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Birth of Colin Middleton, Northern Irish Artist & Surrealist

Colin Middleton MBE, Northern Irish landscape artist, figure painter, and surrealist, is born on January 29, 1910, in Victoria Gardens in north Belfast. Hus prolific output in an eclectic variety of modernist styles is characterised by an intense inner vision, augmented by his lifelong interest in documenting the lives of ordinary people. He has been described as “Ireland’s greatest surrealist.”

Middleton is the only child of damask designer Charles Middleton. He attends the nearby Belfast Royal Academy until 1927 and then continues his studies with night classes at Belfast School of Art where he trains in design under the Cornish artist Newton Penprase. However, he finds the college too traditional in outlook, as his first influence, his father, had been a follower of European Modernism, particularly the Impressionists.

Middleton shows his first works with the Ulster Academy of Arts in 1931, where he exhibits frequently until the late nineteen-forties. He first comes to public attention with the inclusion of his works in the groundbreaking inaugural exhibition of the Ulster Unit at Locksley Hall, Belfast, in December 1933. The Ulster Unit is a short-lived grouping of Ulster artists who take their inspiration from Paul Nash’s Unit One formed earlier in the same year. Just two years thereafter in the same year, he marries Maye McLain, also an artist and a domestic science teacher, who unfortunately dies four years later. He is also a poet and writer, whom along with his wife, is an active member of the Northern Drama League in the 1930s, with whom he designs sets. After the death of his first wife he destroys all of his early paintings and enters a period of seclusion at his mother’s home outside Belfast. He becomes a follower of Vincent van Gogh and James Ensor after viewing exhibitions in London and Belgium respectively. On his return to Ulster he begins to experiment with styles derived from European Modernism, the antithesis to traditional academism. Throughout the 1930s he is also a keen follower of Paul Nash, Tristam Hillier and Edward Wadsworth. After exposure to the works of Salvador Dalí, he declares himself “the only surrealist painter working in Ireland.”

Middleton’s work first appears at the Royal Hibernian Academy in 1938 where he shows intermittently until the final year of his life. He participates in an exhibition at 36 Arthur Street, Belfast, with the Czech artist Otakar Gregor, Joan Loewenthal and Sidney Smith in aid of the war effort at the end of 1940. He completes three paintings immediately after the Belfast Blitz and the trauma of the events prevent him from working for six months before his work is included in a portfolio of lithographs published by the Ulster Academy in December 1941 to raise money for rebuilding the Ulster Children’s and Women’s Hospital which had been destroyed in the Blitz earlier in the year.

Middleton’s first solo exhibition is given by the Belfast Municipal Museum and Art Gallery in 1943. It is the first exhibition staged at the gallery when it re-opens after the Belfast Blitz. At the time it is the largest one-person show the gallery has staged comprising one hundred fifteen works and it is also the first solo exhibition accorded to a local contemporary artist by the gallery. In an interview with Patrick Murphy in 1980, he says that the paintings represent “a first endeavour to harmonize the seemingly opposed and conflicting tendencies in human nature.” Dickon Hall says of this period that “Middleton’s painting is dominated by the female form; it is only rarely that men appear in his work. In part these women reflect his experience of Belfast and the difficult conditions that so many lived through.” This can be seen in the three female figures of The Poet’s Garden (1943), and even more so in The Conspirators (1942), both of which are featured in the 1943 exhibition. “The female form, pictorially and symbolically, becomes the landscape and the life force.”

The Belfast exhibition is followed by his first one-man show at the Grafton Galleries, Dublin, in 1944. In the following year he debuts at the Irish Exhibition of Living Art where he returns on a number of occasions, particularly in the periods 1949–55 and 1963–71. In 1945, he is married for the second time, to Kate Giddens, after both are named co-respondents at the Belfast High Court a few months earlier, in civil servant Lionel P. Barr’s application for a decree nisi. The suit is undefended and the couple has costs awarded against them. In the same year Middleton returns to the Belfast Museum for a solo exhibition arranged by the Council for the Encouragement of Music and the Arts. He is a founding member of the Northern Ireland branch of the Artists’ International Association, who show at the Belfast Municipal Gallery in spring 1945. Other members include Joan Loewenthal, Kathleen Crozier, Pat Hicking, Trude Neu, Sidney Smith, Nevill Johnston, George Campbell and Gerard Dillon.

Middleton’s work is displayed in New York‘s Associated American Artists gallery in 1947 with a selection of works chosen by Dublin art critic Theodore Goodman that includes paintings by his Northern contemporaries Daniel O’Neill, George Campbell, Gerard Dillon and Patrick Scott. He also retires from the family business that year to devote his time to painting, having worked at the business since his father’s death in 1933. He then takes his wife and child to live and work on John Middleton Murry’s Suffolk commune for a short period, before returning to Belfast in 1948. Their life in Suffolk is not a success as the family suffers from ill health, but the experience of working the land is to prove a profound influence on his future work.

In 1949, Middleton shows his first works at the Oireachtas na Gaeilge, where he returns periodically until 1977. Upon their return from Suffolk, his wife sends Victor Waddington photos of his work whereupon Waddington comes to represent him for a period of five years, until the Waddington Galleries face financial hardship in 1958. It is Waddington’s patronage that enables the Middleton family to live and work in Ardglass, County Down, for four years from 1949, which Middleton later describes as the happiest time of his life. When his works are displayed at Victor Waddington’s Dublin gallery in that same year, it acts as a springboard that opens Middleton’s work to an international audience. Group exhibitions in Boston and London follow in 1950 and 1951 respectively.

