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Promoting Irish Culture and History from Little Rock, Arkansas, USA

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Death of Séamus Ennis, Musician, Singer & Music Collector

Séamus Ennis (Irish: Séamas Mac Aonghusa), Irish musician, singer and Irish music collector, dies in Naul, County Dublin, on October 5, 1982. He is most noted for his uilleann pipe playing and is partly responsible for the revival of the instrument during the twentieth century, having co-founded Na Píobairí Uilleann, a nonprofit organisation dedicated to the promotion of the uilleann pipes and its music. He is recognised for preserving almost 2,000 Irish songs and dance-tunes as part of the work he does with the Irish Folklore Commission. He is widely regarded as one of the greatest uilleann pipers of all time.

Ennis’s father, James, works for the Irish civil service at Naul, County Dublin. In 1908, James Ennis is in a pawn shop in London and purchases a bag containing the pieces of a set of old uilleann pipes. They were made in the mid nineteenth century by Coyne Pipemakers of Thomas Street in Dublin. In 1912, he comes in first in the Oireachtas competition for warpipes and second in the uilleann pipes. He is also a prize-winning dancer. In 1916, he marries Mary Josephine McCabe, an accomplished fiddle player from County Monaghan. They have six children, Angela, Séamus, Barbara, and twins, Cormac and Ursula (Pixie) and Desmond. Séamus is born on May 5, 1919, in Jamestown in Finglas, Dublin. James Ennis is a member of the Fingal trio, which includes Frank O’Higgins on fiddle and John Cawley on flute, and performs regularly with them on the radio. At the age of thirteen, Séamus starts receiving lessons on the pipes from his father. He attends a Gaelscoil, Cholmcille, and a Gaelcholáiste, Coláiste Mhuire, which gives him a knowledge of the Irish language that serves him well in later life. He sits in an exam to become Employment Exchange clerk but is too far down the list to be offered a job. He is twenty and unemployed.

Colm Ó Lochlainn is editor of Irish Street Ballads and a friend of the Ennis family. In 1938, Ennis confides in Colm that he intends to move to England to join the British Army. Colm immediately offers him a job at The Three Candles Press. There Ennis learns all aspects of the printing trade. This includes writing down slow airs for printed scores – a skill which later proves important. Colm is director of an Irish language choir, An Claisceadal, which Ennis joins. In 1942, during The Emergency, shortages and rationing mean that things become difficult in the printing trade. Professor Seamus Ó Duilearge of the Irish Folklore Commission hires the 23-year-old to collect songs. He is given “pen, paper and pushbike” and a salary of three pounds per week. Off he goes to Connemara.

From 1942 to 1947, working for the Irish Folklore Commission, Ennis collects songs in west Munster; counties Galway, Cavan, Mayo, Donegal, Kerry; the Aran Islands and the Scottish Hebrides. His knowledge of Scottish Gaelic enables him to transcribe much of the John Lorne Campbell collection of songs. Elizabeth Cronin of Ballyvourney, County Cork, is so keen to chat to Ennis on his visits that she writes down her own songs and hands them over as he arrives, and then gets down to conversation. He has a natural empathy with the musicians and singers he meets. In August 1947, he starts work as an outside broadcast officer with Raidió Éireann. He is a presenter and records Willie Clancy, Seán Reid and Micho Russell for the first time. There is an air of authority in his voice. In 1951, Alan Lomax and Jean Ritchie arrived from the United States to record Irish songs and tunes. The tables are turned as Ennis becomes the subject of someone else’s collection. There is a photograph from 1952/53 showing Ritchie huddled over the tape recorder while Ennis plays uilleann pipes.

Late in 1951, Ennis joins the BBC. He moves to London to work with producer Brian George. In 1952, he marries Margaret Glynn. They have two children, the organist Catherine Ennis and Christopher. His job is to record the traditional music of England, Scotland, Wales and Ireland and to present it on the BBC Home Service. The programme is called As I Roved Out and runs until 1958. Meeting up with Alan Lomax again, he is largely responsible for the album Folk and Primitive Music (volume on Ireland) on the Columbia Records label.

In 1958, after his contract with the BBC is not renewed, Ennis starts doing freelance work, first in England then back in Ireland, with the new TV station Teilifis Éireann. Soon he is relying totally on his musical ability to make a living. About this time, his marriage breaks down and he returns to Ireland. He suffers from tuberculosis and is ill for some time. In 1964, he performs at the Newport Folk Festival. His father gives him the pipes he had bought in 1908. Although most pipers can be classed as playing in a tight style or an open style, Ennis is in between. He is a master of the slow air, knowing how to decorate long notes with taste and discreet variation.

Two events will live in legend among pipers. The first is in Bettystown, County Meath, in 1968, when the society of Irish pipers, Na Píobairí Uilleann, is formed. Breandán Breathnach is playing a tape of his own piping. Ennis asks, “What year?” Breandán replies, “1948.” Ennis says, “So I thought.” For a couple of hours the younger players perform while Ennis sits in silence. Eventually he is asked to play. Slowly he takes off his coat and rolls up his sleeves. He spends 20 minutes tuning up his 130-year-old pipes. He then asks the gathering whether all the tape recorders are ready and proceeds to play for over an hour. To everyone’s astonishment he then offers his precious pipes to Willie Clancy to play a set. Clancy demurs but eventually gives in. Next, Liam O’Flynn is asked to play them, and so on, round the room. The second unforgettable session is in Dowlings’ Pub in Prosperous, County Kildare. Christy Moore is there, as well as most of the future members of Planxty.

