Orr is the eldest son of Fletcher Blakely Orr of Ballystockart, a unitarian farmer and millowner, and Elizabeth Orr, daughter of David Lowry, farmer, of Ballymacashin, County Down. He attends a local national school, spends two years at an intermediate school in Newtownards, and then attends Methodist College Belfast (MCB). He wins a Royal University of Ireland (RIU) scholarship in mathematics in 1883 and graduates in 1885 from Queen’s College Belfast, a constituent college of the RUI. He then matriculates at St. John’s College, Cambridge, where he is Senior Wrangler in 1888 and comes in first in part two of the Mathematical Tripos in 1889. Two years later he is elected into a fellowship at St. John’s, and the same year is appointed professor of applied mathematics at the Royal College of Science for Ireland in Dublin. When the Royal College is merged with University College Dublin (UCD) in October 1926, he becomes professor of pure and applied mathematics, a position he holds until his retirement in 1933.
Orr’s 1909 publication Notes on Thermodynamics for Students is seen as epitomising his style of teaching, with its emphasis on logical rigour and clear statement of underlying assumptions. Known for his generosity to staff and students who encounter difficulties, he is nonetheless a strict disciplinarian who abhors idleness and valued stoicism. He is elected Fellow of the Royal Society (FRS) in 1909 and is awarded an honorary degree of D.Sc. from Queen’s University Belfast (QUB) in 1919.
In 1892, Orr marries Elizabeth Campbell of Melbourne, Australia, whose father, Samuel Campbell, is from County Down. They live at 19 Pembroke Road, Dublin, and have three daughters. He dies at Douglas, Isle of Man on August 14, 1934, and is interred in Mount Jerome Cemetery, Dublin. He is survived by his two daughters.
(From: “Orr, William McFadden” contributed by Paul Rouse, Dictionary of Irish Biography, http://www.dib.ie)
A farmer’s son, Kelly is raised amid the horror of the Irish Civil War. The family is burned out when he is five and, penniless, goes north to take a worker’s house near the Harland and Wolff shipyard in Belfast. Even though they are Protestant the Kellys are met with a cold welcome. To counter that, his mother starts a bakery while the he and his father sell the hot rolls to the area pubs.
Kelly initially attends a shipyard workers’ school, sometimes without shoes, and then goes on to Methodist College Belfast, where only boys prepared to work hard are welcome. His mother, who had taught him to play the piano by marking out the keyboard on the kitchen table, is so cross when she hears that he has been playing football in the street that she tells the headmaster that he does not have enough homework.
On a visit to an elder sister at Trinity College, Dublin, Kelly is so impressed by her smoking and her painted nails that he decides to follow her to the university, where he reads legal science. After being called to the Bar of Northern Ireland in 1944, he has the usual slow start, traveling up to 100 miles to earn a five-guinea fee. However, aided by a photographic memory and the patronage of Catholicsolicitors, he gradually builds up a large practice, concentrating on crime and workers’ compensation while earning a reputation as the finest cross-examiner in the province.
Kelly first makes a mark by his successful defence of an aircraftman accused of killing a judge’s daughter. The man is found guilty but insane, though the complications involved bring it back to court 20 years later. After appointment as Queen’s Counsel in 1958 he skillfully conducts two cases which go to the House of Lords. One involves the liability of a drunken psychopath, the other the question of automatism where a person, acting like a sleepwalker, does not know what he is doing.
In 1973, Kelly is appointed as a judge of the High Court of Northern Ireland, and then as a Lord Justice of Appeal of Northern Ireland in 1984, when he is also knighted and appointed to the Privy Council of the United Kingdom. On the bench he proves a model of fairness and courtesy with a mastery of facts, but his role often puts him in danger.
A Provisional Irish Republican Army (IRA) gang once targets him with a bomb-laden milk van, intending to drive it through his gates. But the police are alerted and immediately take him to Stormont, where he lives for the next two months.
For a year Kelly presides alone over a non-jury Diplock court, protected by armed police and wearing a bulletproof vest before writing his judgment under Special Air Service (SAS) guard in England. He convicts dozens of people on “supergrass” evidence, though there are subsequently doubts about the informant and some of his judgments are overturned.
