The train is returning from Belfast, where King George V has just opened the first Parliament of Northern Ireland on June 22. It is part of a heavy security escort for the King, including the 10th Royal Hussars (machine gun troop) and their horses, who have been stationed at the Curragh in County Meath. Three special trains have been arranged to bring them back to Dublin, but the third is attacked.
The IRA plants a mine or detonates a bomb that partially derails the train a mile north of Adavoyle Station, between Newry and Dundalk. The derailment causes ten carriages to be thrown across an embankment, killing and injuring many soldiers and horses.
At least three British soldiers are killed (including a sergeant and a private) and twenty are wounded, some of whom later die from their injuries. The train guard, Frank Gallagher, is killed and two other railway officials are seriously injured. Reports vary about the number of horses killed. Some say over 40 horses are killed while others claim as many as 100. Many horses are shot to prevent them from being captured or causing further casualties. Soldiers reportedly weep for their dead horses, as they had served together in World War I. A local farmer and a train guard are also shot dead in the aftermath.
The attack causes an outcry in Britain, highlighting the IRA’s ability to strike high-profile military convoys. The incident underscores the vulnerability of British forces returning from political events in Ireland and is one of several such attacks during the War of Independence.
The Adavoyle ambush is remembered as a symbolic and brutal act in the conflict, combining military casualties with the killing of animals that have been comrades in war. It also illustrates the IRA’s use of railways as a strategic target during the campaign.
Today, the Adavoyle railway station is in ruins, though the Belfast-Dublin line still passes the site.
Born Helen Ruth Gifford on November 9, 1880, in Phibsborough, Dublin, to Frederick Gifford, a solicitor, and Isabella Julia Gifford (née Burton), Gifford is the fifth child and second eldest daughter of the family of six daughters and six sons. Her father is a Catholic while her mother, a niece of the painter Frederic Burton, is rigorously Protestant. All the children are brought up in the Church of Ireland. The men, emigrate and remain unionist while the women are active nationalists. Most famous are the two youngest, the artistGrace Gifford, and the journalist and broadcaster Sidney Czira.
Gifford grows up in Rathmines and goes to school at Alexandra College. She trains as a domestic economy teacher and works for seven years at a series of positions in County Meath.
Gifford experiences the living conditions of the landless rural poor while lodging in labourers’ cottages during this time. As a result, she becomes a supporter of the campaigns of the land agitator and nationalist MPLaurence Ginnell.
During the 1913 Dublin lock-out Gifford assists James Larkin enter the Imperial Hotel, on August 31 to address the crowd. He enters in disguise, that of an elderly and infirm clergyman. She poses as his niece. She speaks to the hotel staff to prevent Larkin’s strong Liverpool accent giving away his identify. This is the speech which precipitates the “Bloody Sunday” police baton charge. Gifford goes on to be a founding member of the Irish Citizen Army (ICA). This group is attractive to many women due to the feminist beliefs of James Connolly.
Gifford gives lessons on camp cookery in Liberty Hall and finds jobs for recruits coming in from abroad. As a result of this work she, very fatefully, introduces Michael Collins to her future brother-in-law Joseph Plunkett who go on to serve together in the 1916 Easter Rising. Collins is Plunkett’s aide-de-camp.
Gifford is the only one of her sisters to actively participate in the rising itself. She is with the ICA’s St. Stephen’s Green contingent alongside Countess Markievicz. Throughout the week she supervises the garrison’s provisions in the Royal College of Surgeons building, commandeering food from shops and bread vans, and by courier from other garrisons. She also ensures the delivery of provisions to troops both in the college with her and in outlying posts. She is one of the women arrested at the surrender and jailed in Kilmainham Gaol. At the same time, in the same prison her sister Grace marries Joseph Plunkett hours before his execution. Only twelve women are detained after the main release of women prisoners on May 8, 1916. Gifford is one of those transferred to Mountjoy Prison until her release on June 4, 1916. Afterward she continues to be as involved in the campaigns.
After her time in prison, Gifford travels through England to the United States where she and other women veterans of Easter week lecture throughout America. While there she marries Joseph Donnelly, of Omagh, County Tyrone in 1918. In 1921 she and their year-old daughter Maeve leave him to return to Ireland.
Frederick Gifford dies in September 1917 and leaves Gifford £800. However, she is was not well off. She becomes a broadcaster and journalist for the national radio and the Irish press. Holding to her upbringing, she remains a staunch Protestant, unlike four of her sisters, who had married Catholics.
