Graham’s long time colleague and Hot Press editor Niall Stokes describes him, “In many ways, he was a founding father of modern Irish music. He inspired a whole generation of Irish fans and musicians to look at the world in a different and broader light. And he was good on more than music too. He felt a kinship with Northern Ireland and the people on both sides of the sectarian and political divide there that was unusual in those who were brought up within the narrow confines of the culture of Ireland in the ‘60s and ‘70s – and his political writing reflected this. And he was also ahead of the game in terms of his appreciation of the importance of the politics of food and the position of the developing world in the new era.”
Graham is instrumental in the formation of Irish rock band U2, having brought them to the attention of their manager Paul McGuinness. At an exhibition of early group photos, McGuinness remembers the role Graham played by introducing him to the band. Despite being widely known as the man who “discovered” U2, it is a title he disavowed. He writes enthusiastically about the band, giving them their first exposure. Both guitarist The Edge and Bono have explained Graham’s role in the band’s development.
John Waters observes that “It is often said that Bill ‘discovered’ U2. This is untrue. Bill created U2, through his enthusiasm for them. He gave them a reflection of their own possibilities and they only looked back that once.” Graham has a deep knowledge of virtually every form of popular and roots music. Waters goes on to credit him as “the first Irish writer to write about the connection between Irish political culture and Irish rock ‘n’ roll.”
A number of music critics/journalists have cited Graham as a primary influence, in some cases suggesting they got into the field as a direct result of his writing.
After the Irish Free State is formed and the Irish Civil War is concluded, the new state sets up a single radio channel named 2RN in 1926, launched by Douglas Hyde. The channel, operating out of Dublin, largely serves the Anglosphere population and at best reaches as far as County Tipperary, a situation that does not change until more powerful transmitters are adopted in the 1930s at Athlone.
In 1943, de Valera, at the time serving as Taoiseach and whose wife Sinéad Ní Fhlannagáin is a keen Conradh na Gaeilge activist, promotes the idea of a Gaeltacht station, but there is no breakthrough. By this time, 2RN has become Radio Éireann and still only has one channel, with limited broadcasting hours, often in competition for listeners with BBC Radio and Radio Luxembourg.
In the 1950s, a general liberalisation and commercialisation, indeed Americanisation begins to occur in Ireland, as a push is made to move Ireland from a rural-agrarian society with a protectionist cultural policy towards a market economy basis, with supply and demand the primarily basis of public communications. In 1960, RTÉ is established and direct control of communications moves from a government ministry position to a non-governmental RTÉ Director-General position, first filled by Edward Roth
Gerry Collins, the Minister for Posts and Telegraphs, announces in Dáil Éireann in February 1971 that a new radio station for the Gaeltacht will be created. Raidió na Gaeltachta begins broadcasting at 3:00 PM on April 2, 1972 as part of an Easter Sunday programming. During the very first broadcast, the main station at Casla, County Galway is not yet finished and the studios in County Kerry and County Donegal are still under construction, so the broadcast originates from Galway. The first Ceannaire (Controller) Pádraic Ó Raghallaigh opens the show, which is followed by a recording from President Éamon de Valera. A recording of Seán Ó Riada‘s Irish language Mass, Ceol an Aifrinn, from the Seipéal Mhic Dara at Carraroe is also played.
At foundation, the station begins with a staff of seven, including six former teachers and a businessman, and broadcasts for only two hours a day and is only available in or near the three largest Gaeltacht districts. The local studio at Derrybeg in Gweedore, County Donegal aids the native Irish music scene there. In the 1970s, Raidió na Gaeltachta gives early coverage to Clannad and Mairéad Ní Mhaonaigh, later the singer for Altan. These groups gain popularity not only in Ireland, but on the international stage, selling millions of records during the 1980s especially. The station is dedicated to bringing the listener general news, both national and international, as well as Gaelic sports coverage and more localised affairs of significance to the community in the Gaeltacht.
