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Death of Margaret Clarke, Portrait Painter

Margaret Clarke RHA (née Crilley), Irish portrait painter, dies in Dublin on October 31, 1961.

Crilley is born in Newry, County Down, (present-day Northern Ireland), on August 1, 1884, one of six children of Patrick Crilley. Her date of birth is often given as July 29, 1888, though local records do not support this, suggesting she is born four years earlier. Having initially trained at Newry technical school with her sister Mary, intending to become a teacher, in 1905, she wins a scholarship to attend the Dublin Metropolitan School of Art. There she studies under William Orpen, who regards her as one of his most promising students. She completes her studies in 1911 attaining an Art Teacher’s Certificate and begins working as Orpen’s assistant.

In 1914, Crilley marries her fellow student Harry Clarke, much to the surprise of their family and acquaintances. The couple moves into a flat at 33 North Frederick Street. They have three children, Michael, David and Ann. Harry’s brother, Walter, marries Margaret’s sister, Mary, in 1915.

Clarke first exhibits with the Royal Hibernian Academy in 1913 and goes on to exhibit over 60 artworks in the forty years until 1953, the majority being portraits. Among the portrait commissions she receives are ones for Dermod O’Brien, President Éamon de Valera, Archbishop John Charles McQuaid, and Lennox Robinson. She spends a great deal of time on the Aran Islands with fellow artist Seán Keating and her husband, from which she produces a number of landscapes and smaller studies.

Clarke becomes the director of the Harry Clarke Stained Glass Studios following the death of her husband in 1931.

A critic notes in 1939 that Clarke produces “remarkable drawings in which individuality is caught in a few swift economical lines.” Over her lifetime she wins many awards including the Tailteann gold, silver and bronze medals in 1924, and another Tailteann bronze in both 1928 and 1932. She is elected an Associate of the Royal Hibernian Academy (ARHA) in 1926, and a full RHA member in 1927. Upon the founding of the Irish Exhibition of Living Art in 1943, she is appointed a member of the executive committee.

Clarke dies in Dublin on 31 October 31, 1961, and is buried in the Redford Cemetery, Greystones, County Wicklow. She is commemorated with a blue plaque at her birthplace in Newry.

Clarke’s work can be found in the collections of the National Gallery of Ireland, the Hugh Lane Gallery, the Crawford Art Gallery, the Ulster Museum, Limerick City Gallery of Art, The National Self-Portrait Collection of Ireland, and the Pontifical Irish College in Rome.

The exhibition at National Gallery of Ireland in 2017 reevaluates Margaret Clarke’s great artistic reputation.

(Pictured: “Self-portrait,” 1914, by Margaret Clarke, © Artist’s Estate)


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Death of Iseult Gonne

Iseult Lucille Germaine Gonne, the daughter of the Irish republican revolutionary Maud Gonne and the French politician and journalist Lucien Millevoye, dies on March 22, 1954. She marries the novelist Francis Stuart in 1920.

Maud Gonne conceives a child, Georges, with her French Boulangist lover Lucien Millevoye. When the baby dies, possibly by meningitis, she is distraught, and buries him in a large memorial chapel built for him with money she had inherited. She separates from Millevoye after Georges’ death, but in late 1893, she arranges to meet him at the mausoleum in Samois-sur-Seine and, next to the coffin, they have sex. Her purpose is to conceive a baby with the same father, to whom the soul of Georges would transmigrate in metempsychosis. Iseult is born in France as a result on August 6, 1894. She is educated at a Carmelite convent in Laval, France. When she returns to Ireland she is referred to as Maud’s niece or cousin rather than her daughter.

In 1903, Maud Gonne marries John MacBride. Iseult’s half-brother Seán MacBride is born in 1904. The couple separates in 1905. With Gonne fearing that Seán’s father will seize him from her, her family mostly lives in France until John MacBride’s death in the 1916 Easter Rising. In a separation settlement, MacBride is granted a month’s summer custody, however, he returns to Ireland and never sees his child again. Iseult’s relationship with her stepfather is tainted by an allegation by William Butler Yeats, who writes to Lady Gregory in January 1905, the month MacBride and Maud separate, that he had been told MacBride had molested Iseult, who at that time was ten years old. However, many critics have suggested that Yeats may have fabricated the event due to his hatred of MacBride over Maud’s rejection of him in favour of MacBride. The divorce papers submitted by Gonne make no mention of any such incident – the only charge against MacBride that is substantiated in court is that he was drunk on one occasion during the marriage and Iseult’s own writings make no mention of the allegation.

