seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Sean Scully, Painter, Printmaker, Sculptor & Photographer

Sean Scully, Irish-born American-based artist working as a painter, printmaker, sculptor and photographer, is born in Dublin on June 30, 1945. His work is held in museum collections worldwide and he has twice been named a Turner Prize nominee.

Four years after his birth, Scully’s family moves to London where they live in a working-class part of South London, moving from lodging to lodging for a number of years. By the age of 9, he knows he wants to become an artist. From the age of 15 until he is 17, he is apprenticed at a commercial printing shop in London as a typesetter, an experience that greatly influences his future artwork.

Scully studies at Croydon School of Art between 1965-67 and at Newcastle University between 1967-71. He is awarded the Frank Knox Memorial Fellowship in 1972 to attend Harvard University. It is during this first stay in the United States that he begins to experiment with new techniques such as tape and spray paint. In 1975 he is awarded a Harkness Fellowship and establishes a studio in New York, where he settles, becoming an American citizen in 1983.

Over the years, Scully develops and refines his own recognisable style of geometric abstraction and most notably his characteristic motif of the ‘stripe.’ Although he is predominately known for his monumental paintings, he is also a gifted printmaker who has made a notable body of woodcuts and etchings.

Scully has his first solo exhibition at the Rowan Gallery, London in 1973. He has his first retrospective at the Ikon Gallery in Brindleyplace, Birmingham, in 1981, which travels throughout the United Kingdom. In 1989 his first solo exhibition in a European museum travels from the Whitechapel Gallery in London to Palacio Velázquez in Madrid and Städtische Galerie im Lenbachhaus in Munich. He has further solo exhibitions at Kunstsammlung Nordrhein Westfalen in Düsseldorf (2001) which travels to Haus der Kunst in Munich and the Institut Valencià d’Art Modern in Valencia; The Phillips Collection in Washington, D.C. (2005) travels to the Modern Art Museum of Fort Worth in Texas, the Cincinnati Art Museum in Ohio and finally the Metropolitan Museum of Art in New York City. A major retrospective tours multiple venues in China between 2015 and 2017.

Scully’s paintings and prints are held in the collections of Tate in London, the Albertina in Vienna, Museo Nacional Centro de Arte Reina Sofía in Madrid, Instituto Valencia d’Arte Modern in Valencia, the Metropolitan Museum of Art and the Solomon R. Guggenheim Museum in New York City, the National Gallery of Art in Washington D.C., Modern Art Museum of Fort Worth in Texas, Guangzhou Museum of Art in Guangzhou, China, and the Central Academy of Fine Arts in Beijing, China.

Scully has held teaching positions at Chelsea College of Arts and Goldsmith’s College of Art and Design, both in London, Princeton University in New Jersey, Parsons School of Design in New York, and most recently at the Akademie der Bildenden Künste in Munich. He is shortlisted for the Turner Prize in 1989 and in 1993, and is elected a Royal Academician in 2013. He participates for the first time at the Venice Biennale in 2014.

Sean Scully lives and works in New York and in Bavaria, Germany.


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Death of Irish Painter Louis le Brocquy

Louis le Brocquy, Irish painter, dies in Dublin at the age of 95 on April 25, 2012.

Le Brocquy is born in Dublin on November 10, 1916 to Albert and Sybil le Brocquy. He is educated at St. Gerard’s School, studies chemistry at Kevin Street Technical School in 1934, and then Trinity College Dublin before working at his family’s oil refinery. Turning to art at the age of 21, he learns through studying the works of Diego Velázquez, Édouard Manet, and Paul Cézanne, in various museums across Europe. Returning to Ireland at the outbreak of World War II, he focuses his attention on depicting themes from Celtic mythology as well as individuals of Ireland’s Travellers ethnic minority.

Le Brocquy’s work receives many accolades in a career that spans some seventy years of creative practice. In 1956, he represents Ireland at the Venice Biennale, winning the Premio Acquisito Internationale (a once-off award when the event was acquired by the Nestle Corporation) with A Family (National Gallery of Ireland), subsequently included in the historic exhibition Fifty Years of Modern Art at the 1958 Brussels World’s Fair. That same year he marries the Irish painter Anne Madden and leaves London to work in the French Midi.

Le Brocquy is widely acclaimed for his evocative “Portrait Heads” of literary figures and fellow artists, which include William Butler Yeats, James Joyce, and his friends Samuel Beckett, Francis Bacon and Seamus Heaney. In his later years le Brocquy’s early “Tinker” subjects and Grey period “Family” paintings, attract attention on the international marketplace placing le Brocquy within a very select group of British and Irish artists whose works have commanded prices in excess of £1 million during their lifetimes. Others in this group include Lucian Freud, David Hockney, Frank Auerbach, and Francis Bacon.

