seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


Leave a comment

Irish Nurse’s Organization Votes to Reactivate Industrial Action

Two hundred delegates of the 24,000-strong Irish Nurses Organisation (INO) nurse’s union vote unanimously on October 27, 1998 to reactivate industrial action if their claims are not met. The delegates gather at the Burlington Hotel in Dublin.

The more difficult task is to modify the pay demands made by the State’s 2,500 ward sisters. The INO executive calls for senior ward sisters to receive salaries of £31,000 a year, or £6,400 more than the current maximum. However, one of the INO branch amendments calls for a new maximum of £35,000, the same salary as directors of nursing in major hospitals.

The conference is called to report on progress to date in talks, spell out objectives and obtain a mandate for strike action if negotiations break down. There is little progress to report. Talks at the Labour Relations Commission the previous week failed to resolve claims on extra long-service increments for staff nurses, or better rates of pay for ward sisters. Both issues are now referred to the Labour Court, which is already dealing with allowances for extra professional qualifications held by nurses.

The Labour Court is due to hear submissions from the INO, other nursing unions and health service managers on the qualifications issue the following day. About half of the State’s staff nurses have such qualifications, worth £347 a year. The union wants them re-rated at 10% of basic salary, worth up to £2,200 a year for staff nurses at the top of the scale. Despite the negotiating gap, this issue is less difficult to resolve than the others, because it is less likely to lead to follow-on claims from other public service unions.

The union is looking for new long-service increments at the top of the current 15-year scale, which will add 18% to basic salary. As 80% of nurses never graduate to ward sister level, the INO argues that a nurse with 22 years’ service should be earning £25,000.

It is also seeking a minimum 10% pay differential between the maximum amount staff nurses can earn and the pay for the new Clinical Nurse Managers I, recommended by the Nursing Commission. The differential for Clinical Nurse Managers II should be 15% and that for Clinical Nurse Managers III should be 25%.

The union argues that any smaller differentials will make it unattractive for staff nurses to accept promotion and forgo the opportunity for unsocial hours premiums. Recent offers from the management on overtime pay could make promotion even less attractive.

A week earlier the nursing unions defer a nationwide overtime ban only after management agrees to introduce a national framework for overtime payments. Ominously, the concession comes after an overtime ban was introduced in Cork. For the first time nurses nationwide will be paid time-and-a-half, or double time for overtime.

But the unions also demand permanent part-time nursing posts be introduced, as a means of combating the increasing nursing shortage. That there is a shortage of staff nurses is the one issue unions, health service managers and the Department of Health are agreed on. It is severest in Dublin hospitals, where over 300 beds have closed.


Leave a comment

Birth of Mairéad Ní Mhaonaigh, Irish Fiddler & Vocalist

Compressed by jpeg-recompressMairéad Ní Mhaonaigh, Irish fiddler and lead vocalist for the Irish traditional music band Altan, is born on July 26, 1959 in Gweedore, County Donegal, where Gaeilge is her primary language and she learns her songs and tunes from her family and neighbours.

Ní Mhaonaigh’s father, Proinsias Ó Maonaigh, is a noted fiddler, song writer and school teacher and is her first main influence. Her mother, Kitty Rua is also raised in a musical house that holds frequent house dances. It is no surprise that she and her siblings, Gearóid and Anna, all play music together.

In the early 1980s, Ní Mhaonaigh qualifies as a Primary school teacher and teaches in Saint Oliver Plunkett National School in Malahide, County Dublin. She and her husband, Frankie Kennedy, record Ceol Aduaidh (Music from the North) for Irish label Gael Linn in 1983. This timeless recording is the genesis of what later becomes Altan. The recording features her brother Gearóid Ó Maonaigh on guitar, Fintan Mc Manus on bouzouki, Ciaran Curran on bouzouki and Eithne Ní Bhraonáin (now known as Enya) on keyboards. The album quietly gains praise among enthusiasts of traditional Irish music worldwide, which leads the way for a career in music.

Ní Mhaonigh’s teaching career comes to a halt after she and her husband take a career break in 1987 and formed Altan. The band goes on to become one of the most acclaimed Irish traditional bands touring the world. They record for Green Linnet Records in the United States and tour North America extensively.

In 1994, Frankie Kennedy passes away to cancer, which is a tremendous loss to Ní Mhaonigh. She continues with the band at her late husband’s request and signs to multinational record label Virgin Records London in late 1994. This marks the first traditional Irish band to be signed to a major record label and propels Altan and Ní Mhaonigh into a wider audience of followers.

Altan travels all over the world headlining shows from Tokyo, the Sydney Opera House, the Hollywood Bowl to the National Concert Hall, Dublin.

Ní Mhaonaigh, along with fronting Altan, remains close her roots between touring and returns to her native County Donegal to play, sing and teach her music to a new generation. She helps set up Cairdeas na bhFidléirí (The Fellowship / Friendship of Fiddlers) in the early 1980s to promote and preserve the fiddle music of County Donegal.

In 2009, Ní Mhaonaigh releases her first solo album, Imeall (Edge/Theshold), as a limited edition. After many years of playing with the band and numerous requests for a solo recording she finally gets time to record the album after parting with her second husband Dermot Byrne, with whom she has her daughter Nia. She tours the album between Altan commitments with her co-producer and recording engineer Manus Lunny.

The album prompts one reviewer, Paul O’Connor, to remark, “Her identified success as the leader of Altan has dominated our sense of her to the point that we aren’t cognisant of how good she is as an artist, musician, composer in her own right.”

This new focus on Ní Mhaonaigh as an artist in her own right, prompts The Donegal Association in Dublin to grant her “Donegal Person of the Year 2009” at a gala dinner in Dublin’s prestigious Burlington Hotel.

Ní Mhaonaigh is awarded the top recognition in traditional Irish music by her fellow peers in 2018, when she is awarded TG4 Gradam Ceoil’s Traditional Musician of the Year. The following year, she is honoured in her own county at the now world famous “Cup o’Tae Festival” which is held annually in Ardara, County Donegal.

Ní Mhaonaigh is also a member of String Sisters, which is a Grammy listed folk supergroup of six of the world’s leading female fiddlers. Together they have released two albums – the Grammy-longlisted Live and Between Wind and Water. She is a member of T with the Maggies, which is a vocal supergroup of Donegal singers comprised of Maighread and Tríona Ní Dhomhnaill and Moya Brennan of Clannad fame.

Recently Ní Mhaonaigh has recorded with a group of thirteen County Donegal-based female fiddlers which is called ‘SíFiddlers.’

(From: Mairéad Ní Mhaonaigh’s website, http://www.mairead.ie)