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The Burning of Cork

The burning of Cork by British forces takes place on the night of December 11, 1920, during the Irish War of Independence. It follows an Irish Republican Army (IRA) ambush of a British Auxiliary patrol in the city, which wounds twelve Auxiliaries, one fatally.

IRA intelligence establishes that an Auxiliary patrol usually leaves Victoria Barracks (in the north of the city) each night at 8:00 p.m. and makes its way to the city centre via Dillon’s Cross. On December 11, IRA commander Seán O’Donoghue receives intelligence that two lorries of Auxiliaries will be leaving the barracks that night and travelling with them will be British Army Intelligence Corps Captain James Kelly.

A unit of six IRA volunteers commanded by O’Donoghue take up position between the barracks and Dillon’s Cross, a “couple of hundred yards” from the barracks. Their goal is to destroy the patrol and capture or kill Captain Kelly. Five of the volunteers hide behind a stone wall while one, Michael Kenny, stands across the road dressed as an off-duty British officer. When the lorries near he is to beckon the driver of the first lorry to slow down or stop.

At 8:00 p.m., two lorries, each carrying 13 Auxiliaries, emerge from the barracks. The first lorry slows when the driver spots Kenny and, as it does so, the IRA unit attacks with grenades and revolvers. The official British report says that 12 Auxiliaries are wounded and that one, Spencer Chapman, a former Officer in the 4th Battalion London Regiment (Royal Fusiliers), dies from his wounds shortly after. As the IRA unit makes its escape, some of the Auxiliaries fire on them while others drag the wounded to the nearest cover: O’Sullivan’s pub.

The Auxiliaries break into the pub with weapons drawn. They order everyone to put their hands over their heads to be searched. Backup and an ambulance are sent from the nearby barracks. One witness describes young men being rounded up and forced to lie on the ground. The Auxiliaries drag one of them to the middle of the crossroads, strip him naked and forced him to sing “God Save the King” until he collapses on the road.

Angered by an attack so near their headquarters and seeking retribution for the deaths of their colleagues at Kilmichael, the Auxiliaries gather to wreak their revenge. Charles Schulze, an Auxiliary and a former British Army Captain in the Dorsetshire Regiment during World War I, organizes a group of Auxiliaries to burn the centre of Cork.

At 9:30 p.m., lorries of Auxiliaries and British soldiers leave the barracks and alight at Dillon’s Cross, where they break into houses and herd the occupants onto the street. They then set the houses on fire and stand guard as they are razed to the ground. Those who try to intervene are fired upon and some are badly beaten. Seven buildings are set on fire at the crossroads. When one is found to be owned by Protestants, the Auxiliaries quickly douse the fire.

British forces begin driving around the city firing at random as people rush to get home before the 10:00 p.m. curfew. A group of armed and uniformed Auxiliaries surround a tram at Summerhill, smash its windows, and forced all the passengers out. Some of the passengers, including at least three women, are repeatedly kicked, hit with rifle butts, threatened, and verbally abused. The Auxiliaries then force the passengers to line up against a wall and search them, while continuing the physical and verbal abuse. Some have their money and belongings stolen. One of those attacked is a Catholic priest, who is singled out for sectarian abuse. Another tram is set on fire near Father Mathew‘s statue. Meanwhile, witnesses report seeing a group of 14–18 Black and Tans firing wildly for upwards of 20 minutes on nearby MacCurtain Street.

Soon after, witnesses report groups of armed men on and around St. Patrick’s Street, the city’s main shopping area. Most are uniformed or partially uniformed Auxiliaries and some are British soldiers, while others wear no uniforms. They are seen firing into the air, smashing shop windows and setting buildings on fire. Many report hearing bombs exploding. A group of Auxiliaries are seen throwing a bomb into the ground floor of the Munster Arcade, which houses both shops and flats. It explodes under the residential quarters while people are inside the building. They manage to escape unharmed but are detained by the Auxiliaries.

The Cork City Fire Brigade is informed of the fire at Dillon’s Cross shortly before 10:00 p.m. and are sent to deal with it at once. On finding that Grant’s department store on St. Patrick’s Street is ablaze, they decide to address it first. The fire brigade’s Superintendent, Alfred Hutson, calls Victoria Barracks and asks them to tackle the fire at Dillon’s Cross so that he can focus on the city centre. The barracks take no heed of his request. As he does not the resources to deal with all the fires at once, he has to prioritize the order in which the fires are addressed. He oversees the operation on St. Patrick’s Street and meets The Cork Examiner reporter Alan Ellis. He tells Ellis that “all the fires were being deliberately started by incendiary bombs, and in several cases, he had seen soldiers pouring cans of petrol into buildings and setting them alight.”

