Donleavy grows up in the Bronx. His father is a firefighter, and his mother comes from a wealthy background. He has a sister, Mary Rita, and a younger brother. He declares himself to be an atheist at the age of fourteen. He receives his education at various schools in the United States, then serves in the United States Navy during World War II. After the war ends, he moves to Ireland and becomes an Irish citizen. In 1946 he begins studying bacteriology at Trinity College Dublin, but leaves in 1949 before taking a degree.
Donleavy’s first published work is a short story entitled A Party on Saturday Afternoon, which appears in the Dublin literary periodical Envoy, A Review of Literature and Art in 1950. He gains critical acclaim with his first novel, The Ginger Man (1955), which is one of the Modern Library 100 best novels. The novel, of which his friend and fellow writer Brendan Behan is the first person to read the completed manuscript, is banned in Ireland and the United States by reason of obscenity. The lead character, Sebastian Dangerfield, is in part based on Trinity College companion Gainor Crist, an American Navy veteran also studying at Trinity College on the G.I. Bill, whom Donleavy once describes in an interview as a “saint,” though of a Rabelaisian kind.
In 1946, Donleavy marries Valerie Heron. The couple has two children: Philip (born in 1951) and Karen (born in 1955). They divorce in 1969 and he remarries in 1970 to Mary Wilson Price. That union ends in divorce in 1989. In 2011, it is reported that he had not fathered his two children with Price. A DNA test in the early 1990s confirms that Rebecca is the daughter of brewing scion Kieran Guinness, and Rory is the son of Kieran’s older brother Finn, whom Price marries after her divorce from Donleavy. “My interest is only to look after the welfare of the child,” Donleavy tells The Times, “and after a certain stage, you can’t worry about their parentage.”
Donleavy lives at Levington Park, a country house on 200 acres directly on Lough Owel, near Mullingar, County Westmeath, from 1972. Throughout much of his life, he is known as Mike by close friends, though the origins of this nickname are unclear.
Donleavy dies in Mullingar at the age of 91 on September 11, 2017.
David Kelly, Irish actor who has regular roles in several film and television works from the 1950s onwards, dies on February 12, 2012, in Goatstown, Dublin, following a short illness. One of the most recognisable voices and faces of Irish stage and screen, he is known for his roles as Rashers Tierney in Strumpet City, Cousin Enda in Me Mammy, the builder Mr. O’Reilly in Fawlty Towers, Albert Riddle in Robin’s Nest, and Grandpa Joe in the film Charlie and the Chocolate Factory (2005). Another notable role is as Michael O’Sullivan in Waking Ned.
One of Kelly’s first television appearances is on RTÉ in O’Dea’s Your Man (1964) in which he plays the part of Ignatius opposite Jimmy O’Dea. He goes on to become a familiar face on British television with the BBC comedy Me Mammy, opposite Milo O’Shea and Anna Manahan. He goes on to often-memorable guest roles on such series as Oh, Father! and Never Mind the Quality, Feel the Width, and particularly during the 1970s with a long-running role as the one-armed dishwasher Albert Riddle in the Man About the House spin-off Robin’s Nest. He also has a regular long running role alongside Bruce Forsyth in both series of the comedy Slinger’s Day from 1986 to 1987, and, in 1991, he appears in the first series of the BBC sitcom 2point4 Children as the cafe-owner Paddy.
Kelly gains some of his greatest recognition in 1975, playing inept builder Mr. O’Reilly on the second episode of Fawlty Towers (“The Builders”).
Kelly is in the voice cast of The Light Princess, a partly animated, hour-long family fantasy that airs on the BBC in 1978.
In Ireland, Kelly may be most famous for his portrayal of the character “Rashers” Tierney in the 1980 RTÉ miniseries Strumpet City, which stars Peter O’Toole, Cyril Cusack and Peter Ustinov. He goes on to have starring roles in television shows such as Emmerdale Farm in the 1980s and Glenroe in the 1990s, as well as playing the grandfather in Mike Newell‘s film Into the West (1992).
Following his appearance as Michael O’Sullivan in the 1998 film Waking Ned, Kelly plays roles in such films as Tim Burton‘s Charlie and the Chocolate Factory (2005), in which he plays Grandpa Joe, and Agent Cody Banks 2: Destination London (2004). He plays title character Frank Kovak in the mystery film The Kovak Box, in a rare villainous role. In 2007, he appears in Stardust, which features Robert De Niro and Michelle Pfeiffer, and which is also his final film. He also does extensive radio work, including a guest appearance on the BBC Radio 4 series Baldi.
