On September 5, 1998, United States PresidentBill Clinton becomes a Freeman of Limerick, following in the footsteps of John F. Kennedy, who had received the honor in 1963. The ceremony marks the last day of Clinton’s official visit to Ireland, which had begun earlier in the month and included stops in Dublin, Adare, Limerick, and Kerry.
On September 5, thousands gather on O’Connell Street to hear Clinton speak to an estimated 40,000 people. His address references the Good Friday Agreement and the peace process, saying: “Because of what you have done in Ireland in 1998, you have made it possible for me to tell every warring, feuding hating group of people trapped in the prison of their past conflicts to look at Ireland and know there can be a better day.”
The speech is broadcast worldwide and is delivered during a period when Clinton is facing political challenges in the United States, but he is still held in high esteem in Ireland for his role in the Northern Ireland peace process.
By being granted the Freedom of the City of Limerick, Clinton joins a distinguished list of U.S. presidents honored by Irish cities, underscoring the strong ties between the United States and Ireland. The visit and ceremony are symbolic of reconciliation, mutual respect, and the shared history of Irish Americans in U.S. politics.
In short, September 5, 1998, is both a personal milestone for Clinton and a moment of national and international significance, blending political diplomacy with public celebration.
FitzGerald joins Fine Gael, attaching himself to the liberal wing of the party. and in 1969 is elected to Dáil Éireann, the lower house of the Oireachtas, the Irish parliament. He later gives up his university lectureship to become Minister for Foreign Affairs in the coalition government of Liam Cosgrave (1973–77). When the coalition government is resoundingly defeated in the 1977 Irish general election, Cosgrave yields leadership of Fine Gael to FitzGerald. In his new role as Leader of the Opposition and party leader, he proceeds to modernize and strengthen the party at the grass roots. He briefly loses power in 1982 when political instability triggers two snap elections.
By the time of the 1981 Irish general election, Fine Gael has a party machine that can easily match Fianna Fáil. The party wins 65 seats and forms a minority coalition government with the Labour Party and the support of a number of Independent TDs. FitzGerald is elected Taoiseach on June 30, 1981. To the surprise of many, FitzGerald excludes Richie Ryan, Richard Burke and Tom O’Donnell, former Fine Gael stalwarts, from the cabinet.
On May 5, 2011, it is reported that FitzGerald is seriously ill in a Dublin hospital. Newly elected Fine Gael Taoiseach Enda Kenny sends his regards and calls him an “institution.” On May 6 he is put on a ventilator. On May 19, after suffering from pneumonia, he dies at the Mater Private Hospital in Dublin at the age of 85.
In a statement, Irish PresidentMary McAleese hails FitzGerald as “a man steeped in the history of the State who constantly strove to make Ireland a better place for all its people.” Taoiseach Enda Kenny pays homage to “a truly remarkable man who made a truly remarkable contribution to Ireland.” Henry Kissinger, the former United States Secretary of State, who serves as an opposite number to FitzGerald in the 1970s, recalls “an intelligent and amusing man who was dedicated to his country.”
FitzGerald’s death occurs on the third day of Queen Elizabeth II‘s state visit to the Republic of Ireland, an event designed to mark the completion of the Northern Ireland peace process that had been “built on the foundations” of FitzGerald’s Anglo-Irish Agreement with Margaret Thatcher in 1985. In a personal message, the Queen offers her sympathies and says she is “saddened” to learn of FitzGerald’s death.
On his visit to Dublin, United States PresidentBarack Obama offers condolences on FitzGerald’s death. He speaks of him as “someone who believed in the power of education; someone who believed in the potential of youth; most of all, someone who believed in the potential of peace and who lived to see that peace realised.”
FitzGerald is the author of a number of books, including Planning in Ireland (1968), Towards a New Ireland (1972), Unequal Partners (1979), All in a Life: An Autobiography (1991), and Reflections on the Irish State (2003).
Boland is born in Dublin on September 24, 1944. Her father, Frederick Boland, is a career diplomat and her mother, Frances Kelly, was a noted painter.
When she is six, Boland’s father is appointed Irish Ambassador to the United Kingdom, and the family moves to London, where she has her first experiences of anti-Irish sentiment. Her dealing with this hostility strengthens her identification with her Irish heritage. She speaks of this time in her poem, “An Irish Childhood in England: 1951.”