British forces hindered the firefighter’s attempts to tackle the blazes by intimidating them and cutting or driving over their hoses. Firemen are also shot at, and at least two are wounded by gunfire. Shortly after 3:00 a.m. on December 12, reporter Alan Ellis comes upon a unit of the fire brigade pinned down by gunfire near City Hall. The firemen say that they are being shot at by Black and Tans who have broken into the building. They also claim to see uniformed men carrying cans of petrol into the building from nearby Union Quay barracks.

At about 4:00 a.m. there is a large explosion and City Hall and the neighbouring Carnegie Library go up in flames, resulting in the loss of many of the city’s public records. According to Ellis, the Black and Tans had detonated high explosives inside City Hall. When more firefighters arrive, British forces shoot at them and refuse them access to water. The last act of arson takes place at about 6:00 a.m. when a group of policemen loot and burn the Murphy Brothers’ clothes shop on Washington Street.

After the ambush at Dillon’s Cross, IRA commander Seán O’Donoghue and volunteer James O’Mahony make their way to the farmhouse of the Delaney family at Dublin Hill on the northern outskirts of the city, not far from the ambush site. Brothers Cornelius and Jeremiah Delaney are members of F Company, 1st Battalion, 1st Cork Brigade IRA. O’Donoghue hides some grenades on the farm and the two men go their separate ways.

At about 2:00 a.m., at least eight armed men enter the house and go upstairs into the brothers’ bedroom. The brothers get up and stand at the bedside and are asked their names. When they answer, the gunmen open fire. Jeremiah is killed outright, and Cornelius dies of his wounds on December 18. Their elderly relative, William Dunlea, is wounded by gunfire. The brothers’ father says the gunmen wore long overcoats and spoke with English accents. It is thought that, while searching the ambush site, Auxiliaries had found a cap belonging to one of the volunteers and had used bloodhounds to follow the scent to the family’s home.

Over 40 business premises and 300 residential properties are destroyed, amounting to over five acres of the city. Over £3 million worth of damage (1920 value) is caused, although the value of property looted by British forces is not clear. Many people become homeless and 2,000 are left jobless. Fatalities include an Auxiliary killed by the IRA, two IRA volunteers killed by Auxiliaries, and a woman who dies from a heart attack when Auxiliaries burst into her house. Several people, including firefighters, are reportedly assaulted or otherwise wounded.

Irish nationalists call for an open and impartial inquiry. In the British House of Commons, Sir Hamar Greenwood, the Chief Secretary for Ireland, refuses the demand for such an inquiry. He denies that British forces had any involvement and suggests the IRA started the fires in the city centre.

Conservative Party leader Bonar Law says, “in the present condition of Ireland, we are much more likely to get an impartial inquiry in a military court than in any other.” Greenwood announces that a military inquiry would be carried out by General Peter Strickland. This results in the “Strickland Report,” but Cork Corporation instructs its employees and other corporate officials to take no part. The report blames members of the Auxiliaries’ K Company, based at Victoria Barracks. The Auxiliaries, it is claimed, burned the city centre in reprisal for the IRA attack at Dillon’s Cross. The British Government refuses to publish the report.

(Pictured: Workers clearing rubble on St. Patrick’s Street in Cork after the fires)


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Birth of Denis “Denny” Barry, Irish Volunteer & Trade Unionist

Denis “Denny” Barry, Irish Volunteer, commandant of the Cork No. 1 Brigade and trade unionist, is born into a farming family on July 15, 1883, in Riverstick, Cullen, County Cork.

Barry learns Irish from a young age. He attends Ballymartle National School but is unable to attend secondary school due to a lack of facilities in the area. He begins work on the family farm after primary school. In 1903, he moves to Cork to work as a draper‘s apprentice with the firm O’Sullivan and Howard, where he becomes involved in the Gaelic League and the Ancient Order of Hibernians. A successful athlete, he also plays for the Blackrock National Hurling Club and wins four senior county hurling championships between 1910–13.

In 1913, Barry joins the newly formed Irish Volunteers. In 1915, he moves to Kilkenny to take up employment there, where he continues his volunteer activities. Shortly after the 1916 Easter Rising, he is arrested in Kilkenny in a British Government crackdown, and sent to Frongoch internment camp in North Wales. In 1919, he returns to Cork, where he is Commandant of the Irish Republican Police (IRP) in Cork during the Irish War of Independence. In the Cork No. 1 Brigade of the Irish Republican Army (IRA), he helps with prisoner escapes and returning looted goods after the burning of Cork by Black and Tans. After the Anglo-Irish Treaty and the split that follows, he chooses the anti-Treaty branch of the IRA. He is captured by Irish Free State troops and is sent to Newbridge internment camp on October 6, 1922. He is not charged or convicted of any crime.