Today, Le Brocquy’s work is represented in numerous public collections from the San Diego Museum of Art and the Solomon R. Guggenheim Museum in New York City to the Tate Modern in London. In Ireland, he is honoured as the first and only painter to be included during his lifetime in the Permanent Irish Collection of the National Gallery of Ireland.

Le Brocquy designs the covers for the albums The Lark in the Morning and The Rising of the Moon: Irish Songs of Rebellion. A member of Aosdána, he is elected Saoi in 1994, which is the highest honour that members of Aosdána can bestow upon a fellow member. No more than seven living members can be so honoured at one time.

Le Brocquy dies in Dublin on April 25, 2012 and is survived by his daughter Seyre from his first marriage (1938–1948) to Jean Stoney, and his two grandsons John-Paul and David; his second wife Anne Madden, and their two sons, Pierre and Alexis.


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Birth of Irish Artist Nano Reid

nano-reid-crumphan-achillNano Reid, Irish landscape artist, figure painter and portraitist, is born in Drogheda, County Louth on March 1, 1900. An individual, expressionistic artist, Reid is acknowledged to be one of the finest Irish woman painters of twentieth-century visual art in Ireland. Her works are represented in many public collections throughout Ireland.

In 1920, Reid wins a scholarship to study fine art painting and drawing at the Dublin Metropolitan School of Art, now the National College of Art and Design, under Harry Clarke. At the time, she is, in the words of fellow student Hilda van Stockum, “a fierce redhead…uncompromising and looking for truth.” In 1925 she starts showing at the Royal Hibernian Academy (RHA), submitting a total of 42 canvases until the late 1960s.

In 1928, Reid goes to Paris and enrolls briefly at the Académie de la Grande Chaumière, after which she spends a year in London studying fine art at the Central School of Arts and Crafts under Bernard Meninsky. She returns to Ireland in 1931 and once more begins exhibiting her landscape painting at the RHA.

In 1950, with Norah McGuinness, Reid represents Ireland at the Venice Biennale. This is followed by the Exhibition of Contemporary Irish Art in Aberystwyth, Wales (1953), and the Mostra Internazionale di Bianco e Nero in Lugano, Switzerland (1956), the Guggenheim International Award Exhibition in New York City (1960) and the Twelve Irish Painters show in New York City (1963). In 1974, the Arts Council and the Arts Council of Northern Ireland stage a major retrospective of Reid’s artworks.

Nano Reid dies in Drogheda in 1981. Retrospectives are held at Taylor Galleries in Dublin (1984), Droichead Arts Centre in Drogheda (1991), and at Linenhall Arts Centre in Castlebar, County Mayo (1999).

(Pictured: “Crumphan, Achill,” oil on canvas)


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Birth of Irish Artist Patrick Scott

patrick-scottPatrick Scott, Irish artist, is born in Kilbrittain, County Cork, on January 24, 1921. He is perhaps best known for his gold paintings, abstracts incorporating geometrical forms in gold leaf against a pale tempura background. He also produces tapestries and carpets.

He has his first exhibition in 1944, but trains as an architect and does not become a full-time artist until 1960. He works for fifteen years for the Irish architect Michael Scott, assisting, for example, in the design of Busáras, the central bus station in Dublin. He is also responsible for the orange livery of Irish intercity trains.

His paintings are in several important collections including the Museum of Modern Art in New York City. He wins the Guggenheim Award in 1960 and represents Ireland in the 1960 Venice Biennale. The Douglas Hyde Gallery holds a major retrospective of his work in 1981 and the Hugh Lane Gallery in Dublin holds a major survey in 2002. His works are distinguished by their purity and sense of calm, reflecting his own interest in Zen Buddhism.

In October 2013, Scott weds his companion of 30 years, Eric Pearce, in a civil ceremony at the Dublin Registry Office.

On July 11, 2007, Scott, who is a founding member of Aosdána, is conferred with the title of Saoi, the highest honour that can be bestowed upon an Irish artist. The President of Ireland, Mary McAleese, makes the presentation, placing a gold torc, the symbol of the office of Saoi, around his neck. No more than seven living members may hold this honour at any one time.

Patrick Scott dies in Ballsbridge, Dublin, on February 14, 2014 at the age of 93. He is survived by his partner.