For many years RnaG is the only Irish language broadcaster in the country. In recent years it has been joined by a television service, Telefís na Gaeilge (TG4), and by regional community radio stations Raidió na Life in Dublin, Raidió Fáilte in Belfast, and Raidió Rí-Rá.
Ní Mhaonaigh’s father, Proinsias Ó Maonaigh, is a noted fiddler, song writer and school teacher and is her first main influence. Her mother, Kitty Rua is also raised in a musical house that holds frequent house dances. It is no surprise that she and her siblings, Gearóid and Anna, all play music together.
In the early 1980s, Ní Mhaonaigh qualifies as a Primary school teacher and teaches in Saint Oliver Plunkett National School in Malahide, County Dublin. She and her husband, Frankie Kennedy, record Ceol Aduaidh (Music from the North) for Irish label Gael Linn in 1983. This timeless recording is the genesis of what later becomes Altan. The recording features her brother Gearóid Ó Maonaigh on guitar, Fintan Mc Manus on bouzouki, Ciaran Curran on bouzouki and Eithne Ní Bhraonáin (now known as Enya) on keyboards. The album quietly gains praise among enthusiasts of traditional Irish music worldwide, which leads the way for a career in music.
Ní Mhaonigh’s teaching career comes to a halt after she and her husband take a career break in 1987 and formed Altan. The band goes on to become one of the most acclaimed Irish traditional bands touring the world. They record for Green Linnet Records in the United States and tour North America extensively.
In 1994, Frankie Kennedy passes away to cancer, which is a tremendous loss to Ní Mhaonigh. She continues with the band at her late husband’s request and signs to multinational record label Virgin Records London in late 1994. This marks the first traditional Irish band to be signed to a major record label and propels Altan and Ní Mhaonigh into a wider audience of followers.
Ní Mhaonaigh, along with fronting Altan, remains close her roots between touring and returns to her native County Donegal to play, sing and teach her music to a new generation. She helps set up Cairdeas na bhFidléirí (The Fellowship / Friendship of Fiddlers) in the early 1980s to promote and preserve the fiddle music of County Donegal.
In 2009, Ní Mhaonaigh releases her first solo album, Imeall (Edge/Theshold), as a limited edition. After many years of playing with the band and numerous requests for a solo recording she finally gets time to record the album after parting with her second husband Dermot Byrne, with whom she has her daughter Nia. She tours the album between Altan commitments with her co-producer and recording engineer Manus Lunny.
The album prompts one reviewer, Paul O’Connor, to remark, “Her identified success as the leader of Altan has dominated our sense of her to the point that we aren’t cognisant of how good she is as an artist, musician, composer in her own right.”
This new focus on Ní Mhaonaigh as an artist in her own right, prompts The Donegal Association in Dublin to grant her “Donegal Person of the Year 2009” at a gala dinner in Dublin’s prestigious Burlington Hotel.
Ní Mhaonaigh is awarded the top recognition in traditional Irish music by her fellow peers in 2018, when she is awarded TG4Gradam Ceoil’s Traditional Musician of the Year. The following year, she is honoured in her own county at the now world famous “Cup o’Tae Festival” which is held annually in Ardara, County Donegal.
Ní Mhaonaigh is also a member of String Sisters, which is a Grammy listed folk supergroup of six of the world’s leading female fiddlers. Together they have released two albums – the Grammy-longlisted Live and Between Wind and Water. She is a member of T with the Maggies, which is a vocal supergroup of Donegal singers comprised of Maighread and Tríona Ní Dhomhnaill and Moya Brennan of Clannad fame.
Recently Ní Mhaonaigh has recorded with a group of thirteen County Donegal-based female fiddlers which is called ‘SíFiddlers.’
When in Ireland, Browne lives at Luggala, set deep in the Wicklow Mountains in County Wicklow. The house, which he inherited from his mother, has been variously described as a castle or hunting lodge of large proportions. He once states he would rather have not been born, calling it “frightful to bring anyone into this world.”
