Tone is a French Army officer serving under GeneralJean Joseph Amable Humbert in the Irish expedition of 1798. He leaves Ireland for France in 1794, later moves to the United States, and rejoins Humbert in Paris in November 1797. At Ballinamuck, the French-led Irish forces are decisively defeated by British troops. Disguised as a peasant, he is captured on September 8, 1798.
Tone is imprisoned in the Provost prison at Dublin barracks and put on trial before a court-martial on September 21, 24 and 26, 1798. In his defence, he claims he had left Ireland before war was declared, that his imprisonment in France proved his innocence, and that he had tried to prevent the rebels from committing acts of revenge and plunder. He is, however, found guilty of high treason.
On September 29, 1798, Tone is hanged at Arbour Hill Prison and buried at Bodenstown Graveyard, County Kildare. He is unmarried but has a daughter raised by his sister Margaret.
Tone is one of roughly 200 Irish prisoners hanged after the Battle of Ballinamuck, alongside other United Irishmen and French sympathisers. The battle marks a turning point in the Irish Rebellion of 1798, leading to the repatriation of most French soldiers but the summary execution of many Irish insurgents.
In summary, Matthew Tone’s execution on September 29, 1798, is a direct consequence of his role in the French-led Irish expedition, his capture at the Battle of Ballinamuck, and the British government’s harsh response to the defeat, which sees widespread executions of captured rebels.
Devlin is born in 1780 in Cronebeg, near Aughrim, County Wicklow, the second of four daughters and three sons of Bryan and Winifred (née Byrne) Devlin, who are Catholics engaged in farming. Her father and several relatives are members of the Society of United Irishmen, advocating for Irish independence. Though she and her immediate family do not initially participate in the Irish Rebellion of 1798, they provide shelter and assistance to rebels, and their home is destroyed by Crown forces, while her father is imprisoned until 1801.
After the family moves to Rathfarnham, Dublin, Devln becomes the housekeeper for Robert Emmet in April 1803, providing cover for his Dublin operations planning a nationalist uprising. She actively aids the United Irishmen by arranging meetings, transporting arms, and acting as a messenger to insurgent forces, notably her cousin Michael Dwyer in the Wicklow Mountains. The rebellion carefully orchestrated for July 23, 1803, collapses due to inadequate popular support and confusion among the rebels.
Following the failed uprising, Devlin and her family are arrested. She endures brutal interrogation by Major Henry Charles Sirr and is subjected to half-hanging, solitary confinement, and threats against her family, yet she refuses to reveal any critical information about Emmet or other conspirators. She spends over two years in Kilmainham Gaol and, despite her endurance, her health is permanently affected. She is released in 1806 after sustained lobbying and public outrage over her mistreatment.
After her release, Devlin works as a maid and laundress, initially assisted by the Emmet family and their acquaintances. She marries William Campbell in 1811, though she experiences increasing poverty after his death in 1845. She continues to be remembered for her courage, and her experiences are recorded by historians and contemporaries such as Dr. Richard Robert Madden and Brother Luke Cullen, preserving her memoirs and accounts of her revolutionary involvement.
Devlin dies on September 18, 1851, in Dublin and is interred at Glasnevin Cemetery, later commemorated with a monument and Celtic cross.
Devlin is widely celebrated as Ireland’s first female political prisoner and a symbol of loyalty and courage. A statue in Rathfarnham, annual memorial services in Dublin’s St. Catherine’s Church, and the naming of community centers in her honor (e.g., Anne Devlin Community Centre, 2026) reflect her enduring impact. Her life has inspired literature and film, including Pat Murphy‘s 1984 movie Anne Devlin, which portrays her perspective during the Emmet rebellion. She is credited in James Joyce’s short story “A Mother” as a model for the character Mrs. Kearney.
Anne Devlin’s life embodies courage, steadfast nationalism, and sacrifice. She actively supports Robert Emmet and the United Irishmen, suffers imprisonment without betrayal, and faces lifelong hardship, yet remains commemorated as a heroine of Irish independence.