Gifford becomes devoted to preserving the historical record of the independence movement. Noticing the huge number of visitors for the 1932 Eucharistic Congress, she organises a small exhibition there of 1916 memorabilia for the National Museum of Ireland. She is irritated by the display of Catholic religious artifacts there. She campaigns for a permanent exhibition of recent Irish nationalist history. She coordinates a substantial body of material pertinent to nationalist organisations, the Easter Rising, and the Irish War of Independence, which now forms the core of the present collection.
Over the years Gifford is secretary of the Old IRA Association, a member of the Old Dublin Society, and a founder of the Kilmainham Gaol Restoration Society. She also looks after stray and neglected dogs and cats. She dies at the age of 90 on June 23, 1971, at the Gascoigne nursing home in Rathmines, Dublin.
(Pictured: Irish nationalist Nellie Gifford taken in Boston in 1917)
Stanford is born in Dublin into a well-off and highly musical family on September 30, 1852, the only son of John James Stanford, a prominent Dublin lawyer, Examiner to the Court of Chancery in Ireland and Clerk of the Crown for County Meath, and his second wife, Mary (née Henn). He is educated at the University of Cambridge before studying music in Leipzig and Berlin. He is instrumental in raising the status of the Cambridge University Musical Society, attracting international stars to perform with it.
While still an undergraduate, Stanford is appointed organist of Trinity College, Cambridge. In 1882, at the age of 29, he is one of the founding professors at the Royal College of Music, where he teaches composition for the rest of his life. From 1887 he is also Professor of Music at Cambridge. As a teacher, he is skeptical about modernism and bases his instruction chiefly on classical principles as exemplified in the music of Johannes Brahms. Among his pupils are rising composers whose fame go on to surpass his own, such as Gustav Holst and Ralph Vaughan Williams. As a conductor, he holds posts with the Bach Choir and the Leeds Triennial Music Festival.
Stanford composes a substantial number of concert works, including seven symphonies, but his best-remembered pieces are his choral works for church performance, chiefly composed in the Anglican tradition. He is a dedicated composer of opera, but none of his nine completed operas has endured in the general repertory. Some critics regard him, together with Hubert Parry and Alexander Mackenzie, as responsible for a renaissance in music from the British Isles. However, after his conspicuous success as a composer in the last two decades of the 19th century, his music is eclipsed in the 20th century by that of Edward Elgar as well as former pupils.
In September 1922, Stanford completes the sixth Irish Rhapsody, his final work. Two weeks later he celebrates his 70th birthday and thereafter his health declines. On March 17, 1924, he suffers a stroke and dies on March 29 at his home in London, survived by his wife and children. He is cremated at Golders Green Crematorium on April 2 and his ashes are buried in Westminster Abbey the following day.
Stanford’s last opera, The Travelling Companion, composed during World War I, is premiered by amateur performers at the David Lewis Theatre, Liverpool in 1925 with a reduced orchestra. The work is given complete at Bristol in 1928 and at Sadler’s Wells Theatre, London, in 1935.
McAleese marries Mary Leneghan in 1976. The couple resides in Scholarstown, Dublin, for a short period, and then for almost twelve years near Ratoath, County Meath. In 1980, he returns to full-time education at Trinity College Dublin (TCD), to study as a dentist, subsequently moving back, with his family, to Northern Ireland, where he practises as a dentist in Crossmaglen and Bessbrook, County Armagh.
While his wife serves as President of Ireland, McAleese initiates a series of meetings with senior Ulster loyalistparamilitary leaders to pursue peace negotiations. These actions do not take place without controversy, but are widely viewed as instrumental in bringing loyalist paramilitary groups to peace talks.
In May 2011, McAleese is appointed as a Senator by the Taoiseach Enda Kenny. In August 2011, he is appointed the Chancellor of Dublin City University, taking over from David Byrne.
On February 1, 2013, McAleese announces his intention to resign as a member of Seanad Éireann.
McAleese accepts an appointment as Chairman of the Inter-Departmental Committee which is set up by the Government of Ireland to investigate the Magdalene laundries. His findings have been criticised by some survivors and researchers from the Magdalene Names project.
On October 18-19, 2014, McAleese attends the One Young World Summit in Dublin as a keynote speaker. Here, he hosts a special session for the One Young World Peace and Conflict Resolution Project alongside former Ulster Defence Association (UDA) prisoner Jackie McDonald and former Irish Republican Army (IRA) prisoner Sean Murray. They address young people from 191 countries to share and develop ideas to strengthen efforts at conflict resolution in their own countries.
