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Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of John FitzGibbon, 1st Earl of Clare, Lord Chancellor of Ireland

John FitzGibbon, 1st Earl of Clare PC (Ire), Attorney-General for Ireland from 1783 to 1789 and Lord Chancellor of Ireland from 1789 to 1802, is born near Donnybrook, Dublin, on August 23, 1749. He remains a deeply controversial figure in Irish history, being described variously as an old-fashioned anti-Catholic Whig political party hardliner and an early advocate of the Act of Union between Ireland and Great Britain (which finally happens in 1801, shortly before his death).

FitzGibbon is the son of John FitzGibbon of Ballysheedy, County Limerick, and his wife Isabella Grove, daughter of John Grove, of Ballyhimmock, County Cork. His father is born a Catholic but converts to the state religion in order to become a lawyer and amasses a large fortune. He has three sisters, Arabella, Elizabeth, and Eleanor. He is educated at Trinity College Dublin (TCD) and Christ Church, Oxford. He enters the Irish House of Commons in 1778 as Member for Dublin University, and holds this seat until 1783, when he is appointed Attorney General. From the same year, he represents Kilmallock until 1790. He is appointed High Sheriff of County Limerick for 1782.

When appointed Lord Chancellor of Ireland in 1789, FitzGibbon is granted his first peerage as Baron FitzGibbon, of Lower Connello in the County of Limerick, in the Peerage of Ireland that year. This does not entitle him to a seat in the British House of Lords, only in the Irish House of Lords. His later promotions come mostly in the Peerage of Ireland, being advanced to a Viscountcy in 1793 and the Earldom of Clare in 1795. He finally achieves a seat in the British House of Lords in 1799 when created Baron FitzGibbon, of Sidbury in the County of Devon, in the Peerage of Great Britain.

As Lord Chancellor for Ireland, FitzGibbon is a renowned champion of the Protestant Ascendancy and an opponent of Catholic emancipation. He despises the Parliament of Ireland‘s popular independent Constitution of 1782. He is also personally and politically opposed to the Irish politician Henry Grattan who urges a moderate course in the Irish Parliament and is responsible for defeating Grattan’s efforts to reform the Irish land tithe system under which Irish Catholic farmers (and all non-Anglican farmers) are forced to financially support the minority Anglican Church of Ireland. These are not fully repealed until 1869 when the Church of Ireland is finally disestablished, although Irish tithes are commuted after the Tithe War (1831–1836).

FitzGibbon opposes the Irish Roman Catholic Relief Act 1793 personally but apparently recommends its acceptance in the House of Lords, being forced out of necessity when that Act had been recommended to the Irish Executive by the British Cabinet led by William Pitt the Younger. Pitt expects Ireland to follow the British Roman Catholic Relief Act 1791 and allow Catholics to vote again and hold public offices. At the same time, FitzGibbon apparently denounces the policy this Act embodies, so it is probably safe to say that FitzGibbon’s own beliefs and principles conflict with his obligations as a member of the Irish executive of the time.

FitzGibbon’s role in the recall, soon after his arrival, of the popular pro-Emancipation Lord Lieutenant of Ireland, William Fitzwilliam, 4th Earl of Fitzwilliam, is debatable. Although he is probably politically opposed to the Lord Lieutenant of Ireland, Fitzwilliam is apparently recalled, because of his own independent actions. Fitzwilliam is known to be friendly to the Ponsonby family and is generally a Foxite liberal Whig. His close association with and patronage of Irish Whigs led by Grattan and Ponsonby during his short tenure, along with his alleged support of an immediate effort to secure Catholic emancipation in a manner not authorized by the British cabinet is likely what leads to his recall. Thus, if anyone is to blame in the short-lived “Fitzwilliam episode” it is Henry Grattan and the Ponsonby brothers – presumably William Ponsonby, later Lord Imokilly, and his brother George Ponsonby — not to mention Lord Fitzwilliam himself. Irish Catholics at the time and later naturally see things very differently and blame hardline Protestants such as FitzGibbon.

