Nano Reid, Irish landscape artist, figure painter and portraitist, is born in Drogheda, County Louth on March 1, 1900. An individual, expressionistic artist, Reid is acknowledged to be one of the finest Irish woman painters of twentieth-century visual art in Ireland. Her works are represented in many public collections throughout Ireland.
In 1920, Reid wins a scholarship to study fine art painting and drawing at the Dublin Metropolitan School of Art, now the National College of Art and Design, under Harry Clarke. At the time, she is, in the words of fellow student Hilda van Stockum, “a fierce redhead…uncompromising and looking for truth.” In 1925 she starts showing at the Royal Hibernian Academy (RHA), submitting a total of 42 canvases until the late 1960s.
In 1950, with Norah McGuinness, Reid represents Ireland at the Venice Biennale. This is followed by the Exhibition of Contemporary Irish Art in Aberystwyth, Wales (1953), and the Mostra Internazionale di Bianco e Nero in Lugano, Switzerland (1956), the Guggenheim International Award Exhibition in New York City (1960) and the Twelve Irish Painters show in New York City (1963). In 1974, the Arts Council and the Arts Council of Northern Ireland stage a major retrospective of Reid’s artworks.
Nano Reid dies in Drogheda in 1981. Retrospectives are held at Taylor Galleries in Dublin (1984), Droichead Arts Centre in Drogheda (1991), and at Linenhall Arts Centre in Castlebar, County Mayo (1999).
Delia Murphy Kiernan, singer and collector of Irish ballads, is born on February 16, 1902, in Ardroe, Roundfort, County Mayo. She records several 78 rpm records in the 1930s, 1940s and 1950s. In 1962 she records her only LP, The Queen of Connemara, for Irish Prestige Records, New York, on the cover of which her name appears alongside the LP title.
Delia’s father, John Murphy, from nearby Hollymount, makes his fortune in the Klondike Gold Rush. While in America, he marries Ann Fanning from Roscrea, County Tipperary. They return to Ireland in 1901 and purchase the large Mount Jennings Estate in Hollymount. John encouraged Delia’s interest in singing ballads from a young age. He also allows Irish travelers to camp on the estate. According to her own account, she learns her first ballads at their campfires.
Delia is educated at Presentation Convent in Tuam, Dominican College in Dublin and University College Galway (UCG), where she graduates with a Bachelor of Commerce degree. In UCG she meets Dr. Thomas J. Kiernan, and they marry in 1924, on her 22nd birthday. Kiernan then joins the Irish diplomatic service, where his first posting is to London. While there Delia sings at many venues including many gatherings of Irish emigrants and becomes quite well-known. In 1939 she records The Blackbird, The Spinning Wheel and Three Lovely Lassies for HMV.
In 1941 Kiernan is appointed Irish Minister Plenipotentiary to the Holy See in Rome. The Irish legation is the only English-speaking legation to remain open after the United States enters World War II. Delia becomes one of those who assist Hugh O’Flaherty in hiding Jews and escapes allied soldiers from the Nazis. In 1943, when Italy changes sides, many escaped POWs are helped by the legation to leave Italy. In 1946 she is awarded to Dame Commander of the Equestrian Order of the Holy Sepulchre.
Kiernan later serves as Irish High Commissioner and later first Ambassador in Australia, and later to West Germany, Canada, and the United States. In 1961, while she is living in Ottawa, Delia makes the recording of The Queen of Connemara produced by Ken Goldstein. The Kiernans purchase a farmhouse in Jasper, Ontario, near the Rideau Canal where she spends most of her time, even after Kiernan is posted to Washington, D.C. Tom Kiernan dies in December 1967.
By 1969 Delia’s health is in decline. In November of that year, she sells her farmhouse in Canada and returns to Ireland. She lives in a cottage in Strawberry Beds, Chapelizod, County Dublin. She dies of a massive heart attack on February 11, 1971, five days before her 69th birthday. She records upwards of 100 songs during her lifetime.