McAleese and his wife Mary have three children. The family moves to Rostrevor, County Down, in 1987, when he sets up practice in County Armagh.
With little family background in racing, Elliott is sometimes described as Irish racing’s great “blow-in.” The son of a panel beater, he grows up in Summerhill, County Meath, and enters the racing world at the age of thirteen, working for trainer Tony Martin on weekends and holidays. He takes out a licence as an amateur jockey when he is sixteen and rides on the racecourse and in point-to-points. His first winner on the racecourse comes on Caitriona’s Choice in a bumper at Ballinrobe Racecourse. He goes on to ride a total of 200 point-to-point winners and 46 winners on the racecourse, with the highlight of his riding career being his win in the Champion INH Flat Race on the Nigel Twiston-Davies-trained King’s Road in 1998. He also has five winners in the United States. Although based mainly with Tony Martin during his riding career, he spends a year in England with trainer Martin Pipe. He retires as a jockey through injury in 2005.
Elliott takes out his trainer’s licence in 2006 and has his first winner at Perth Racecourse on June 11, 2006. On April 14, 2007, he becomes the youngest trainer ever to win the Grand National. The winner, Silver Birch, is owned by Brian Walsh of County Kildare, and ridden by Robbie Power. Despite having won the Grand National, Elliott has not at this stage trained a winner on the track back home in Ireland. The first winner he trains in Ireland is Toran Road at Kilbeggan Racecourse on May 5, 2007.
Although best known for his victories over jumps, Elliott has a major win on the flat in August 2010 when Dirar wins the Ebor Handicap at York Racecourse. He also has victories at Royal Ascot, with Commissioned winning the Queen Alexandra Stakes in 2016 and Pallasator winning the same race in 2018.
Originally based at Capranny Stables, a rented yard in Trim, County Meath, Elliott purchases the 78-acre Cullentra House Farm at Longwood, County Meath in 2011 and builds a training facility with stabling for over 200 horses, gallops, schooling grounds, and an equine pool.
Elliott’s first winner at the Cheltenham Festival as a trainer is Chicago Grey in the National Hunt Chase Challenge Cup in 2011. He wins the 2016 Cheltenham Gold Cup with Don Cossack. In 2017 he is top trainer at the Cheltenham Festival and the following year repeats the achievement.
On April 2, 2018, Elliott wins the Irish Grand National with General Principle, ridden by JJ Slevin. He has saddled 13 of the 30 horses in the field. That year he also wins the Aintree Grand National with his horse Tiger Roll, ridden by Davy Russell and owned by Michael O’Leary’s Gigginstown House Stud, narrowly beating the Willie Mullins runner Pleasant Company. He also trains the third place horse Bless The Wings. He wins the Aintree Grand National again in 2019 with Tiger Roll, only the sixth repeat winner in the race’s history.
On February 28, 2021, the Irish Horseracing Regulatory Board (IHRB) launches an investigation into an image of Elliott, which is widely circulated on social media, sitting on a dead horse and making a peace sign. Elliott confirms the photograph is genuine, issues an apology and says he is fully cooperating with the investigation. The animal rights organisation People for the Ethical Treatment of Animals (PETA) and the British Horseracing Authority condemn the photograph. On March 1, the British Horseracing Authority announces that Elliott will be banned from racing horses in Britain while the investigation in Ireland takes place, although the horses will be allowed to run if transferred to another trainer. It is confirmed that the photo was taken in 2019 and shows a horse owned by Gigginstown House Stud, Morgan, that had died while being ridden on the gallops.
Minister of State for SportJack Chambers says that Elliott must be “held fully accountable for his actions” and that the photograph shows “a complete and profound error of judgement.” He tells Morning Ireland that he is “shocked, appalled and horrified” by the image and that it is “really disturbing from an animal welfare perspective.”
On March 2, Cheveley Park Stud announces that they will move their horses Envoi Allen and Quilixios to Henry de Bromhead and Sir Gerhard to Willie Mullins. Elliott’s leading owners, Michael and Eddie O’Leary, through their Gigginstown House Stud, express their support for him despite being “deeply disappointed by the unacceptable photo.”
On March 5, 2021, the IHRB convenes a hearing and bans Elliott from racing for twelve months with six months suspended, leaving him unable to train or attend a race meeting or point-to-point until September. He is also ordered to pay costs of €15,000. He accepts the ruling. Later that month the stable employee who took the photograph is banned for nine months (with seven suspended).