Kelly is married to actress Laurie Morton, who survives him, along with children David and Miriam. He dies at age 82 after a short illness on February 12, 2012. The Irish Times refers to him as the “grand old man of Irish acting.” A Catholic funeral mass takes place on February 16, 2012, at the Church of the Miraculous Medal, in his hometown of Dublin. He is cremated at Mount Jerome Cemetery and Crematorium.
On July 30, 1919, the first assassination authorised by Michael Collins is carried out by The Squad, also known as the Twelve Apostles, when Detective Sergeant “the Dog” Smith is shot near Drumcondra, Dublin.
On April 10, 1919, the First Dáil announces a policy of ostracism of Royal Irish Constabulary (RIC) men. At the time Sinn Féin official policy is against acts of violence. Boycotting, persuasion and mild intimidation succeed against many officers. However others escalate their activities against republicans and in March 1920 Collins asks Dick McKee to select a small group to form an assassination unit.
When The Squad is formed, it comes directly under the control of the Director of Intelligence or his deputy and under no other authority. The Squad is commanded by Mick McDonnell.
The original “Twelve Apostles” are Mick McDonnell, Tom Keogh, Jimmy Slattery, Paddy Daly, Joe Leonard, Ben Barrett, Vincent Byrne, Sean Doyle, Paddy Griffin, Eddie Byrne, Mick Reilly and Jimmy Conroy. After some time The Squad is strengthened with members Ben Byrne, Frank Bolster, Mick Keogh, Mick Kennedy, Bill Stapleton and Sam Robinson. Owen Cullen, a member of 2nd Battalion, is driver for a short time, and Paddy Kelly of County Clare for a short time. They are employed full-time and received a weekly wage.
Sometimes, as occasion demands, The Squad is strengthened by members of the IRA Intelligence Staff, the Active Service Unit, munition workers and members of the Dublin Brigade, TipperaryFlying Column men, Dan Breen, Séumas Robinson, Seán Treacy and Seán Hogan, and also Mick Brennan and Michael Prendergast of County Clare. The IRA Intelligence Staff consists of the Director of Intelligence Michael Collins, the Deputy Director of Intelligence Liam Tobin, the Second Deputy Director of Intelligence Tom Cullen, the Third Director of Intelligence Frank Thornton, and members Joe Dolan, Frank Saurin, Ned Kelleher, Joe Guilfoyle, Paddy Caldwell, Paddy Kennedy, Charlie Dalton, Dan McDonnell and Charlie Byrne. The munitions workers include Mat Furlong, Sean Sullivan, Gay McGrath, Martin O’ Kelly, Tom Younge and Chris Reilly.
Other members include Mick Love, Gearoid O’Sullivan, Patrick Caldwell, Charlie Dalton, Mick O’Reilly, Sean Healy, James Ronan, Paddy Lawson, John Dunne, Johnny Wilson and James Heery. Seán Lemass and Stephen Behan, the father of Irish writers Brendan and Dominic Behan, have also been listed as members of the Apostles. There is no hard evidence to support the inclusion of many of the names, but those who subsequently serve in the Irish Army have their active service recorded in their service records held in the Military Archives Department in Cathal Brugha Barracks, Rathmines. Andrew Cooney is also reported to have been associated with The Squad. Stephen Behan’s involvement is first made public in 1962, when the BBC broadcasts an episode of This Is Your Life dedicated to Behan. During the broadcast, remaining members of the squad joined Behan on the set of the show.
Following “The Dog” Smith’s assassination, The Squad continues to target plainclothes police, members of the G Division of the Dublin Metropolitan Police, and, occasionally, problematic civil servants. Organisationally it operates as a subsection of Collins’ Intelligence Headquarters. Two of the executions by The Squad are the killing on January 21, 1920 of RIC Inspector William Redmond of the DMP “G” Division and on March 2, 1920 a British double agent John Charles Byrnes.
One of the Apostles’ particular targets is the Cairo Gang, a deep-cover British intelligence group, so called since it has either been largely assembled from intelligence officers serving in Cairo or from the Dublin restaurant called The Cairo, which the gang frequents. Sir Henry Wilson brings in the Cairo Gang in the middle of 1920, explicitly to deal with Michael Collins and his organization. Given carte blanche in its operations by Wilson, the Cairo Gang adopts the strategy of assassinating members of Sinn Féin unconnected with the military struggle, assuming that this will cause the IRA to respond and bring its leaders into the open.