In 1913, Iseult meets Rabindranath Tagore. Inspired by his poetry, she begins to learn Bengali in 1914, tutored by Devabrata Mukerjea. Together, in France, they translate some of Tagore’s The Gardener into French directly from the Bengali. Tagore leaves it to Yeats’ discretion to decide the merit of the work, but Yeats does not feel sufficiently fluent in French to judge them. The translations are never published. Iseult is widely considered a great beauty, and temperate, able to speak her mind. She attracts the admiration of literary figures including Ezra Pound, Lennox Robinson and Liam O’Flaherty. Her most infamous association is with Yeats, who had long been in love with her mother. In 1916, in his fifties, Yeats proposes to the 22-year-old Iseult who refuses his advances. He had known her since she was four and often referred to her as his darling child. Many Dubliners suspected that Yeats is her father.

In 1920, Iseult elopes to London with 17-year-old Irish Australian Francis Stuart, who becomes a writer, and the couple later marries. Their first child, Dolores, dies in 1921 of spinal meningitis at three months old. The couple has two other children, Ian and Catherine.

Iseult makes headlines during World War II when she is brought to trial for harboring Hermann Görtz, a German parachutist, a crime to which she confesses but is acquitted.

Maud Gonne dies on April 27, 1953, and does not acknowledge Iseult in her will, possibly due to pressure from Séan who does not want to reveal Maud’s relation to Millevoye. Iseult dies at the age of 59 from heart disease less than a year later, on March 22, 1954. She is buried in Glendalough, County Wicklow.

(Pictured: Iseult Gonne, c. 1910)


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Death of Frank O’Connor, Poet & Novelist

Frank O’Connor, Irish writer of over 150 works and best known for his short stories and memoirs, dies of a heart attack in Dublin on March 10, 1966. The Frank O’Connor International Short Story Award is named in his honour.

O’Connor is born Michael Francis O’Donovan in Cork, County Cork, on September 17, 1903. The only child of Minnie (née O’Connor) and Michael O’Donovan, he attends Saint Patrick’s School on Gardiner’s Hill and North Monastery CBS. His early life is marked by his father’s alcoholism, debt, and ill-treatment of his mother. His childhood is shaped in part by his mother, who supplies much of the family’s income by cleaning houses, because his father is unable to keep steady employment due to his drunkenness. He adores his mother and is bitterly resentful of his father. In his memoirs, he recalls his childhood as “those terrible years,” and admits that he has never been able to forgive his father for his abuse of himself and his mother. When his mother is seventy, O’Connor is horrified to learn from his own doctor that she has suffered for years from chronic appendicitis, which she has endured with great stoicism, as she has never had the time nor the money to see a doctor.

In 1918 O’Connor joins the First Brigade of the Irish Republican Army (IRA) and serves in combat during the Irish War of Independence. He opposes the Anglo-Irish Treaty of 1921 and joins the Anti-Treaty IRA during the Irish Civil War, working in a small propaganda unit in Cork city. He is one of twelve thousand Anti-Treaty combatants who are interned by the government of the new Irish Free State. Between 1922 and 1923 he is imprisoned in Cork City Gaol and in Gormanston, County Meath.

Following his release, O’Connor takes various positions including that of teacher of the Irish language, theatre director, and librarian. He begins to move in literary circles and is befriended by George William Russell (Æ), through whom he comes to know most of the well-known Irish writers of the day, including William Butler Yeats, Lennox Robinson, F. R. Higgins and Lady Gregory. In his memoirs, he pays tribute to both Yeats and Russell for the help and encouragement they gave him.

In 1935, O’Connor becomes a member of the board of directors of the Abbey Theatre in Dublin, founded by Yeats and other members of the Irish National Theatre Society. In 1937, he becomes managing director of the Abbey. Following Yeats’s death in 1939, O’Connor’s long-standing conflict with other board members comes to a head and he leaves the Abbey later that year. In 1950, he accepts invitations to teach in the United States, where many of his short stories have been published in The New Yorker and have won great acclaim. He spends much of the 1950s in the United States, although it is always his intention to return eventually to Ireland.