In July 2021, Elliott is featured in a BBCPanorama programme that investigates the fate of British and Irish racehorses who end up in abattoirs. Three of the horses were formerly trained by Elliott, who denies having sent them to the abattoir. He says two of the horses were sent to a horse dealer to be re-homed or humanely euthanised, while the third was given to someone else at the owner’s request. The former horses were bay mare Kiss me Kayf, who had had no success on the racecourse, and bay gelding High Expectations, who had won seven races. The latter horse, owned by Simon Munir and Isaac Souede, was grey gelding Vyta Du Roc, who won the 2016 Reynoldstown Novices’ Chase. Following the programme, Munir and Souede remove their horses from Elliott’s yard.
In 2007, Elliott wins the inaugural Meath Sportsperson of the Year award. He wins the award again in 2018 and 2019.
Elliott is engaged to champion point-to-point rider Annie Bowles, with whom he sets up Cullentra House Stables. The couple separates and Bowles marries Ballarat trainer Archie Alexander.[28]
Séamus Ennis (Irish: Séamas Mac Aonghusa), Irish musician, singer and Irish music collector, dies in Naul, County Dublin, on October 5, 1982. He is most noted for his uilleann pipe playing and is partly responsible for the revival of the instrument during the twentieth century, having co-founded Na Píobairí Uilleann, a nonprofit organisation dedicated to the promotion of the uilleann pipes and its music. He is recognised for preserving almost 2,000 Irish songs and dance-tunes as part of the work he does with the Irish Folklore Commission. He is widely regarded as one of the greatest uilleann pipers of all time.
Ennis’s father, James, works for the Irish civil service at Naul, County Dublin. In 1908, James Ennis is in a pawn shop in London and purchases a bag containing the pieces of a set of old uilleann pipes. They were made in the mid nineteenth century by Coyne Pipemakers of Thomas Street in Dublin. In 1912, he comes in first in the Oireachtas competition for warpipes and second in the uilleann pipes. He is also a prize-winning dancer. In 1916, he marries Mary Josephine McCabe, an accomplished fiddle player from County Monaghan. They have six children, Angela, Séamus, Barbara, and twins, Cormac and Ursula (Pixie) and Desmond. Séamus is born on May 5, 1919, in Jamestown in Finglas, Dublin. James Ennis is a member of the Fingal trio, which includes Frank O’Higgins on fiddle and John Cawley on flute, and performs regularly with them on the radio. At the age of thirteen, Séamus starts receiving lessons on the pipes from his father. He attends a Gaelscoil, Cholmcille, and a Gaelcholáiste, Coláiste Mhuire, which gives him a knowledge of the Irish language that serves him well in later life. He sits in an exam to become Employment Exchange clerk but is too far down the list to be offered a job. He is twenty and unemployed.
Colm Ó Lochlainn is editor of Irish Street Ballads and a friend of the Ennis family. In 1938, Ennis confides in Colm that he intends to move to England to join the British Army. Colm immediately offers him a job at The Three Candles Press. There Ennis learns all aspects of the printing trade. This includes writing down slow airs for printed scores – a skill which later proves important. Colm is director of an Irish language choir, An Claisceadal, which Ennis joins. In 1942, during The Emergency, shortages and rationing mean that things become difficult in the printing trade. Professor Seamus Ó Duilearge of the Irish Folklore Commission hires the 23-year-old to collect songs. He is given “pen, paper and pushbike” and a salary of three pounds per week. Off he goes to Connemara.
From 1942 to 1947, working for the Irish Folklore Commission, Ennis collects songs in west Munster; counties Galway, Cavan, Mayo, Donegal, Kerry; the Aran Islands and the Scottish Hebrides. His knowledge of Scottish Gaelic enables him to transcribe much of the John Lorne Campbell collection of songs. Elizabeth Cronin of Ballyvourney, County Cork, is so keen to chat to Ennis on his visits that she writes down her own songs and hands them over as he arrives, and then gets down to conversation. He has a natural empathy with the musicians and singers he meets. In August 1947, he starts work as an outside broadcast officer with Raidió Éireann. He is a presenter and records Willie Clancy, Seán Reid and Micho Russell for the first time. There is an air of authority in his voice. In 1951, Alan Lomax and Jean Ritchie arrived from the United States to record Irish songs and tunes. The tables are turned as Ennis becomes the subject of someone else’s collection. There is a photograph from 1952/53 showing Ritchie huddled over the tape recorder while Ennis plays uilleann pipes.