Middleton’s first solo show at London’s Tooth Gallery takes place in 1952, where his work had been shown in the previous year.

In 1953, Middleton moves to Bangor, County Down, where he designs for Marjery Mason‘s The Repertory Theatre. He later designs sets for the Circle Theatre and the Lyric Theatre, including the sets for a series of W. B. Yeats’s plays in 1970, and Seán O’Casey‘s Red Roses for Me in 1972, both at the latter. In 1952, he exhibits alongside Daniel O’Neill, Nevill Johnson, Gerard Dillon and Thurloe Connolly at the Tooth Galleries in London. He begins his career as an art teacher by the invitation of James Warwick who offers him a one year part-time post at the Belfast College of Art in 1954. That year he shows forty-two works at the Belfast Municipal Gallery under the auspices of the Council for the Encouragement of Music and the Arts. In the following year he delivers full-time classes at the Coleraine Technical School, before becoming head of art at Friends’ School, Lisburn in 1961 where he remains until 1970. He lives on Plantation Avenue in Lisburn for nine years next door to fellow artist and pedagogue Dennis Osborne, who presents a portrait of Middleton at the annual exhibition of the Royal Ulster Academy in 1965.

A poet and musician, Middleton also produces murals, mosaics and posters. One such mural is commissioned for a house in Ballymena designed by the architect Noel Campbell in an international modernist style in 1951, and other works include a mosaic for a school in Lisburn, and a mural in a health clinic. He shows in many group shows throughout the fifties including the Royal Academy of Arts in 1955, in addition to more solo exhibitions at the Waddington Galleries in 1955, and his first showing at the Richie Hendricks Gallery in 1958. Of the Waddington exhibition The Dublin Magazine writes: “Apart from the brilliance of his paint, he has one rare quality in his inexhaustible capacity for wonder.”

Middleton shows in the Arts Council of Northern Ireland‘s gallery in 1965 with additional works at the Bell Gallery and his Bruges Series is shown at Alice Berger Hammerschlag’s New Gallery upon his return from a Belgian trip in 1966. The Arts Council of Northern Ireland suffers an extensive fire at their storage facility in south Belfast in autumn 1967 which decimates their collection of contemporary art and theatre costumes. Losses include several of Middleton’s paintings, in addition to the works of many other leading Ulster artists such as William Conor and T. P. Flanagan. He Is among the prizewinners at the Arts Council of Northern Ireland’s 4th Open Painting Exhibition in 1968. In the same year, John Hewitt curatea a joint exhibition of his paintings with T. P. Flanagan at the Herbert Art Gallery and Museum in Coventry.

The Arts Council hosts a joint retrospective of Middleton’s work in co-operation with the Scottish Arts Council in 1970. A major retrospective is to follow at the Ulster Museum and the Hugh Lane Municipal Gallery of Modern Art in Dublin in 1976. Comprising almost three hundred exhibits, the show is accompanied by a monograph written by Middleton’s lifelong friend, the patron and poet John Hewitt. Hewitt later bequeaths his art collection, including several of Middleton’s paintings to the Ulster Museum.

The Royal Mail uses Middleton’s painting of Slieve na Brock in the Mourne Mountains to commemorate the Ulster ’71 exhibition in a series of postage stamps that also feature the work of Thomas Carr and T. P. Flanagan. In 1972, Middleton tours extensively with his wife visiting Australia for two months and shows his works from the trip at the McClelland International Galleries on Belfast’s Lisburn Road the following year. In 1973 he also visits Barcelona and later shows a series of surrealist works inspired by the two trips at the Tom Caldwell Gallery in Belfast.

Middleton lives the last twelve years of his life in Bangor, County Down.

Middleton dies of leukemia in Belfast City Hospital on December 23, 1983. He is survived by his wife Kate, their daughter and a step-daughter. His son predeceases him by a year. Christie’s of London is entrusted with the sale of his studio works in 1985. The works are displayed before auction in both Dublin and Belfast during August 1985. In 2005, the Ulster History Circle unveils a commemorative blue plaque at his former home on Victoria Road in Bangor.

In the 1970s, the Arts Council of Northern Ireland commissions a documentary film portrait of Middleton entitled Trace of a Thorn, which is written and narrated by the Belfast poet Michael Longley. Hus works can be seen in many private and public collections including the Ulster Museum, Irish Museum of Modern Art, the Hugh Lane Municipal Gallery, National Gallery of Ireland, National Gallery of Victoria, Herbert Art Gallery and University of Oxford.

In September 2023, eighty years since the ground-breaking exhibition Middleton held at the Belfast Museum and Art Gallery, now the Ulster Museum, and forty years after his death, the Ulster Museum holds a new exhibition of his works, celebrating his association with Belfast, the city of which he says, “I belong here as I never belonged anywhere else in the country.” This exhibition brings together works held in the public collection with those from private lenders to provide a full picture of the artist’s talent and life.

Middleton wins the Royal Dublin Society‘s Taylor Scholarship worth £50 in 1932, and two further awards of £10 in 1933. In 1935, he is elected associate of the Ulster Academy, inducted alongside Helen Brett, Kathleen Bridle, Patrick Marrinan, Maurice Wilks, Romeo Toogood and William St. John Glenn, and in 1948 he becomes an elected Academician at the same.