Sheridan has her early vocal training while at school at the Dominican Convent in Eccles Street, Dublin, with additional lessons from Vincent O’Brien. In 1908, she wins a gold medal at the Feis Ceoil. From 1909 to 1911 she studies at the Royal Academy of Music in London, during which time she is introduced to the Italian inventor Guglielmo Marconi, who is instrumental in arranging further studies for her in opera in Rome.
Sheridan returns to Italy, where her career continues to grow, with performances at the Teatro Dal Verme in Milan and at the Teatro di San Carlo in Naples, primarily in Puccini roles. In 1922 she first sings at La Scala, Milan, in La Wally by Alfredo Catalani under the direction of Arturo Toscanini. For the next few years, she sings at La Scala with great success. Perhaps her greatest role is Madama Butterfly, which she sings extensively in Italy and at Covent Garden. When she plays the part of Madama Butterfly, Puccini is said to be spellbound.
Despite her successes, Sheridan’s career is short. Suffering vocal difficulties, she goes into retirement around 1930 except for a few concerts. Bríd Mahon, in her 1998 book While Green Grass Grows, states that “It was rumoured that an Italian whose overtures she had rejected had blown his brains out in a box in La Scala, Milan, while she was on stage and that after the tragedy, she never sang in public again.”
Margaret Sheridan dies in relative obscurity on April 16, 1958, having lived in Dublin for many years, and her remains are buried in Glasnevin Cemetery, Dublin.
The Battle of Ardnaree, a battle in the Tudor conquest of Ireland, is fought at Ardnaree, now a suburb of Ballina, County Mayo, on September 23, 1586. The result is a victory for the English over the Mac Philbins and Burkes. The conflict is a part of the political and military struggle, involving the English and occasionally the Scots, for control of northern Ireland. The anglicised version of the name Ardnaree can be translated to Árd na ríogh, meaning the hill of the kings.
Sir Richard Bingham, governor of Connacht, follows the mercenary force to Ardnaree, where the mercenary force has camped on the east bank of the River Moy. Bingham’s forces surround the camp at night and attack the occupants. During the battle 1,000 mercenaries are killed, including Donnell Gorm MacDonnell of Carey and Alexander Carragh MacDonnell of Glenarm. Also slaughtered are some 1,000 men, women and children in the camp.
Richard Bingham goes on to hang the leaders of the Burkes, with the former lands of Mac Philbins and Mayo Burkes given to English settlers.
(Pictured: Sir Richard Bingham, governor of Connacht)
Parnell is elected president of Michael Davitt‘s newly founded Irish National Land League in Dublin on October 21, 1879, signing a militant Land League address campaigning for land reform. During the summer of 1880, the Land League, goes into decline but its fortunes are transformed when the House of Lords rejects a moderate measure of land reform. The movement is transformed into a national movement as it spreads into Munster and Leinster. As the movement spreads, crime increases especially in the West. Parnell, who had been elected leader of the Irish Parliamentary Party in May, is very worried about this violence and hopes that the Land League can deflect tenants away from the traditional violence associated with land agitation. He advocates a policy of “moral force” where tenants are to deny all social or commercial contact with anyone who is believed to oppose the aims of the League.
During his speech at Ennis, Parnell asks his audience, “What are you to do with a tenant who bids for a farm from which another has been evicted?” Several voices reply “Shoot him!” and “Kill him!” Parnell responds, “I wish to point out to you a very much better way, a more Christian and charitable way, which will give the lost man an opportunity of repenting. When a man takes a farm from which another has been evicted, you must shun him on the roadside when you meet him, you must shun him in the streets of the town, you must shun him in the shop, you must shun him on the fair green and in the market place, and even in the place of worship, by leaving him alone, by putting him in moral Coventry, by isolating him from the rest of the country, as if he were the leper of old – you must show him your detestation of the crime he committed.”
This type of “moral Coventry” is used in the cast of Captain Charles Cunningham Boycott, a County Mayoland agent, who is isolated by the local people until his nerve breaks. This leads to a new word entering into the English language – boycotting.