Irish Catholics and FitzGibbon apparently agree on one point – Irish political and economic union with Great Britain, which eventually takes place in 1801. Pitt wants Union with Ireland concomitantly with Catholic emancipation, commutation of tithes, and the endowment of the Irish Catholic priesthood. Union is opposed by most hardline Irish Protestants, as well as liberals such as Grattan. FitzGibbon is a strong supporter of the Union since 1793 but refuses to have Catholic emancipation with the Union.

In the end, FitzGibbon’s views wins out, leading to the Union of Ireland with Great Britain to form the United Kingdom of Great Britain and Ireland without any concessions for Ireland’s Catholic majority, or for that matter, Catholics in the rest of the new United Kingdom. He later claims that he has been duped by the way in which the Act is passed and is bitterly opposed to any concessions during the short remainder of his life.

FitzGibbon’s role as Lord Chancellor of Ireland during the period of the 1798 rebellion is questionable. According to some, he supports a hardline policy which uses torture, murder and massacre to crush the rebellion, or that as Lord Chancellor, he has considerable influence on military affairs, and that martial law cannot be imposed without his consent. Others allege that as Lord Chancellor, he has no say in military affairs. His former side is displayed by sparing the lives of the captured United Irish leaders in return for their confession of complicity and provision of information relating to the planning of the rebellion. However, this willingness of the prisoners to partake of the agreement is spurred by the execution of the Sheares brothers on July 14, 1798.

In contrast to the leniency shown to the largely upper-class leadership, the full weight of military repression is inflicted upon the common people throughout the years 1797–98 with untold thousands suffering imprisonment, torture, transportation and death. Fitzgibbon ss inclined to show no mercy to unrepentant rebels and in October 1798 he expressed his disgust upon the capture of Wolfe Tone that he had been granted a trial and his belief that Tone should have been hanged as soon as he set foot on land.

FitzGibbon is quick to recognise that sectarianism is a useful ally to divide the rebels and prevent the United Irishmen from achieving their goal of uniting Protestant, Catholic and Dissenter, writing in June 1798, “In the North nothing will keep the rebels quiet but the conviction that where treason has broken out the rebellion is merely popish.”

FitzGibbon is noted by some as a good, improving landlord to both his Protestant and Catholic tenants. Some claim that the tenants of his Mountshannon estate call him “Black Jack” FitzGibbon. However, there is no evidence to support this claim, although there is little to no evidence on his dealings as a landlord. Irish nationalists and others point out that while he might have been interested in the welfare of his own tenants on his own estate, he treats other Irish Catholics very differently. Without further evidence, his role as a Protestant landowner in mainly Catholic Ireland is of little importance against his known dealings as Lord Chancellor.

FitzGibbon dies at his home, 6 Ely Place near St. Stephen’s Green, Dublin, on January 28, 1802, and is buried in the churchyard at St. Peter’s Church, Aungier Street, Dublin. A hero to Protestant hardliners, but despised by the majority Catholic population, his funeral cortege is the cause of a riot and there is a widespread story that a number of dead cats are thrown at his coffin as it departs Ely Place.

(Pictured: “Portrait of John FitzGibbon, 1st Earl of Clare,” painting by Gilbert Stuart, 1789)


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Death of Painter William Dermod O’Brien

William Dermod O’Brien, Irish painter commonly known as Dermod O’Brien, dies in Dublin on October 3, 1945. Most of his paintings are landscapes and portraits. His work is part of the painting event in the art competition at the 1928 Summer Olympics in Amsterdam, Netherlands.