In 1968, Middleton is appointed MBE in the Queen’s birthday honours list, and in 1969 he is elected an associate at the Royal Hibernian Academy with full membership conferred just a year later. He is awarded an honorary Master of Arts degree from Queen’s University Belfast in 1972. The Arts Council of Northern Ireland grants him a substantial subsistence award in 1970 which covers two years enabling him to retire from teaching to concentrate on painting full-time. In the same year, the Arts Council of Northern Ireland also commissions him to paint a portrait of their director, Kenneth Jamison.


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Birth of Sir Anthony Babington, Barrister, Judge & Politician

Sir Anthony Brutus Babington PC (NI), Anglo-Irish barrister, judge and politician, is born on November 24, 1877, at Creevagh House, County Londonderry, to Hume Babington JP, son of Rev. Hume Babington and a landowner of 1,540 acres, and Hester (née Watt), sister of Andrew Alexander Watt.

Babington is born into the Anglo-Irish Babington family that arrives in Ireland in 1610 when Brutus Babington is appointed Bishop of Derry. Notable relations include Robert Babington, William Babington, Benjamin Guy Babington and James Melville Babington and author Anthony Babington.

Babington is educated at Glenalmond School, Perthshire, and Trinity College, Dublin, where he wins the Gold Medal for Oratory of the College Historical Society in 1899.

Babington is called to the Irish Bar in 1900. He briefly lectures in Equity at King’s Inns, and it is during this time, in 1910, that he re-arranges and re-writes R.E. Osborne’s Jurisdiction and Practice of County Courts in Ireland in Equity and Probate Matters. He takes silk in 1917.

Babington moves to the newly established Northern Ireland in 1921 and practises as a barrister until his election to the House of Commons of Northern Ireland as the Ulster Unionist Party member for Belfast South in the 1925 Northern Ireland general election and subsequent appointment as Attorney General for Northern Ireland the same year in the cabinet of James Craig, 1st Viscount Craigavon. His appointment to the Privy Council of Northern Ireland in 1926 entitles him to the style “The Right Honourable.” From 1929 he is the MP for Belfast Cromac, the Belfast South constituency having been abolished. He is made an honorary bencher of the Middle Temple in 1930.

Babington resigns from politics in 1937 upon his appointment as a Lord Justice of Appeal and is knighted in the 1937 Coronation Honours.

In 1947, Babington chairs the Babington Agricultural Enquiry Committee, named in his honour, which is established in 1943 to examine agriculture in Northern Ireland. The committee’s first recommendation under Babington’s leadership is that Northern Ireland should direct all its energies to the production of livestock and livestock products and to their efficient processing and marketing.

Babington retires from the judiciary in 1949, taking up the chairmanship of the Northern Ireland Transport Tribunal, which exists until 1967, established under the Ulster Transport Act – promoting a car-centred transport policy – and which is largely responsible for the closure of the Belfast and County Down Railway. He endorses the closure on financial grounds and is at cross purposes with his co-chair, Dr. James Beddy, who advises against the closure, citing the disruption of life in the border region between the north and the south as his primary reason in addition to financial grounds.

Babington also chairs a government inquiry into the licensing of clubs, the proceeds of which results in new regulatory legislation at Stormont. While Attorney General, he is a proponent of renaming Northern Ireland as “Ulster.”

Babington is critical of the newly proposed Irish constitution, in which the name of the Irish state is changed to “Ireland,” laying claim to jurisdiction over Northern Ireland.

Michael McDunphy, Secretary to the President of Ireland, then Douglas Hyde, recalls Ernest Alton‘s correspondence with Babington on the question of Irish unity, in which Alton and Babington are revealed to be at cross purposes. The discussion is used as an example by Brian Murphy, in Forgotten Patriot: Douglas Hyde and the Foundation of the Irish Presidency, as an example of the office of the Irish President becoming embroiled in an initiative involving Trinity College Dublin and a senior Northern Ireland legal figure, namely Babington. 

Babington writes to Alton, then Provost of Trinity College, Dublin, expressing his view that, as Murphy summarises, “… Severance between the two parts of Ireland could not continue, that it was the duty of all Irishmen to work for early unification and that in his opinion Trinity College was a very appropriate place in which the first move should be made.” When Alton arrives to meet with Hyde, it emerges, after conversing with Hyde’s secretary McDunphy, that he and Babington are at cross purposes. “It soon became clear that the united Ireland contemplated by Mr. [sic] Justice Babington of the Northern Ireland Judiciary was one within the framework of the British Commonwealth of Nations, involving recognition of the King of England as the Supreme Head, or as Dr. Alton put it, the symbol of unity of the whole system,” writes McDunphy.

On September 5, 1907, Babington marries Ethel Vaughan Hart, daughter of George Vaughan Hart of Howth, County Dublin (the son of Sir Andrew Searle Hart) and his wife Mary Elizabeth Hone, a scion of the Hone family. They have three children.

Babington is a member of the Apprentice Boys of Derry. From 1926 to 1952, he is a member of the board of governors of the Belfast Royal Academy. He serves as warden (chairman) of the board from 1941 to 1943. Through his efforts the school acquires the Castle Grounds from Anthony Ashley-Cooper, 9th Earl of Shaftesbury in 1934.