From the 1930s to the 1960s O’Connor is a prolific writer of short stories, poems, plays, and novellas. His work as an Irish teacher complements his plethora of translations into English of Irish poetry, including his initially banned translation of Brian Merriman‘s Cúirt an Mheán Oíche (The Midnight Court). Many of his writings are based on his own life experiences – notably his well-known The Man of the House in which he reveals childhood details concerning his early life in County Cork. The Sullivan family in this short story, like his own boyhood family, is lacking a proper father figure.

O’Connor’s early years are recounted in An Only Child, a memoir published in 1961 which has the immediacy of a precocious diary. He continues his autobiography through his time with the Abbey Theatre in Dublin in his book My Father’s Son, which is published posthumously in 1968. It contains valuable character sketches of many of the leading Irish literary figures of the 1930s, in particular Yeats and Æ.

Frank O’Connor has a stroke while teaching at Stanford University in 1961, and he later dies from a heart attack in Dublin on March 10, 1966. He is buried in Deans Grange Cemetery two days later.


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Death of F. R. Higgins, Poet & Theatre Director

Frederick Robert Higgins, Irish poet and theatre director, dies of a heart attack on January 6, 1941.

Higgins is born on April 24, 1896, on the west coast of Ireland in Foxford, County Mayo. He is the eldest son of Joseph, a policeman stationed in Foxford at the time of his son’s birth, and Annie Higgins. His poem “Father and Son” is a loving tribute to his father. He grows up in Ballivor, County Meath, where his family has farmed for several generations. He spends the largest part of his adult life in Dublin, in a house he has built beside the River Dodder in Rathfarnham. His health is poor, and though his friends are inclined to regard him as a hypochondriac, his frequent predictions that he would die young prove to be accurate.

Higgins marries Beatrice May Moore in 1921. The marriage is a happy one. Even Frank O’Connor, who dislikes him, praises him as a kind and considerate husband. He is however reputed to have had a number of affairs, notably with the actress Ria Mooney.

Higgins is a student of William Butler Yeats and serves on the board of the Abbey Theatre from 1935 until his death. His best-known book of poetry is The Gap of Brightness (1940). He is also well known for his poem “Father and Son.” He writes a moving elegy for his fellow poet Pádraic Ó Conaire. He is generally acknowledged to be a fine poet but is less successful in his Abbey Theatre work. Frank O’Connor says unkindly that Higgins could not direct a children’s poetry recitation.

In 1937 Higgins is tour manager of the Abbey Theatre production of Teresa Deevy‘s Katie Roche, which tours to the Ambassador Theatre in New York City. There are five performances from October 2-6. His Abbey career can be seen in the Abbey Theatre archives.

Higgins is a popular and convivial man. Even O’Connor, who comes to regard him with deep suspicion, admits that he is a delightful person to know. His circle of friends includes many of the leading Irish literary figures of his time, including Yeats, Padraic O Conaire, George William Russell, Lennox Robinson, and for a time O’Connor. O’Connor, however, comes to regard him as untrustworthy and a troublemaker, and describes him unflatteringly in his memoir My Father’s Son. For Yeats, Higgins seems to feel a genuine affection, once remarking that he never left Yeats’ house without “feeling like a thousand dollars.” He is also capable of great kindness and generosity to younger writers like Patrick Kavanagh.

(Pictured: “F. R. Higgins,” Oil on Canvas by Sean O’Sullivan, courtesy of the Abbey Theatre, Dublin)


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Death of Ria Mooney, Stage & Screen Actress

Ria Mooney, Irish stage and screen actress, artistic director of the Abbey Theatre (1948-1963) and director of the Gaiety School of Acting, dies in Dublin on January 3, 1973. She is the first female producer at the Abbey Theatre.

Mooney is born in 1903 in Rathmines, a suburb of Dublin. She starts acting as a child, sings with the Rathmines and Rathgar Musical Society as a teenager, and studies art at the Dublin Metropolitan School of Art. She is invited to join the Abbey Theatre in 1924 and acts alongside some of the great names of the day, such as Cyril Cusack, Maire O’Neill and F. J. McCormick in numerous plays. She plays the part of Rosie Redmond in The Plough and the Stars on February 8, 1926, when the players are attacked during a riot in the theatre. She goes on to play prominent roles in the period’s most important Irish plays by Sean O’Casey, Teresa Deevy, Paul Vincent Carroll, George Shiels, Lennox Robinson, Lady Gregory and John Millington Synge.