One of the accused, Kevin Mulgrew, is sentenced to 963 years in prison, with Kelly telling him, “I do not expect that any words of mine will ever raise in you a twinge of remorse.” While the IRA grumbles about the jail terms he dispenses, and he is often portrayed as an unthinking legal hardliner by Sinn Féin, he is a more subtle figure and is often merciful towards those caught up in events or those whom he considers too young for prison.
Kelly retires in 1995 and moves to England, where he dies at the age of 88 at his home in Berkshire on December 5, 2008 following a short illness. He is survived by his wife, Pamela Colmer.
(From: “Basil Kelly,” Independent.ie (www.independent.ie), January 4, 2009)
Basil Blackshaw, Northern Irish artist, dies at the age of 83 on May 2, 2016. He is best known for his paintings of dogs, horses, landscapes and people and is regarded as one of the country’s most talented artists.
Blackshaw’s home and studio is in County Antrim by Lough Neagh. He becomes well known for his country scenes including landscapes, farm buildings and horses, painted in an expressionist style.
Blackshaw is initially acclaimed for his mastery of traditional approaches to painting. He continues to develop as an artist, becoming most highly regarded for his very loose gestural application of paint and a very distinctive and subtle use of colour. His paintings of such sports as horse racing and boxing make him particularly popular, but he is also a talented portrait painter.
Blackshaw’s paintings are often figurative in form, but with a non-naturalistic palette which re-balances the composition in an expressionist, even abstract, way. His themes are very Irish and often rural; greyhounds, Irish Travellers, and the landscape. He also produces portraits and designs posters for Derry‘s Field Day Theatre Company.
The Arts Council of Northern Ireland organises a major retrospective of Blackshaw’s work in 1995, which travels from Belfast to Dublin, Cork and many galleries in the United States. In 2001 he receives the GlenDimplex Award for a Sustained Contribution to the Visual Arts in Ireland. The Ulster Museum holds a major exhibition of his work in 2002 and a major book is published by Eamonn Mallie on the artist in 2003.
For a 2005 exhibition at the Fenton Gallery in Cork, Blackshaw works exclusively over a period of 20 months creating a dramatic collection of fifteen new paintings. His choice of arguably mundane subjects, The Studio Door, Car, Wall, Six Trees, express both an engagement with tradition and a watchful detachment.
In 2006 Blackshaw’s work is exhibited at the Irish College in Paris (French: Centre Culturel Irlandais).
Blackshaw is elected as an associate of The Royal Ulster Academy of Arts in 1977 and elected an Academician in 1981. Dublin’s Royal Hibernian Academy describes him as “one of Ireland’s greatest artists” who was “lauded by the art world and his fellow painters.”
Basil Blackshaw dies on May 2, 2016. Father to well-known artist Anya Waterworth, he is buried in a wicker coffin in a humanist funeral, the ceremony ending to Bob Dylan‘s “Mr. Tambourine Man” at Roselawn Cemetery on the outskirts of Belfast. More than 100 mourners come to pay their respects. Among them are artists Jack Pakenham and Neil Shawcross, actor Stephen Rea and boxing legend Barry McGuigan.
Eames spends his early years in Larne, with the family later moving to Belfast. He is educated at the city’s Belfast Royal Academy and Methodist College Belfast before going on to study at Queen’s University Belfast, graduating LL.B. (Upper Second Class Honours) in 1960 and earning a Ph.D. degree in canon law and history in 1963. During his undergraduate course at Queen’s, one of his philosophy lecturers is his future Roman Catholic counterpart, Cahal Daly.
Turning his back on legal studies for ordination in the Church of Ireland, Eames embarks on a three-year course at the divinity school of Trinity College, Dublin in 1960, but finds the course “intellectually unsatisfying.” In 1963 he is appointed curate assistant at Bangor Parish Church, becoming rector of St. Dorothea’s in Belfast in 1966, the same year he marries Christine Daly.