Late in 1951, Ennis joins the BBC. He moves to London to work with producer Brian George. In 1952, he marries Margaret Glynn. They have two children, the organist Catherine Ennis and Christopher. His job is to record the traditional music of England, Scotland, Wales and Ireland and to present it on the BBC Home Service. The programme is called As I Roved Out and runs until 1958. Meeting up with Alan Lomax again, he is largely responsible for the album Folk and Primitive Music (volume on Ireland) on the Columbia Records label.
In 1958, after his contract with the BBC is not renewed, Ennis starts doing freelance work, first in England then back in Ireland, with the new TV station Teilifis Éireann. Soon he is relying totally on his musical ability to make a living. About this time, his marriage breaks down and he returns to Ireland. He suffers from tuberculosis and is ill for some time. In 1964, he performs at the Newport Folk Festival. His father gives him the pipes he had bought in 1908. Although most pipers can be classed as playing in a tight style or an open style, Ennis is in between. He is a master of the slow air, knowing how to decorate long notes with taste and discreet variation.
Two events will live in legend among pipers. The first is in Bettystown, County Meath, in 1968, when the society of Irish pipers, Na Píobairí Uilleann, is formed. Breandán Breathnach is playing a tape of his own piping. Ennis asks, “What year?” Breandán replies, “1948.” Ennis says, “So I thought.” For a couple of hours the younger players perform while Ennis sits in silence. Eventually he is asked to play. Slowly he takes off his coat and rolls up his sleeves. He spends 20 minutes tuning up his 130-year-old pipes. He then asks the gathering whether all the tape recorders are ready and proceeds to play for over an hour. To everyone’s astonishment he then offers his precious pipes to Willie Clancy to play a set. Clancy demurs but eventually gives in. Next, Liam O’Flynn is asked to play them, and so on, round the room. The second unforgettable session is in Dowlings’ Pub in Prosperous, County Kildare. Christy Moore is there, as well as most of the future members of Planxty.
Ennis never runs any school of piping but his enthusiasm infuses everyone he meets. In the early 1970s, he shares a house with Liam O’Flynn for almost three years. Finally, he purchases a piece of land in Naul and lives in a mobile home there. One of his last performances is at the Willie Clancy Summer School in 1982. He dies on October 5, 1982. His pipes are bequeathed to Liam O’Flynn. Radio producer Peter Browne produces a compilation of his performances, called The Return from Fingal, spanning 40 years.
Séamus Ennis Road in his native Finglas is named in his honour. The Séamus Ennis Arts Centre in Naul is opened in his honour, to commemorate his work and to promote the traditional arts. He is also the subject of Christy Moore’s song “The Easter Snow.” This is the title of a slow air Ennis used to play, and one after which he named his final home in Naul.
She is the fifth child and youngest daughter of pork butcher and grocer, John Kearney (1854–97), and his wife Kathleen Kearney (née McGuinness) (1860–1907). She has four brothers and two sisters. Her father is from Rosybrook, County Louth and her mother is from Rathmaiden, Slane, County Meath, both coming from prosperous farming families. Her father has a business on Lower Dorset Street, with a grocery, pub and a row of houses. Owing to his own poor management, by the time she is born he has a smaller business on Dolphin’s Barn Lane. Following his death in 1897, she and her sisters are placed in the Goldenbridge orphanage at Inchicore by their mother. She is there from 1898 to 1904 where she becomes an avid reader. When she leaves, she rejoins her family in a one-room tenement flat on Gloucester Street.
Her oldest sibling, Peadar Kearney, is an ardent republican who writes the lyrics to the song that becomes the Irish national anthem, ”Amhrán na bhFiann”(English: “The Soldier’s Song”). It is through him that she meets a printer’s compositor and member of the Irish Volunteers, Jack Furlong. They marry in 1916. She is an active member of Cumann na mBan, and serves as a courier to the General Post Office, Dublin and other outposts during the 1916 Easter Rising. At the same time, Furlong fights in the Jacob’s factory garrison. The couple has two sons: Roger Casement (Rory) Furlong (1917–87) and Sean Furlong (born March 1919). Sean is born six month’s after she is widowed when Furlong dies in the Spanish flu epidemic of 1918. She lives with her mother-in-law, who is also a republican and seamstress who makes Irish Volunteer uniforms. She is arrested for running an Irish Republican Army (IRA) safe house. She works for a short time for Maud Gonne as a housekeeper, where she meets W. B. Yeats and Sarah Purser. A study painted of her by Purser (above) is now in the National Gallery of Ireland entitled The Sad Girl. From 1918 to 1922 she works as a clerk in the Dublin Corporation, while also a caretaker in the Harcourt Street branch of the Irish White Cross republican aid association.