The most well-known operation executed by the Apostles occurs on what becomes known as Bloody Sunday, November 21, 1920, when British MI5 officers, linked to the Cairo Gang and significantly involved in spying, are shot at various locations in Dublin with fourteen killed and six wounded. In addition to the The Squad, a larger number of IRA personnel are involved in this operation. The only IRA man captured during the operation is Frank Teeling. In response to the killings, the Black and Tans retaliate by shooting up a Gaelic football match between Dublin and Tipperary at Croke Park, the proceeds from which are for the Irish Republican Prisoners Fund. Fourteen civilians are killed including one of the players, Michael Hogan, and 68 are wounded. The Hogan stand at Croke Park is named after Hogan.
The elimination of the Cairo Gang is seen in Dublin as an intelligence victory, but British Prime MinisterDavid Lloyd George comments dismissively that his men “… got what they deserved, beaten by counter-jumpers…”. Winston Churchill adds that they were “.. careless fellows … who ought to have taken precautions.”
Some members of The Squad are hanged in 1921 for the killings on Bloody Sunday, including Thomas Whelan and Patrick Moran. Moran had killed a vet, Patrick MacCormack, who seems to have been an innocent victim.
In May 1921, after the IRA’s Dublin Brigade takes heavy casualties during the burning of the Custom House, The Squad and the Brigade’s Active Service Unit are amalgamated into the Dublin Guard, under Paddy Daly. Under the influence of Daly and Michael Collins, most of the Guard take the Free State side and join the National Army in the Irish Civil War of 1922–23. During this conflict some of them are attached to the Criminal Investigation Department and are accused of multiple assassinations of Anti-Treaty fighters. They are also involved in several atrocities against Republican prisoners, particularly after the death of Collins, due to many of them having personal ties with him.
Bill Stapleton goes on to become a director in Bord na Móna, Charles Dalton and Frank Saurin become directors in the Irish Sweepstakes. In October 1923, Commandant James Conroy is implicated in the murder of two Jewish men, Bernard Goldberg and Emmanuel ‘Ernest’ Kahn. He avoids arrest by fleeing to Mexico, returning later to join the Blueshirts. A later application for an army pension is rejected. The killings are the subject of a 2010 investigative documentary by RTÉ, CSÍ: Murder in Little Jerusalem.
Salkeld works in tempera and oil, as well as etching and wood engraving. In 1921 he travels to Germany to study under Ewald Dulberg at the Kassell Kunstschule. He attends the Union of Progressive International Artists in Düsseldorf in May 1922, and is exhibited at the Internationale Kunstausstellung. Upon his return to Dublin in 1924, he holds his first solo exhibition in the Society of Dublin Painters gallery. He becomes a member of the Dublin Painters in 1927. With Francis Stuart, he co-edits the first two issues of To-morrow in 1924. His studio is in a converted labourer’s cottage at Glencree, County Wicklow. He also exhibits with the New Irish Salon and the Radical Painters’ Group.
Salkeld wins the 1926 Royal Dublin Society‘s Taylor scholarship, and has his first exhibited work with the Royal Hibernian Academy (RHA) in 1929. He lives in Berlin for a year in 1932. He exhibits in Daniel Egan’s Gallery in Dublin in 1935. He has a wide circle of literary friends, including Samuel Beckett and Flann O’Brien. In O’Brien’s At Swim-Two-Birds, the character of Michael Byrne is designed for Salkeld, reflecting his debilitating alcoholism. He also teaches at the Dublin Metropolitan School of Art, teaching artists such as Reginald Gray.
From 1937 to 1946 Salkeld runs a private press called Gayfield Press. This is co-founded with his mother, and operates from a garden shed at their home, 43 Morehampton Road. The press is a small Adana wooden hand press. He illustrates her 1938 The Engine Left Running, as well as Ewart Milne‘s Forty North Fifty West (1938) and Liam O’Flaherty‘s Red Barbara and Other Stories (1928). In 1951, he loans the press to Liam and Josephine Miller to found the Dolmen Press.
Salkeld’s most famous public work is his 1942 three-part mural in Davy Byrne’s pub. He is a co-founder of the Irish National Ballet School in the 1940s in his capacity as a pianist. In 1946 he is appointed an associate member of the RHA. In 1953 his play Berlin Dusk is staged at 37 Theatre Club, Dublin. During the 1950s he is a broadcaster with Radio Éireann as well as a director of cultural events for An Tóstal. He dies on May 11, 1969 in St. Laurence’s Hospital, Dublin.