In 1969, Boland marries the novelist Kevin Casey. They have two daughters together. Her experiences as a wife and mother influence her to write about the centrality of the ordinary, as well as providing a frame for more political and historical themes. According to her friend Gabrielle Calvocoressi, she “loved gossip like fish love water.”
In the late 1970s and 1980s, Boland teaches at the School of Irish Studies in Dublin. From 1996 she is a tenured Professor of English at Stanford University where she is the Bella Mabury and Eloise Mabury Knapp Professor in the Humanities and Melvin and Bill Lane Professor for Director of the Creative Writing program. She divides her time between Palo Alto and her home in Dublin.
Boland’s first book of poetry is New Territory published in 1967 with Dublin publisher Allen Figgis. This is followed by The War Horse (1975) and In Her Own Image (1980). Night Feed (1982) establishes her reputation as a writer on the ordinary lives of women and on the difficulties faced by women poets in a male-dominated literary world. While she is writer in residence at the National Maternity Hospital in Dublin in 1994, she composes “Night Feed” and “The Tree of Life,” and her work remains on a plaque in the hospital garden.
In March 2018, RTÉ broadcasts a documentary on Boland’s life as a poet called “Eavan Boland: Is it Still the Same?” In the same year, she is commissioned by the Government of Ireland and the Royal Irish Academy (RIA) to write the poem “Our future will become the past of other women” to be read at the United Nations (UN) and in Ireland during the centenary commemorations of women gaining the vote in Ireland in 1918.
Boland co-edits The Making of a Poem: A Norton Anthology of Poetic Forms (with Mark Strand; W. W. Norton & Co., 2000). She also publishes a volume of translations in 2004 called After Every War (Princeton University Press). With Edward Hirsch, she co-edits “The Making of a Sonnet: A Norton Anthology of the Sonnet” (W. W. Norton & Co., 2008).
In 1976, Boland wins a Jacob’s Award for her involvement in The Arts Programme broadcast on RTÉ Radio. Her other awards include a Lannan Foundation Award in Poetry and an American Ireland Fund Literary Award. Her collection In a Time of Violence (1994) receives a Lannan Award and is shortlisted for the T. S. Eliot Prize.
Boland receives the Bucknell Medal of Distinction 2000 from Bucknell University, the Corrington Medal for Literary Excellence by Centenary College of Louisiana in 2002, the Smartt Family prize from The Yale Review and the John Frederick Nims Award from Poetry magazine 2002. Her volume of poems Against Love Poetry is a New York Times Notable Book of the Year. Her volume Domestic Violence (2007) is shortlisted for the Forward Prize in the United Kingdom. Her poem “Violence Against Women” from the same volume is awarded the James Boatwright III Prize for Poetry for the best poem published in 2007 in Shenandoah magazine. In 2012, she wins a PEN Award for creative nonfiction with her collection of essays, A Journey With Two Maps: Becoming a Woman Poet, published in 2012.
On May 25, 2018, Boland is elected an honorary member of the Royal Irish Academy. She receives the Irish PEN Award for Literature in 2019. She is writer in residence at the National Maternity Hospital, Dublin, in 1994. During this time she composes “Night Feed” and “The Tree of Life,” and her work remains on a plaque in the hospital garden.
Boland dies in Dublin on April 27, 2020, at the age of 75. Later that year she is posthumously awarded the Costa Book Award for poetry for her final collection The Historians.
In 2024, Trinity College Dublin announces the renaming of the “denamed” former Berkeley Library as the Eavan Boland Library. This makes it the first building named after any woman on Trinity’s city centre campus. The name is made official in March 2025.
Ronnie Masterson, one of the best-known Irish stage actors of her generation from the 1940s to the 1970s, dies at the age of 87 in Rush, County Dublin, on February 10, 2014. Following her stage career she builds a solid film and television career with RTÉ, and independent directors including Peter Kosminsky, Alan Parker and Neil Jordan.
Masterson is born in Dublin on April 4, 1926. She trains at the Abbey Theatre and first appears on stage there in 1944. At the Abbey, she meets and then marries actor Ray McAnally in 1951, and they remain married until his death in 1989, although they reside in different homes; her husband with Irish actress Britta Smith. McAnally and Masterson have four children: Conor, Aonghus, Máire and Niamh.