Irish Republican prisoners in Mountjoy Prison begin the 1923 Irish hunger strikes, protesting being interned without charges or trial and poor prison conditions. The strike quickly spreads to other camps and prisons, and Barry takes part starting on October 16. He dies 35 days later on November 20, 1923, at the hospital at Curragh Camp. IRA Volunteers Joseph Whitty from Newbawn, County Wexford, dies on September 2, 1923 and Andy O’Sullivan from Denbawn, County Cavan, dies as a result of hunger on November 22, 1923, in Mountjoy Prison. The 41-day hunger strike is called off the following day, November 23. Whitty, Barry and O’Sullivan are three of the 22 Irish Republicans who die on hunger-strike during the twentieth century. Barry is initially buried by the Free State army in the Curragh, but three days later, following a court order, his remains are disinterred. He is buried in the Republican plot at St. Finbarr’s Cemetery, Cork.

Prior to Barry’s body arriving in County Cork, the Bishop of Cork, Daniel Cohalan, issues a letter to the Catholic churches which forbids them to open their doors to his body. Bishop Cohalan expresses far different opinions on the 1920 death, also by hunger strike, of the Lord Mayor of Cork Terence MacSwiney. “Terence MacSwiney takes his place among the martyrs in the sacred cause of the Freedom of Ireland. We bow in respect before his heroic sacrifice. We pray that God may have mercy on his soul.”

In Barry’s hometown of Riverstick there stands a stone memorial, unveiled in 1966, in his honor and he is remembered with a wreath-laying commemoration every November.


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The Kilmichael Ambush

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The Kilmichael Ambush is carried out near the village of Kilmichael in County Cork on November 28, 1920, by the Irish Republican Army (IRA) during the Irish War of Independence. Thirty-six local IRA volunteers commanded by Tom Barry kill seventeen members of the Royal Irish Constabulary‘s Auxiliary Division. The Kilmichael ambush is politically as well as militarily significant. It occurs one week after Bloody Sunday, marking an escalation in the IRA’s campaign.

As dusk falls the ambush takes place on a road at Dus a’ Bharraigh in the townland of Shanacashel, Kilmichael Parish, near Macroom.

Just before the Auxiliaries in two lorries come into view, two armed IRA volunteers, responding late to Barry’s mobilisation order, drive unwittingly into the ambush position in a horse and sidecar, almost shielding the British forces behind them. Barry manages to avert disaster by directing the car up a side road and out of the way. The Auxiliaries’ first lorry is persuaded to slow down by the sight of Barry placing himself on the road in front of a concealed Command Post, wearing an IRA officer’s tunic given to him by Paddy O’Brien. Concealed on the south side of the road are six riflemen, whose instructions are to prevent the enemy taking up positions on that side. Another six riflemen are positioned some way off as an insurance group, should a third Auxiliary lorry appear.

The first lorry, containing nine Auxiliaries, slows almost to a halt close to their intended ambush position, at which point Barry gives the order to fire. He throws a Mills bomb that explodes in the open cab of the first lorry. A savage close-quarter fight ensues. According to Barry’s account, some of the British are killed using rifle butts and bayonets in a brutal and bloody encounter. This part of the engagement is over relatively quickly with all nine Auxiliaries dead or dying.

While this part of the fight is going on, a second lorry also containing nine Auxiliaries has driven into the ambush position. This lorry’s occupants, at a more advantageous position than Auxiliaries in the first lorry because of their distance from the ambushing group, dismount to the road and exchange fire with the IRA, killing Michael McCarthy. Barry then brings the Command Post soldiers who had completed the attack on the first lorry to bear on this group. Barry claimed these Auxiliaries called out a surrender and that some dropped their rifles but opened fire again with revolvers when three IRA men emerged from cover, killing volunteer Jim O’Sullivan instantly and mortally wounding Pat Deasy. Barry then orders his men to open fire and not stop until told to do so. Barry ignores a subsequent attempt by remaining Auxiliaries to surrender and keeps his men firing until he believes all the Auxiliaries are dead.