Babington is a keen golfer. He is an international golfer from 1903 to 1913, during which he is runner-up in the Irish Amateur Golf Championships in 1909 and one of the Irish representatives at an international match in 1913. The Babington Room in the Royal Portrush Golf Club is named after him, as is the 18th hole on the course as a result of the key role he plays in shaping its history.

Babington dies at the age of 94 on April 10, 1972 at his home, Creevagh, Portrush, County Antrim.


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Birth of Alexander Mitchell, Engineer & Inventor

Alexander Mitchell, Irish engineer who from 1802 is blind, is born in Dublin on April 13, 1780. He is known as the inventor of the screw-pile lighthouse.

Mitchell’s family moves to Belfast while he is a child. He receives his formal education at Belfast Academy where he excels in mathematics. He begins to notice that his eyesight is failing. By the age of 16 he can no longer read and by the age of 22 he is completely blind.

Undeterred, Mitchell borrows £100 and starts up a successful business making bricks in the Ballymacarrett area of Belfast. This enables him to start building his own houses and he completes approximately twenty in the city. It is during this period that his talent for inventing comes to the fore and he fabricates several machines for use in brickmaking and the building trade.

Mitchell patents the screw pile in 1833, for which he later gains some fame. The screw-pile is used for the erection of lighthouses and other structures on mudbanks and shifting sands, including bridges and piers. His designs and methods are employed all over the world from the Portland, Maine breakwater to bridges in Bombay. Initially it is used for the construction of lighthouses on Maplin Sands in the Thames Estuary in 1838, at Fleetwood Lancashire (UK) Morecambe Bay in 1839 and at Belfast Lough where his lighthouse is finished in July 1844.

In 1848 Mitchell is elected member of the Institution of Civil Engineers (ICE) and receives the Telford Medal the following year for a paper on his invention.

In May 1851 Mitchell moves to Cobh to lay the foundation for the Spit Bank Lighthouse. The success of these undertakings leads to the use of his invention on the breakwater at Portland, the viaduct and bridges on the Bombay, Baroda and Central India Railway and a broad system of Indian telegraphs.

Mitchell becomes friendly with astronomer John Thomas Romney Robinson and mathematician George Boole.

Mitchell dies at Glen Devis near Belfast on June 25, 1868, and is buried in the old Clifton graveyard in Belfast. His wife and daughter predecease him.


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Birth of John Cole, Northern Irish Journalist & BBC Broadcaster

John Morrison Cole, Northern Irish journalist and broadcaster best known for his work with the BBC, is born in Belfast, Northern Ireland, on November 23, 1927. He serves as deputy editor of The Guardian and The Observer and, from 1981 to 1992, is the BBC’s political editor. Donald Macintyre, in an obituary in The Independent, describes him as “the most recognisable and respected broadcast political journalist since World War II.”

Cole is the son of George Cole, an electrical engineer, and his wife Alice. The family is Ulster Protestant, and he identifies himself as British. He receives his formal education at the Belfast Royal Academy.

Cole starts his career in print journalism in 1945, joining the Belfast Telegraph as a reporter and industrial correspondent. He subsequently works as a political reporter for the paper. He gains a scoop when he interviews the then Prime Minister, Clement Attlee, who is holidaying in Ireland.

Cole joins The Guardian, then The Manchester Guardian, in 1956, reporting on industrial issues. He transfers to the London office in 1957 as the paper’s labour correspondent. Appointed news editor in 1963, succeeding Nesta Roberts, he takes on the task of reorganising the paper’s “amateurish” system for gathering news. He heads opposition to a proposed merger with The Times in the mid-1960s, and later serves as deputy editor under Alastair Hetherington. When Hetherington leaves in 1975, Cole is in the running for the editorship, but fails to secure the post, for reasons which may include his commitment to the cause of unionism in Northern Ireland, as well as what is seen by some as inflexibility and a lack of flair. Unwilling to continue at The Guardian, he then joins The Observer as deputy editor under Donald Trelford, remaining there for six years.

After Tiny Rowland takes over as proprietor of The Observer in 1981, Cole gives evidence against him at the Monopolies Commission. The following day he receives a call from the BBC offering him the job of political editor, succeeding John Simpson. He has little previous television experience but proves a “natural broadcaster.” Reporting through most of the premiership of Margaret Thatcher, he becomes a familiar figure on television and radio.

Cole’s health is put under strain by the workload, and he suffers a heart attack in February 1984. Returning to report on that year’s conference season, he covers the Brighton hotel bombing, getting a “memorable” interview with Thatcher on the pavement in its immediate aftermath, in which she declares that the Tory conference will take place as normal. An astute observer of the political scene, he is one of the earliest to forecast Thatcher’s resignation as Prime Minister in 1990, in what colleague David McKie refers to as “perhaps his greatest exclusive.”

Cole establishes a strong reputation for his “gentle but probing” interviewing style, for his political assessments, and for presenting analysis rather than “bland reporting.” Held in enormous affection by viewers, he is trusted by both politicians and the public. He is known for speaking in the language used by ordinary people rather than so-called Westminster experts. His distinctive Northern Irish accent leads the way for BBC broadcasters with regional accents.

Cole retires as political editor in 1992 at the age of 65, compulsory at the time, but continues to appear on television, including making programmes on golf and travel. He also continues to appear on the BBC programme Westminster Live for several years after he retired as political editor.