Kennedy’s Children nearly bankrupts the company, having to be pulled early in a 14-week run, when playgoers in Dublin mistake its title as an adverse comment on the children of assassinated and revered U.S. presidentJohn F. Kennedy, whereas the play is actually a series of monologues exploratory of U.S. society in the Vietnam War era. They are rescued by two giants of Irish independent theatre, Phyllis Ryan of Gemini Productions – whose Eblana Theatre the couple had hired- and John B. Keane, who has just published Letters of a Matchmaker , a novel written as a series of letters between a rural matchmaker and his clients.
Masterson’s best film work is probably as a memorable Grandma Sheehan in Alan Parker’s screen version of Frank McCourt‘s Angela’s Ashesin 1999, where, in her own words in an interview with her grandson, Aonghus Óg McAnally, she says, “Without doubt I had the best script.”
Other notable film roles include Fools of Fortune, The Real Charlotte and Kosminsky’s dramatisation of the events which led to the Stalker inquiry in Northern Ireland, Shoot to Kill, where she plays Mrs. Tighe opposite her old Abbey colleague Peadar Lamb, as Mr. Tighe.
Speaking to The Irish Times , Lamb remarks how, as a young actor at the Abbey in 1949, Masterson had been a “striking” Kathleen Ní Houlihan in W. B. Yeats‘s play, her height, green eyes and vivid red hair perfect for the part.
Lamb, who serves for many years with Masterson on the committee of Irish Actors’ Equity Association, pays tribute also to her work for other actors: “She didn’t waste words, but spoke very strongly when she did speak.” RTÉ producer Laurence Foster also pays a tribute to this aspect of Masterson’s career on the SIPTU website.
In November 2005, Masterson is in the United States again, this time to take the lead role in The Sea Captain, a short film directed by her son, veteran television producer Conor McAnally.
McCartney, born in 1971, is a Roman Catholic and lives in the predominantly nationalistShort Strand area of east Belfast, and is said by his family to be a supporter of Sinn Féin. He is the father of two children and is engaged to be married in June 2005 to his longtime girlfriend, Bridgeen Hagans.
McCartney is involved in an altercation in Magennis’ Bar on May Street in Belfast’s city centre on the night of January 30, 2005. He is found unconscious with stab wounds on Cromac Street by a police patrol car and dies at the hospital the following morning. He is 33 years old.
The fight arises when McCartney is accused of making an insulting gesture or comment to the wife of an IRA member in the social club. When his friend, Brendan Devine, refuses to accept this or apologise, a brawl begins. McCartney, who is attempting to defend Devine, is attacked with a broken bottle and then dragged into Verner Street, beaten with metal bars and stabbed. Devine also suffers a knife attack, but survives. The throats of both men are cut and McCartney’s wounds include the loss of an eye and a large blade wound running from his chest to his stomach. Devine is hospitalised under armed protection.
When Police Service of Northern Ireland (PSNI) officers arrive at the scene, their efforts to investigate the pub and surrounding area are met with an impromptu riot. Rioting by youths, specifically attacking the police, force them to pull back from the area, which delays initial investigation. Police with riot gear arrive later in the evening and are also attacked. Alex Maskey of Sinn Féin claims, “It appears the PSNI is using last night’s tragic stabbing incident as an excuse to disrupt life within this community, and the scale and approach of their operation is completely unacceptable and unjustifiable.” There are suggestions that the rioting is organised by those involved in the murder, so that a cleanup operation can take place in and around where the murder took place. Clothes worn by McCartney’s attackers are burned, CCTV tapes are removed from the bar and destroyed and bar staff are threatened. No ambulance is called. McCartney and Devine are noticed by a police car on routine patrol, who call an ambulance to the scene.
When the police launch the murder investigation they are met with a “wall of silence” None of the estimated seventy or so witnesses to the altercation come forward with information. In conversations with family members, seventy-one potential witnesses claim to have been in the pub’s toilets at the time of the attacks. As the toilet measures just four feet by three feet, this leads to the toilets being dubbed the TARDIS, after the time machine in the television series Doctor Who, which is much bigger on the inside than on the outside.