During his time at St. Dorothea’s, in the Braniel and Tullycarnet area of east Belfast, Eames develops a “coffee bar ministry” among young people but is interrupted by the Troubles. He turns down the opportunity to become dean of Cork and in 1974 is appointed rector of St. Mark’s in Dundela in east Belfast, a church with strong family links to C. S. Lewis.
On May 9, 1975, at the age of 38, Eames is elected bishop of the cross-border Diocese of Derry and Raphoe. Five years later, on May 30, 1980, he is translated to the Diocese of Down and Dromore. He is elected to Down and Dromore on April 23 and that election is confirmed on May 20, 1980. In 1986, he becomes the 14th Archbishop of Armagh and Primate of All Ireland since the Church of Ireland’s break with Rome. It is an appointment that causes some level of astonishment among other church leaders.
Drumcree Church, a rural parish near Portadown, becomes the site of a major political incident in 1996, when the annual Orangemen‘s march is banned by the Chief Constable of the Royal Ulster Constabulary from returning to the centre of Portadown via the nationalist Garvaghy Road after attending worship at Drumcree Church. Public unrest and violence escalates over the next three summers as other parades come under first police and later commission sanction.
Eames, as diocesan bishop and civil leader finds himself immersed in the search for a resolution to the issue. Within the wider Church of Ireland there is unease as it is a broad church in theology and politics including within its congregations nationalists in the south and unionists in the north. Eames, along with the rector of Drumcree, has to navigate this political and social controversy and seeks political assistance to diffuse tension. Some bishops in the Republic of Ireland call for Eames to close the parish church, including Bishop John Neill who later becomes Archbishop of Dublin. He refuses to do so, believing this action could precipitate greater unrest and possible bloodshed.
Eames is, for many years, a significant figure within the general Anglican Communion. In 2003, the self-styled ‘divine optimist’ is appointed Chairman of the Lambeth Commission on Communion, which examines significant challenges to unity in the Anglican Communion. The Commission publishes its report, the Windsor Report, on October 18, 2004.
At the Church of Ireland General Synod in 2006 Eames announces his intention to retire on December 31, 2006. Church law permits him to continue as primate until the age of 75 but he resigns, in good health, at the age of 69. On January 10, 2007, the eleven serving bishops of the Church of Ireland meet at St. Patrick’s Cathedral in Dublin and elect Alan Harper, Bishop of Connor, as Eames’s successor.
Bleakley runs for the Westminster seat of Belfast East in 1970 (gaining 41% of the vote), February 1974 and October 1974 for the Northern Ireland Labour Party each time, but never enough to win the Westminister seat from the Ulster Unionist Party (UUP). In 1971, Brian Faulkner appoints him as his Minister for Community Relations at Stormont, but as Bleakley is not an MP, he can only hold the post for six months. He resigns five days before his term expires in order to highlight his disagreement with government policy, specifically the failure to widen the government to include non-Unionist parties, and the decision to introduce internment. He writes a respectful biography of Faulkner and his own memoir of the period.
After the Parliament is abolished, Bleakley stands for, and is elected to, the Northern Ireland Assembly and its successor, the Northern Ireland Constitutional Convention. He stands again for Belfast East in the February and October UK general elections, but wins only 14% of the vote each time.
Whitla is the fourth son of Robert Whitla, a woolen draper and pawnbroker, and his wife Anne, daughter of Alexander Williams of Dublin. His first cousin is painter Alexander Williams. Educated at the town’s Model School, he is articled at fifteen to his brother James, a local pharmacist, completing his apprenticeship with Wheeler and Whitaker, Belfast‘s leading pharmaceutical firm. Proceeding to study medicine at Queen’s College, Belfast, he takes the LAH, Dublin, and the LRCP and LRCS of Edinburgh in 1873.
With his qualifications Whitla obtains a post as resident medical officer at the Belfast General Hospital. He next spends some time in London, at St. Thomas’s Hospital, where he meets his future wife, Ada Bourne, daughter of George Bourne, a prominent Staffordshire farmer. She is a ward sister and friend of Florence Nightingale and a member of The Salvation Army.