In 1922 she marries Stephen Behan, house painter, trade unionist and fellow republican. The couple has four sons and one daughter: Brendan (b. 1923), Seamus (b. 1925), Brian (b. 1926), Dominic (b. 1928), and Carmel (b. 1932). Brendan is born while his father is imprisoned during the Irish Civil War, and Behan claims that Michael Collins gives her money while she is pregnant. Stephen’s mother owns three slum tenements, so the Behans live rent-free in a one-room basement flat at 14 Russell Street. Owing to her disdain at gossiping on the house steps, she is nicknamed “Lady Behan” by her neighbours. When Stephen’s mother dies in 1936, the Behans moved to a newly built council house in Crumlin, living at 70 Kildare Road. The family finds the new house far from work and school, and the local area devoid of community.
The family experiences extreme poverty frequently, owing to Stephen’s unemployment and during the nine month long building strike of 1936. Behan attempts to claim a pension as her first husband had served in 1916, but her application is rejected. She had said the exposure to flour had effected Furlong’s lungs negatively. It is declined as she had remarried before the enactment of the Army Pensions Act 1923. Despite their circumstances, the house attracts conversation, music, books and politics. The Behan’s republican, socialist, labour activist and anti-clericalism have a strong effect on their sons, particularly Brendan and Dominic. Such is the volume of radical meetings that take place at the Behan home, it is dubbed “the Kremlin” by their neighbours, and a “madhouse” by Stephen. During The Emergency of 1939 to 1945 she fights against local shopkeepers who ignore price controls, and is labelled as “red” for her anti-Franco and pro-Stalin sympathies. Her reply to the branding of her as such is “I’m not red, I’m scarlet.”
From the 1950s onwards, Behan shares international fame with her sons Dominic and Brendan. She often travels to London to see their plays, eventually appearing on British and Irish television and cultivating her own following. She is badly injured when she is struck by a motorcycle, a day before Stephen’s death in 1967. Owing to the effect of these injuries, she moves in 1970 to the Sacred Heart Residence of the Little Sisters of the Poor, Sybil Hill, Raheny.
In 1981, she records an album When All the World Was Young. Taped conversations of her reminiscences are made into an autobiographic book, Mother of all the Behans, by her son Brian in 1984. A one-woman stage adaptation of the book by Peter Sheridan and starring Rosaleen Linehan is acclaimed in Ireland, Britain and North America.
Smyllie is born on March 20, 1893, at Hill Street, Shettleston, Glasgow, Scotland. He is the eldest of four sons and one daughter of Robert Smyllie, a Presbyterian printer originally from Scotland who is working in Sligo, County Sligo, at the time, and Elisabeth Follis, originally from Cork, County Cork. His father marries in Sligo on July 20, 1892, and later becomes proprietor and editor of the unionistSligo Times. Smyllie attends Sligo Grammar School in 1906 and enrolls at Trinity College Dublin (TCD) in 1911.
After two years at TCD, Smyllie’s desire for adventure leads him to leave university in 1913. Working as a vacation tutor to an American boy in Germany at the start of World War I, he is detained in Ruhleben internment camp, near Berlin, during the war. As an internee, he is involved in drama productions with other internees. Following his release at the end of the war, he witnesses the German revolution of 1918–1919. During this period, he encounters revolutionary sailors from Kiel who temporarily make him a representative of the Workers’ and Soldiers’ Council, and he observes key events including the looting of the Kaiser’s Palace and violent clashes between rival factions in Berlin. It is also during this period that he secures a personal interview with David Lloyd George at the Paris Convention of 1919. This helps Smyllie gain a permanent position with TheIrish Times in 1920, where he quickly earns the confidence of editor John Healy. Together, they take part in secret but unsuccessful attempts to resolve the Irish War of Independence.
Smyllie contributes to the Irishman’s Diary column of the paper from 1927. In 1927, he publishes an exclusive report outlining a draft government including both Labour Party and Fianna FáilTDs, signaling the volatile politics of the early state years.