Browne is a leading proponent for the revival and preservation of traditional Irish music through his record label Claddagh Records which he founds with others in 1959. His former home, Woodtown Manor near Dublin, is for many years a welcoming place for Irish poets, writers and musicians. The folk-pop group Clannad makes many recordings of their music there.
Browne is instrumental in the formation of the traditional Irish folk group The Chieftains. In 1962, after setting up Claddagh Records, he asks his friend, the famed uileann piperPaddy Moloney, to form a group for a one-off album. Moloney responds with the first line-up for the band, which goes on to achieve international commercial success.
Browne is interviewed at length for the Grace Notes traditional music programme on RTÉ lyric fm on 18 March 2010. He is a friend and patron of British artist Francis Bacon and in January 2017 is featured in the BBC documentary Francis Bacon: A Brush with Violence.
Garech Browne dies at the age of 78 in London on March 10, 2018. In his will and testament, he bequeaths to the city of Galway the granite remains of a medieval “bow gate.” The location of this gate, which had otherwise gone unmentioned by Browne, remains a mystery for over a year following his death. It is discovered on the grounds of the Luggala estate in 2019. According to a Galway historian, the gate may have formed part of the city’s defences in the 17th century, and was later removed from the city by Browne’s father, when it was probably taken to the Browne family home at Castle MacGarrett, just outside Claremorris in County Mayo. The gate is one of a number of items left to the Irish State by Browne.
In 1965, Lunny enrolls at Dublin‘s National College of Art & Design where he studies Basic Design and Graphic Design. He also develops an interest in metalwork leading him to become a skilled gold-and-silversmith, although he only practises the craft for a short time before devoting his energies fully to music. During his time in Dublin, he plays in a band called The Parnell Folk, with Mick Moloney, Sean Corcoran, Johnny Morrissey and Dan Maher.
When Moving Hearts breaks up in 1985, Lunny diversifies and becomes a producer. He is closely involved in the establishment of a new Irish record label, Mulligan Records (acquired in 2008 by Compass Records), and produces and plays on many of its early releases.
Lunny is the producer and music director of the soundtrack of Bringing It All Back Home, a BBC Television documentary series charting the influence of Irish music throughout the world. He produces albums for Paul Brady, Elvis Costello, Indigo Girls, Sinéad O’Connor, Clannad, Maurice Lennon, Baaba Maal, and Five Guys Named Moe. He appears on the compilation albums The Gathering (1981) and Common Ground (1996). In 1994, he produces Irish Australian singer/songwriter Mairéid Sullivan’s first recording, Dancer.
Lunny pushes new boundaries with his band Coolfin (1998) which includes uilleann piper John McSherry. He appears at the 2000 Cambridge Folk Festival, and the album that commemorates it. In 2001 he collaborates with Frank Harte on the album My Name is Napoleon Bonaparte. He produces the album Human Child (2007) by FaeroeseEivør Pálsdóttir, which is published in two versions, one English and one Faeroese.
As an arranger, Lunny works for The Waterboys, Fairground Attraction and Eddi Reader. Journey (2000) is a retrospective album. During 2003–2005, he is part of the reunited Planxty concert tour. He also produces Jimmy MacCarthy‘s album entitled Hey-Ho Believe, which is released on November 12, 2010.
Lunny is the brother of musician and producer Manus Lunny. He has a son, Shane, whose mother is singer Sinéad O’Connor.
(Pictured: Dónal Lunny at the Craiceann Bodhrán Festival 2016, Inis Oirr)
The first episode of Glenroe, a television drama series broadcast on RTÉ One, airs on September 11, 1983. The series runs for eighteen years, ending in May 2001.
A spin-off from Bracken, a short-lived RTÉ drama itself spun off from The Riordans, Glenroe is broadcast, generally from September to May, each Sunday evening at 8:30 PM. It is created, and written for much of its run, by Wesley Burrowes, and later by various other directors and producers including Paul Cusack, Alan Robinson and Tommy McCardle. Glenroe is the first show to be subtitled by RTÉ, with a broadcast in 1991 starting the station’s subtitling policy.