(Pictured: Anne Devlin statue in Rathfarnham, Dublin)
The Battle of Castlebar takes place on August 27, 1798. A combined force of about 800 French troops under GeneralJean Joseph Amable Humbert and 2,000 United Irishmen rebels defeat a much larger British Crown force of 3,000 to 5,000 men led by General Gerard Lake. The French, though exhausted from long marches, exploit the disorganisation of Lake’s militia-heavy army, routing it in what becomes known as the “Castlebar Races” or “Races of Castlebar.” The British suffer heavy casualties — around 400 killed or wounded and 800 captured, while the French lose about 200 to 220.
The victory at Castlebar is a significant boost to the rebels, but it also alarms the British government. Cornwallis, commanding the Crown forces in the west, is tasked with reasserting control and preventing further advances into Ulster. By September 4, he has moved from Tuam to threaten Castlebar, aiming to recapture the town and disrupt Humbert’s plans to push north into County Sligo and beyond.
Anticipating Cornwallis’s move, Humbert evacuates Castlebar with his remaining troops — roughly 800 French soldiers and 1,000 Irish insurgents — and marches north into County Sligo. His objective is to ignite further rebellion in Ulster, continuing the momentum of the short-lived “Republic of Connacht.” This evacuation leaves the town vulnerable to British reoccupation.
While Humbert’s force is retreating, fresh risings broke out in counties Longford and Westmeath, showing the insurrection’s reach. However, these uprisings are ultimately suppressed, and the British, under commanders like Cornwallis, work to mop up rebel strongholds across Ireland.
In summary, on September 4, 1798, Cornwallis’s advance from Tuam is a direct response to the rebel victory at Castlebar, aiming to regain a key rebel-held town and halt Humbert’s northern push. The move reflects the British strategy of localized offensives to counter the momentum of the Irish Rebellion of 1798.
(Pictured: Charles Cornwallis, 1st Marquess Cornwallis)
Humbert is the eldest of six children of Jean-Joseph Humbert, a farmer and trader, and Catherine (née Privat), who dies when he is three years old. From a modest rural background, he works briefly as a hatter and rabbit hunter before entering the military in July 1789 amid the early stages of the French Revolution.
In 1796, Humbert is assigned to prepare for an expedition to Ireland. In the ill-fated Expédition d’Irlande, his ship Droits de l’Homme is wrecked off the Bay of Audierne in January 1797, but he survives. In 1798, he leads about 1,000 French troops to Ireland, landing at Killala. His forces fight and win at Ballina and the Races of Castlebar, proclaiming a Republic of Connacht before being defeated and captured at the Battle of Ballinamuck. He is exchanged for British prisoners.
In 1810, Humbert emigrates to New Orleans, where he becomes acquainted with French pirate Jean Lafitte. He joins the Buenos Aires rebellion in 1814 before returning home. In 1815, he fights the British at the Battle of New Orleans in the War of 1812, earning thanks from General Andrew Jackson. He later lives as a schoolteacher in New Orleans until his death on January 3, 1823.
Humbert’s career spans revolutionary France, Napoleonic campaigns, and post-Napoleonic adventures, making him a notable figure in late 18th- and early 19th-century military history.
The Irish Rebellion of 1798 has been suppressed in the east by British forces, but unrest continues in the west. The French Directory, influenced by Enlightenment ideals and shared revolutionary sympathies with the United Irishmen, see an opportunity to strike a blow against Britain and inspire Irish republicanism. The plan is to land French troops in Ireland to provide military aid to the rebels, incite a general uprising and potentially use Ireland as a staging ground for further operations against Britain.
The July 19 authorization marks the final political clearance for the operation. The first expedition is entrusted to GeneralJean Joseph Amable Humbert (pictured), a veteran of irregular warfare against the Vendéen insurgents. The force is small—about 1,025 French troops, three light field cannons, 3,000 muskets, and 400 sabres—but includes Irish allies such as Bartholomew Teeling and Fr. Henry O’Kane, who help spread the news of the landing.
On August 6, 1798, Humbert’s three frigates—La Concorde, La Franchise, and La Médée—sail from La Rochelle, taking a circuitous route to avoid British naval detection. They land at Killala Bay, County Mayo, where they quickly take control of the town, hoisting the French flag and rallying local Irish recruits.
Humbert’s landing in Killala, known locally as Bliadhan na bhFrancach (“The Year of the French”), sparks a brief but significant phase of the Rising. His forces achieve notable victories, such as the Races of Castlebar, but ultimately cannot sustain momentum against the British response. Humbert surrenders to British forces at Ballinamuck, County Longford, on September 8, 1798.