At the conclusion of the fight, it is observed that two IRA volunteers, Michael McCarthy and Jim O’Sullivan, are dead and that Pat Deasy, brother of Liam Deasy, is mortally wounded. Although the IRA fighters think they had killed all of the Auxiliaries, two actually survive, one very badly injured and another who escapes and is later captured and shot dead. Among the 16 British dead on the road at Kilmichael is Francis Crake, commander of the Auxiliaries in Macroom, probably killed at the start of the action by Barry’s Mills bomb.

Many IRA volunteers are deeply shaken by the severity of the action, referred to by Barry as “the bloodiest in Ireland,” and some are physically sick. Barry attempts to restore discipline by making them form-up and perform drill, before marching away. Barry himself collapses with severe chest pains on December 3 and is secretly hospitalized in Cork. It is possible that the ongoing stress of being on the run and commander of the flying column, along with a poor diet as well as the intense combat at Kilmichael contribute to his illness, diagnosed as heart displacement.

The political fallout from the Kilmichael ambush outweighs its military significance. While the British forces in Ireland can easily absorb 18 casualties, the fact that the IRA had been able to wipe out a whole patrol of elite Auxiliaries is for them deeply shocking. The British forces in the West Cork area take their revenge on the local population by burning several houses, shops and barns in Kilmichael, Johnstown and Inchigeelagh, including all of the houses around the ambush site. On December 3, three IRA volunteers are arrested by the British Essex Regiment in Bandon, beaten and killed, and their bodies dumped on the roadside.

For the British government, the action at Kilmichael is an indication that the violence in Ireland is escalating. Shortly after the ambush, barriers are placed on either end of Downing Street to protect the Prime Minister‘s office from IRA attacks. On December 10, as a result of Kilmichael, martial law is declared for the counties of Cork, Kerry, Limerick and Tipperary.

The British military now has the power to execute anyone found carrying arms and ammunition, to search houses, impose curfews, try suspects in military rather than civilian courts and to intern suspects without trial. On December 11, in reprisal for Kilmichael and other IRA actions, the centre of Cork city is burned by Auxiliaries, British soldiers and Black and Tans, and two IRA men are assassinated in their beds. In separate proclamations shortly afterwards, the authorities sanction “official reprisals” against suspected Sinn Féin sympathisers and the use of hostages in military convoys to deter ambushes.

(Pictured: The Kilmichael Ambush Monument at the ambush site)


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The Cork Opera House Fire

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The Cork Opera House is destroyed by fire on December 12, 1955. It is originally built in 1855 and is built on a template that the architect had used for the exhibition buildings at the Irish Industrial Exhibition. Since then, it survives the burning of much of Cork by British forces in 1920.

“The final curtain has fallen. The Cork Opera House is no more. A hundred years of stage history has come to an end. Never had the last moments of any drama, played on this stage, such an audience as last night’s farewell one. In heavy rain, a vast crowd stood silently as flames enveloped a proud landmark in our city. They watched it from the short first burst of fire on its roof until the building crumbled before their eyes.”

So reads the main news in The Cork Examiner on Tuesday, December 13, 1955, after the disastrous fire tore at the heartstrings of the people of Cork, leaving the city without a major theatre for the first time in 250 years. It is the boast of the Opera House that its tradition is continuous. When fighting in the South was at its bitterest, even when most of Cork was burned down, the Opera House kept running, only closing for pantomime rehearsals and in Holy Week. It is during the rehearsals for the forthcoming Christmas pantomime that the fatal fire starts. Fortunately, all people are evacuated, but the building built entirely from wood does not stand a chance from the merciless fire. What begins as an electrical fault, blazes into an inferno within minutes. Soon the skyline of the city is lit up as the fire does its worst.

Ten years later, on February 23, 1963, the tender of Messrs. O’Shea, South Mall is accepted for the rebuilding of the Opera House. A month later the work begins, and the foundation stone is laid by Lord Mayor Seán Casey on June 21, 1963. The citizens watch the building construction with keen interest as the new building gradually takes shape. Finally, the day arrives for the casting aside of hoardings and scaffoldings.

Immediately controversy begins regarding the much-disputed North-Wall. Unfavorable comment and criticism are levelled at the lack of architectural or artistic embellishment on the exterior of the new building and the square, squat tower on top of the roof designed to ease set changing. This is a very natural reaction as the old Opera House had a very special place in the hearts of Corkonians of every generation during its existence. Most of the criticism is uninformed, for few are aware of the difficulties, financially and technically, that the project incurred. Despite the criticism about the exterior appearance, everyone who has an opportunity to inspect the interior of the theatre can find no fault. There is nothing but praise for the design, the decor, the layout of the seating accommodation and, above all, the intimate atmosphere which has been a traditional part of the venerable old building, and which is now faithfully preserved in the new.