Glenroe centers on the lives of the people living in the fictional rural village of the same name in County Wicklow. The real-life village of Kilcoole is used to film the series. The series is also filmed in studio at RTÉ and in various other locations when directors see fit.
The main protagonists are the Byrne and McDermott/Moran families, related by the marriage of Miley Byrne to Biddy McDermott, colloquially known as Biddy and Miley. Other important characters include Teasy McDaid, the proprietor of the local pub, Tim Devereux, the Roman Catholicpriest, George Black, the Church of IrelandRector of the village, Fidelma Kelly, a cousin of Biddy, Blackie Connors, George Manning and Stephen Brennan.
Glenroe is noted for its original title sequence, which features the words “Gleann Rua” in Gaelic script morphing into “Glenroe” over a series of rural images. The original title sequence is used from the 1983-1984 season to the end of the 1992-1993 season. It is replaced with a more up-to-date title sequence at the start of the 1993-1994 season.
Glenroe‘s original theme tune is a traditional Irish song called “Cuaichín Ghleann Néifinn” and is arranged by Jim Lockhart of the Celtic rock band Horslips. A newly recorded version, arranged by Máire Ní Bhraonáin of the band Clannad, is introduced at the start of the 1993-1994 season.
In 2000 it seems the series is going into inevitable decline. On January 19, 2001, despite claims four years previously that it could run for another ten years, RTÉ announces that Glenroe is to end after eighteen seasons. The final episode of the series is broadcast on May 6, 2001.
Eithne Pádraigín Ní Bhraonáin, singer, songwriter, musician, and producer better known professionally as Enya, is born into a musical family in Dore, Gweedore, County Donegal on May 17, 1961.
Enya’s father, Leo Brennan, is the leader of the Slieve Foy Band, an Irish showband, and runs Leo’s Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has Spanish roots, is an amateur musician who plays in Leo’s band and teaches music at Gweedore Community School. Her maternal grandfather, Aodh, is the founder of the Gweedore Theatre company.
Enya begins her music career when she joins her family’s Celtic bandClannad in 1980 on keyboards and backing vocals. She leaves in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan’s wife Roma Ryan as her lyricist. Enya develops her distinct sound over the following four years with multi-tracked vocals and keyboards with elements of new age, Celtic, classical, church, and folk music. She sings in ten languages.
Enya’s first projects as a solo artist include soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which is released as her debut album, Enya (1987). She signs with Warner Music UK which grants her considerable artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propels her to worldwide fame, helped by its international top 10 hit single Orinoco Flow. This is followed by the multi-million selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, Only Time, surge in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came… (2008), Enya takes an extended break from music. She returns in 2012 and releases Dark Sky Island (2015).
Enya is known for her private lifestyle and has yet to undergo a concert tour. She is Ireland’s biggest selling solo artist and second overall behind U2, with a discography that has sold 26.5 million certified albums in the United States and an estimated 80 million albums worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best selling new age album with an estimated 16 million copies sold worldwide.
Graham’s long time colleague and Hot Press editor Niall Stokes describes him, “In many ways, he was a founding father of modern Irish music. He inspired a whole generation of Irish fans and musicians to look at the world in a different and broader light. And he was good on more than music too. He felt a kinship with Northern Ireland and the people on both sides of the sectarian and political divide there that was unusual in those who were brought up within the narrow confines of the culture of Ireland in the ‘60s and ‘70s – and his political writing reflected this. And he was also ahead of the game in terms of his appreciation of the importance of the politics of food and the position of the developing world in the new era.”
Graham is instrumental in the formation of Irish rock band U2, having brought them to the attention of their manager Paul McGuinness. At an exhibition of early group photos, McGuinness remembers the role Bill Graham played by introducing him to the band. Despite being widely known as the man who “discovered” U2, it is a title he disavowed. He writes enthusiastically about the band, giving them their first exposure. Both guitarist The Edge and Bono have explained Graham’s role in the band’s development.
