O’Brien is one of five children of Pierce O’Brien, a gentleman landowner, and Sophia Angel St John O’Brien. Her first cousin is woodcarver Sophia St John Whitty. She attends the Mercy Convent in Ennis, going on to win a scholarship to the Dublin Metropolitan School of Art. While there she studies under William Orpen and Alfred E. Child who teach her the art of stained glass.
Among O’Brien’s first commissions is the St. Ita window for St. Brendan’s cathedral in Loughrea, County Galway, in 1904, which is designed by Sarah Purser. She joins An Túr Gloine in 1906, beginning her career there by designing Angel of the Annunciation window in the Enniskillen convent chapel. For a window in the Wilson private chapel at Coolcarrigan House, Naas, County Kildare, in 1912, she incorporates Celtic design, some drawing on the Book of Durrow. In 1914, she tours the cathedrals of Paris, Rouen, and Chartres with Purser and Wilhelmina Geddes. She designs three windows depicting St. John, St. Flannan, and St. Munchin, for the Honan Chapel at University College Cork in 1916. Her 1923 design of the centenary memorial window in St. Andrew’s church, Lucan, represents the parable of the Good Shepherd. When in 1925 An Túr Gloine becomes a cooperative society, she becomes a shareholder along with Ethel Rhind, Evie Hone, and Michael Healy.
O’Brien’s 1926 lunetteThe Spirit of Night represents night, twilight, and dawn, and is for the private home of Keng Chee in Singapore, which is later demolished. The window of St. Catherine of Siena for the Sacred Heart convent chapel in Newton, Massachusetts dates from 1927. Her 1931 St. Patrick window, for the De La Salle school, East Coast Rd., Singapore, commissioned by architect Denis Santry, is the only extant stained-glass work by an Irish artist in that country. Much like Rhind, O’Brien also employs opus sectile, such as in her 1936 Mass in Penal Days in the Franciscan friary, Athlone, County Westmeath. She contributes two windows, Pelican and Lamb and Host and Chalice: Wheat and Grapes, to the ten windows An Túr Gloine produces for Brophy College Chapel, Phoenix, Arizona in 1937. From 1937 until 1947, she works on 22 opus sectile panels for the Protestant Church in Ennis.
Purser retires from An Túr Gloine in 1940, and O’Brien succeeds her as director, going on to purchase it and the contents in 1944. She rents a section of the premises to fellow stained-glass artist Patrick Pollen from 1954 onwards. She exhibits at the 1953 Irish Exhibition of Living Art, and the 1958 exhibition of the Arts and Crafts Society of Ireland. When the An Túr Gloine studios are damaged by fire in 1958, she rebuilds them and reopens by 1959. She is an active member of the Soroptimists and the Guild of Irish Art Workers. The last work she completes is a three-light window for the Church of St. Multose, Kinsale, County Cork, in 1962. A commission for two windows for the private chapel of Áras an Uachtaráin for PresidentÉamon de Valera is left unfinished at her death.
O’Brien dies in Dublin on July 18, 1963, and is buried in Whitechurch Parish Graveyard, County Dublin. She is commemorated in a window designed by Pollen in St. Laurence O’Toole chapel, Christ Church Cathedral, Dublin, where for forty years she made floral arrangements. Over 150 of her An Túr Gloine drawings from notebooks are now in the National Gallery of Ireland.
(Pictured: Stained glass window in the south wall of Ferns Cathedral, Ferns, County Wexford)
During the first part of 1879, O’Neill responds to an item in The Washington Star calling for men to migrate to the Arizona Territory. He arrives in Phoenix, riding a burro, in September of the same year. Upon his arrival in town, he is hired as a printer by the Phoenix Herald. By late 1880, he has become bored with the position and seeks to experience the “Real West” in the boomtown of Tombstone, Arizona.
In Tombstone, O’Neill takes the opportunity to experience the local saloons before taking a job with The Tombstone Epitaph. By mid-1881 he again feels a wanderlust and leaves town. Where he goes next is unknown, one story having him journey to Hawaii, unlikely due to the travel time, and then traveling through California. He is known to visit Santa Fe before going to Albuquerque, New Mexico and works briefly as a court reporter. In early 1882, he is back in Phoenix working as a deputy to Marshal Henry Garfias. Several weeks later he moves to Prescott, his home for the next fifteen years.
In Prescott O’Neill rapidly progresses in his journalistic career. Starting as a court reporter, he soon founds his own newspaper, Hoof and Horn, a paper for the livestock industry. He becomes the editor of the Arizona Miner weekly newspaper in 1884 to February 1885.
In 1886, O’Neill becomes captain of the Prescott Grays, the local unit of the Arizona Militia. On February 5, 1886, Dennis Dilda, a convicted murderer, is hanged. O’Neill and the Prescott Grays stand honor guard for the event. When the trap drops, O’Neill faints, which causes him severe embarrassment. He later writes a story called “The Horse of the Hash-Knife Brand.” In it, a member of a posse admits to nearly fainting at the hanging of a horse thief.
On April 27, 1886, O’Neill marries Pauline Schindler. They have a son, but he dies shortly after being born premature.
On March 20, 1889, four masked men, William Sterin, John Halford, Daniel Harvick, and J. J. Smith, rob the Atlantic and Pacific Railroad passenger train in Canyon Diablo. A four-man posse, made up of O’Neill, Jim Black, Carl Holton, and Ed St. Clair, is soon formed and they take off after the robbers. On April 1, the posse catches up with the robbers. After exchanging rifle shots, the posse captures the four men. During the fight, no men are injured, but one of the robber’s horses is killed. All four are sent to the Yuma Territorial Prison but are pardoned eight years later. There is unfounded speculation that, in 1898, Sterin enlists under a false name in the Rough Riders and is killed in action in the Battle of San Juan Hill.