In addition to his journalistic writing, Cole authors several books. The earliest are The Poor of the Earth, on developing countries, and The Thatcher Years (1987). After his retirement as BBC political editor, he spends more time writing. His political memoir, As It Seemed to Me, appears in 1995 and becomes a best-seller. He also publishes a novel, A Clouded Peace (2001), set in his birthplace of Belfast in 1977.

In 2007, Cole writes an article for the British Journalism Review, blaming both politicians and the media for the fact that parliamentarians are held in such low esteem, being particularly scathing of Alastair Campbell‘s influence during Tony Blair‘s premiership.

In 1966, the Eisenhower Fellowships selects Cole to represent Great Britain. He receives the Royal Television Society‘s Journalist of the Year award in 1991. After his retirement in 1992, he is awarded an honorary degree from the Open University as Doctor of the University and receives the Richard Dimbleby Award from BAFTA in 1993. He turns down a CBE in 1993, citing the former The Guardian newspaper rule that journalists can only accept gifts which can be consumed within 24 hours.

In his private life Cole is a supporter of the Labour Party and is a believer in the trades union movement. He considers that the combating of unemployment is one of the most important political issues. He is a British Republican and a committed Christian, associating in the latter part of his life with the United Reformed Church at Kingston upon Thames.

Cole suffers health problems in retirement including heart problems and two minor strokes. In 2009, he is diagnosed with cancer. He subsequently develops aphasia. He dies at his home at Claygate in the county of Surrey on November 7, 2013.

Tributes are paid by journalists, broadcasters and politicians across the political spectrum. Prime Minister David Cameron calls Cole a “titan at the BBC” and an “extraordinary broadcaster.” Labour Party leader Ed Miliband says that “my generation grew up watching John Cole. He conveyed the drama and importance of politics.” The Scottish First Minister Alex Salmond says that Cole is “an extremely able journalist but also extraordinarily helpful and generous to a young politician.” The BBC’s political editor at the time, Nick Robinson, writes that Cole “shaped the way all in my trade do our jobs.”


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Death of Newspaper Editor Douglas Gageby

(Robert John) Douglas Gageby, one of the pre-eminent Irish newspaper editors of his generation, dies on June 24, 2004, following a lengthy illness. His life is well documented and a book of essays about him, Bright Brilliant Days: Douglas Gageby and the Irish Times, written by many of his colleagues, some of whom had attained fame for their literary achievements, is published in 2006.

Gageby is born at 54 Upper Beechwood Avenue, Ranelagh, Dublin, to Thomas Gageby, a Belfast-born civil servant. His mother, Ethel Elizabeth (née Smith), is a schoolteacher from County Cavan. The Gageby family moves to Belfast when he is about three years old as his father goes to work for the Northern Ireland Civil Service following partition. His paternal grandfather, Robert Gageby, stands as a Labour Party parliamentary candidate in Belfast North in 1910, and is a Belfast City Councillor for 20 years, first elected in 1898 as a trade union candidate supported by the Independent Labour Party.

Gageby is educated at Belfast Royal Academy and Trinity College Dublin, where he is elected a scholar in Modern Languages (French and German) in 1940. He is also actively involved with the student newspaper, Trinity News. He enlists in the Irish Army as a private soldier at the outbreak of World War II. He is commissioned later, and he serves as an intelligence officer. He reports from post-war Germany for The Irish Press and goes on to work under Conor Cruise O’Brien in the Irish News Agency. In 1954 he is the first editor of the Evening Press. In 1963 he becomes editor of The Irish Times, a post he holds until 1986, having been brought back from a short retirement in 1974. He is credited with moving The Irish Times from a Unionist organ into a successful Irish journal of record.

In 2003 it is revealed that a director, and later Chairman, of The Irish Times, Major Thomas Bleakley McDowell, had referred to Gageby as a “white nigger” for his views and role in the paper during the Northern Ireland civil rights movement‘s campaign in the 1960s. The comment appears in a letter from the British Ambassador to Dublin, Sir Andrew Gilchrist, to Kelvin White, head of the Irish Section of the British Foreign Office and is dated October 2, 1969. Gilchrist is referring to conversations which he had with McDowell where the latter professes himself to be fully behind the British government in the North and hostile to Gageby’s coverage of the civil rights movement. However, historian Mark O’Brien notes, “Despite his contacts with London, McDowell’s actions did not interfere with Gageby’s editorials on Northern Ireland”, due to the fact McDowell believes in editorial independence (even though McDowell strongly disagrees with Gageby’s nationalist views), and because Gageby is making the newspaper commercially successful. Under the 30 year rule, this letter is made available to newspapers on December 22 and 23, 1999, but no newspaper publishes it at that time.

The communiqué is later discovered by the historian Jack Lane and published in the Irish Political Review, a small magazine strongly antagonistic to The Irish Times, in January 2003. He brings it to the attention of The Irish Times editor, Geraldine Kennedy, on January 10, 2003, and she replies on January 15, 2003 saying she is “unable to confirm the veracity of it” and does not publish it. When, on January 26, 2003, the Sunday Independent (Ireland) publishes the story, The Irish Times finally follows the next day, January 27. Nonetheless, on April 24, 2004, Kennedy defends her position by saying, “The contents of the letter in question were published on January 27, 2003, as soon as its existence was drawn to my attention.”