John Waters observes that “It is often said that Bill ‘discovered’ U2. This is untrue. Bill created U2, through his enthusiasm for them. He gave them a reflection of their own possibilities and they only looked back that once.” Graham has a deep knowledge of virtually every form of popular and roots music. Waters goes on to credit him as “the first Irish writer to write about the connection between Irish political culture and Irish rock’n’roll.”
A number of music critics/journalists have cited Graham as a primary influence, in some cases suggesting they got into the field as a direct result of his writing.
Her debut album, The Water is Wide, is released in Europe in 2000 and in North America in 2006. In 2005, she is featured on The Duggans album Rubicon along with peers Moya Brennan and other members of Clannad.
In 2004, Fallon sends a demo offer to composer David Downes, who is then working on the concept of Celtic Woman. Due to her unique vocal abilities, Downes contacts Fallon and asks if she would like to be a part of Celtic Woman, at the time envisaged to be only a one-night show. Fallon agrees, and becomes one of the founding members of the group. In some songs, such as Isle of Innisfree and Carrickfergus, Fallon plays the harp as well as sings. She also plays the harp in fellow Celtic Woman member Chloë Agnew‘s performance of Guun’s Ave Maria.
Fallon is featured in the self-titled debut album Celtic Woman, Celtic Woman: A Christmas Celebration, and Celtic Woman: A New Journey, as well as in the tie-in PBS television specials and DVDs filmed in 2004, 2007, and 2006 respectively. She also tours with the group in 2005 on the inaugural North American Tour, the 2006-2007 A New Journey tour, and again in 2007-2008 on the second A New Journey tour.
In 2009, Fallon announces that she is leaving Celtic Woman to have a full break and spend time with her family. She is replaced by actress and vocalist Alex Sharpe.
In 2009, Fallon appears as a guest vocalist on Jim Brickman‘s It’s a Beautiful World tour and PBS special, and releases her second album Distant Shore in September of that year. This is followed in March 2010 with her third album Music of Ireland: Welcome Home. Fallon’s first Christmas album, Winter, Fire & Snow: A Celtic Christmas Collection, is released in September 2010. In December 2010, Fallon releases a PBS Celtic Christmas special and tie-in CD, titled Órla Fallon’s Celtic Christmas, the first time any former Celtic Woman member has starred in their own PBS special.
In March 2011, Fallon releases another album, Órla Fallon: My Land, which ties in with another PBS special. Another solo album, Lullaby Time, is released in 2012.
Moya Brennan, born Máire Ní Bhraonáin, Irish folk singer, songwriter, harpist, and philanthropist, is born in Dublin on August 4, 1952.
After leaving secondary school, Brennan spends a few years at the Royal Irish Academy of Music in Dublin studying the harp, the piano, and singing. She has also taught music at Holy Cross College in Falcarragh, County Donegal.
In 1970 Brennan joins her two brothers, Pól and Ciarán, and their mother’s twin brothers, Noel and Pádraig Ó Dúgáin, and form the band Clannad. They are identified and introduced to television by Tony MacMahon. After enjoying a decade of being among the world’s foremost Irish musical groups, Clannad graduates to chart success in 1982 with the album Magical Ring. Brennan is at the forefront of the group’s success and her voice suddenly becomes synonymous with Celtic music and Irish music at the time. Brennan records 17 albums with Clannad and wins a Grammy Award, a BAFTA, and an Ivor Novello award with the quintet. Her sister, Eithne Ní Bhraonáin, who spends some time with Clannad, continues to pursue a very successful solo career under the name Enya.
In total Brennan has recorded 25 albums, and has sold 20 million records. Brennan and Clannad are credited with the creation of contemporary Celtic music and are held in high esteem for their vast contribution to bringing new life to old Irish songs. They have been compared to Seán Ó Riada, in that they brought the Irish language into popular culture through their music. One critic said, “Clannad’s music offers a terrific fusion between traditional and modern influences.” U2 front man Bono says of her voice, “I think Máire has one of the greatest voices the human ear has ever experienced.”