In summary, the July 19, 1798, authorization by the French Directory is the decisive political step that enables Humbert’s small but symbolic invasion of Ireland, which, though militarily limited, becomes a potent symbol of French-Irish revolutionary solidarity.
The United Irish rebels, under Fr. John Murphy’s command, have been encamped on land belonging to a Mr. Donovan at the foot of Carrigrew Hill on June 2 and 3. This small respite from hostilities and marching affords the rebels some rest and time to re-group from previous skirmishes. Some of the rebels take leave to visit their families during these two days before re-joining the camp in advance of their move north toward Gorey.
On the morning of the June 4, Lieutenant-General Loftus and Lieutenant-Colonel Walpole march out of Gorey with 1,200 men with the intention of attacking the rebel encampment at Carrigrew Hill. Loftus leads his 600 men out the Ballycanew road to attack the camp from the east while Walpole heads due south via Clough to attack the camp on its northern side.
Having received advanced warnings of the British plans, the poorly equipped rebel army of 10,000 to 12,000 men sets out from Carrigrew Hill and marches through Ballyoughter on to Tubberneering. Their aim is to defeat the Crown forces in Gorey and release rebel prisoners that have been captured and imprisoned there.
On approaching Tubberneering, a vanguard of rebels is warned by a scouting party returning from Clough that the British forces are heading their way. The vanguard sets up an ambush with musketeers on top of the rock at Tubberneering and pikemen laying in wait inside the ditch along the road south of Cain bridge.
The battle is an ambush of a British force of 400 men under Lieutenant-Colonel Walpole, containing one troop of regular cavalry (the 4th Royal Irish Dragoon Guards) and militia and yeomanry auxiliaries. They are ambushed in a narrow defile by United Irish rebels, led by Fr. John Murphy. Walpole and one hundred men are killed, while the rest throw away their weapons and uniforms and flee. The regular dragoons make an attempt to fight back but are in a bad place for cavalry so they withdraw. This defeat allows three cannon to be captured which are subsequently used against British troops at the Battle of Arklow. The rebels are unable to take Arklow however. The day after the engagement at Tubberneering, the United Irishmen attempt to take New Ross in the south of County Wexford but are repulsed at a heavy cost.
The Battle of Naas is one of the early confrontations in the 1798 Irish Rebellion, which aims to end British rule in Ireland. On the night of May 23, 1798, a large group of rebels, primarily composed of United Irishmen, mobilize in County Kildare, preparing to attack the garrison in Naas, which is considered one of the strongest military positions in the area.
At approximately 2:30 a.m. on May 24, the rebels, led by Michael Reynolds, launches their assault from multiple directions. They initially achieved some success, pushing the garrison back to a barricade near the jail. However, the defenders, numbering around 250 men and equipped with artillery, manage to regroup and repel the attack.
The battle lasts about an hour, during which the rebels face heavy resistance. Ultimately, they are forced to retreat, suffering significant casualties—around 135 rebels are killed, while government forces lose about 25 men. The aftermath sees many rebels arrested, and the military pursues the fleeing insurgents, leading to further casualties among the retreating forces.
In a contemporary development, skeletal remains believed to be linked to the 1798 Rebellion are discovered in Naas in late September 2025. This site, known as Gallows Glen, is associated with executions during the rebellion, and the discovery sparks interest in the historical significance of the battle and its aftermath.
The Battle of Naas is a pivotal moment in the 1798 Rebellion, illustrating the fierce resistance of the rebels against British rule. The recent archaeological findings further highlight the ongoing historical interest in this event and its impact on Irish history. The battle remains a significant part of the narrative surrounding the struggle for Irish independence.
Troy receives his early education at Liffey Street, Dublin. At the age of sixteen he joins the Dominican Order and proceeds to their house of San Clemente at Rome. Historian Edward D’Alton notes that he is “amenable to discipline, diligent in his studies, and talented.” He makes rapid progress, and while still a student is appointed to give lectures in philosophy. Subsequently, he teaches theology and canon law, and finally becomes prior/rector of the convent in 1772.