After spells abroad and at the Gate Theatre, Mooney is put in charge of the new Peacock Theatre and the Abbey Experimental Theatre Company at the Abbey in 1937. Her memoirs allude to an affair with the poet F. R. Higgins who is on the board of the Abbey. Ria and Higgins discover they are related, as third cousins, due to a chance conversation when they are both travelling to the United States together. She is shocked at his sudden death of a heart attack on January 6, 1941.

After Higgins’ death Ernest Blythe is named managing director. Mooney leaves the Abbey in 1944 to direct the Gaiety School of Acting. In January 1948 she becomes resident producer at the Abbey. It is a difficult time for the Abbey, and she has to contend with Blythe, a demanding manager with whom she does not see eye-to-eye. An unexpected blow is the death of F. J. McCormick on April 24, 1947. On July 17, 1951, fire destroys the Abbey Theatre. The company leases the old Queen’s Theatre in September and continues in residence there until 1966. She takes the opportunity to employ younger actors, many of whom she knows from her time teaching at the Gaiety. Among them are Ronnie Masterson, Joan O’Hara, Ray McAnally, Philip O’Flynn, Angela Newman, Bill Foley and Doreen Madden. Between 1948 and 1963, seventy-five new plays are produced at the two Abbey locations, with most of these directed by Mooney, and most receive excellent reviews from the Dublin critics.

In 1947 Mooney helps with the setting up of the Radio Éireann Players.


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Birth of Ninette de Valois, Dancer & Choreographer

ninette-de-valoisDame Ninette de Valois, Irish-born British ballet dancer, choreographer, and founder of the company that in October 1956 becomes the Royal Ballet, is born Edris Stannus at Baltyboys House in Blessington, County Wicklow on June 6, 1898. She is influential in establishing ballet in England.

In 1908, at the age of ten, de Valois starts attending ballet lessons. At the age of thirteen she begins her professional training at the Lila Field Academy for Children. It is at this time that she changes her name and makes her professional debut as a principal dancer in pantomime at the Lyceum Theatre in the West End.

In 1919, at the age of 21, de Valois is appointed principal dancer of the Beecham Opera Company, which is then the resident opera company at the Royal Opera House. She continues to study ballet with notable teachers, including Edouard Espinosa, Enrico Cecchetti and Nicholas Legat.

In 1923, de Valois joins Sergei Diaghilev’s Ballets Russes as a soloist. At age 26, however, she quits performing after learning she is suffering from an undiagnosed case of childhood polio. In 1926 she founds her own school, the Academy of Choreographic Art, in London. She also produces dances for Lennox Robinson at the Abbey Theatre in Dublin and for Terence Gray at the Cambridge Festival Theatre.

The success of de Valois’s ballet Job: A Masque for Dancing for the Camargo Society in 1931, followed by her association with Lilian Baylis, director of the Old Vic Theatre, leads to the founding in 1931 of the Vic-Wells Ballet Company and the Sadler’s Wells School. She traces the history of the company, from its founding until it becomes the Royal Ballet in 1956, in Invitation to the Ballet (1937) and Come Dance with Me (1957).

Besides directing the company that she created, de Valois choreographs numerous ballets, including Checkmate (1937) and Don Quixote (1950). By drawing from English tradition for her choreographic material, as in The Rake’s Progress (1935), inspired by William Hogarth’s series of engravings, and The Prospect Before Us (1940), modeled on Thomas Rowlandson’s caricature of the same name, she creates a uniquely national ballet company. Her narrative ballets include prominent roles for male dancers, giving them artistic opportunities often neglected by other choreographers.

In 1963 de Valois retires as director of the Royal Ballet, although she remains head of the school until 1972. She is created a Dame of the British Empire in 1951 and is named Companion of Honour in 1980.

de Valois keeps her private life very distinct from her professional life, making only the briefest of references to her marriage to Dr. Arthur Blackall Connell, a physician and surgeon from Wandsworth, in her autobiographical writings. In April 1964 she is the subject of This Is Your Life, when she is surprised by Eamonn Andrews at the home of the dancer Frederick Ashton in London. She continues to make public appearances until her death in London on March 8, 2001 at the age of 102.