Ennis never runs any school of piping but his enthusiasm infuses everyone he meets. In the early 1970s, he shares a house with Liam O’Flynn for almost three years. Finally, he purchases a piece of land in Naul and lives in a mobile home there. One of his last performances is at the Willie Clancy Summer School in 1982. He dies on October 5, 1982. His pipes are bequeathed to Liam O’Flynn. Radio producer Peter Browne produces a compilation of his performances, called The Return from Fingal, spanning 40 years.

Séamus Ennis Road in his native Finglas is named in his honour. The Séamus Ennis Arts Centre in Naul is opened in his honour, to commemorate his work and to promote the traditional arts. He is also the subject of Christy Moore’s song “The Easter Snow.” This is the title of a slow air Ennis used to play, and one after which he named his final home in Naul.


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Death of Irish Writer Amanda McKittrick Ros

Anna Margaret Ross (née McKittrick), Irish writer known by her pen name Amanda McKittrick Ros, dies on February 2, 1939, at Larne, County Antrim, Northern Ireland. She publishes her first novel, Irene Iddesleigh, at her own expense in 1897. She writes poetry and a number of novels. Her works are not read widely, and her eccentric, over-written, “purple” circumlocutory writing is alleged by some critics to be some of the worst prose and poetry ever written.

Ros is born in Drumaness, County Down, on December 8, 1860, the fourth child of Eliza Black and Edward Amlave McKittrick, Principal of Drumaness High School. She is christened Anna Margaret at Third Ballynahinch Presbyterian Church on January 27, 1861. In the 1880s she attends Marlborough Teacher Training College in Dublin, is appointed Monitor at Millbrook National School, Larne, County Antrim, finishes her training at Marlborough and then becomes a qualified teacher at the same school.

During Ros’s first visit to Larne, she meets Andrew Ross, a widower of 35, who is station master there. She marries him at Joymount Presbyterian Church, Carrickfergus, County Antrim, on August 30, 1887.

Ros writes under the pen name Amanda McKittrick Ros, possibly in an attempt to suggest a connection to the noble de Ros family of County Down. She is strongly influenced by the novelist Marie Corelli. She writes, “My chief object of writing is and always has been, to write, if possible, in a strain all my own. This I find is why my writings are so much sought after.” She imagines “the million and one who thirst for aught that drops from my pen,” and predicts that she will “be talked about at the end of a thousand years.”

Ros’s “admirers” include Aldous Huxley, Siegfried Sassoon, C. S. Lewis and Mark Twain. The publication of her novel Irene Iddesleigh is financed by her husband in 1897 as a gift to her on their tenth wedding anniversary. Twain considers the novel “one of the greatest unintentionally humorous novels of all time.” A reader sends a copy of the novel to humorist Barry Pain, who in an 1898 review calls it “a thing that happens once in a million years,” and sarcastically terms it “the book of the century.” He reports that he is initially entertained, but soon “shrank before it in tears and terror.” Ros retorts in her preface to Delina Delaney by branding Pain a “clay crab of corruption,” suggesting that he is so hostile only because he is secretly in love with her. But Ros claims to make enough money from her second novel, Delina Delaney, to build a house, which she names Iddesleigh.

In Ros’s last novel, Helen Huddleson, all the characters are named after various fruits: Lord Raspberry, Cherry Raspberry, Sir Peter Plum, Christopher Currant, the Earl of Grape, Madame Pear. Of Pear, Ros writes, “she had a swell staff of sweet-faced helpers swathed in stratagem, whose members and garments glowed with the lust of the loose, sparkled with the tears of the tortured, shone with the sunlight of bribery, dangled with the diamonds of distrust, slashed with sapphires of scandals…”

Ros believes that her critics lack sufficient intellect to appreciate her talent and is convinced that they conspire against her for revealing the corruption of society’s ruling classes, thereby disturbing “the bowels of millions.”

Andrew Ross dies in 1917, and Ros marries Thomas Rodgers, a County Down farmer, in 1922.

Ros dies at the Royal Victoria Hospital in Belfast on February 2, 1939, under the name Hannah Margaret Rodgers.

Belfast Public Libraries have a large collection of manuscripts, typescripts and first editions of Ros’s work. Manuscript copies include Irene Iddesleigh, Sir Benjamin Bunn and Six Months in Hell. Typescript versions of all the above are held together with Rector Rose, St. Scandal Bags and The Murdered Heiress among others. The collection of first editions covers all her major works including volumes of her poetry, Fumes of Formation and Poems of Puncture, together with lesser-known pieces such as Kaiser Bill and Donald Dudley: The Bastard Critic. The collection includes hundreds of letters addressed to Ros, many with her own comments in the margins. Also included are typed copies of her letters to newspapers, correspondence with her admiring publisher T. S. Mercer, an album of newspaper cuttings and photographs, and a script for a BBC broadcast from July 1943.

A few enthusiasts have kept Ros’s legend alive. A biography, O Rare Amanda!, is published in 1954. A collection of her most memorable passages is published in 1988 under the title Thine in Storm and Calm. In 2007 her life and works are fêted at a Belfast literary festival.

Denis Johnston, the Irish playwright, writes a radio play entitled Amanda McKittrick Ros which is broadcast on BBC Home Service radio on July 27, 1943, and subsequently. The play is published in The Dramatic Works of Denis Johnston vol. 3. He acquires a collection of papers from Ros including the unfinished typescript of Helen Huddleson. These can now be seen as part of the Denis Johnston collection in the library of the Ulster University at Coleraine, Northern Ireland.