When Thomas Burke, the Bishop of Ossory, dies in 1776, the priests of the diocese recommend one of their number, Father Molloy, to Rome for the vacant see, and the recommendation is endorsed by many of the Irish bishops. But Troy, who is held in high esteem at Rome, has already been appointed Bishop of Ossory. He is consecrated at Leuven in June 1777 by the nuncio to Flanders, Archbishop (later Cardinal) Ignazio Busca.
Troy arrives at Kilkenny in August 1777 and for the next nine years he Labour a hard for the spiritual interests of his diocese. Maddened by excessive rents and tithes, and harried by grinding tithe-proctors, farmers have banded themselves together in a secret society called the “Whiteboys,” so called from the white smocks the members wear in their nightly raids. They attack landlords, bailiffs, agents, and tithe-proctors, and often commit fearful outrages. Bishop Troy frequently and sternly denounces them, declaring any who join the secret society to be excommunicated. He has no sympathy with oppression, but he had lived long in Rome, and does not fully appreciate the extent of misery in which the poor Catholic masses live.
Troy is ready to condemn all violent efforts for reform, and has no hesitation in denouncing not only all secret societies in Ireland, but also “our American fellow-subjects, seduced by specious notions of liberty.” This makes him unpopular. He is zealous in correcting abuses in his diocese and in promoting education. So well is this recognized at Rome that in 1781, in consequence of some serious troubles which have arisen between the primate and his clergy, Troy is appointed Administrator of Armagh. He holds this office until 1782.
Upon the death of Archbishop John Carpenter of Dublin in 1786, Troy is appointed to succeed him. At Dublin, as at Ossory, he shows his zeal for religion, his sympathy with authority, and his distrust of popular movements, especially when violent means are employed. Though his circular, issued on March 15, 1792, disavowing the authority of any ecclesiastical power to absolve subjects from their allegiance, is believed to influence the concession in that year of the relaxations embodied in Langrishe’s Act, and the extension of the franchise to Roman Catholics in 1793, he declines to associate himself with John Keogh and other Catholic reformers in their demands for further relief.
In early 1798, the French Directory conquers Rome, and establishes the Roman Republic. Its ally in Ireland, the Society of United Irishmen, starts a rebellion in May 1798. Troy issues a sentence of excommunication against all those of his flock who decide to join the rebellion. In a pastoral read in all the churches, he speaks of the clerical organisers of the rebellion as “vile prevaricators and apostates from religion, loyalty, honour, and decorum, degrading their sacred character, and the most criminal and detestable of rebellious and seditious culprits.” Hus action at this time appears to endanger his life. But the influence he has acquired with the government enables him to moderate the repressive measures taken by the authorities. Believing that Catholic emancipation can never be conceded by the Irish parliament, he is one of the most determined supporters of the Union.
In 1799, Troy agrees to accept the veto of government on the appointment of bishops in Ireland, and even when the other bishops, feeling they have been tricked by Pitt and Castlereagh, repudiate the veto, he continues to favour it. However, in 1809, he recommends Daniel Murray be appointed his coadjutor. Murray is an uncompromising opponent of the veto, and while Troy’s coadjutor, makes trips in 1814 and 1815 to Rome concerning the controversy.
In April 1815, Archbishop Troy lays the foundation of St. Mary’s Pro-Cathedral in Marlborough Street, Dublin, but does not live to see it completed. He dies in Dublin on May 11, 1823, at the age of eighty-four. He dies very poor, leaving scarce sufficient to pay for his burial, and is interred in the unfinished St. Mary’s Pro-Cathedral.
In the administration of his diocese and in his private life, Troy is eminently zealous, pious, and charitable. Although his cordial relations with the government expose him to many suspicions and accusations, there is no ground for questioning the integrity of his motives and conduct, which are inspired by his views of the interest of his church. His distrust of revolutionary tendencies in civil affairs is fully aligned with the policy of the Vatican throughout his career. John D’Alton speaks of Troy as “a truly learned and zealous pastor, … a lover and promoter of the most pure Christian morality, vigilant in the discharge of his duty, and devotedly solicitous not only for the spiritual good of those consigned to his charge, but also for the public quiet of the state.”
