seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of William O’Brien, Journalist & Politician

william-o-brienWilliam O’Brien, journalist and politician who is for several years second only to Charles Stewart Parnell among Irish Nationalist leaders, is born on October 2, 1852 in Mallow, County Cork. He is perhaps most important for his Plan of Campaign (1886), by which Irish tenant farmers withhold all rent payments from landlords who refuse to lower their rents and instead pay the money into a mutual defense fund on which evicted tenants can draw.

O’Brien shares his primary education with a townsman with whom he is later to have a close political connection, Canon Patrick Augustine Sheehan of Doneraile. He enjoys his secondary education at the Cloyne diocesan college, which results in his being brought up in an environment noted for its religious tolerance. He greatly values having had this experience from an early age, which strongly influences his later views for the need of such tolerance in Irish national life.

A journalist from 1869, O’Brien is appointed editor of the Irish Land League’s weekly United Ireland by Parnell in 1881. In October of that year the British authorities suppress the paper and put O’Brien in Kilmainham Gaol in Dublin, along with Parnell and others. There he draws up a No Rent Manifesto, which, when read at a Land League meeting, results in the outlawing of the League. Released from prison in 1882, he resumes the editorship of United Ireland, and in 1883 he is elected to the British House of Commons, remaining there until 1895. His “plan of campaign” is disavowed by Parnell but nonetheless stirs up fierce agitation. To suppress the movement, the British government passes the Criminal Law and Procedure (Ireland) Act 1887, under which O’Brien is jailed again.

For some time following the O’Shea divorce case (1889–90), in which Parnell is corespondent, O’Brien attempts to mediate between the Parnellites and their opponents, although he sides with the majority in rejecting Parnell’s continued leadership of the Irish Home Rule struggle. In 1902 he supports the Land Conference, which secures agreement between landlords and tenants’ representatives and results in George Wyndham‘s Land Purchase Act (1903), which is designed to turn Irish tenant farmers into occupying owners.

In 1898 O’Brien founds the United Irish League, and in 1910, after control of that group passes to the Parnellite John Redmond, he establishes the All-for-Ireland League in opposition to the older organization. Most of his personal following, however, join Arthur Griffith’s Sinn Féin party by the end of World War I.

Retiring from political life, O’Brien contents himself with writing and declines Éamon de Valera‘s offer to stand for Fianna Fáil in the 1927 general election. He dies suddenly at the age of 75 on February 25, 1928 while on a visit to London with his wife. His remains rest in Mallow, and one of the principal streets in the town bears his name to this day. His head-bust overlooks the town Council’s Chamber Room and one of his finest portraits hangs in University College Cork.


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Birth of Fiona Shaw, Actress & Director

fiona-shawFiona Mary Shaw, accomplished classical actress and theatre and opera director, is born in Farranree, County Cork on July 10, 1958. She is best known for her role as Petunia Dursley in the Harry Potter films and her role portraying Marnie Stonebrook in the HBO series True Blood.

Shaw attends secondary school at Scoil Mhuire in Cork. She receives her degree at University College Cork. She trains at the Royal Academy of Dramatic Art (RADA) in London and is part of a ‘new wave’ of actors to emerge from the Academy. She receives much acclaim as Julia in the Royal National Theatre production of Richard Sheridan‘s The Rivals (1983).

Shaw’s theatrical roles include Celia in As You Like It (1984), Madame de Volanges in Les Liaisons Dangereuses (1985), Katherine in The Taming of the Shrew (1987), Lady Franjul in The New Inn (1987), Young Woman in Machinal (1993), for which she wins the Laurence Olivier Award for Best Actress, Winnie in Happy Days (2007), and the title roles in Electra (1988), The Good Person of Sechuan (1989), Hedda Gabler (1991), The Prime of Miss Jean Brodie (1998) and Medea (2000). She performs T. S. Eliot‘s poem The Waste Land as a one-person show at the Liberty Theatre in New York City to great acclaim in 1996, winning the Drama Desk Award for Outstanding One-Person Show for her performance.

Shaw plays Miss Morrison in the 1984 The Adventures of Sherlock Holmes episode “The Adventure of the Crooked Man” and Catherine Greenshaw in Agatha Christie’s Marple episode “Greenshaw’s Folly” in 2013.