(Pictured: Ninette de Valois, circa early 1920s)


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Birth of Donagh MacDonagh, Playwright & Writer

donagh-macdonagh

Donagh MacDonagh, Irish writer, judge, presenter, broadcaster, and playwright, is born in Dublin on November 22, 1912. He is the son of Irish nationalist and poet Thomas MacDonagh.

MacDonagh is still a young child when his father is executed in 1916 for his part in the Easter Rising. Tragedy strikes again when his mother dies of a heart attack a year afterwards while swimming at Skerries to Lambay Island, County Dublin on July 9, 1917. He and his sister are then cared for by their maternal aunts, in particular Catherine Wilson.

His parents’ families then engage in a series of child custody lawsuits as the MacDonaghs are Roman Catholic and the Giffords are Protestant. In the climate of Ne Temere, the MacDonaghs are successful.

He and his sister Barbara, who later marries actor Liam Redmond, live briefly with their paternal aunt Eleanor Bingham in County Clare before being put into the custody of strangers until their late teens when they are taken in by Jack MacDonagh.

MacDonagh is educated at Belvedere College and University College Dublin (UCD) with contemporaries Cyril Cusack, Denis Devlin, Charles Donnelly, Brian O’Nolan, Niall Sheridan and Mervyn Wall. In 1935 he is called to the Bar and practises on the Western Circuit. In 1941 he is appointed a District Justice in County Mayo. To date, he remains the youngest person appointed as a judge in Ireland. He is Justice for the Dublin Metropolitan Courts at the time of his death.

MacDonagh publishes three volumes of poetry: Veterans and Other Poems (1941), The Hungry Grass (1947) and A Warning to Conquerors (1968). He also edits the Oxford Book of Irish Verse (1958) with Lennox Robinson. He also writes poetic dramas and ballad operas. One play, Happy As Larry, is translated into a number of languages. He has three other plays produced: God’s Gentry (1951), Lady Spider (1959) and Step in the Hollow, a piece of situation comedy nonsense.

MacDonagh also writes short stories. He publishes Twenty Poems with Niall Sheridan, stages the first Irish production of “Murder in the Cathedral” with Liam Redmond, later his brother-in-law, and is a popular broadcaster on Radio Éireann.

MacDonagh is married twice, to Maura Smyth and, following her death after she drowns in a bath whilst having an epileptic seizure, to her sister, Nuala Smyth. He has four children, Iseult and Breifne by Maura and Niall and Barbara by Nuala.

Donagh MacDonagh dies in Dublin on January 1, 1968, and is buried at Deans Grange Cemetery.


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Birth of Irish Writer Frank O’Connor

Frank O’Connor, Irish writer of over 150 works and best known for his short stories and memoirs, is born Michael Francis O’Donovan in Cork, County Cork, on September 17, 1903. The Frank O’Connor International Short Story Award is named in his honour.

Raised in Cork, the only child of Minnie (née O’Connor) and Michael O’Donovan, O’Connor attends Saint Patrick’s School on Gardiner’s Hill and North Monastery CBS. His early life is marked by his father’s alcoholism, debt, and ill-treatment of his mother. His childhood is shaped in part by his mother, who supplies much of the family’s income by cleaning houses, because his father is unable to keep steady employment due to his drunkenness. He adores his mother and is bitterly resentful of his father. In his memoirs, he recalls his childhood as “those terrible years,” and admits that he has never been able to forgive his father for his abuse of himself and his mother. When his mother is seventy, O’Connor is horrified to learn from his own doctor that she has suffered for years from chronic appendicitis, which she has endured with great stoicism, as she has never had the time nor the money to see a doctor.

In 1918 O’Connor joins the First Brigade of the Irish Republican Army and serves in combat during the Irish War of Independence. He opposes the Anglo-Irish Treaty of 1921 and joins the Anti-Treaty IRA during the Irish Civil War, working in a small propaganda unit in Cork City. He is one of twelve thousand Anti-Treaty combatants who are interned by the government of the new Irish Free State. Between 1922 and 1923 he is imprisoned in Cork City Gaol and in Gormanston, County Meath.

Following his release, O’Connor takes various positions including that of teacher of Irish, theatre director, and librarian. He begins to move in literary circles and is befriended by George William Russell (Æ), through whom he comes to know most of the well-known Irish writers of the day, including William Butler Yeats, Lennox Robinson, F. R. Higgins and Lady Gregory. In his memoirs, he pays tribute to both Yeats and Russell for the help and encouragement they gave him.