O’Brien is born on June 10, 1865, at Mount Trenchard House near Foynes in County Limerick, the son of Edward William O’Brien and Hon. Mary Spring Rice, granddaughter of Thomas Spring Rice, 1st Baron Monteagle of Brandon. For a time after his mother’s death, he is raised by his aunt Charlotte Grace O’Brien, along with his sisters, Nelly and Lucy. His father subsequently remarries in 1880. He is educated at Harrow School and Trinity College, Cambridge.

O’Brien marries Mabel Emmeline Smyly, daughter of Sir Philip Crampton Smyly, on March 8, 1902. Together they have five children. His son Brendan, a surgeon in Dublin, marries artist Kitty Wilmer O’Brien. His daughter Rosaleen Brigid becomes an artist, also known as Brigid Ganly after her marriage to Andrew Ganly. Another artistic relative is Geraldine O’Brien.

Unlike many of his Irish contemporaries, after graduating from Cambridge O’Brien does not study art in Dublin, opting instead to travel to Paris, where he studies the paintings at the Louvre. In 1887, he visits galleries in Italy and then enrolls at the Royal Academy of Fine Arts in Antwerp, Belgium. At the Academy he is a fellow student of Walter Osborne. He leaves Antwerp in 1891 and returns to Paris, where he studies at Académie Julian. He relocates to London in 1893 and then Dublin in 1901.

O’Brien is designated an associate of the Royal Hibernian Academy in 1906, a member in 1907, and is later president between 1910 and 1945. He is made an honorary member of the Royal Academy of Arts, London in 1912.

O’Brien holds the office of High Sheriff of County Limerick in 1916 and serves as Deputy Lieutenant of County Limerick. He serves in the Artists Rifles during World War I.

(Pictured: Dermod O’Brien by Howard Coster, print, late 1930s, given to the National Portrait Gallery, London by the estate of Howard Coster, 1978)


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Birth of Sir Aubrey (Hunt) de Vere

aubrey-hunt-de-vere

Sir Aubrey (Hunt) de Vere, 2nd Baronet, Anglo-Irish poet and landowner, is born on August 28, 1788.

De Vere is the son of Sir Vere Hunt, 1st Baronet and Eleanor Pery, daughter of William Pery, 1st Baron Glentworth. He is educated at Harrow School, where he is a childhood friend of Lord Byron, and Trinity College, Dublin. He marries Mary Spring Rice, the daughter of Stephen Edward Rice and Catherine Spring, and sister of Thomas Spring Rice, 1st Baron Monteagle of Brandon, in 1807. He succeeds to his father’s title in 1818.

The Hunt/de Vere family estate of 300 years (1657–1957), including the period of the de Vere Baronetcy of Curragh, is the present day Curraghchase Forest Park, in County Limerick. De Vere spends most of his life on the estate and is closely involved in its management. He suffers much trouble from his ownership of the island of Lundy, which his father, who was not much of a businessman, had unwisely purchased in 1802, and which becomes a heavy drain on the family’s finances. Sir Vere is never able to find a purchaser for Lundy, and it takes his son until 1834 to dispose of it.

De Vere stands for election in the 1820 General Election and comes in third with 2,921 votes.

De Vere changes his surname from Hunt to de Vere in 1832, in reference to his Earl of Oxford ancestors, dating back to Aubrey de Vere I, a tenant-in-chief in England of William the Conqueror in 1086. He serves as High Sheriff of County Limerick in 1811.

De Vere is a poet. William Wordsworth calls his sonnets the most perfect of the age. These and his drama, Mary Tudor: An Historical Drama, are published by his son, the poet Aubrey Thomas de Vere, in 1875 and 1884.

De Vere produces numerous works over his lifetime. The most notable are Ode to the Duchess of Angouleme (1815), Julian the Apostate: A Dramatic Poem (1822), The Duke of Mercia: An Historical Drama [with] The Lamentation of Ireland, and Other Poems (1823), A Song of Faith: Devout Exercises and Sonnets and his most famous work, Mary Tudor: An Historical Drama.

Sir Aubrey de Vere dies on July 5, 1846.