O’Riordan is the youngest child among two sons and three daughters of Daniel O’Connell O’Riordan, a barrister and justice of the peace (JP), and Katharine O’Riordan (née O’Neil), who is her husband’s first cousin. At age of four he witnesses his mother’s death in a carriage accident. His formal education, firstly as a day student at Belvedere College, Dublin (1881–85), and secondly as a boarder at Clongowes Wood College, County Kildare (1887–88), is interrupted by ill health and periods of self-education at home, marked by omnivorous reading in his father’s library.
While engaged in military studies in Bonn, Germany (March–September 1890), preparatory to entering Royal Military Academy Sandhurst in Great Britain, he falls from a horse during riding lessons, suffering a back injury that results in permanent spinal damage, thus precluding a military career.
Left with limited means after his father’s death, O’Riordan moves to London in 1891, where, after attempting suicide, he finds work as a stage actor with the Independent Theatre Society of J. T. Grein and other companies, both in London and touring the provinces, and is noted for his interpretations of Henrik Ibsen. Active in the Irish Literary Society, where he meets W. B. Yeats, he writes fiction under the pseudonym “F. Norreys Connell,” which he also adopts for his stage work.
O’Riordan’s early publications include In the Green Park (1894), a collection of connected short stories, The House of the Strange Woman (1895), a provocative novel of sexual promiscuity in upper-class London bohemia, boycotted by some booksellers as being “morally tainted,” and several books reflecting his deep interest in all things military, most notably The pity of war (1906), a collection of Kiplingesque short stories. Largely abandoning fiction for some years to concentrate on writing for the stage, he returns to Dublin for the first time in fourteen years to direct his controversial one-act play The Piper, which opens at the Abbey Theatre on February 13, 1908. It is jeered as a slander on Irish patriots in disturbances mildly reminiscent of the “Playboy” riots thirteen months previously. The audience on the third night is placated by Yeats, who in a speech from the stage interprets the play – in which a party of rebels in the 1798 rising disdain to set sentries as they argue interminably and discursively, only to be surprised and slaughtered by yeomanry – as a satirical allegory on the fruitless debate that followed the Parnellite split. The work can more usefully be read as a meditation on the propensity of democracy to disintegrate at moments of crisis into ineffectual and dillusory demagoguery. The Piper weathers the controversy to become a frequently performed staple of the Abbey Theatre repertoire during the 1910s.
After the death of John Millington Synge, O’Riordan serves briefly as managing director of the Abbey Theatre from March 25 to July 2, 1909, during which time he produces and directs two of his own one-act plays – Time on April 1, in which he also acts, and An Imaginary Conversation on May 13 – as well as the first revival of Synge’s The Playboy of the Western World on May 27. Wearied by the repeated interferences in the theatre’s affairs by its financial backer, Annie Horniman, he resigns abruptly during her fit of pique when the actress Sara Allgood recites poetry at a private gathering of suffragettes.
O’Riordan scores a major triumph on the London stage with Captain Hannibal (1909), his adaptation of a novel by Stanley Weyman, on the proceeds of which he lives for many years. Settling permanently in London, in 1910 he purchases a house at 106 Meadvale Road, Ealing, his home for the rest of his life. Rejected by the British Army at the outset of World War I owing to his disability, after several failed attempts to secure war work he eventually goes to the front in 1918 in charge of YMCA rest huts at Étaples railway junction, where he befriends the doomed soldier poet Wilfred Owen.
O’Riordan achieves his most accomplished writing within a cycle of twelve novels, published under his own name, chronicling the experiences of several inter-connected Irish and English families from the Napoleonic Wars to the 1920s. First of the series to appear was Adam of Dublin (1920), a combined Bildungsroman and roman-à-clef of the literary revival, with vignettes of Dublin slum life, Belvedere College, and the early years of the Abbey Theatre. He follows his protagonist, Adam Quinn, through the sexual turmoil of adolescence, an itinerant acting career, and an unhappy marriage in three sequels: Adam and Caroline (1921), In London (1922), and Married life (1924). These four novels chronologically conclude the narrative of the completed cycle. The narrative commences with the “Soldier” tetralogy – Soldier Born (1927), Soldier of Waterloo (1928), Soldier’s Wife (1935), and Soldier’s End (1938) – a picaresque treatment of the multifarious and farflung experiences of David Quinn, a forebear of Adam, from an Irish childhood and English education, to the Battle of Waterloo, where he suffers horrible facial mutilation, through the Irish famine and the American Civil War, to his death at the hands of Versaillais troops during the suppression of the Paris commune. Judith Quinn (1939) and Judith’s Love (1940), about the disappointments in love and marriage of a late-Victorian Dublin woman, link the narratives of the “Adam” and “Soldier” tetralogies, while The Age of Miracles(1925) and Young Lady Dazincourt (1926) are chronologically contemporaneous with the latter “Adam” novels. Inconsistent in intention, and uneven in execution, the cycle is strongest in its evocative descriptions of Dublin, London, and other cities, with their varied social strata, in different historical periods, in the sharp-edged, witty dialogue, and in the juxtaposition of dazzling comedy and an ironic sense of tragedy.