Shaw notably plays the male lead in Richard II, directed by Deborah Warner in 1995. She has collaborated with Warner on a number of occasions, on both stage and screen. She has also worked in film and television, including My Left Foot (1989), Mountains of the Moon (1990), Three Men and a Little Lady (1990), Super Mario Bros. (1993), Undercover Blues (1993), Persuasion (1995), Jane Eyre (1996), The Butcher Boy (1997), The Avengers (1998), Gormenghast (2000), and five of the Harry Potter films in which she plays Harry Potter‘s aunt Petunia Dursley. She has a brief but key role in Brian DePalma‘s The Black Dahlia (2006).

In 2009, Shaw collaborates with Deborah Warner again, taking the lead role in Tony Kushner‘s translation of Bertolt Brecht‘s Mother Courage and Her Children. In a 2002 article for The Daily Telegraph, Rupert Christiansen describes their professional relationship as “surely one of the most richly creative partnerships in theatrical history.” Other collaborations between the two women include productions of Brecht’s The Good Woman of Szechuan and Henrik Ibsen‘s Hedda Gabler, the latter adapted for television.

Shaw appears in The Waste Land at Wilton’s Music Hall in January 2010 and in a Royal National Theatre revival of London Assurance in March 2010. In November 2010, She stars in Ibsen’s John Gabriel Borkman at the Abbey Theatre, Dublin alongside Alan Rickman and Lindsay Duncan. The play is also staged in New York’s Brooklyn Academy of Music in 2011.

Shaw appears in season four of American TV show True Blood. Her character, Marnie Stonebrook, has been described as an underachieving palm reader who is spiritually possessed by an actual witch. Her character leads a coven of necromancer witches who threaten the status quo in Bon Temps, erasing most of Eric Northman‘s memories and leaving him almost helpless when he tries to kill her and break up their coven.

In 2012, Shaw appears in the Royal National Theatre revival of Scenes from an Execution by Howard Barker.

The world’s largest solo theatre festival, United Solo Theatre Festival, recognizes her performance in The Testament of Mary on Broadway with the 2013 United Solo Special Award.

In 2018 Shaw begins portraying Carolyn Martens, head of the MI6 Russian Desk, in BBC America‘s Killing Eve, for which she wins the BAFTA Award for Best Actress in a Supporting Role in a Television Series. Later the same year, she plays a senior MI6 officer in Mrs. Wilson.


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Death of Robert John Kane, Chemist & Educator

robert-john-kaneSir Robert John Kane, chemist and educator, dies at the age of 80 in Dublin on February 16, 1890. In a distinguished career, he founds the Dublin Journal of Medical  & Chemical Science, is Vice-Chancellor of Royal University of Ireland and is director of the Museum of Irish Industry.

Kane is born at 48 Henry Street, Dublin on September 24, 1809 to John and Eleanor Kean (née Troy). His father is involved in the Irish Rebellion of 1798 and flees for a time to France where he studies chemistry. Back in Dublin, Kean (now Kane) founds the Kane Company and manufactures sulfuric acid.

Kane studies chemistry at his father’s factory and attends lectures at the Royal Dublin Society as a teenager. He publishes his first paper in 1828, Observations on the existence of chlorine in the native peroxide of manganese, in the London Quarterly Journal of Science, Literature and Art. The following year, his description of the natural arsenide of manganese results in the compound being named Kaneite in his honour. He studies medicine at Trinity College, Dublin, graduating in 1834 while working in the Meath Hospital. He is appointed Professor of Chemistry at the Apothecaries’ Hall, Dublin in 1831, which earns him the moniker of the “boy professor.” In the following year he participates in the founding of the Dublin Journal of Medical & Chemical Science.

On the strength of his book Elements of Practical Pharmacy, Kane is elected to the Royal Irish Academy in 1832. He studies acids, shows that hydrogen is electropositive, and proposes the existence of the ethyl radical. In 1836 he travels to Giessen in Germany to study organic chemistry with Justus von Liebig. In 1843 he is awarded the Royal Irish Academy’s Cunningham Medal for his work on the nature and constitution of compounds of ammonia.

Kane publishes a three-volume Elements of Chemistry in 1841–1844, and a detailed report on the Industrial Resources of Ireland. This includes the first assessment of the water power potential of the River Shannon, which is not realised until the 1920s at Ardnacrusha.