Although born in Dublin, Bourke lives most of his life in Tibradden, County Dublin. His father, a doctor, is in practice in the city. The children have an Irish-speaking nanny. His early exposure to Irish continues throughout his education, attending Colaiste Mhuire, Parnell Square, Dublin. He later attends University College Dublin for a course in Agricultural Science. He does not take his degree but always retains an interest in farming.
After leaving university Bourke meets two of his future bandmates in The Dubliners, Ronnie Drew and Barney McKenna, who invite him to join their sessions in O’Donoghue’s Pub where he plays tin whistle, mouth organ and guitar, and sings. Luke Kelly, who had been singing around the clubs in England, returns to Dublin and joins them, with the four gaining local popularity. Taking the name The Dubliners, the group puts together the first folk concert of its kind in Dublin. The concert is a success, then a theatrical production called “A Ballad Tour of Ireland” is staged at the Gate Theatre shortly afterwards. In 1964 fiddle player John Sheahan joins the band and this becomes known as the original Dubliners line-up.
Bourke is responsible for bringing a Gaelic element to The Dubliners’ music with songs such as “Peggy Lettermore” and “Sé Fáth Mo Bhuartha” being performed in the Irish language. He also sings a number of the group’s more lighthearted and humorous numbers such as “Jar of Porter,” “The Dublin Fusiliers,” “The Limerick Rake,” “Mrs. McGrath,” “Darby O’Leary,” “All For Me Grog” and “The Ballad of Ronnie’s Mare,” as well as patriotic songs such as “Roddy McCorley,” “The Enniskillen Dragoons,” “Take It Down From The Mast” and “Henry Joy.”
On April 5, 1974 The Dubliners travel to Eastbourne where they are to appear in concert. Kelly is worried by the way Bourke keeps moving his head about, as if trying to alleviate increasing pain. Four minutes into the second half, it is decided he cannot continue with the show. Kelly insists that a doctor should be phoned and instructs to await their return to the Irish Club at Eaton Square. The roadie for the trip, John Corry, thinks that it is better to drive straight to St. George’s Hospital in London, where the doctors diagnose a brain aneurysm. He is transferred to the Atkinson Morley Hospital in Wimbledon, while doctors wait for his wife to return from a trip to Ghana, to get her signature before operating. She is told that there is danger of further haemorrhaging. He is operated on at the earliest opportunity. The bleeding begins again while he is on the table which means that they cannot repair the damage, only staunch the bleeding. This leaves him paralysed down his left side and confused as to where he is and what has happened.
Bourke receives intensive therapy, attending a clinic in Dún Laoghaire, County Dublin. He is heartened by his progress and insists on rejoining The Dubliners on their next tour of the Continent in November that year.
Bourke’s continued insistence that he is fit enough to join them on the forthcoming German tour causes them considerable disquiet. They prefer he ease himself back to work, with a few small shows in Ireland. The tour gradually begins to take its toll on him, and it is decided that for the sake of his health he should return home. He flies from Brussels to Dublin.
Bourke makes his last public appearance on Ireland’s RTÉ One during The Late Late Show‘s tribute to The Dubliners in 1987. Despite his lingering paralysis he recites “The Lament for Brendan Behan” after which everyone in the studio, led by Ronnie Drew, sing “The Auld Triangle.”
Bourke dies on May 10, 1988 after a long illness. From 1974 until his death he had continued to be paid by the band. A fifth member of the group is not recruited until after his death.
McKenna makes his film debut in the IRA–Nazi drama The Night Fighters (1960) and from this uncredited beginning he moves up to tenth billing in The Siege of Sidney Street (1960). His next major movie is Girl with Green Eyes (1964), by which time he has also started a successful television career, making his TV debut in Espionage (1963) and over the next few years appears in several more TV shows. His versatility enables him to play three characters in The Avengers (1961). He is also featured in such well-regarded shows as Adam Adamant Lives! (1966), Dixon of Dock Green (1955) and The Saint (1962).
McKenna dies on February 13, 2011 at the Royal Free Hospital in Hampstead, London, at the age of 81 following a long period of illness. He is buried alongside his wife at Teampall Cheallaigh Cemetery in his native County Cavan.
Following his death, tributes are paid by President of IrelandMary McAleese, Prince Charles, and Ireland’s Minister for Tourism, Culture and SportMary Hanafin, who says that McKenna was “one of a great generation whose talents on the screen and stage both at home and abroad gave us all great pride in his accomplishments.” In County Cavan, he is commemorated by the T. P. McKenna Drama Scholarships (VEC) and the T. P. McKenna Perpetual Trophy presented as part of the Millrace Annual Drama Festival.