Murphy is born to an Anglo-Irish family at Milford House, near the Mayo-Galway border. His childhood in Ireland is documented in the film The Other Irish Travellers made by his niece, Fiona Murphy.
In 1954, Murphy settles at Cleggan, a village on the coast of Galway where fishing has been abandoned after a famous sailing disaster. Several years later, in 1959, he purchases and renovates the Ave Maria, a traditional Galway hooker type boat, from Inishbofin fisherman, Michael Schofield, which he uses to ferry visitors to the island. Taking the first-hand accounts of survivors of the sailing disaster, he weaves the material into a long tour de force poem which closes his first collection Sailing to an Island, published in the early 1960s by Faber & Faber. In 1969, he purchases Ardoileán (High Island), a small island in the vicinity of Inishbofin.
Murphy enjoys commissions for his poems from the BBC which prompts him to start on his long book-length sequence The Battle of Aughrim. Ostensibly about the 18th century triumph of Dutch-led Protestant forces over the Irish and French Catholic forces, the poem deals obliquely not only with the brewing strife in Ulster of the 1960s, but also with the issues of the Vietnam War. Its episodic structure is highly influential on poetic sequences subsequently published by Montague and Heaney.
Since 1971 Murphy has been a poet-in-residence at nine American universities. He lives in Sri Lanka, having previously divided his time between Dublin and Durban, South Africa, where his daughter and her family reside. He is the maternal grandfather of YouTuber Caspar Lee. In 2002, a memoir of his life and times, The Kick, is published by Granta, constructed from detailed diaries kept over the course of five decades.
On September 18, 1920, the Mayo Brigade of the IRA is reorganized and spilt up into four separate brigades. Tom Maguire is appointed commander of the South Mayo brigade.
Maguire leads an ambush on a Royal Irish Constabulary (RIC) patrol in Toormakeady, County Mayo, on May 3, 1921, killing four. Maguire’s flying column then heads for the Partry Mountains. According to one account, the column is surrounded by many soldiers and policemen guided by aeroplanes. Maguire is wounded and his adjutant is killed, but the column manages to escape with no further casualties. Maguire is involved in numerous other engagements including the Kilfall ambush.
Maguire is a member of the anti-Treaty IRA executive which commands rebel troops during the Irish Civil War. Maguire is captured by the National Army while in bed and is told that he would be executed, but his life is spared. While in prison his brother, Sean Maguire, aged 17, is executed by the government.
Maguire remains a TD until 1927. He initially indicates a willingness to contest the June 1927 Irish general election as a Sinn Féin candidate but withdraws after the IRA threatens to court-martial any member under IRA General Army Order 28, which forbids its members from standing in elections.
Maguire subsequently drifts out of the IRA. In 1932, a Mayo IRA officer reports that Maguire, now firmly aligned with Sinn Féin, refuses to call on men to join the IRA when speaking at republican commemorations. When challenged on this, Maguire claims that, as the IRA “were no longer the same as they used to be,” he disagrees with the organisation.
In December 1938, Maguire is one of a group of seven people, who had been elected to the Second Dáil in 1921, who meet with the IRA Army Council under Seán Russell. At this meeting, the seven sign over what they contend is the authority of the Government of Dáil Éireann to the Army Council. Henceforth, the IRA Army Council perceives itself to be the legitimate government of the Irish Republic and, on this basis, the IRA and Sinn Féin justify their rejection of the states of the Republic of Ireland and Northern Ireland and political abstentionism from their parliamentary institutions.
When the majority of IRA and Sinn Féin decide to abandon abstentionism in the 1969–1970 split, Ruairí Ó Brádaigh and Dáithí Ó Conaill seek and secure Maguire’s recognition of the Provisional IRA as the legitimate successor to the 1938 Army Council. Of the seven 1938 signatories, Maguire is the only one still alive at the time.