Kane becomes a political adviser on scientific and industrial matters. He serves on several commissions to enquire into the Great Irish Famine, along with Professors Lindley and Taylor, all more or less ineffective. His political and administrative work means that his contribution to chemistry ceases after about 1844.

Kane’s work on Irish industry leads to his being appointed director of the Museum of Irish Industry in Dublin in 1845. The Museum is a successor to the Museum of Economic Geology, and is housed at 51 St. Stephen’s Green.

Also in 1845 Kane becomes the first President of Queen’s College, Cork (now University College Cork). He does not spend a lot of time in Cork as he has work in Dublin, and his wife lives there. The science building on the campus is named in his honour. He is knighted in 1846.

In 1873 Kane takes up the post of National Commissioner for Education. He is elected president of the Royal Irish Academy in 1877, holding the role until 1882. In 1880 he is appointed the first chancellor of the newly created Royal University of Ireland. After a motion to admit women to the University, put forward by Prof. Samuel Haughton at Academic Council in Trinity College Dublin, March 10, 1880, Kane is appointed to a committee of ten men to look into the matter. He is opposed to the admission of women, and nothing is reported from the committee in the Council minutes for the next ten years.


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Death of Joan Denise Moriarty, Ballet Dance & Choreographer

joan-denise-moriartyJoan Denise Moriarty, Irish ballet dancer, choreographer, teacher of ballet and traditional Irish dancer and musician, dies on January 24, 1992. She is a key figure in the development of both amateur and professional ballet in Ireland.

Little is known of Moriarty’s early life. Her year of birth is estimated between 1910 and 1913 but no documentation has been found. The place of her birth is also unknown, and even the country is uncertain. She grows up as the daughter of Michael Augustus Moriarty, an alumnus of Stonyhurst College and contemporary of Sir Arthur Conan Doyle, and his wife, Marion (née McCarthy). The Moriartys are originally from Mallow, County Cork, where her grandfather John Moriarty was a successful solicitor.

Moriarty is brought up in England. She studies ballet until her early teens with Dame Marie Rambert. She is an accomplished Irish step-dancer and traditional musician, and becomes the champion Irish step-dancer of Britain on April 24, 1931. She also wins a swimming championship. She is a member of the Liverpool branch of the Conradh na Gaeilge.

In the autumn of 1933 Moriarty returns with her family to their native Mallow in County Cork. In 1934, she sets up her first school of dance there. From 1938 she also gives weekly classes in Cork in the Gregg Hall and Windsor School. During the 1930s she takes part in the Cork Feis, annual arts competitions with a focus on traditional dance and music, competing in Irish step-dancing, warpipes and operatic solo singing. She performs on the warpipes in various public concerts and gives at least two broadcasts. In 1938 she is invited by Seán Neeson, lecturer in Irish music at University College Cork, to perform at a summer school which the Music Department organises for primary school teachers.

Moriarty’s mother dies in February 1940. The following November she moves to Cork where she sets up the Moriarty School of Dancing. The early years during the war are very difficult financially. In the early 1940s she performs with her dancers in musicals and variety shows at the Cork Opera House.

In 1945 the composer Aloys Fleischmann invites Moriarty to perform in his Clare’s Dragoons for baritone, war pipes, choir and orchestra, which had been commissioned by the national broadcasting company, Radio Éireann, for the Thomas Davis centenary. Moriarty agrees, on condition that his Cork Symphony Orchestra would play for her Ballet Company’s annual performances, which marks the beginning of a lifelong collaboration.

Branches of the Moriarty School of Dance are established in Bandon, Clonmel, Fermoy, Killarney, Mallow, Tralee, Waterford, and Youghal. Moriarty bequeaths her Cork school to Breda Quinn, a long-standing member of the Cork Ballet Company, who runs it with another Moriarty student, Sinéad Murphy, who creates a new dance school, Cork School of Dance, after Breda’s death in 2009.

Moriarty founds the Cork Ballet Group in 1947, the members recruited from her school. It gives its first performance in June of that year at the Cork Opera House. In 1954 the group is registered as a company under the name “Cork Ballet Company.” The company’s final season is 1993, the year following Moriarty’s death.

