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Birth of Playwright & Poet Lennox Robinson

lennox-robinson

Esmé Stuart Lennox Robinson, playwright, poet, theatre producer, and director who is involved with the Abbey Theatre, is born in Westgrove, Douglas, County Cork, on October 4, 1886.

Robinson is raised in a Protestant and Unionist family in which he is the youngest of seven children. His father, Andrew Robinson, is a middle-class stockbroker who in 1892 decides to become a clergyman in the Church of Ireland in the small Ballymoney parish, near Ballineen in West Cork. A sickly child, Robinson is educated by private tutor and at Bandon Grammar School. In August 1907, his interest in the theatre begins after he goes to see an Abbey production of plays by W.B. Yeats and Lady Gregory at the Cork Opera House. He publishes his first poem that same year. His first play, The Cross Roads, is performed in the Abbey in 1909 and he becomes manager of the theatre towards the end of that year. He resigns in 1914 as a result of a disastrous tour of the United States but returns in 1919. He is appointed to the board of the theatre in 1923 and continues to serve in that capacity until his death. His Abbey career and production involvement can be found in the Abbey archives.

As a playwright, Robinson shows himself as a nationalist with plays like Patriots (1912) and Dreamers (1915). On the other hand, he belongs to a part of Irish society which is not seen as fully Irish. This division between the majority native Irish (Roman Catholics) on one side and the Anglo-Irish (Protestants) on the other can be seen in a play such as The Big House (1926), which depicts the burning of a Protestant manor home by the Irish Republican Army (IRA). Robinson’s most popular play is The Whiteheaded Boy (1916).

Other plays include Crabbed Youth and Age (1924), The Far Off Hills (1928), Drama at Inish (1933), and Church Street (1935). Drama at Inish, which is presented in London and on Broadway as Is Life Worth Living?, is revived as part of the 2011 season at the Shaw Festival at Niagara-on-the-Lake, Ontario, Canada, with Mary Haney in the role of Lizzie Twohig. Robinson’s fiction includes Eight Short Stories (1919). In 1931 he publishes a biography of Bryan Cooper, who had recently died. In 1951, he publishes Ireland’s Abbey Theatre, the first full-length history of the company.

He publishes an edited edition of Lady Gregory’s diaries in 1947. In 1958 he co-edits with Donagh MacDonagh The Oxford Book of Irish Verse. He is also a director and producer, in 1930 producing a play by Irish playwright Teresa Deevy called The Reapers. In 1931 he is co-director of A Disciple along with W.B. Yeats and Walter Starkie.

Melancholic and alcoholic in later years, Lennox Robinson dies in Monkstown, County Dublin, on October 15, 1958. He is buried St. Patrick’s Cathedral.


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Death of Poet Laureate Nahum Tate

nahum-tate

Nahum Tate, Irish poet, hymnist, and lyricist, who becomes Poet Laureate of the United Kingdom in 1692,  dies on July 30, 1715. Tate is best known for The History of King Lear, his 1681 adaptation of William Shakespeare‘s King Lear.

Tate is born in Dublin in 1652 and comes from a family of Puritan clergymen. He is the son of Faithful Teate, an Irish clergyman who was rector of Castleterra, Ballyhaise, until his house is burned and his family attacked after he passes on information to the government about plans for the Irish Rebellion of 1641. After living at the provost’s lodgings in Trinity College, Dublin, Faithful Teate moves to England. He becomes the incumbent at East Greenwich around 1650, and “preacher of the gospel” at Sudbury from 1654 to 1658 before returning to Dublin by 1660. He publishes a poem on the Trinity entitled Ter Tria, as well as some sermons, two of which he dedicates to Oliver and Henry Cromwell.

Nahum Teate follows his father to Trinity College, Dublin in 1668, and graduates BA in 1672. By 1676 he moves to London and is writing for a living. He publishes a volume of poems in London in 1677 and becomes a regular writer for the stage. He also adopts the spelling Tate, which remains until his death.

Tate then turns to make a series of adaptations from Elizabethan dramas. His version of William Shakespeare’s Richard II alters the names of the characters and changes the text so that every scene, to use his own words, is “full of respect to Majesty and the dignity of courts.” In spite of these precautions The Sicilian Usurper (1681), as his rewrite is called, is suppressed on the third performance on account of a possible political interpretation.

In 1682, Tate collaborates with John Dryden to complete the second half of his epic poem Absalom and Achitophel. Tate also writes the libretto for Henry Purcell‘s opera Dido and Aeneas, which is given its first known performance in 1689. Tate’s name is also connected with the famous New Version of the Psalms of David (1696), for which he collaborates with Nicholas Brady.

Nahum Tate dies in Southwark, London, England, on July 30, 1715, and is buried at St. George Southwark on August 1, 1715.