Smyllie’s knowledge of languages (particularly the German he had learned during his internment) led to numerous foreign assignments. His reports on the rise of National Socialism in 1930s Germany are notably prescient and instill in him a lasting antipathy towards the movement.
When Healy dies in 1934, Smyllie becomes editor of TheIrish Times and also takes on the role of Irish correspondent for The Times (London), a position that brings significant additional income. Under Healy’s leadership, The Irish Times shifted from representing the Anglo-Irish ascendancy to becoming an organ of liberal, southern unionism, and eventually becomes a critical legitimising force in the Irish Free State. Smyllie enthusiastically supports this change. He establishes a non-partisan profile and a modern Irish character for the erstwhile ascendancy paper. For example, he drops “Kingstown Harbour” for “Dún Laoghaire.” He also introduces the paper’s first-ever Irish-language columnist. He is assisted by Alec Newman and Lionel Fleming, recruits Patrick Campbell and enlists Flann O’Brien to write his thrice-weekly column “Cruiskeen Lawn” as Myles na gCopaleen. As editor, he introduces a more Bohemian and informal style, establishing a semi-permanent salon in Fleet Street’s Palace Bar. This becomes a hub for journalists and literary figures and a source of material for his weekly column, Nichevo.
One of Smyllie’s early political challenges as editor concerns the Spanish Civil War. At a time when Irish Catholic opinion is strongly pro-Franco, he ensures TheIrish Times coverage is balanced and fair, though advertiser pressure eventually forces the withdrawal of the paper’s young reporter, Lionel Fleming, from the conflict. His awareness of the looming European crisis earns him the Order of the White Lion of Czechoslovakia in 1939. However, during World War II, he clashes with Ireland’s censorship authorities, especially under Minister Frank Aiken. He challenges their views both publicly and privately, though his relationship with the editor of the Irish Independent, Frank Geary, is cold, reducing the effectiveness of their joint opposition to censorship.
During the 1943 Irish general election, Smyllie uses the paper to promote the idea of a national government that could represent Ireland with authority in the postwar world. He praises Fine Gael’s proposal for such a government and criticises Éamon de Valera for dismissing it as unrealistic. This leads to a public exchange between de Valera and Smyllie, with the latter defending The Irish Times’s role as a constructive voice for Ireland’s future rather than a partisan interest.
Following the war, Smyllie’s editorial stance shifts toward defending Ireland’s neutrality and diplomatic position. When Winston Churchill accuses de Valera of fraternising with Axis powers, Smyllie counters by revealing Ireland’s covert collaboration with the Allies, such as military and intelligence cooperation, despite official neutrality. In the same period, he continues to oppose censorship, particularly the frequent banning of Irish writers by the Censorship of Publications Board. This opposition features prominently in a controversy on TheIrish Times letters page in 1950, later published as the liberal ethic. The paper also adopts a critical stance toward the Catholic Church, notably during the 1951 resignation of Minister for HealthNoël Browne amid opposition from bishops and doctors to a national Mother and Child Scheme. His editorials suggest the Catholic Church is effectively the government of Ireland, though he maintains a cordial relationship with Archbishop of Dublin, John Charles McQuaid, who invites him annually for dinner.
Smyllie is also wary of American foreign policy, showing hostility particularly during the Korean War. American diplomats in Dublin allege that Smyllie is “pro-communist“. Despite growing readership among an educated Catholic middle class, TheIrish Times’s circulation in 1950 remains under 50,000, far below the Irish Independent and the Fianna Fáil-aligned The Irish Press.
In later years, Smyllie’s health declines, prompting a quieter lifestyle. He moves from his large house in Pembroke Park, Dublin, to Delgany, County Wicklow. As he does not drive, he becomes less present in the newspaper office in D’Olier Street, contributing to a decline in the paper’s dynamism. His health deteriorates further, resulting in frequent absences from his editorial duties, though he retains his position despite management attempts to limit his authority, especially over finances. He dies of heart failure on September 11, 1954.
In 1925, Smyllie marries Kathlyn Reid, eldest daughter of a County Meath landowner. They have no children.
Smyllie is an eccentric: he hits his tee shots with a nine iron, speaks in a curious mix of Latin phrases and everyday Dublin slang, and weighs 22 stone (308 lbs.; 140 kg) yet still cycles to work wearing a green sombrero.