Sinn Féin suspends twelve members of the party and the IRA expels three members some weeks later.
Gerry Adams, then president of Sinn Féin, urges witnesses to come forward to “the family, a solicitor, or any other authoritative or reputable person or body”. He continues, “I want to make it absolutely clear that no one involved acted as a republican or on behalf of republicans.” He suspends twelve members of Sinn Féin. He stops short of asking witnesses to contact the police directly. The usefulness of making witness statements to the victim’s family or to a solicitor is derided by the McCartneys and by a prominent lawyer and Social Democratic and Labour Party (SDLP) politician, Alban Maginness, soon afterward.
On February 16, 2005, the IRA issues a statement denying involvement in the murder and calls on the perpetrators to “take responsibility.”
On March 8, 2005, the IRA issues an unprecedented statement saying that four people are directly involved in the murder, that the IRA knows their identity, that two are IRA volunteers, and that the IRA has made an offer to McCartney’s family to shoot the people directly involved in the murder.
In May 2005, Sinn Féin loses its council seat in the Pottinger area, which covers the Short Strand, with the McCartney family attributing the loss to events surrounding the murder.
Since this time, the sisters of McCartney have maintained an increasingly public campaign for justice, which sees Sinn Féin chief negotiator Martin McGuinness make a public statement that the sisters should be careful that they are not being manipulated for political ends.
Support for Sinn Féin by some American politicians is diminished. Adams is not invited to the White House in 2005 and Senator Edward Kennedy backs out of a meeting that had been previously scheduled. The McCartney family, previously Sinn Féin supporters, pledge to never support the party again, and a cousin of the sisters who raised funds for Sinn Féin in the United States insist that she will not be doing so in the future.
On May 5, 2005, Terence Davison and James McCormick are remanded in custody, charged with murdering McCartney and attempting to murder Devine respectively. McCormick is originally from England. They are held in the republican wing of HM Prison Maghaberry. Roughly four months later the accused are released on bail, and in June 2006, the attempted murder charge against McCormick is dropped, leaving a charge of causing an affray. On June 27, 2008, Terence Davison is found not guilty of committing the murder. Two other men charged with affray are also cleared.
In November 2005, the McCartney sisters and Bridgeen Hagans, the former partner of McCartney, refuse to accept the Outstanding Achievement award at the Women of the Year Lunch, because it would mean their sharing a platform with Margaret Thatcher, whom they dislike.
In December 2005, the McCartney sisters meet with UK Prime MinisterTony Blair, and tell him they believe the murder had been ordered by a senior IRA member, and that Sinn Féin was still not doing all it could to help them.
On January 31, 2007, two years after the murder, and in line with the party’s new policy of supporting civil policing, Sinn Féin president Gerry Adams says that anyone with information about the murder should go to the police.
On May 5, 2015, an IRA man believed to have been involved in the death of McCartney, Gerard ‘Jock’ Davison, is shot dead. Early in the investigation the police rule out either a sectarian attack or the involvement of dissident republicans.
The McCartney family has lived in the Short Strand area of Belfast for five generations. However, some local people in the Short Strand area, which is a largely nationalist area, does not welcome their dispute with the IRA. A campaign of intimidation by republicans drives members of the family and McCartney’s former fiancée to relocate and also causes one member to close her business in the city centre. The last McCartney sister to leave the area, Paula, departs Short Strand on October 26, 2005.
The family remain in contact with the family of Joseph Rafferty of Dublin, who dies under similar circumstances on April 12, 2005.
After lecturing at St. Patrick’s College, Dublin, from 1941 to 1944, Slevin enters the civil service. Despite no prior interest in heraldry, he is selected via competition to assist the newly installed Chief Herald, Dr. Edward MacLysaght, in the genealogical office, Bedford Tower, Dublin Castle. After serving as Deputy Chief Herald (1944–54), he succeeds MacLysaght as Chief Herald of Ireland, becoming the longest-serving occupant of the office (1954–81).
One of three national heralds named to a vexillogical committee to devise a common emblem for the Council of Europe, Slevin persuades his colleagues to eschew religious iconography, such as the Christian cross, as inappropriate. His own design of a circle of twelve golden stars on an azure field is selected by the committee in 1954, and formally accepted by the council in December 1955. With blue chosen as a colour common to the flags of many European countries, the twelve stars represent not individual states but such associations as the zodiac and a clock face, suggesting ideals of universality, harmony, and evolution through time. Adopted in 1985 for the flag of the European Community (latterly the European Union), his design attracts wide acclaim in heraldic circles, leading to his being awarded membership of the Académie Internationale d’Héraldique.