Irish Theatre Ballet is founded by Moriarty in the summer of 1959, and gives its first performance in December 1959. It is a small touring company of 10 to 12 dancers, which travels all over Ireland, going to some 70 venues annually with extracts from the classical ballets, contemporary works and folk ballets. In an attempt to resolve the constant financial difficulties, the Arts Council in 1963 insists on a merger with Patricia Ryan’s Dublin National Ballet. The amalgamation does not bring a solution to the financial problems besetting both companies and, after one joint season, the amalgamated company, Irish National Ballet, has to be disbanded in March 1964.

In 1973, the Irish government decides to fund a professional ballet company, the Irish Ballet Company, and entrusts it to Moriarty. Like Irish Theatre Ballet, it is a touring company which travels all over Ireland in two annual seasons. The company has a number of striking successes between 1978 and 1981. In 1983 the name of the company is changed to Irish National Ballet. The severe recession in Ireland during the 1980s and shrinking funds force the Irish National Ballet to disband in 1989.

Moriarty spends almost 60 years working for ballet in Ireland. Her amateur Cork Ballet Company is still the longest-lasting ballet company the country’s history. Her two professional touring companies bring ballet to all parts of Ireland for 21 years. She receives numerous awards for her work, among them an honorary doctorate from the National University of Ireland in 1979.

During the last years of her life, Moriarty suffers ill-health, but continues her work with the Cork Ballet Company, bringing the shows to towns in the county. She dies on January 24, 1992 in Dublin.


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Death of Teresa Deevy, Playwright & Writer

teresa-deevyTeresa Deevy, deaf Irish playwright, short story writer, and writer for radio, dies in Waterford, County Waterford on January 19, 1963.

Deevy is born on January 21, 1894 in Waterford. She is the youngest of 13 siblings, all girls. Her mother is Mary Feehan Deevy and her father is Edward Deevy who passes away when she is two years old.

Deevy attends the Ursuline Convent in Waterford and in 1913, at the age of 19, she enrolls in University College Dublin, to become a teacher. However, that same year, she becomes deaf through Ménière’s disease and has to relocate to University College Cork so she can receive treatment in the Cork Ear, Eye, and Throat Hospital, while also being closer to the family home. In 1914 she goes to London to learn lip reading and returns to Ireland in 1919. She starts writing plays and contributing articles and stories to the press around 1919.

Deevy’s return to Ireland takes place during the Irish War of Independence and this heavily influences her writing and ideology as she is heavily involved in the nationalistic cause. She heavily admires Constance Markievicz and joins Cumann na mBan, an Irish women’s Republican group and auxiliary to the Irish Volunteers.

In 1930 Deevy has her first production at the Abbey Theatre, Reapers. Many more follow in rapid succession, such as In Search of Valour, Temporal Powers, The King of Spain’s Daughter and Katie Roche, the play she is perhaps best known for. Her works are generally very well received with some of them winning competitions, becoming headline performances, or being revived numerous times. After a number of plays staged in the Abbey, her relationship with the theater sours over the rejection of her play, Wife to James Whelan in 1937.

After Deevy stops writing plays for the Abbey, she mainly concentrates on radio, a remarkable feat considering she had already become deaf before radio had become a popular medium in Ireland in the mid-to-late 1920s. She has a prolific output for twenty years on Raidio Éireann and on the BBC.

Deevy is elected to the prestigious Irish Academy of Letters in 1954, as a recognition to her contribution to the Irish theater. Her sister, Nell, with whom she had lived in Dublin, dies in the same year, so she returns to Waterford. She becomes a familiar figure in Waterford as she cycles around the city on her “High Nelly” bike.

When Deevy’s health begins to fail she is eventually admitted to the Maypark Nursing Home in Waterford. She dies there on January 19, 1963, at the age of 68, two days before her birthday.


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Inaugural Meeting of the Irish Management Institute

irish-management-institute-logoThe Irish Management Institute, an educational institute in Dublin that offers Postgraduate Diplomas, Master’s Degrees, executive education programs and short courses in Business and Management, holds its inaugural meeting on December 9, 1952. In its role as a membership organisation it connects businesses around its mission of improving the practice of management in Ireland.

The idea for the institute originates from a committee set up by Michael Dargan, T.P. Hogan and other businessmen. The motivation is to establish an organisation that will further the science and practice of business management in Ireland. Those involved are inspired primarily by the American Management Association and The Conference Board. At the same time the then Minister for Industry and Commerce, Seán Lemass, has prompted a separate group of leading semi-state and private bosses into investigating a similar idea. Both groups merge and the inaugural meeting of the Irish Management Institute is held on December 9, 1952 in the Gresham Hotel. The founding chairman is Sir Charles Harvey.