Christened as William O’Brien, Ó Briain is born at 10 Church Street, North Wall, Dublin, on September 16, 1888, the seventh child of Arthur O’Brien, clerk, and Mary O’Brien (née Christie), who is from County Meath. He takes an interest in the Irish language from an early age and begins learning Irish by himself from a grammar book, as it is not encouraged by his teachers at the Christian Brothers’ O’Connell School nor spoken by his parents. While still at the O’Connell School, he starts using the Irish version of his name. He also attends meetings of the Gaelic League, then attends University College Dublin (UCD) on a scholarship, where he studies French, English and Irish, receiving a BA (1909) and an MA (1910).
UCD decides to start awarding one annual scholarship for overseas travel in 1911, and Ó Briain wins the first one, using it to visit Germany and study under Kuno Meyer and Rudolf Thurneysen. After three years, he returns home, where he rejoins the Gaelic League and begins teaching French at UCD. He also joins the Irish Volunteers then, the following year, Seán T. O’Kelly convinces him to join the Irish Republican Brotherhood (IRB).
Around this time, Ó Briain joins Sinn Féin, and he stands unsuccessfully for the party in Mid Armagh at the 1918 United Kingdom general election in Ireland, taking 5,689 votes. His campaign leads, indirectly, to his arrest and three months in jail in Belfast. In 1920, following his release, he is appointed a judge in the then-illegal republican court system in Galway, and visits both France and Italy to try to source weapons for the Irish Republican Army (IRA). In November 1920, he is arrested in the UCG dining room by Black and Tans, and is imprisoned for thirteen months, first in Galway and then in the Curragh camp in County Kildare, thereby missing the conclusion of the Irish War of Independence. By the time he is released, the Anglo-Irish Treaty has been signed. He supports the treaty and takes no further part in militant activity.
In the newly independent Ireland, Ó Briain remains a professor at Galway. He also stands in the 1925 Seanad election, although he is not successful. He is the founding secretary of the Taibhdhearc na Gaillimhe theatre, also acting in many of its productions, and spends much time translating works from English and the Romance languages into Irish. He stands to become president of UCG in 1945, but is not elected, and in the 1940s and 1950s is best known for his many appearances on television and radio.
From his retirement in 1959, Ó Briain lives in Dublin. In 1974, the National University of Ireland (NUI) confers an honorary doctorate on him. He dies on August 12, 1974, at St. Gabriel’s Hospital, Cabinteely, County Dublin. His funeral to Glasnevin Cemetery is almost a state occasion, with a huge attendance of public figures, and a military firing party at the graveside, where the oration is given by Micheál Mac Líammóir and a lesson is read by Siobhán McKenna. For days after his death, the newspapers carry tributes to his many-sided career and personality. On the one hundredth anniversary of his birth, Proinsias Mac Aonghusa and Art Ó Beoláin write commemorative articles in Feasta.
On September 1, 1921, Ó Briain marries Helen Lawlor, of Dublin, who dies two years before him. The couple’s only child is Eibhlín Ní Bhriain, who is a journalist for The Irish Times and other periodicals.
Bowes epitomizes the severity of the 18th century Penal Laws against Irish Catholics when he rules, in about 1759, that: “The law does not suppose any such person to exist as an Irish Roman Catholic, nor could such a person draw breath without the Crown’s permission”. Such views, given that Roman Catholics make up more than 90% of the Irish population at the time, inevitably make him bitterly unpopular, and in 1760 he is assaulted during a riot outside the House of Commons.
In spite of his religious bigotry, Bowes is considered one of the outstanding judges of his time. In particular, he is a reforming Lord Chancellor, who is praised for making the Court of Chancery “a terror for fraud, and a comfort and protection for honest men”. As Attorney-General he shows considerable courage in going on assize during the Irish Famine (1740–1741) despite the infectious fever which is raging at the time, and which claims the lives of three other judges who decide to brave the dangers.
Bowes is considered one of the finest speakers of his time. His speech for the prosecution at the trial of Henry Barry, 4th Baron Barry of Santry, who is charged with murder in 1739, is described by those who hear it as a masterpiece of eloquence and logic, and leads to the Irish House of Lords bringing in a unanimous verdict of guilty against Santry.
Bowes dies in Dublin on July 22, 1767, his mental faculties fully intact despite his bodily infirmities. He is buried in Christ Church Cathedral, Dublin, where his brother raises a memorial to him. He never marries, and his title becomes extinct on his death. He lives at Belvedere House, Drumcondra. His estates passes to his brother Rumsey Bowes of Binfield, Berkshire.
seamus dubhghaill 