Jones is the son of miniature painter Edward Jones. Under the identity of “J. Jones,” architect, 7 Amiens Street, North Strand, Dublin, he exhibits several watercolors at the Royal Hibernian Academy (RHA) in 1828 and 1829, including his View of the Town of Youghall, showing the proposed Chain Bridge (1828) and Design for a Viaduct (1829). He studies engineering under Alexander Nimmo and works for him on major engineering projects in Ireland including the building of the bridge at Waterford from 1829-1832, which he directs. He is listed as a civil engineer in Wilson’s Dublin Directory for the years 1833-35 with an office address at the Commercial Buildings, Dame Street. In 1839, he is awarded a Telford Medal in silver and 20 guineas for his paper and drawings on the sewage in Westminster.
The Bill, like his Landlord and Tenant (Ireland) Act 1870, is very much the work of Gladstone, who excludes both the Irish MPs and his own ministers from participation in the drafting.
If passed, the 1886 Bill would create a unicameral assembly consisting of two Orders which could meet either together or separately. The first Order would consist of the 28 Irish representative peers plus 75 members elected through a highly restricted franchise. It could delay the passage of legislation for up to 3 years. The second Order would consist of either 204 or 206 members. All Irish MPs would be excluded from Westminster altogether.
Executive power would be possessed by the Lord Lieutenant of Ireland whose executive would not be responsible to either Order.
Britain would still retain control over a range of issues including peace, war, defence, treaties with foreign states, trade, and coinage. No special provision would be made for Ulster. Britain would retain control of the Royal Irish Constabulary (RIC) until it deems it safe for control to pass to Dublin. The Dublin Metropolitan Police would pass to Irish control.
When the bill is introduced, Charles Stewart Parnell has mixed reactions. He says that it has great faults but is prepared to vote for it. In his famous Irish Home Rule speech, Gladstone beseeches Parliament to pass it and grant Home Rule to Ireland in honour rather than being compelled to one day in humiliation. Unionists and the Orange Order are fierce in their resistance. For them, any measure of Home Rule is denounced as nothing other than Rome Rule.
The vote on the Bill takes place on 8 June 1886, after two months of debate. The Government of Ireland Bill is defeated by a vote of 341-311. In the staunchly loyalist town of Portadown, the so-called “Orange Citadel” where the Orange Order is founded in 1795, Orangemen and their supporters celebrate the Bill’s defeat by “Storming the Tunnel.”
Parliament is dissolved on June 26 and the U.K. general election of 1886 is called. Historians have suggested that the 1886 Home Rule Bill was fatally flawed by the secretive manner of its drafting, with Gladstone alienating Liberal figures like Joseph Chamberlain who, along with a colleague, resigned in protest from the ministry, while producing a Bill viewed privately by the Irish as badly drafted and deeply flawed.
Brambell is the youngest of three sons born to Henry Lytton Brambell, a cashier at the Guinness Brewery, and his wife, Edith Marks, a former opera singer. His first appearance is as a child, entertaining the wounded troops during World War I. Upon leaving school he works part-time as a reporter for The Irish Times and part-time as an actor at the Abbey Theatre before becoming a professional actor for the Gate Theatre. He also does repertory at Swansea, Bristol and Chesterfield. In World War II, he joins the British military forces entertainment organisation Entertainments National Service Association (ENSA).
It is this ability to play old men that leads to his casting in his best remembered role, as Albert Steptoe, the irascible father in Steptoe and Son. This begins as a pilot on the BBC’s Comedy Playhouse, and its success leads to a full series being commissioned, running from 1962 to 1974 including a five-year hiatus. There are two feature film spin-offs, a stage show, and an American incarnation entitled Sanford and Son, some episodes of which are almost exact remakes of the original British scripts.
The success of Steptoe and Son makes Brambell a high-profile figure on British television, and earns him the supporting role of Paul McCartney‘s grandfather in The Beatles‘ first film, A Hard Day’s Night (1964). In 1965, Brambell tells the BBC that he does not want to do another series of Steptoe and Son and, in September that year, he goes to New York City to appear in the Broadway musical Kelly at the Broadhurst Theatre, however, it closes after just one performance.
Apart from his role as the older Steptoe, Brambell achieves recognition in many films. His performance in The Terence Davies Trilogy wins him critical acclaim, far greater than any achieved for Steptoe and Son. Although he appears throughout the full 94-minute piece, Brambell does not speak a single word.
After the final series of Steptoe and Son is made in 1974, Brambell has some guest roles in films and on television. He and Harry H. Corbett also undertake a tour of Australia in 1977 in a Steptoe and Son stage show.
Brambell dies of cancer in Westminster, London, on January 18, 1985, at the age of 72. He is cremated on January 25, 1985 at Streatham Park Cemetery, where his ashes are scattered.
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