O’Riordan continues to write successful, if lightweight, stage plays. His 1928 production of Napoleon’s Josephine features a stellar cast including Edith Evans. Among his published plays are Shakespeare’s End, and Other Irish Plays (1912), Rope Enough (1914), His Majesty’s Pleasure (1925), The King’s Wooing (1929), and Captain Falstaff and Other Plays (1935). The historical commentary Napoleon Passes (1933) reflects his abiding interest in the French emperor. President of the Irish Literary Society from 1937 to 1939, he resigns after failing to persuade his colleagues to repudiate Ireland’s wartime neutrality. Despite age, disability, and increasing reclusivity, throughout World War II he serves as an air raid warden from 1940 to 1945. Elected a fellow of the Royal Society of Literature (1945–48), he represents the society on the council of the newly formed National Book League, and is the society’s Tredegar lecturer in 1946. Charming and convivial, a witty and erudite conversationalist, he cultivates numerous literary friendships, and is an inveterate womaniser, enjoying countless intimate relationships, both sexual and platonic.
O’Riordan marries firstly Florence Derby in 1903, a nurse eight years his senior, with whom he has one son. They are estranged by the time of her death in 1923. In 1924, he marries secondly Olga Buckley, his lover since 1920, and secretary to the wife of G. K. Chesterton. They have two sons (both born before the marriage) and one daughter. Despite considerable contemporary celebrity and critical acclaim, his work compared to that of Charles Dickens and Honoré de Balzac, he has been ignored by posterity. The best of his writing, especially the “Adam” and “Soldier” novels, merit rediscovery.
O’Riordan dies at his London home on June 18, 1948, the anniversary of the Battle of Waterloo. A special O’Riordan number of the Journal of Irish Literature (September 1985), edited by his daughter Judith, includes a portrait photograph, the text of The Piper, and a detailed chronology.
(From: “O’Riordan, Conal Holmes O’Connell (‘Norreys Connell’)” by Lawrence William White and Aideen Foley, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
In 1786, Pratt’s father is created Earl Camden, at which point he becomes known by one of his father’s subsidiary titles as Viscount Bayham.
In 1793, Pratt is sworn of the Privy Council. In 1794 he succeeds his father as 2nd Earl Camden, and the following year he is appointed Lord Lieutenant of Ireland by Pitt.
Pratt resigns from office in June 1798, to be replaced with Charles Cornwallis, 1st Marquess Cornwallis, who oversees the military defeat of the rebellion. In 1804, Pratt becomes Secretary of State for War and the Colonies under Pitt, and in 1805 Lord President of the Council, an office he retains until 1806. He is again Lord President from 1807 to 1812, after which date he remains for some time in the cabinet without office. In 1812 he is created Earl of Brecknock and Marquess Camden.
The enforced resignation from the Cabinet of Robert Stewart, Viscount Castlereagh, the stepson of his sister Frances (Lady Londonderry), to whom he has always been personally close, in September 1809, leads to a series of bitter family quarrels, when it becomes clear that Pratt has known for months of the plan to dismiss Stewart, but has given him no warning. Stewart himself regards Pratt as “a weak friend,” not an enemy, and they are eventually reconciled. Other members of the Stewart family, however, never forgive Pratt for what they regard as his disloyalty.
Pratt marries Frances, daughter of William Molesworth, in 1785. She dies at Bayham Abbey, Sussex, in July 1829. He survives her by eleven years and dies at Seal, Kent, on October 8, 1840, aged 81. He is succeeded by his only son, George.