During Slevin’s tenure as Chief Herald, several hundred patents of arms are issued to Irish public bodies, including civic and municipal authorities, and to individuals of Irish descent worldwide. On behalf of the Irish government, he confirms the Irish connections of such notables as United StatespresidentsKennedy, Nixon, and Reagan, French president Charles de Gaulle, and Princess Grace of Monaco. His coat of arms for President Kennedy, combining the ancient arms of the Kennedy and Fitzgerald families, wins renown as a masterpiece of heraldic design. While possessing a keen sense of graphic impact, he is not a great draughtsman, and he employs the noted heraldic painter Myra Maguire to execute the designs that he creates. He oversees expansion of genealogical office services, instituting an advisory service and team of research assistants for the growing numbers – especially within emigrant communities abroad – seeking to trace Irish ancestry. He establishes a committee to catalogue churchyard memorial inscriptions as an archival resource, meant to redress the loss of state records in the 1922 Four Courts fire.
Slevin wins first prize in successive years in the 1950s for entries in the Oireachteas drama competition, both plays being subsequently produced at the Abbey Theatre. He writes a detective novel in Irish, and contributes numerous articles to learned journals, chiefly on medieval heraldry and Anglo-Irish families. Erudite and possessed of great presence, courtesy, and wit, he is an engaging speaker.
Resident in south County Dublin, Slevin is active in amateur dramatics, local history societies, and the ecumenical movement. His recreation is long country walks. He marries Millicent Nolan in 1950 and they have three sons. He dies on January 18, 1997.
(From: “Slevin, (John) Gerard” by Lawrence William White, Dictionary of Irish Biography, http://www.dib.ie, October 2009 (last revised February 2025))
Henderson is born to James Douglas Alexander Henderson, who manages the family business of Henderson & Eadie, and Doris Josephine (née Watson). He attends Portora Royal School in Enniskillen, where the art master, Angus Bryson, spots him as an exceptional student.
From 1972 to 1973 Henderson studies an Arts Foundation course at Ulster University. From 1973 to 1976 he studies Fine Art at Kingston University, London, achieving a Bachelor of Artsfirst class honours degree under the tutelage of Terry Jones, returning in 1977 as Artist-in-Residence. In the same year he becomes the first recipient of the Stanley Picker Fellowship Award in Painting. Between 1978 and 1979 he completes a MA postgraduate in Fine Art at Chelsea School of Art under the tutelage of the artist John Hoyland.
In 1980, Henderson starts his professional artistic journey, developing abstract techniques, creating large canvases with complex layers of overlaid and inter-worked paint. He lives and paints in London for twenty years before relocating back to Ireland. In the mid-1980s he works in a studio adjacent to the house he shares with his partner, Jenni Stone, with whom he has a daughter named Emerald.
During the mid-1980s Henderson’s work becomes recognised by private and public collectors, including Bono, leader of the Irish rock band U2. During this period he sells his first work to the National Art Collection (1986). Cuilcagh Under A Renaissance Sky is purchased for Fermanagh County Museum with a grant from the Arts Council of Northern Ireland during his first solo exhibition “Around a Border” in Ireland. This is followed by three more acquisitions via the Arts Council during the 1980s, who continue to support his work into the new millennium acquiring If Hobbema had Seen Ireland (1989) in 2004 via Art Fund with support from the Esmée Fairbairn Foundation. His work is exhibited by Arts Council England.
In 1990 Henderson moves to the Cooperage Studio, Brick Lane, London, sharing the top floor with sculptor David Fusco and artist Bryan Benge, a friend from Kingston University. Benge says “Every summer the studios in the East End became part of the open studios programme. . . . . He was an intelligent and incredibly accomplished Painter.” It is here, separated from his partner and virtually penniless, he devotes himself entirely to his work, living in a tent, donated by Benge’s parents, inside the studio.