Likewise, in the aftermath of the 1986 split in the Republican Movement, both the Provisional IRA and the Continuity IRA seek Maguire’s support. Maguire signs a statement which is issued posthumously in 1996. In it, he confers legitimacy on the Army Council of the Continuity IRA. In The Irish Troubles, J. Bowyer Bell describes Maguire’s opinion in 1986, “abstentionism was a basic tenet of republicanism, a moral issue of principle. Abstentionism gave the movement legitimacy, the right to wage war, to speak for a Republic all but established in the hearts of the people.”
Stagg is educated to primary level at Newbrook Primary School and at CBS Ballinrobe to secondary level. After finishing his schooling, he works as an assistant gamekeeper with his uncle prior to emigrating to England in search of work.
Once in England he gains employment as a bus conductor in north London and later becomes a bus driver. Whilst in England he meets and marries fellow Mayo native, Bridie Armstrong from Carnacon. In 1972, he joins the Lutoncumann of Sinn Féin and soon after becomes a volunteer in the Provisional Irish Republican Army (IRA).
In April 1973, Stagg is arrested with six others alleged to comprise an IRA unit planning bombing attacks in Coventry. He is tried at BirminghamCrown Court. The jury finds three of the seven not guilty. The remaining four are all found guilty of criminal damage and conspiracy to commit arson. Stagg and English-born priest, Father Patrick Fell, are found to be the unit’s commanding officers. Stagg is given a ten-year sentence and Fell twelve years. Thomas Gerald Rush is given seven years and Anthony Roland Lynch, who is also found guilty of possessing articles with intent to destroy property, namely nitric acid, balloons, wax, and sodium chlorate, is given ten years.
Following the hunger strike that results in the death of Michael Gaughan, the Price sisters, Feeney, and Kelly are granted repatriation to Ireland. Stagg is denied repatriation and is transferred to Long Lartin Prison. During his time there he is subject to solitary confinement for refusing to do prison work and is also subjected, along with his wife and sisters during visits, to humiliating body searches. In protest against this he begins a second hunger strike that lasts for thirty-four days. This ends when the prison governor agrees to an end to the strip-searches on Stagg and his visitors. Stagg is bed-ridden for the rest of his incarceration in Long Lartin, due to a kidney complaint.
In 1975 Stagg is transferred to Wakefield Prison, where it is demanded that he again do prison work. He refuses and is placed in solitary confinement. On December 14, 1975, Stagg embarks on a hunger strike in Wakefield, along with a number of other republican prisoners, after being refused repatriation to Ireland during the IRA/British truce. Stagg’s demands are an end to solitary confinement, no prison work, and repatriation to prison in Ireland. The British government refuses to meet any of these demands. Stagg dies on February 12, 1976, after 62 days on hunger strike.
Frank Stagg’s burial causes considerable controversy in Ireland, with republicans and two of his brothers seeking to have Stagg buried in the republican plot in Ballina in accordance with his wishes, while his widow, his brother, Emmet Stagg, and the Irish government wish to have him buried in the family plot in the same cemetery and to avoid republican involvement in the funeral. As the republicans wait at Dublin Airport for the body, the Irish government orders the flight to be diverted to Shannon Airport.
His body is taken to Ballina and buried near the family plot. In order to prevent the body being disinterred and reburied by republicans, the grave is covered with concrete. In November 1976, a group of republicans tunnel under the concrete to recover the coffin under cover of darkness and rebury it in the republican plot.
Delia Murphy Kiernan, singer and collector of Irish ballads, dies of a massive heart attack on February 11, 1971, five days before her 69th birthday. She records several 78 RPM records in the 1930s, 1940s, and 1950s. In 1962 she records her only LP record, The Queen of Connemara, for Irish Prestige Records, New York, on the cover of which her name appears alongside the LP title. Her notable voice gives her the nickname the “Queen of Connemara.”
Murphy is born on February 16, 1902, in Ardroe, Roundfort, County Mayo, to a well-off family. Her father, John Murphy, from nearby Hollymount, makes his fortune in the Klondike Gold Rush. While in America, he marries Ann Fanning from Roscrea, County Tipperary. They return to Ireland in 1901 and purchase the large Mount Jennings Estate in Hollymount. Murphy’s father encourages her interest in singing ballads from a young age. He also allows Irish travellers to camp on the estate. According to her own account, she learns her first ballads at their campfires.