Gageby dies on June 24, 2004, following a two year illness. His private funeral is conducted by Rev. Terence McCaughey, a family friend. The Irish Times endows an annual Douglas Gageby Fellowship for young journalists and a stand of trees is planted in his memory at Moynalty. His papers are presented to Dublin City University (DCU).

Gageby is married to Dorothy, daughter of Seán Lester, last Secretary General of the League of Nations. His daughter, Susan Denham, is the Chief Justice of the Supreme Court of Ireland from 2011 to 2017.


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Birth of Thomas Andrews, Chemist & Physicist

Thomas Andrews FRS FRSE, chemist and physicist who does important work on phase transitions between gases and liquids, is born in Belfast on December 19, 1813. He is a longtime professor of chemistry at Queen’s University Belfast.

Andrews’ father is a linen merchant. He attends the Belfast Academy and the Royal Belfast Academical Institution, where at the latter of which he studies mathematics under James Thomson. In 1828 he goes to the University of Glasgow to study chemistry under Professor Thomas Thomson, then studies at Trinity College, Dublin, where he gains distinction in classics as well as in science. Finally, at University of Edinburgh in 1835, he is awarded a doctorate in medicine.

Andrews begins a successful medical practice in his native Belfast in 1835, also giving instruction in chemistry at the Academical Institution. In 1842, he marries Jane Hardie Walker (1818–1899). They have six children, including the geologist Mary Andrews. In 1845 he is appointed vice-president of the newly established Queen’s University Belfast, and professor of chemistry there. He holds these two offices until his retirement in 1879 at age 66.

Andrews first becomes known as a scientific investigator with his work on the heat developed in chemical actions, for which the Royal Society awards him a Royal Medal in 1844. Another important investigation, undertaken in collaboration with Peter Guthrie Tait, is devoted to ozone.

Andrews’ reputation mainly rests on his work with liquefaction of gases. In the 1860s he carries out a very complete inquiry into the gas laws, expressing the relations of pressure, temperature, and volume in carbon dioxide. In particular, he establishes the concepts of critical temperature and critical pressure, showing that a substance passes from vapor to liquid state without any breach of continuity.

In Andrews’ experiments on phase transitions, he shows that carbon dioxide may be carried from any of the states we usually call liquid to any of those we usually call gas, without losing homogeneity. The mathematical physicist Josiah Willard Gibbs cites these results in support of the Gibbs free energy equation. They also set off a race among researchers to liquify various other gases. In 1877-78 Louis Paul Cailletet is the first to liquefy oxygen.

Andrews dies in Belfast on November 26, 1885, and is buried in the Borough Cemetery in the city.


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Birth of Charles Williams, Journalist & War Correspondent

Charles Frederick Williams, Scottish Irish writer, journalist, and war correspondent, is born in Coleraine, County Londonderry on May 4, 1838.

Williams is descended on his father’s side from the yeomen of Worcestershire who grew their orchards and tilled their land in the parishes of Tenbury and Mamble. His mother’s side descended from Scottish settlers who planted Ulster in 1610. He is educated at Belfast Academy in Belfast and at a Greenwich private school. Later on, he goes to the southern United States for health purposes and takes part in a filibustering expedition to Nicaragua, where he sees some hard fighting and reportedly earns the reputation of a blockade runner. He is separated from his party and is lost in the forest for six days. Fevered, he discovers a small boat and manages to return to the nearest British settlement. He serves in the London Irish Rifles with the rank of Sergeant.

Williams returns to England in 1859, where he becomes a volunteer, and a leader writer for the London Evening Herald. In October 1859, he begins a connection with The Standard which lasts until 1884. From 1860 until 1863, he works as a first editor for the Evening Standard and from 1882 until 1884, as editor of The Evening News.

Williams is best known for being a war correspondent. For The Standard, he is at the headquarters of the Armée de la Loire, a French army, during the Franco-Prussian War in 1870. He is also one of the first correspondents in Strasbourg, where the French forces are defeated. In the summer and autumn of 1877, he is a correspondent to Ahmed Muhtar Pasha who commands the Turkish forces in Armenia during the Russo-Turkish War (1877-78). He remains constantly at the Turkish front, and his letters are the only continuous series that reaches England. In 1878, he publishes this series in a revised and extended form as The Armenian Campaign: A Diary of the Campaign on 1877, in Armenia and Koordistan, which is a large and accurate record of the war, even though it is pro-Turkish. From Armenia, he follows Muhtar Pasha to European Turkey and describes his defence of the lines of Constantinople against the Imperial Russian Army. He is with General Mikhail Skobelev at the headquarters of the Imperial Russian Army when the Treaty of San Stefano is signed in March 1878.

At the end of 1878, Williams is in Afghanistan reporting the war, and in 1879 publishes the Notes on the Operations in Lower Afghanistan, 1878–9, with Special Reference to Transport.

In the autumn of 1884, representing the Central News Agency of London, Williams joins the Nile Expedition, a British mission to relieve Major-General Charles George Gordon in Khartoum, Sudan. His is the first dispatch to tell of the loss of Gordon. While in Sudan, he quarrels with Henry H. S. Pearse of The Daily News, who later unsuccessfully sues him. After leaving The Standard in 1884, he works with the Morning Advertiser but later works with the Daily Chronicle as a war correspondent. He is the only British correspondent to be with the Bulgarian Land Forces under Prince Alexander of Battenberg during the Serbo-Bulgarian War in November 1885. In the Greco-Turkish War of 1897, he is attached to the Greek forces in Thessaly. His last war reporting is on Herbert Kitchener‘s Sudanese campaign of 1898.

