seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: William Shakespeare


by Leave a comment

Birth of Theatrical Producer Hilton Edwards

hilton-edwards

Hilton Edwards, an English-born Irish actor, lighting designer, and theatrical producer, is born in London on February 2, 1903.

Edwards begins his career acting with the Charles Doran Shakespeare Company in 1920 in Windsor and then joins The Old Vic in London, playing in all but two of Shakespeare‘s plays before leaving the company a few years later. Trained in music, he also sings baritone roles with the Old Vic Opera company.

After touring with various companies in Britain and South Africa, Edwards goes to Ireland in 1927 for a season with Anew McMaster’s company and meets McMaster’s brother-in-law, Micheál Mac Liammóir. As he tells an interviewer once, both men want a theater of their own. Mac Liammóir wants it to be in Ireland and Edwards does not care. “I don’t care about nationalism, I care about the theater,” he says.

Edwards and Mac Liammóir co-found the Gate Theatre in Dublin in 1928. The two men’s talents are complementary. Mac Liammóir is an actor, designer, and writer. Edwards is a director, actor, producer, and lighting designer. Edwards produces and directs more than 300 plays at the Gate, ranging from the works of Aeschylus and Sophocles, Johann Wolfgang von Goethe and Henrik Ibsen to the comedies of George Bernard Shaw and Richard Brinsley Sheridan and new Irish plays, by such authors as W.B. Yeats, Brian Friel, and Mac Liammóir.

In New York City in 1948 Edwards plays in and directs John Bull’s Other Island and directs The Old Lady Says No and Where Stars Walk. In 1961 Edwards takes a two-year leave from the Gate to become the first Head of Drama at Telefís Éireann. A year later, he wins a Jacob’s Award for his television series Self Portrait.

Edwards appears in 15 films, including Captain Lightfoot (1955), David and Goliath (1960), Victim (1961), and Half a Sixpence (1967). He also writes and directs Orson Welles‘s Return to Glennascaul (1951). However, he is primarily known for his theatre work. He is nominated for a Tony Award in 1966 for Best Director of a Drama for Philadelphia, Here I Come!

Hilton Edwards dies in a Dublin hospital on November 18, 1982. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christophor Fitz-Simon.


by Leave a comment

Birth of Painter Daniel Maclise

daniel-maclise

Daniel Maclise, Irish history, literary and portrait painter, and illustrator, is born in Cork, County Cork, on January 25, 1806. He works in London, England for most of his life.

His early education is of the plainest kind, but he is eager for culture, fond of reading, and anxious to become an artist. He later studies at the Cork School of Art.

Maclise exhibits for the first time at the Royal Academy of Arts in 1829. Gradually he begins to confine himself more exclusively to subject and historical pictures, varied occasionally by portraits – such as those of Lord Campbell, novelist Letitia Landon, Charles Dickens, and other of his literary friends. In 1833, he exhibits two pictures which greatly increase his reputation and, in 1835, the Chivalric Vow of the Ladies and the Peacock procure his election as associate of the Academy, of which he becomes full member in 1840. The years that follow are occupied with a long series of figure pictures, deriving their subjects from history and tradition and from the works of William Shakespeare, Oliver Goldsmith, and Alain-René Lesage.

Maclise also designs illustrations for several of Dickens’s Christmas books and other works. Between the years 1830 and 1836 he contributes to Fraser’s Magazine, under the pseudonym of Alfred Croquis, a remarkable series of portraits of the literary and other celebrities of the time – character studies, etched or lithographed in outline, and touched more or less with the emphasis of the caricaturist, which are afterwards published as the Maclise Portrait Gallery (1871). During the rebuilding of the Houses of Parliament in London in 1834–1850 by Charles Barry, Maclise is commissioned in 1846 to paint murals in the House of Lords on such subjects as Justice and Chivalry.

In 1858, Maclise commences one of the two great monumental works of his life, The Meeting of Wellington and Blücher, on the walls of the Palace of Westminster. It is begun in fresco, a process which proves unmanageable. The artist wishes to resign the task, but, encouraged by Prince Albert, he studies in Berlin the new method of water-glass painting, and carries out the subject and its companion, The Death of Nelson, in that medium, completing the latter painting in 1864.

marriageaoifestrongbow

Maclise’s vast painting of The Marriage of Strongbow and Aoife (1854) hangs in the National Gallery of Ireland, Dublin. It portrays the marriage of the main Norman conqueror of Ireland “Strongbow” to the daughter of his Gaelic ally. By the grand staircase of Halifax Town Hall, which is completed in 1863, there is a wall painting by Maclise.

The intense application which he gives to these great historic works, and various circumstances connected with the commission, has a serious effect on Maclise’s health. He begins to shun the company in which he formerly delighted, his old buoyancy of spirits is gone, and in 1865, when the presidency of the Royal Academy is offered to him he declines the honour. He dies of acute pneumonia on April 25, 1870 at his home 4 Cheyne Walk, Chelsea, London.

(Pictured lower right: The Marriage of Strongbow and Aoife)


by Leave a comment

Death of Poet Laureate Nahum Tate

nahum-tate

Nahum Tate, Irish poet, hymnist, and lyricist, who becomes Poet Laureate of the United Kingdom in 1692,  dies on July 30, 1715. Tate is best known for The History of King Lear, his 1681 adaptation of William Shakespeare‘s King Lear.

Tate is born in Dublin in 1652 and comes from a family of Puritan clergymen. He is the son of Faithful Teate, an Irish clergyman who was rector of Castleterra, Ballyhaise, until his house is burned and his family attacked after he passes on information to the government about plans for the Irish Rebellion of 1641. After living at the provost’s lodgings in Trinity College, Dublin, Faithful Teate moves to England. He becomes the incumbent at East Greenwich around 1650, and “preacher of the gospel” at Sudbury from 1654 to 1658 before returning to Dublin by 1660. He publishes a poem on the Trinity entitled Ter Tria, as well as some sermons, two of which he dedicates to Oliver and Henry Cromwell.