Murphy is educated at Presentation Convent in Tuam, Dominican College in Dublin, and University College Galway (UCG), where she graduates with a Bachelor of Commerce degree. While at UCG she meets Dr. Thomas J. Kiernan, and they marry in 1924, on her 22nd birthday. Kiernan then joins the Irish diplomatic service, where his first posting is to London. While there Murphy sings at many venues including many gatherings of Irish emigrants and becomes quite well-known. In 1939 she records The Blackbird, The Spinning Wheel, and Three Lovely Lassies for HMV.
In 1941, Kiernan is appointed Irish Minister Plenipotentiary to the Holy See in Rome. The Irish legation is the only English-speaking legation to remain open after the United States enters World War II. Murphy becomes one of those who assist Monsignor Hugh O’Flaherty in saving the lives of 6,500 Allied soldiers and Jews. In 1943, when Italy changes sides, many escaped POWs are helped by the legation to leave Italy.
Kiernan later serves as Irish High Commissioner and later first Ambassador in Australia, and later to West Germany, Canada, and the United States. In 1961, while living in Ottawa, Murphy makes the recording of The Queen of Connemara produced by Ken Goldstein. Murphy and Kiernan purchase a farmhouse in Jasper, Ontario, near the Rideau Canal where she spends most of her time, even after Kiernan is posted to Washington, D.C. Tom Kiernan dies in December 1967.
By 1969 Murphy’s health is in decline. In November of that year, she sells her farmhouse in Canada and returns to Ireland. She lives in a cottage in Strawberry Beds, Chapelizod, County Dublin, until her death. During her lifetime she records upwards of 100 songs.
The Playboy of the Western World, a three-act play written by Irish playwright John Millington Synge, is first performed at the Abbey Theatre, Dublin, on January 26, 1907. The play is set in Michael James Flaherty’s public house in County Mayo during the early 1900s. It tells the story of Christy Mahon, a young man running away from his farm, claiming he killed his father. The locals are more interested in vicariously enjoying his story than in condemning the immorality of his murderous deed, and in fact, Christy’s tale captures the romantic attention of the barmaid Pegeen Mike, the daughter of Flaherty. The play is best known for its use of the poetic, evocative language of Hiberno-English, heavily influenced by the Irish language, as Synge celebrates the lyrical speech of the Irish.
The Playboy Riots occur during and following the opening performance of the play. The riots are stirred up by Irish nationalists who view the contents of the play as an offence to public morals and an insult against Ireland. The riots take place in Dublin, spreading out from the Abbey Theatre, and are finally quelled by the actions of the Dublin Metropolitan Police.
The fact that the play is based on a story of apparent patricide also attracts a hostile public reaction. Egged on by nationalists, including Sinn Féin leader Arthur Griffith, who believe that the theatre is not sufficiently political and describes the play as “a vile and inhuman story told in the foulest language we have ever listened to from a public platform,” and with the pretext of a perceived slight on the virtue of Irish womanhood in the line “a drift of females standing in their shifts” (a shift being a female undergarment), a significant portion of the crowd riots, causing the remainder of the play to be acted out in dumbshow. Nevertheless, press opinion soon turns against the rioters and the protests peter out.
Years later, William Butler Yeats declares to rioters against Seán O’Casey‘s pacifist drama The Plough and the Stars, in reference to the Playboy Riots, “You have disgraced yourself again. Is this to be the recurring celebration of the arrival of Irish genius?”
In the 1965 film Young Cassidy, a riot occurs during a play by the fictitious playwright Cassidy, following which the character W.B. Yeats refers to Synge and speaks similar words, starting with “You have disgraced yourselves again.”
The production of Synge’s play meets with more disturbances in the United States in 1911. On opening night in New York City, hecklers boo, hiss and throw vegetables and stink bombs while men scuffle in the aisles. The company is later arrested in Philadelphia and charged with putting on an immoral performance. The charges are later dismissed.
seamus dubhghaill 