Henderson begins Palinurus in Soho in 1991, a series of twelve paintings depicting night time rooftop scenes across London, painted from an attic in Kingly Street. Exhibited at the Anna Bornholt Gallery in 1992, ten of the series are acquired by a single private collector.
Around 2000, Henderson becomes more influenced by Greek and Irish symbolism, in particular White Island, the Book of Kells and Sheela na gig, reflected in much of the art produced from this time onward. In 2001, he creates a set of enamel manuscripts for The Clinton Centre in Enniskillen, inaugurated by U.S. PresidentBill Clinton in 2002, in commemoration of the Remembrance Day bombing of 1987. He is interested in enameling because of the possibilities that it offers to him as a colourist and in the behaviour of gestural mark-making. The process is made possible when he is introduced to Andrew Morley, the authority on enamel sign making.
Henderson’s artistic influences include Hans Hofmann, Barnett Newman, Mark Rothko, and John Hoyland. Frequently associated with Samuel Beckett and Jack Butler Yeats, he is influenced by his homeland; his early environment, growing up around weaving, yarns and dyeing, the regions political turmoil, symbolism, and in later life his chronic illness, expressed in his more sombre paintings.
John Hutchinson, critic and director of the Douglas Hyde Gallery writes in the Sunday Independent that Henderson’s paintings “demonstrate the fruitfulness of the no man’s land between abstraction and representation,” and “His images deliberately evoke the picturesque and romantic landscape conventions that originated in the late 18th century…..as well as the expressionist subjectivity of painters such as Jack B. Yeats.” Due to Henderson’s disinterest in the commercialisation of his work, he is sometimes referred to as Ireland’s Invisible Genius.
Henderson describes the evolution of his work, after returning to Ireland in 1993, saying, “Since returning to Ireland my work has become less concerned with resting landscape painting in a cultural context more appropriate to our times, but has come full circle towards an internalised organic abstraction which characterised my more intuitive approach until the early eighties.”
Henderson is married once, in 1995 to the actress Patricia Martinelli with whom he subsequently has a daughter in 1997, Bella-Lucia. He remains married, living in the remote village of Boho, County Fermanagh, Northern Ireland, until his death, brought on by a brain tumour, on April 28, 2009. He remains a prolific artist throughout his life.
Marrinan becomes ill with infantile paralysis at the age of five, and as a result is tutored privately. He has no formal training in art but is largely influenced by his reading matter, particularly the American comic strips of Bud Fisher. The variety of facial expressions that Fisher can achieve, with only a pencil, intrigues and inspires him. Likewise, the images evoked by Celtic mythology and religious art also contributes to his visual language, and many hours are spent in the Belfast Museum and Art Gallery studying the paintings in their collection.
Marrinan exhibits with the Ulster Academy of Arts from an address at 524 Donegall Road, Belfast, entering “The Wee Gate, Earl Street, Belfast” (1931) and “The Painter’s Father” and the “Apache” (1934), which is judged “picture of the year.” He last exhibits with a landscape, “Connemara,” along with four other works in 1949.
Marrinan paints and sketches portraits of many notable Irish figures, among which is the charcoal drawing of northern Fenian Robert Johnston (1934; National Gallery of Ireland) and a sketch of the Donegal storyteller Niall Duffy (University College Dublin). His literary portraits include one of Brian Friel. He holds a one-man show in 1951 at 55a Donegall Place, Belfast, where he exhibits a bust of John McLaverty. He takes an interest in sculpture although painting and drawing remain his preferred form of expression. Important commissions are for a memorial portrait (completed 1952) of Éamonn Ceannt for Ceannt Barracks officers’ mess, Curragh Camp, County Kildare, and for a portrait of Vice-brigadier Peadar Clancy for Clancy Barracks, Dublin. He paints two memorial portraits of PresidentJohn F. Kennedy, one of which is in the Irish Club, London.
Marrinan is an honorary member of the Royal Ulster Academy and exhibits with them every year from 1950 onward, showing a portrait of Mrs. Padraig Marrinan in 1967 (no other details of his marriage are known). He is preparing for an exhibition to be held at the Irish Club, London, in 1974, but dies on October 25, 1973, at Tyrone County Hospital in Omagh. He is then living at James Street, Omagh.