In 1935, O’Connor becomes a member of the board of directors of the Abbey Theatre in Dublin, founded by Yeats and other members of the Irish National Theatre Society. In 1937, he becomes managing director of the Abbey. Following Yeats’s death in 1939, O’Connor’s long-standing conflict with other board members comes to a head and he leaves the Abbey later that year. In 1950, he accepts invitations to teach in the United States, where many of his short stories have been published in The New Yorker and have won great acclaim. He spends much of the 1950s in the United States, although it is always his intention to return eventually to Ireland.

From the 1930s to the 1960s O’Connor is a prolific writer of short stories, poems, plays, and novellas. His work as an Irish teacher complements his plethora of translations into English of Irish poetry, including his initially banned translation of Brian Merriman‘s Cúirt an Mheán Oíche (The Midnight Court). Many of O’Connor’s writings are based on his own life experiences – notably his well-known The Man of the House in which he reveals childhood details concerning his early life in County Cork. The Sullivan family in this short story, like his own boyhood family, is lacking a proper father figure.

O’Connor’s early years are recounted in An Only Child, a memoir published in 1961 which has the immediacy of a precocious diary. He continues his autobiography through his time with the Abbey Theatre in Dublin in his book My Father’s Son, which is published posthumously in 1968. It contains valuable character sketches of many of the leading Irish literary figures of the 1930s, in particular Yeats and Æ.

Frank O’Connor has a stroke while teaching at Stanford University in 1961, and he later dies from a heart attack in Dublin on March 10, 1966. He is buried in Deans Grange Cemetery two days later.


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Birth of Playwright & Poet Lennox Robinson

lennox-robinson

Esmé Stuart Lennox Robinson, playwright, poet, theatre producer, and director who is involved with the Abbey Theatre, is born in Westgrove, Douglas, County Cork, on October 4, 1886.

Robinson is raised in a Protestant and Unionist family in which he is the youngest of seven children. His father, Andrew Robinson, is a middle-class stockbroker who in 1892 decides to become a clergyman in the Church of Ireland in the small Ballymoney parish, near Ballineen in West Cork. A sickly child, Robinson is educated by private tutor and at Bandon Grammar School. In August 1907, his interest in the theatre begins after he goes to see an Abbey production of plays by W.B. Yeats and Lady Gregory at the Cork Opera House. He publishes his first poem that same year. His first play, The Cross Roads, is performed in the Abbey in 1909 and he becomes manager of the theatre towards the end of that year. He resigns in 1914 as a result of a disastrous tour of the United States but returns in 1919. He is appointed to the board of the theatre in 1923 and continues to serve in that capacity until his death. His Abbey career and production involvement can be found in the Abbey archives.

As a playwright, Robinson shows himself as a nationalist with plays like Patriots (1912) and Dreamers (1915). On the other hand, he belongs to a part of Irish society which is not seen as fully Irish. This division between the majority native Irish (Roman Catholics) on one side and the Anglo-Irish (Protestants) on the other can be seen in a play such as The Big House (1926), which depicts the burning of a Protestant manor home by the Irish Republican Army (IRA). Robinson’s most popular play is The Whiteheaded Boy (1916).

Other plays include Crabbed Youth and Age (1924), The Far Off Hills (1928), Drama at Inish (1933), and Church Street (1935). Drama at Inish, which is presented in London and on Broadway as Is Life Worth Living?, is revived as part of the 2011 season at the Shaw Festival at Niagara-on-the-Lake, Ontario, Canada, with Mary Haney in the role of Lizzie Twohig. Robinson’s fiction includes Eight Short Stories (1919). In 1931 he publishes a biography of Bryan Cooper, who had recently died. In 1951, he publishes Ireland’s Abbey Theatre, the first full-length history of the company.

He publishes an edited edition of Lady Gregory’s diaries in 1947. In 1958 he co-edits with Donagh MacDonagh The Oxford Book of Irish Verse. He is also a director and producer, in 1930 producing a play by Irish playwright Teresa Deevy called The Reapers. In 1931 he is co-director of A Disciple along with W.B. Yeats and Walter Starkie.

Melancholic and alcoholic in later years, Lennox Robinson dies in Monkstown, County Dublin, on October 15, 1958. He is buried St. Patrick’s Cathedral.