The pair are married in 1876, settling in Belfast where Whitla establishes a general medical practice. He is awarded the MD of the Queen’s University of Ireland in 1877, with first class honours, gold medal, and commendation.
In 1906 Whitla is appointed a governor of Methodist College Belfast and he takes a keen interest in the school’s affairs. In 1919, he retires as Professor of Materia Medica in the university.
A strong unionist, Whitla is elected to parliament in 1918, serving until 1923 as representative of the Queen’s University at Westminster. He is appointed honorary physician to the king in Ireland in 1919 and is subsequently university pro-chancellor.
During the 1920s Whitla’s public appearances are fewer and, after a stroke in 1929, he is confined to his room. Lady Whitla dies in 1932. He dies at their Belfast residence, Lennoxvale, on December 11, 1933, and is given a civic funeral two days later. He is buried at Belfast City Cemetery.
During Whitla’s lifetime his gifts to his profession include the Good Samaritan stained glass window erected in the Royal Hospital and a building to house the Ulster Medical Society. At his death Lennoxvale is bequeathed to Queen’s University as a residence for the Vice-Chancellor. The university also is his residuary legatee and acts on his suggestion that the available funds should provide an assembly hall. The Sir William Whitla Hall is opened in 1949.
Whitla also leaves £10,000 to Methodist College Belfast to build a chapel, library or hall. The Whitla Hall at the Methodist College is opened in 1935.
Milligan is brought up as a Methodist, the daughter of the writer Seaton Milligan, antiquarian and member of the Royal Irish Academy (RIA). She is one of eleven children, including music collector Charlotte Milligan Fox, and from 1877 to 1887 attends Methodist College Belfast (MCB), after which she completes a teacher-training course. Together with her father she writes a political travelogue of the north of Ireland in 1888, Glimpses of Erin. She writes her first novel, A Royal Democrat, in 1890.
After the death of Charles Stewart Parnell, Milligan becomes an ardent nationalist. In 1894 with Jenny Armour she founds branches of the Irish Women’s Association in Belfast and other places, and becomes its first president. With Ethna Carbery she founds two nationalist publications in the 1890s, The Northern Patriot, and later The Shan Van Vocht, a monthly literary magazine published in Belfast from 1896 to 1899.
Alice Milligan dies in Omagh in April 1953 and is buried in Blackford Municipal Cemetery, County Tyrone. On her headstone is inscribed “She loved no other place than Ireland.”
During 2010/2011 the Ulster History Circle mounts plaques for famous Ulster figures. Charlotte Milligan Fox and Alice Milligan have a plaque mounted on Omagh Library, 1 Spillar’s Place, Omagh, County Tyrone.
Milligan is the eldest of eleven children born to Methodist parents Seaton Milligan (1837–1916) and Charlotte Burns (1842–1916), with nine surviving including Alice Milligan and Edith Wheeler. All nine children enroll at Methodist College Belfast which provides a privileged and exceptional education. She studies classical piano and composition at the Royal College of Music in London and the Conservatoires of Frankfurt and Milan. Following her marriage to Charles Eliot Fox in 1892, she settles in London.
In 1904 Fox co-founds with Alfred Perceval Graves the Irish Folk Song Society, an offshoot of the Folk-Song Society formed in 1898. Its aim is to collect and publish Irish airs and ballads, in addition to holding lectures and concerts on the subject. She acts as the society’s honorary secretary. The rules of the Society are collected in volume 4 of the Journal of the Irish Folk Song Society. The subscription is 5 shillings payable every January and committee meetings are held at the Rooms of the Irish Literary Society in London.
Fox is a musician in her own right and tours Ireland collecting folk songs and airs. She undertakes a series of tours of County Antrim between 1909 and 1910 with her sisters Edith Wheeler and Alice Milligan. The sisters record and transcribe songs by Irish singers, then publish articles and musical scores in The Journal of Irish Folk Song.
In 1910 Fox visits the east coast of the United States where the New York branch of the Irish Folk Song Society is formed. “The Bardic Recital” is produced on March 16 at the National Theatre in Washington, D.C. She collects and arranges the music for the play.