In 1887, Williams meets with United States General of the Army, General Philip Sheridan in Washington, D.C. to update the general on European affairs and the prospects of upcoming conflicts.

Williams tries to run as a Conservative Party candidate for the House of Commons representative of Leeds West, a borough in Leeds, West Yorkshire, during the 1885 United Kingdom general election. He fails to win the seat against Liberal candidate Herbert Gladstone. He serves as the Chairman of the London district of the Institute of Journalists from 1893 to 1894. He founds the London Press Club where he also serves as its President from 1896 to 1897.

Williams dies in Brixton, London on February 9, 1904, and is buried in Nunhead Cemetery in London. His funeral is well attended by the press as well as members of the military including Field Marshal Sir Evelyn Wood.

(Pictured: Portrait of Charles Frederick Williams, London President, The Institute of Journalists, from The Illustrated London News, September 30, 1893 issue)


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Birth of Robin Eames, Primate of All Ireland & Archbishop of Armagh

Robert Henry Alexander “Robin” Eames, Anglican Primate of All Ireland and Archbishop of Armagh from 1986 to 2006, is born in Belfast on April 27, 1936, the son of a Methodist minister.

Eames spends his early years in Larne, with the family later moving to Belfast. He is educated at the city’s Belfast Royal Academy and Methodist College Belfast before going on to study at Queen’s University Belfast, graduating LL.B. (Upper Second Class Honours) in 1960 and earning a Ph.D. degree in canon law and history in 1963. During his undergraduate course at Queen’s, one of his philosophy lecturers is his future Roman Catholic counterpart, Cahal Daly.

Turning his back on legal studies for ordination in the Church of Ireland, Eames embarks on a three-year course at the divinity school of Trinity College, Dublin in 1960, but finds the course “intellectually unsatisfying.” In 1963 he is appointed curate assistant at Bangor Parish Church, becoming rector of St. Dorothea’s in Belfast in 1966, the same year he marries Christine Daly.

During his time at St. Dorothea’s, in the Braniel and Tullycarnet area of east Belfast, Eames develops a “coffee bar ministry” among young people but is interrupted by the Troubles. He turns down the opportunity to become dean of Cork and in 1974 is appointed rector of St. Mark’s in Dundela in east Belfast, a church with strong family links to C. S. Lewis.

On May 9, 1975, at the age of 38, Eames is elected bishop of the cross-border Diocese of Derry and Raphoe. Five years later, on May 30, 1980, he is translated to the Diocese of Down and Dromore. He is elected to Down and Dromore on April 23 and that election is confirmed on May 20, 1980. In 1986, he becomes the 14th Archbishop of Armagh and Primate of All Ireland since the Church of Ireland’s break with Rome. It is an appointment that causes some level of astonishment among other church leaders.

Drumcree Church, a rural parish near Portadown, becomes the site of a major political incident in 1996, when the annual Orangemen‘s march is banned by the Chief Constable of the Royal Ulster Constabulary from returning to the centre of Portadown via the nationalist Garvaghy Road after attending worship at Drumcree Church. Public unrest and violence escalate over the next three summers as other parades come under first police and later commission sanction.

Eames, as diocesan bishop and civil leader finds himself immersed in the search for a resolution to the issue. Within the wider Church of Ireland there is unease as it is a broad church in theology and politics including within its congregations nationalists in the south and unionists in the north. Eames, along with the rector of Drumcree, has to navigate this political and social controversy and seeks political assistance to diffuse tension. Some bishops in the Republic of Ireland call for Eames to close the parish church, including Bishop John Neill who later becomes Archbishop of Dublin. He refuses to do so, believing this action could precipitate greater unrest and possible bloodshed.

Eames is, for many years, a significant figure within the general Anglican Communion. In 2003, the self-styled ‘divine optimist’ is appointed Chairman of the Lambeth Commission on Communion, which examines significant challenges to unity in the Anglican Communion. The Commission publishes its report, the Windsor Report, on October 18, 2004.

At the Church of Ireland General Synod in 2006 Eames announces his intention to retire on December 31, 2006. Church law permits him to continue as primate until the age of 75 but he resigns, in good health, at the age of 69. On January 10, 2007, the eleven serving bishops of the Church of Ireland meet at St. Patrick’s Cathedral in Dublin and elect Alan Harper, Bishop of Connor, as Eames’s successor.


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Birth of Thomas Romney Robinson, Astronomer & Physicist

Reverend John Thomas Romney Robinson, 19th-century astronomer and physicist usually referred to as Thomas Romney Robinson, was born at St. Anne’s in Dublin on April 23, 1792. He is the longtime director of the Armagh Observatory, one of the chief astronomical observatories in the United Kingdom at the time. He is remembered as the inventor in 1846 of the Robinson 4-cup anemometer, a device for measuring the speed of the wind.

Robinson is the son of the English portrait painter Thomas Robinson (d.1810) and his wife, Ruth Buck (d.1826). He is educated at Belfast Academy then studies Divinity at Trinity College Dublin, where he is elected a Scholar in 1808, graduating BA in 1810 and obtaining a fellowship in 1814, at the age of 22. He is for some years a deputy professor of natural philosophy (physics) at Trinity.