(From: “Marrinan, Padraig H.” by Ruth Devine, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: “The River Lee, Cork City, Ireland” by Padraig Marrinan, oil on canvas)
In the mid-1750s, Fitzsimons’s family immigrates to Philadelphia, Pennsylvania, where his father dies soon thereafter. He has enough education that he begins work as a clerk in a mercantile house. He marries Catherine Meade on November 23, 1761, and forms a business partnership with her brother George. Their firm, which specializes in the West Indies trade, operates successfully for over 41 years.
The firm is soon hit by the new revenue measures created to help support the finances of the British Empire, including the much reviled Stamp Act of 1765. Concerned with these ideas, Fitzsimons becomes active in the Irish merchant community in Philadelphia. He is a founding member of the Friendly Sons of St. Patrick in 1771 and later, in 1774, a steering committee organized to protest the Coercive Acts.
When Pennsylvania begins mobilizing and organizing a militia to fight the British, Fitzsimons is soon involved. He serves as captain of a company of home guards under the command of Colonel John Caldwalader. Initially his company serves as part of the soldiers who man posts along the New Jersey coast. His unit later serves as part of the reserve at the Battle of Trenton in 1776. Later in the war, he serves on the Pennsylvania Council of Safety and heads a board to oversee the newly formed Pennsylvania Navy.
Fitzsimons enters active politics as a delegate to the Continental Congress in 1782 and 1783. He is a member of the Pennsylvania House of Representatives from 1786 until 1795. He is also a delegate to the U.S. Constitutional Convention in 1787. Although not a leading member of that convention, he supports a strong national government, the end of slavery, the United States Congress‘s powers to impose a tariff on imports and exports, the granting the House of Representatives, and power in equal to the United States Senate in making treaties. He is one of only two Catholic signers of the Constitution of the United States, the other being Daniel Carroll of Maryland.
After the Constitution is established, Fitzsimons serves in the first three sessions of the House of Representatives as a Federalist, where he favors protective tariffs and a strong navy, co-drafting the Naval Act of 1794 authorizing the original six frigates of the United States Navy. He fails to win re-election in 1794. This is partially attributed to public opinion turning against the Federalist Party over the forceful suppression of the Whiskey Rebellion. Although he never holds elective office again, he serves in 1798 as head of the committee of merchants overseeing the subscription-loan to build a warship at private expense for use in the Quasi-War.
In 1796, Fitzsimons, along with James Innes of Virginia, is appointed by President John Adams to serve as one of two American members on the five-man debt commission charged under Article VI of the Jay Treaty with examining the claims of British subjects unable to collect debts incurred by Americans prior to the American Revolution. Fitzsimons, Innes and Samuel Sitgreaves, who replaces Innes upon the latter’s death, become annoyed with the arguments used by their British counterparts to inflate the claims total. Fitzsimons and Sitgreaves angrily and permanently secede from the board in July 1799. The claims are eventually disposed of by a lump-sum payment, agreed upon by United States Minister to BritainRufus King with British Foreign SecretaryRobert Banks Jenkinson and approved by PresidentThomas Jefferson and the Senate in 1802.
O’Connor releases four solo albums and his third one, titled No Place Like Home, is named by The Irish Times as Number 1 Traditional/Folk album of the year in 2004. After the sudden death of banjo player Barney McKenna on April 5, 2012, he joins The Dubliners to complete their planned tour, until the final shows at Vicar Street in Dublin, on December 28-30. McKenna himself says about Gerry O’Connor: “He’s my best pupil ever.” Together with Eamonn Campbell, Patsy Watchorn and Seán Cannon, O’Connor keeps touring in 2013 as The Dublin Legends.
O’Connor is one of four musicians brought together by blues rock singer/guitar player Joe Bonamassa to perform on a variety of instruments in an acoustic concert at the Vienna State Opera on July 3, 2012. None of the five had ever worked together nor even met until they arrive in Vienna, where three days later they put on a live performance. The event is released on March 12, 2013, on CD and DVD/Blu-Ray, titled An Acoustic Evening At The Vienna Opera House, and in 2014 is broadcast as a PBS special.
O’Connor mainly plays CGDA tuned tenor banjo, instead of the usual Irish tuning GDAE. He plays a David Boyle banjo on almost every tour since 1996, but usually records with an Epiphone Recording A banjo.
seamus dubhghaill 