Born into relative poverty, Naughton moves to Bolton, Lancashire, England, in 1914 as a child. There he attends Saint Peter and Paul’s School, and works as a weaver, coal-bagger and lorry driver before he starts writing with his wife, Erna.
Naughton’s stage play, Alfie, adapted for the 1966 film starring Michael Caine in the eponymous role, originates in a radio play, Alfie Elkins and His Little Life, first broadcast on the BBC Third Programme in 1962, which becomes a production at the Mermaid Theatre in 1963. It transfers to the West End theatre before a very brief run on Broadway. He is a prolific writer of plays, novels, short stories and children’s books. His preferred environment is working class society, which is reflected in much of his written work.
In addition to Alfie, two of Naughton’s other plays have been made into feature films, All in Good Time (1963), filmed as The Family Way (1966), starring John Mills, and Spring and Port Wine (1970), starring James Mason in the role of Rafe Crompton, an adaptation of a play first performed in 1959.
Naughton’s novel Alfie Darling, the sequel to his earlier novel and play, was also filmed, with Alan Price succeeding Michael Caine in the lead role. Both Alfie and Alfie Darling are drawn upon for the 2004 film with Jude Law in the eponymous role.
Naughton’s work also includes the novel One Small Boy (1957), and the collection of short stories The Goalkeeper’s Revenge And Other Stories (1961). His 1977 children’s novel My Pal Spadger is an account of his childhood in 1920s Bolton. His wife dies in 2014 ant the age of 85.
Many of Naughton’s plays are performed at the Octagon Theatre, Bolton. An 85-seat adaptable studio theatre within the Octagon is named after him.
During his lifetime, Naughton receives the following awards: Screenwriters Guide Award (1967 and 1968), Italia Prize for Radio Play (1974), Children’s Rights Workshop Other Award (1978), Portico Literary Prize (1987) and The Hon. Fellowship, Bolton Institute of Higher Education (1988).
Naughton dies on January 9, 1992, aged 81, in Ballasalla on the Isle of Man. A “Bill Naughton Short Story Competition,” administered by The Kenny/Naughton Autumn School, is named in his honour.
Ronnie Masterson, one of the best-known Irish stage actors of her generation from the 1940s to the 1970s, dies at the age of 87 in Rush, County Dublin, on February 10, 2014. Following her stage career she builds a solid film and television career with RTÉ, and independent directors including Peter Kosminsky, Alan Parker and Neil Jordan.
Masterson is born in Dublin on April 4, 1926. She trains at the Abbey Theatre and first appears on stage there in 1944. At the Abbey, she meets and then marries actor Ray McAnally in 1951, and they remain married until his death in 1989, although they reside in different homes; her husband with Irish actress Britta Smith. McAnally and Masterson have four children: Conor, Aonghus, Máire and Niamh.
Kennedy’s Children nearly bankrupts the company, having to be pulled early in a 14-week run, when playgoers in Dublin mistake its title as an adverse comment on the children of assassinated and revered U.S. presidentJohn F. Kennedy, whereas the play is actually a series of monologues exploratory of U.S. society in the Vietnam War era. They are rescued by two giants of Irish independent theatre, Phyllis Ryan of Gemini Productions – whose Eblana Theatre the couple had hired- and John B. Keane, who has just published Letters of a Matchmaker , a novel written as a series of letters between a rural matchmaker and his clients.
Masterson’s best film work is probably as a memorable Grandma Sheehan in Alan Parker’s screen version of Frank McCourt‘s Angela’s Ashesin 1999, where, in her own words in an interview with her grandson, Aonghus Óg McAnally, she says, “Without doubt I had the best script.”
Other notable film roles include Fools of Fortune, The Real Charlotte and Kosminsky’s dramatisation of the events which led to the Stalker inquiry in Northern Ireland, Shoot to Kill, where she plays Mrs. Tighe opposite her old Abbey colleague Peadar Lamb, as Mr. Tighe.
Speaking to The Irish Times , Lamb remarks how, as a young actor at the Abbey in 1949, Masterson had been a “striking” Kathleen Ní Houlihan in W. B. Yeats‘s play, her height, green eyes and vivid red hair perfect for the part.
Lamb, who serves for many years with Masterson on the committee of Irish Actors’ Equity Association, pays tribute also to her work for other actors: “She didn’t waste words, but spoke very strongly when she did speak.” RTÉ producer Laurence Foster also pays a tribute to this aspect of Masterson’s career on the SIPTU website.
In November 2005, Masterson is in the United States again, this time to take the lead role in The Sea Captain, a short film directed by her son, veteran television producer Conor McAnally.
seamus dubhghaill 