In 1823, at the age of 30, Robinson gains the appointment of astronomer at the Armagh Observatory. From this point on he always resides at the Armagh Observatory, engaged in research connected with astronomy and physics, until his death in 1882. Having also been ordained as an Anglican priest while at Trinity, he obtains the church livings of the Anglican Church at Enniskillen and at Carrickmacross in 1824.

During the 1840s and 1850s Robinson is a frequent visitor to the world’s most powerful telescope of that era, the so-called Leviathan of Parsonstown telescope, which had been built by Robinson’s friend and colleague William Parsons, 3rd Earl of Rosse. He is active with Parsons in interpreting the higher-resolution views of the night sky produced by Parsons’ telescope, particularly with regard to the galaxies and nebulae and he publishes leading-edge research reports on the question.

Back at his own observatory in Armagh, Robinson compiles a large catalogue of stars and writes many related reports. In 1862 he is awarded a Royal Medal “for the Armagh catalogue of 5345 stars, deduced from observations made at the Armagh Observatory, from the years 1820 up to 1854; for his papers on the construction of astronomical instruments in the memoirs of the Astronomical Society, and his paper on electromagnets in the Transactions of the Royal Irish Academy.”

Robinson is president of the Royal Irish Academy from 1851 to 1856 and is a long-time active organiser in the British Association for the Advancement of Science. He is a friend of Charles Babbage, who says was “indebted” for having reminded him about the first time he came up with the idea of the calculating machine.

Robinson marries twice, first to Eliza Isabelle Rambaut (d.1839) and secondly to Lucy Jane Edgeworth (1806–1897), the lifelong disabled daughter of Richard Lovell Edgeworth. His daughter marries the physicist George Gabriel Stokes. Stokes frequently visits Robinson in Armagh in Robinson’s later years.

Robinson dies in Armagh, County Armagh at the age of 89 on February 28, 1882.

The crater Robinson on the Moon is named in his honour.


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Birth of Historian George Benn

george-benn

George Benn, Irish historian of Belfast, is born in Tanderagee, County Armagh on January 1, 1801.

Benn’s grandfather, Jonn Benn, came from Cumberland about 1760 as engineer of the Newry Canal. His father, also John Benn (1767-1853), was proprietor of a brewery in Belfast. He is educated at the Belfast Academy, under Rev. Dr. Bruce and afterwards under Sheridan Knowles, then a teacher of English at Belfast. He enters the collegiate classes of the Royal Belfast Academical Institution in 1816, being one of the original alumni, and takes gold medals in logic (1817) and moral philosophy (1818).

In 1819 the faculty prize is offered for the “best account of a parish.” Benn is the successful essayist, with the parish of Belfast as his theme. He also gains in 1821 the faculty prize (The Crusades), and Dr. Tennant’s gold medal (Sketch of Irish Authors in the Seventeenth and Eighteenth Centuries). His essay of 1819 attracts the attention of James M’Knight, LL.D., then editor of the Belfast News-Letter who offers to print and publish it. It is issued anonymously in an enlarged form in 1823, with three maps and sixteen engravings by J. Thomson. For so young a writer it is a work of uncommon judgment and research, exceedingly well written, with an eye for scenery and a taste for economics as well as for antiquities. It is not superseded by Benn’s later labours.

Benn, with his brother Edward (1798- 1874), engages in distilling near Downpatrick. Subsequently the brothers spend the prime of their days on an estate they purchase at Glenravel, near Ballymena. Here, in an unimproved district, they plant the hillsides, plough the moors, build good houses, and collect a valuable library. They endeavour to create a new industry by an experiment in the manufacture of potato spirit, but excise regulations in place at the time frustrate their object. The cost of the experiment, and the losses from potato disease, induce the brothers to undertake a business in Liverpool for some years. Returning to Glenravel, a casual circumstance leads to a rich discovery of iron ore in the Glenravel hills. The first specimen is smelted in 1851 under Edward Benn’s direction. In 1866 an agreement is made with James Fisher, of Barrow-in-Furness, to work the mineral beds. Hence comes a new and valuable addition to the commercial products of Ulster, which has since attained important proportions.

Meanwhile, Edward Benn is contributing antiquarian articles to various journals and forming a fine archaeological collection, now in the Ulster Museum. It his proposed to George to resume and complete the history of Belfast. He modestly indicates, as more fit for the task, William Pinkerton, who collects some materials, but dies in 1871 without having begun the history. Pinkerton’s papers are submitted to Benn for publication, but he finds employment of them impracticable, and states in his preface to his history, “It is all my own work from beginning to end.”

Benn returns to Belfast after his brother’s death in 1874, publishing A History of the Town of Belfast in 1877. A second volume appears in 1880. This supplementary volume, though the proof-sheets are “corrected by a kind friend,” the late John Carlisle, head of the English department in the Royal Academical Institution, bears evidence of the author’s affecting statement: “Before I had proceeded very far, my sight entirely failed.” Benn dies on January 8, 1882.

Edward and George Benn are members of the nonsubscribing presbyterian body, but wide in their sympathies and broad in their charities beyond the limits of their sect. Edward is the founder, and George the benefactor, of three hospitals in Belfast and their gifts to educational institutions are munificent.