Kearney was born on December 12, 1883 at 68 Lower Dorset Street, Dublin, above one of the two grocer’s shops owned by his father, John Kearney, originally from Funshog, Collon, County Louth. His mother, Katie (née McGuinness), is from Rathmaiden, Slane, County Meath. He is educated at the Model School, Schoolhouse Lane and St. Joseph’s Secondary C.B.S. in Fairview. He hears Willie Rooney give nationalist lectures on history in the Mechanics’ Institute. For a short time he attends Belvedere College. Following the death of his father, he is left to support his mother and five younger siblings. He has various menial jobs for three years before being apprenticed to a house painter.
In 1901, the death of Willie Rooney prompts Kearney to join the Willie Rooney Branch of the Gaelic League. He joins the Irish Republican Brotherhood in 1903. He teaches night classes in Irish and numbers Seán O’Casey among his pupils. He finds work with the National Theatre Society and in 1904 is one of the first to inspect the derelict building that becomes the Abbey Theatre. He assists with props and performs occasional walk-on parts at the Abbey until 1916.
Kearney is a co-founder of the Irish Volunteers in 1913 and takes part in the Howth and Kilcoole gun runnings in 1914. In the Easter Rising of 1916 he fights at Jacob’s biscuit factory under Thomas MacDonagh, abandoning an Abbey Theatre tour in England to take part in the Rising. He escapes before the garrison is taken into custody.
A personal friend of Michael Collins, Kearney at first takes the Free State side in the Irish Civil War but loses faith in the Free State after Collins’s death. He takes no further part in politics, returning to his original trade of house painting.
Kearney’s songs are highly popular with the Irish Volunteers (which later becomes the Irish Republican Army) in the 1913–1922 period. Most popular is “The Soldier’s Song.” He pens the original English lyrics in 1907 and his friend and musical collaborator Patrick Heeney composes the music. The lyrics are published in 1912 and the music in 1916. After 1916 it replaces “God Save Ireland” as the anthem of Irish nationalists. The Irish Free State is established in 1922 and formally adopts the anthem in 1926.
Other well-known songs by Kearney include “Down by the Glenside,” “The Tri-coloured Ribbon,” “Down by the Liffey Side,” “Knockcroghery” (about the village of Knockcroghery) and “Erin Go Bragh” (Erin Go Bragh is the text on the Irish national flag before the adoption of the tricolour).
Peadar Kearney dies in relative poverty in Inchicore on November 24, 1942. He is buried in Glasnevin Cemetery in Dublin.
Macken is born at 18 St. Joseph’s Terrance in Galway, County Galway on May 3, 1915. His father, Walter Macken, Sr., formerly a carpenter, joins the British Army in 1915 and is killed in March of the following year at Saint-Éloi. The family therefore has to rely on lodgers and a small service pension to sustain them.
Macken attends the Presentation Convent for Infants from (1918-1921), St. Mary’s, a Diocesan College where they train people who want to become priests (1923-1924), and Patrician Brothers both Primary and Secondary (1921-1922 and 1924-1934), where he takes his Leaving Certificate. He is writing short stories, novels, and plays in exercise books from the age of eight and carries on these works well into his teens.
His son Ultan Macken is a well-known journalist in the print and broadcast media of Ireland, and wrote a biography of his father, Walter Macken: Dreams on Paper.
Walter Macken dies of heart failure at the age of 51 in Menlo, County Galway, on April 22, 1967.
Dolores Keane, folk singer and occasional actress, is born on September 26, 1953 in the small village of Sylane, near Tuam, in rural County Galway. She is a founding member of the successful group De Dannan, and has since embarked on a very successful solo career, establishing herself as one of the most loved interpreters of Irish song.
Keane is raised from the age of four by her aunts Rita and Sarah Keane, who are also well-known sean-nós singers. She starts her singing at a very young age, due to the influence of her musical aunts. She makes her first recording for Radio Éireann in 1958 at the age of five. This early start sets her on the path to a career in music. Her brother, Seán, also goes on to enjoy a successful music career.
