seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Prince Charles & Camilla Visit County Sligo

Charles, Prince of Wales, and his wife Camilla, Duchess of Cornwall, arrive at the Model Arts Centre in Sligo town on May 20, 2015, where the Prince makes an address.

On arrival at the Model the couple delays for some time chatting to school children and local residents who line the street to greet them. The welcoming party also includes Minister for Foreign Affairs and Trade Charles Flanagan, and members of Sligo County Council including Sinn Féin’s Sean MacManus.

Charles speaks of his “deep anguish” following the killing of his “much loved grand uncle” Lord Louis Mountbatten by the Irish Republican Army (IRA) in Mullaghmore on August 27, 1979.

“At the time I could not imagine how we would come to terms with such anguish and such deep loss” he tells the gathering. “In August 1979, my much-loved great uncle, Lord Mountbatten, was killed alongside his young grandson and my godson, Nicholas, and his friend, Paul Maxwell, and Nicholas’s grandmother, the Dowager Lady Brabourne.”

“At the time I could not imagine how we would come to terms with the anguish of such a deep loss since, for me, Lord Mountbatten represented the grandfather I never had. So it seemed as if the foundations of all that we held dear in life had been torn apart irreparably.”

But he stresses the tragedy helped him understand the widespread suffering.

“Through this dreadful experience, though, I now understand in a profound way the agonies borne by so many others in these islands, of whatever faith, denomination or political tradition. Despite the tragedy of August 1979, the memories that Lord Mountbatten’s family have of Classiebawn Castle and Mullaghmore, going right back to 1946, are of great happiness. I look forward to seeing, at last, the place that he and they so loved and to meeting its inhabitants. Many of them showed the most extraordinary outpouring of compassion and support to both Lord Mountbatten’s and Paul Maxwell’s families in the aftermath of the bombing. Their loving kindness has done much to aid the healing process.”

Charles says he is “only too deeply aware of the long history of suffering that Ireland has endured. A history that has caused much pain and much resentment in a world of imperfect human beings, where it’s always too easy to overgeneralise and attribute blame.” Referring to his mother’s speech at Dublin Castle he says, “with the benefit of historical hindsight we can all see things which we would wish had been done differently or not at all.”

Charles and Camilla then travel to Drumcliff church for a service of peace and reconciliation before proceeding to the village of Mullaghmore.

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“Riverdance” Performed for the First Time

riverdance-1994Riverdance, a theatrical show consisting of traditional Irish music and dance and featuring Irish dancing champions Jean Butler and Michael Flatley and a score composed by Limerick native Bill Whelan, is performed for the first time on April 30, 1994, as an interval performance act during the 1994 Eurovision Song Contest at the Point Theatre in Dublin.

Riverdance is rooted in a three-part suite of baroque-influenced traditional music called Timedance composed, recorded, and performed for the 1981 Eurovision Song Contest, which is hosted by Ireland. At the time, Bill Whelan and Dónal Lunny compose the music, augmenting the Irish folk band Planxty with a rock rhythm section of electric bass and drums and a four-piece horn section. The piece is performed, with accompanying ballet dancers, during the interval of the contest, and later released as a Planxty single. Whelan has previously produced EastWind, an album by Planxty member Andy Irvine with Davy Spillane whose cross between Irish and Southeastern European folk music proves an influence on Riverdance. Thirteen years later, Bill Whelan is invited to do the intermission piece for another Eurovision Song Contest in Dublin, and composes Riverdance. In the book The Humours of Planxty by Leagues O’Toole, Whelan says, “It was no mistake of mine to call it Riverdance because it connected absolutely to Timedance.”

The 1994 performance earns a standing ovation from the packed theatre of 3,000 people. As a result of this success, Riverdance is invited to perform at the prestigious Royal Variety Performance at Dominion Theatre, London, in the presence of Prince Charles on November 28, 1994.

At Congratulations: 50 Years of the Eurovision Song Contest and Eurovision Song Contest’s Greatest Hits events, the seven-minute performance is named as one of the most popular interval acts in the history of the contest.

An audio recording of Riverdance enters the Irish Singles Chart at number one on May 5, 1994, and remains there throughout the summer, eventually totalling a record eighteen weeks at #1. In response to the Rwandan genocide of May/June 1994, a video of the Eurovision interval performance is released by the Irish broadcaster Raidió Teilifís Éireann under the title Riverdance for Rwanda with all proceeds going to the Rwanda Appeal Disasters Joint Appeal Committee.

The success of the Eurovision performance leads husband and wife production team John McColgan and Moya Doherty to consider how to develop the piece. They decide to produce and direct a stage show, expanding the Eurovision piece and Bill Whelan’s composition. In November 1994, tickets are sold in Dublin for the first full-length performance of Riverdance, which opens at the Point Theatre on February 9, 1995. The show runs for five weeks and is a sell out with over 120,000 tickets sold. It stars the original lead dancers from the Eurovision performance as well as many from the dance troupe featured in the Eurovision performance.

Riverdance continues to be performed all over the world, in a diminished format and in smaller venues. Current productions are geared towards smaller theatres, whereas past productions have been performed in large theatres and arenas. Sets have been simplified and some numbers contain fewer performers than in past productions.