish Catholic hierarchy and a friend and colleague of another highly prominent Irish priest, Father Michael Cleary.

Casey works aiding Irish emigrants in Britain. In addition, he supports the Dunnes Stores‘ staff who are locked out from 1982 to 1986 for refusing to sell goods from apartheid South Africa.

Casey attends the funeral of the murdered Archbishop of San Salvador, Monsignor Óscar Romero. He witnesses first-hand the massacre of those attending the funeral by government forces. He then becomes a vocal opponent of United States foreign policy in Central America, and, as a result, opposes the 1984 visit of United States President Ronald Reagan to Ireland, refusing to meet him when he comes to Galway.

In 1992 it is reported that, despite the vow of chastity undertaken by Catholic clergy, Casey has a sexual relationship in the early 1970s with American woman Annie Murphy. When Murphy becomes pregnant, he is determined that the child should be given up for adoption in order to avoid any scandal for himself or the Catholic church. By contrast, Murphy is determined to accept responsibility for her child, and she returns to the United States with their son, Peter, who is born in 1974 in Dublin. He makes covert payments for the boy’s maintenance, fraudulently made from diocesan funds and channeled through intermediaries. In order to continue the cover up of his affair with Murphy and his fraudulent activities, he refuses to develop a relationship with his son, or acknowledge him. Murphy is very disappointed by this, and in the early 1990s contacts The Irish Times to tell the truth about Casey’s hypocrisy and deception. Having been exposed, he reluctantly admits that he had “sinned” and wronged the boy, his mother and “God, his church and the clergy and people of the dioceses of Galway and Kerry,” and his embezzlement of church funds. He is forced to resign as bishop and flees the country under a cloud of scandal. He is succeeded by his secretary, James McLoughlin, who serves in the post until his own retirement on July 3, 2005.

Murphy publishes a book, Forbidden Fruit, in 1993 revealing the truth of their relationship and the son she bore by Casey, exposing the institutional level of hypocrisy, moral corruption and misogyny within the Irish Catholic Church.

Casey is ordered by the Vatican to leave Ireland and become a missionary alongside members of the Missionary Society of St. James in a rural parish in Ecuador, whose language, Spanish, he does not speak. During this time, he travels long distances to reach the widely scattered members of his parish but does not travel to meet his own son. After his missionary position is completed, he takes a position in the parish of St. Pauls, Haywards Heath, West Sussex, England.

In 2005, Casey is investigated in conjunction with the sexual abuse scandal in Galway, Kilmacduagh and Kilfenora diocese, and cleared of any wrongdoing. In 2019, it emerges that he had faced at least three accusations of sexual abuse before his death, with two High Court cases being settled. The Kerry diocese confirms that it had received allegations against him, that Gardaí and health authorities had been informed and that the person concerned was offered support by the diocese.

Casey returns to Ireland on February 5, 2006, with his reputation in tatters, and is not permitted to say Mass in public.

In August 2011, Casey, in poor health, is admitted to a nursing home in County Clare. He dies on March 13, 2017, a month before his 90th birthday. He is interred in Galway cathedral’s crypt.

Casey is the subject of Martin Egan’s song “Casey,” sung by Christy Moore. He is also the subject of The Saw Doctors‘ song “Howya Julia.”


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Birth of Lady Louisa Conolly

Lady Louisa Conolly, an English-born Irish noblewoman, is born on December 5, 1743, perhaps at Goodwood House in Westhampnett, Chichester, West Sussex, England. She is the third of the famous Lennox sisters and is notable among them for leading a wholly uncontroversial life filled with good works.

Born Lady Louisa Augusta Lennox, she and her sisters are portrayed in Stella Tillyard‘s book Aristocrats: Caroline, Emily, Louisa, and Sarah Lennox and in the BBC television series based on it. The Lennox sisters are the daughters of Charles Lennox, 2nd Duke of Richmond, and Lady Sarah Cadogan. The 2nd Duke’s father, Charles Lennox, 1st Duke of Richmond, is an illegitimate son of King Charles II of England.

Conolly is still a child when her parents die within a year of each other in 1750 and 1751. After this, she is brought up by her much older sister Emily FitzGerald, Duchess of Leinster, in Kildare. In 1758, at age 15, she marries Thomas Conolly (1738–1803), grand-nephew of William Conolly, Speaker of the Irish House of Commons. Her husband, a wealthy landowner and keen horseman, is also a successful politician who is elected to Parliament as early as 1759. The couple lives in the Palladian mansion Castletown House in County Kildare, the decoration of which she directs throughout the 1760s and 1770s. The Conolly summer residence, Cliff House, on the banks of the River Erne between Belleek, County Fermanagh, and Ballyshannon, County Donegal, is demolished as part of the Erne Hydroelectric scheme, which constructs the Cliff and Cathaleen’s Fall hydroelectric power stations. Cliff hydroelectric power station is constructed on the site of Cliff House and is commissioned in 1950.

The Conollys, themselves unhappily childless, at that point take up the welfare of young children from disadvantaged backgrounds as a lifelong project, contributing both money and effort towards initiatives which enable foundlings and vagabonds to acquire productive skills and support themselves. They develop one of the first Industrial Schools where boys learn trades, and she takes active personal interest in mentoring the students. In middle age, she also virtually adopts her niece Emily Napier (1783–1863), the daughter of her sister Lady Sarah Lennox. Emily, who spends long months with her aunt in Kildare, marries Sir Henry Bunbury, 7th Baronet, and moves to Suffolk, although she remains close to her aunt until her death.

Thomas Conolly dies on April 27, 1803. Upon his death, a major part of his estates, which includes Wentworth Castle, passes to a distant relative, Frederick Vernon. Conolly receives the Castletown House and estate, as also certain liquid investments and valuable urban properties, which enable her to live in comfort and continue her activities until her own death on August 6, 1821, of an abscess on her hip. She wills these substantial properties to a great-nephew, Edward Michael Pakenham, grandson of Thomas’ sister Harriet, later the MP for Donegal.

In 1999, a 6-part miniseries called Aristocrats, based on the lives of Conolly and her sisters, airs in the UK.

(Pictured: “Lady Louisa Conolly” by George Romney, 1776)