After his term is up, O’Neill is unanimously elected mayor of Prescott. In 1894 and 1896 he runs for Delegate to the United States House of Representatives from Arizona Territory, running on the People’s Party ticket.
In 1897, after years of speculating on mines, O’Neill sells a group of claims near the Grand Canyon to Chicago backers, who also propose building a railroad from Williams to the mines and the South Rim. He becomes a director of the development companies, and soon begins railroad surveys, mine developments, and building a smelter. He also uses profits to begin building rental buildings, leading him to financial independence.
O’Neill also helps introduce a bill allowing women to vote in municipal elections in 1897. Although he convinces his Populist friends to sign the bill into law, the high court dismisses the bill in 1899.
In 1898, war breaks out between the United States and Spain. O’Neill joins Theodore Roosevelt‘s Rough Riders and becomes Captain of Troop A. First Lieutenant Frank Frantz serves as O’Neil’s Deputy Commander. Along with Alexander Brodie and James McClintock, he tries to make an entire regiment made up of Arizona cowboys. Eventually though, only three troops are authorized.
The Rough Riders land at Daiquirí on June 22, 1898. Two Buffalo Soldiers of the 10th Cavalry Regiment fall overboard. Upon seeing this, O’Neill jumps into the water in full uniform and sabre. He searches for the men for two minutes before having to come up for breath.
On June 25, 1898, the Rough Riders see their first action. O’Neill leads his men at the front of the line in the Battle of Las Guasimas, capturing the Spanish flank. During the action he sees several men, who he believes to be Spaniards, across the road from him, and shouts “Hostiles on our right, fire at will!” He learns after the firing ceases that the men he exchanged shots with were Cuban rebels.
On July 1, 1898, at about 10:00 a.m., the Rough Riders and the 10th Cavalry are stationed below Kettle Hill. The Spaniards, who are on top of the hill, pour Mauser rifle fire down on the Americans. O’Neill is killed in action.
Before the fighting is over, O’Neill’s men bury him on the slope of San Juan Hill. After the war, his family and friends enlist help from the United States Department of War to find and recover his body. After six men fail to find the site, the War Department sends Henry Alfred Brown, the Rough Riders’ Chaplain, to find him. Despite it being eight months since O’Neill’s death, Chaplain Brown locates the site within two hours after arriving in Santiago de Cuba. The well-preserved body is exhumed, placed in a coffin, and returned to the United States on the Army transport Crook. He is buried at Arlington National Cemetery, in Arlington County, Virginia. The epitaph on his gravestone reads, “Who would not die for a new star on the flag?”
On July 3, 1907, a monument by sculptor Solon Borglum is dedicated to O’Neill and the other Rough Riders in their memory in Prescott, Arizona. Seven thousand people gather to witness the unveiling.
Bell is born in Belfast, Northern Ireland. He is something of a child prodigy, composing his first concerto at the age of twelve. He graduates from the Royal College of Music in 1957. While studying there, he became friends with the flautistJames Galway. From 1958 to 1990 he composes several classical works, including three piano sonatas, two symphonies, Three Images of Ireland in Druid Times (in 1993) for harp, strings and timpani, Nocturne on an Icelandic Melody (1997) for oboe d’amore and piano and Three Transcendental Concert Studies (2000) for oboe and piano.
As manager of the Belfast Symphony Orchestra, Bell is responsible for maintaining the instruments and keeping them in tune. Out of curiosity, he asks Sheila Larchet-Cuthbert to teach him how to play the harp. In 1965 he becomes an oboist and harpist with the BBC Northern Ireland Orchestra. He serves as a professor of harp at the Academy of Music in Belfast.
Bell is briefly featured in a 1986 BBCdocumentary, The Celts, in which he discusses the role and evolution of the harp in Celtic Irish and Welsh society. He also appears with Van Morrison at the Riverside Theatre at the University of Ulster in April 1988.
Bell is an admirer of the music of Nikolai Karlovich Medtner and is the co-founder, with the bass-baritone Hugh Sheehan, of the first British Medtner Society which gives a series of successful concerts of Medtner’s music in the 1970s long before Medtner’s music is recognised as it is today.
On St. Patrick’s Day in 1972 Bell performs on the radio the music of Turlough O’Carolan, an 18th-century blind Irish harpist. At that time O’Carolan’s music is virtually unknown, though today almost every album of harp music contains one of his compositions. Working with him on the project are several members of The Chieftains. Bell becomes friends with the leader of The Chieftains, Paddy Moloney. For two precarious years, he records both with the BBC Northern Ireland Orchestra and with The Chieftains, until finally becoming a full-time member of the Chieftains in 1975.
Bell is the only member of the band to wear a necktie at every public performance. He favours socks with novelty designs, such as images of Looney Tunes characters. He wears scruffy suits, often with trousers that are too short. He is eccentric and tells obscene jokes. The title of his 1981 solo album Derek Bell Plays With Himself has a conscious double entendre.
While touring in Moscow he grabs his alarm clock and puts it in his pocket while rushing to catch a plane. He is then stopped by the Soviet police on suspicion of carrying a concealed weapon. Paddy Moloney affectionately calls him “Ding Dong” Bell. He relishes the eclectic collaborations, such as those with Van Morrison, Sting and the Chinese orchestra. In 1991 he records with his old friend James Galway. He is awarded an MBE in the 2000 Queen’s Birthday Honours for services to traditional music.
seamus dubhghaill 