Fox rediscovers Edward Bunting‘s papers, and under the provision of her will they come to Queen’s University Belfast in 1916. From these papers she writes The Annals of the Irish Harpers. The publication of The Annals of the Irish Harpers stimulates a revival of interest in both the Irish harp and Edward Bunting. Alice Milligan nurses her sister prior to Fox’s death in London on March 25, 1916. An obituary of Charlotte Milligan Fox is in The Irish Booklover (1916). The Journal of the Irish Folk Song Society (1917) has a poem in remembrance of Charlotte Milligan Fox. The same issue has a memoir of Fox by Alice Milligan and an appreciation of Fox by Alfred Perceval Graves.
During 2010 and 2011, the Ulster History Circle mounts plaques for famous Ulster figures. Charlotte Milligan Fox and Alice Milligan have a plaque mounted on Omagh Library, 1 Spillar’s Place, Omagh, County Tyrone.
Walton is the son of a Methodist minister, Rev John Walton (1874–1936), and Anna Sinton (1874–1906). In those days a general clergyman’s family moves once every three years, and this practice carries him and his family, while he is a small child, to Rathkeale, County Limerick, where his mother dies, and to County Monaghan. He attends day schools in counties Down and Tyrone, and at Wesley College in Dublin before becoming a boarder at Methodist College Belfast in 1915, where he excels in science and mathematics. He obtains degrees in mathematics and experimental science from Trinity College Dublin in 1926.
Walton goes to Trinity College, Cambridge in 1927 where he works with Cockcroft in the Cavendish Laboratory under Ernest Rutherford until 1934. In 1928 he attempts two methods of high-energy particle acceleration. Both fail, mainly because the available power sources could not generate the necessary energies, but his methods are later developed and used in the betatron and the linear particle accelerator. In 1929 Cockcroft and Walton devise an accelerator that generates large numbers of particles at lower energies. With this device in 1932 they disintegrate lithium nuclei with protons, the first artificial nuclear reaction not utilizing radioactive substances and so becomes the first person in history to split the atom.
Although he retires from Trinity College Dublin in 1974, he retains his association with the Physics Department at Trinity up to his final illness. His is a familiar face in the tea-room. Shortly before his death he marks his lifelong devotion to Trinity by presenting his Nobel medal and citation to the college. Ernest Walton dies at the age of 91 in Belfast on June 25, 1995. He is buried in Deans Grange Cemetery in Dublin.
(Pictured: Ernest T.S. Walton, 1951, by Nobel foundation)
From November 1930 to 1957, Hewitt holds positions in the Belfast Museum & Art Gallery. His radical socialist ideals prove unacceptable to the Belfast Unionist establishment and he is passed over for promotion in 1953. Instead in 1957 he moves to Coventry, a city still rebuilding following its devastation during World War II. He is appointed Director of the Herbert Art Gallery & Museum where he works until retirement in 1972.
Hewitt is appointed the first writer-in-residence at Queen’s University Belfast in 1976. His collections includes The Day of the Corncrake (1969) and Out of My Time: Poems 1969 to 1974 (1974). He is also made a Freeman of the City of Belfast in 1983, and is awarded honorary doctorates at the University of Ulster and Queen’s University Belfast.
Hewitt has an active political life, describing himself as “a man of the left,” and is involved in the British Labour Party, the Fabian Society and the Belfast Peace League. He is attracted to the Ulster dissenting tradition and is drawn to a concept of regional identity within the island of Ireland, describing his identity as Ulster, Irish, British and European. He officially opens the Belfast Unemployed Resource Centre (BURC) Offices on May Day 1985.
John Hewitt dies in Belfast on June 22, 1987. His life and work are celebrated in two prominent ways – the annual John Hewitt International Summer School and, less conventionally, the John Hewitt Bar and Restaurant, a Belfast pub is named after him. The bar is named after him as he officially opens the Belfast Unemployed Resource Centre, which owns the establishment. It is a popular meeting place for local writers, musicians, journalists, students and artists. Both the Belfast Festival at Queen’s and the Belfast Film Festival use the venue to stage events.
Sir 
Poet 
seamus dubhghaill 