In 1975, Keane co-founds the traditional Irish band De Dannan, and they release their debut album Dé Danann in that same year. The group gains international recognition and enjoys major success in the late 1970s in the United States. She tours with the band and their single “The Rambling Irishman” is a big hit in Ireland. In early 1976, after a short two-year spell, she leaves De Dannan and is replaced by Andy Irvine, who records live with the band on April 30, 1976, during the 3rd Irish Folk Festival in Germany. Soon thereafter, she marries multi-instrumentalist John Faulkner, with whom she subsequently records three albums of folk music.
Keane lives and works in London for several years with Faulkner before they move to Ireland in the early 1980s. They work on a series of film scores and programmes for the BBC and form two successful bands, The Reel Union and Kinvara. During this period she records her first solo album, There Was a Maid in 1978. This is followed by two other releases, Broken Hearted I’ll Wander (1979) and Farewell to Eirinn (1980), which gives credit to Faulkner. In the mid-1980s she rejoins De Dannan and records the albums Anthem and Ballroom with them.
Keane turns her attention, once again, to her solo career in 1988. It sees the release of the eponymous Dolores Keane album. Her follow-up album, A Lion in a Cage (1989), features a song written by Faulkner called “Lion in a Cage” protesting the imprisonment of Nelson Mandela. It serves as Keane’s second Irish number one and she performs the hit at the celebration of his release. This exposure expands her reputation and popularity worldwide. A new facet is added to her career when she plays the female lead in the Dublin production of Brendan Behan‘s The Hostage. The opening night is attended by Mary Robinson, the President of Ireland at the time.
In 1992, Keane is among the many female Irish singers to lend their music to the record-smashing anthology A Woman’s Heart. The album goes on to become the biggest-selling album in Irish history. A Woman’s Heart Vol.2 is released in late 1994 and emulates its predecessor in album charts the world over. Also in 1994, a solo album, Solid Ground, is released on the Shanachie Records label and receives critical acclaim in Europe and America.
In August 1995, Keane is awarded the prestigious Fiddler’s Green Hall of Fame award in Rostrevor, County Down, for her “significant contribution to the cause of Irish music and culture.” In that same year, she takes to the stage in the Dublin production of John Millington Synge‘s The Playboy of the Western World. She contributes to the RTÉ/BBC television production “Bringing It All Back Home,” a series of programmes illustrating the movement of Irish music to America.
In August 1997, Keane goes to number one again in the Irish album charts with a compilation album with her most loved songs. And another studio album, Night Owl, is released in 1998. It sees her returning to her traditional Irish roots and it does well in Europe and America. Despite a healthy solo career, she goes on tour with De Dannan again in the late 1990s, where she plays to packed audiences in venues such as Birmingham, Alabama and New York City.
Keane puts an end to recording and touring in the late 1990s, due to depression and alcoholism, for which she receives extensive treatment. As of June 2014, she is given the all clear after suffering from cancer.
Born in New York City on April 23, 1926 to Irish immigrants Margaret and Patrick Donleavy, Donleavy receives his education at various schools in the United States. He declares himself to be an atheist at the age of 14. He serves in the United States Navy during World War II. After the war ends, he moves to Ireland. In 1946 he begins studying at Trinity College, Dublin, but leaves in 1949 before taking a degree. Also in 1946, he marries Valerie Heron and the couple has two children: Philip (born 1951) and Karen (born 1955). They divorce in 1969 and he remarries in 1970 to Mary Wilson Price. That union also ends in divorce in 1989.
Donleavy’s first published work is a short story entitled A Party on Saturday Afternoon, which appears in the Dublin literary periodical, Envoy, A Review of Literature and Art in 1950. He gains critical acclaim with his first novel, The Ginger Man (1955), which is one of the Modern Library 100 best novels. The novel, of which his friend and fellow writer Brendan Behan is the first person to read the completed manuscript, is banned in Ireland and the United States by reason of obscenity. Lead character Sebastian Dangerfield is in part based on Trinity College companion Gainor Crist, an American Navy veteran also studying at Trinity College on the G.I. Bill, whom Donleavy once describes in an interview as a “saint,” though of a Rabelaisian kind.
In 2011, it is reported that Donleavy had not fathered his two children with Mary Wilson Price. A DNA test in the early 1990s confirms that Rebecca is the daughter of brewing scion Kieran Guinness, and Rory is the son of Kieran’s older brother Finn, whom Price marries after her divorce from Donleavy. “My interest is only to look after the welfare of the child,” Donleavy tells The Times, “and after a certain stage, you can’t worry about their parentage.”
J.P. Donleavy dies of an apparent stroke in Mullingar, County Westmeath on September 11, 2017 at the aged of 91.