The objective of the institute is to raise the standard of management in Ireland. Originally it does this through corporate and personal memberships, regular lectures and conferences, a journal called Irish Management, research and the establishment of a members library. After its first decade the institute becomes involved in management training courses.

Part of IMI’s original brief has been to encourage the universities to develop management education. In the early 1960s both University College Dublin (UCD) and Trinity College Dublin introduce master’s degrees in management. This is an indication of management’s growing stature as an academic discipline. In turn IMI creates the Sir Charles Harvey Award for exceptional graduates of these courses. The first recipient is Patrick J. Murphy.

IMI later goes on to become a provider of education. Its popular Certificate in Supervisory Management (CISM) is the first academic course run by IMI and is the institute’s first progression into all-island distance learning. In 1973 IMI partners with Trinity for the Master of Science in Management (MSc). The MSc epitomises IMI’s teaching philosophy and is notable for being the first management degree in the world to be based on action learning. Related courses follow over the next three decades. Other affiliations with Irish universities include a Masters in information technology development with NUI Galway and a research alliance with the University of Limerick. In 2003 IMI launches their support and delivery of the Flexible Executive Henley MBA programme.

An alliance between University College Cork and the Irish Management Institute is announced in June 2011 by Taoiseach Enda Kenny. The IMI and UCC had been collaborating since 2009. As of 2014, the majority of the degrees offered by the IMI are accredited by UCC. UCC controversially purchases the IMI and it is merged into UCC.


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Birth of Con Cremin, Irish Diplomat

con-creminCornelius Christopher Cremin, Irish diplomat, is born in Kenmare, County Kerry on December 6, 1908.

One of four children, Cremin is born to a family that operates a drapery business. His brother, Francis Cremin, becomes a leading academic canon lawyer who frames a number of key church documents. He is educated at St. Brendan’s College, Killarney and from 1926 at University College Cork, where he graduates with a first-class degree in Classics and Commerce.

Around 1929 Cremin is awarded the post-graduate University College Cork Honan scholarship. By 1930 he has attained a degree in economics and accountancy. For the following three years he studies in Athens, Munich and Oxford, having attained a traveling scholarship in Classics. He subsequently enters the Department of External Affairs, having succeeded in the competition for third secretary in 1935.

In April 1935 Cremin marries Patricia O’Mahony. His first position in Dublin involves working with Frederick Henry Boland on the League of Nations portfolio. In 1937 he is sent abroad on his first posting to Paris. There he works under the “Revolutionary Diplomat” Art O’Brien, until the latter retires in 1938. Sean Murphy later becomes his Minister. Ireland declares neutrality on the outbreak of World War II and Murphy and Cremin report on the developments in France throughout the Phoney War.

After the fall of France, the Irish legation is the last to leave Paris except for the American Ambassador, on June 11, 1940. After traveling to Ascain the legation eventually makes its way to the new French Capital, Vichy, where it sets about looking after the needs of Irish citizens, many of whom have been interned, as they have British passports and have been sending political reports. The political reports are of the highest value and insure that Irish continue to observe pro-Allied neutrality throughout the war.

In 1943 Cremin is sent to Berlin to replace William Warnock. Prior to his arrival the Legation is bombed. As Chargé d’affaires in Berlin, he is responsible for sending back political reports and looking after the interests of Irish citizens. He attempts, unsuccessfully, to assist some European Jews. He does however send full reports on the Nazi treatment of the Jews in Europe. Warned to leave Berlin before the Soviets arrive, he spends the last weeks of the war near the Swiss border.

In 1945 Cremin is sent to Lisbon, where he meets authoritarian president António de Oliveira Salazar and attempts to revive Irish trade as well as reporting on the various unsuccessful coups against Salazar.

After returning to Ireland in 1946 he is involved in preparing Ireland’s Marshall Plan application and tracing the development of Ireland’s post war foreign policy. He has a distinguished career representing Ireland in many foreign missions and at the United Nations.

After retiring Cremin remains chairman of the Irish delegation to the United Nations Convention on the Law of the Sea. After his first wife dies he marries again in 1979. He dies in Kenmare on April 19, 1987, survived by his wife, three daughters, and a son.