Nahum Teate follows his father to Trinity College, Dublin in 1668, and graduates BA in 1672. By 1676 he moves to London and is writing for a living. He publishes a volume of poems in London in 1677 and becomes a regular writer for the stage. He also adopts the spelling Tate, which remains until his death.

Tate then turns to make a series of adaptations from Elizabethan dramas. His version of William Shakespeare’s Richard II alters the names of the characters and changes the text so that every scene, to use his own words, is “full of respect to Majesty and the dignity of courts.” In spite of these precautions The Sicilian Usurper (1681), as his rewrite is called, is suppressed on the third performance on account of a possible political interpretation.

In 1682, Tate collaborates with John Dryden to complete the second half of his epic poem Absalom and Achitophel. Tate also writes the libretto for Henry Purcell‘s opera Dido and Aeneas, which is given its first known performance in 1689. Tate’s name is also connected with the famous New Version of the Psalms of David (1696), for which he collaborates with Nicholas Brady.

Nahum Tate dies in Southwark, London, England, on July 30, 1715, and is buried at St. George Southwark on August 1, 1715.


by Leave a comment

Birth of Playwright George Bernard Shaw

george-bernard-shaw

George Bernard Shaw, Irish playwright, critic, and polemicist, is born on July 26, 1856, at 3 Upper Synge Street in Portobello, a lower-middle-class area of Dublin. Shaw’s influence on Western theatre, culture, and politics extends from the 1880s to his death and beyond.

Shaw writes more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1912) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw becomes the leading dramatist of his generation, and in 1925 is awarded the Nobel Prize in Literature.

Shaw moves to London in 1876, where he struggles to establish himself as a writer and novelist and embarks on a rigorous process of self-education. By the mid-1880s he has become a respected theatre and music critic. Following a political awakening, he joins the gradualist Fabian Society and becomes its most prominent pamphleteer. Shaw has been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he seeks to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social, and religious ideas. By the early twentieth century his reputation as a dramatist is secured with a series of critical and popular successes that include Major Barbara, The Doctor’s Dilemma, and Caesar and Cleopatra.

Shaw’s expressed views are often contentious. He promotes eugenics and alphabet reform and opposes vaccination and organised religion. He courts unpopularity by denouncing both sides in World War I as equally culpable, and although not a republican, castigates British policy on Ireland in the postwar period. These stances have no lasting effect on his standing or productivity as a dramatist.

The inter-war years see a series of often ambitious plays, which achieve varying degrees of popular success. In 1938 he provides the screenplay for a filmed version of Pygmalion for which he receives an Academy Award. His appetite for politics and controversy remains undiminished. By the late 1920s he has largely renounced Fabian gradualism and often writes and speaks favourably of dictatorships of the right and left — he expresses admiration for both Mussolini and Stalin. In the final decade of his life, he makes fewer public statements but continues to write prolifically until shortly before his death, refusing all state honours including the Order of Merit in 1946.

During his later years, Shaw enjoys tending the gardens at Shaw’s Corner. He dies on November 2, 1950, at the age of 94 of renal failure precipitated by injuries incurred when falling while pruning a tree. His body is cremated at Golders Green Crematorium on November 6, 1950. His ashes, mixed with those of his wife Charlotte, are scattered along footpaths and around the statue of Saint Joan in their garden.

Since Shaw’s death scholarly and critical opinion has varied about his works, but he has regularly been rated as second only to Shakespeare among English-language dramatists. Analysts recognise his extensive influence on generations of playwrights. The word “Shavian” has entered the language as encapsulating Shaw’s ideas and his means of expressing them.


by Leave a comment

James I Ascends to King of England and Ireland

king-james-i

James VI of Scotland ascends to King of England and Ireland as James I on March 24, 1603. The kingdoms of Scotland and England are individual sovereign states, with their own parliaments, judiciary, and laws, though both are ruled by James in personal union.

James is born on June 19, 1566, at Edinburgh Castle, the son of Mary, Queen of Scots, and a great-great-grandson of Henry VII, King of England and Lord of Ireland, uniquely positioning him to eventually accede to all three thrones. He is baptised “Charles James” on December 17, 1566, in a Catholic ceremony held at Stirling Castle.

James succeeds to the Scottish throne at the age of thirteen months, after his mother is compelled to abdicate in his favour. Four different regents govern during his minority though he does not gain full control of his government until 1583. On March 24, 1603, he succeeds his cousin, Elizabeth I, upon her death, uniting the crowns of Scotland and England, while also gaining possession of the Kingdom of Ireland, then an English possession.

James continues to reign in all three kingdoms for 22 years, a period known as the Jacobean era, until his death in 1625 at 58 years of age. After the Union of the Crowns in 1603, he bases himself in England, which is the largest of the three realms, and styles himself “King of Great Britain and Ireland.” He returns to Scotland only once in 1617. He is a major advocate of a single parliament for England and Scotland. During his reign, the Plantation of Ulster and British colonisation of the Americas begins.

At 57 years and 246 days, James’s reign in Scotland is longer than those of any of his predecessors. He achieves most of his aims in Scotland but faces great difficulties in England, including the Gunpowder Plot in 1605 and repeated conflicts with the English Parliament. Under James, the “Golden Age” of Elizabethan literature and drama continues, with writers such as William Shakespeare, John Donne, Ben Jonson, and Sir Francis Bacon contributing to a flourishing literary culture. James himself is a talented scholar, the author of works such as Daemonologie (1597), True Law of Free Monarchies (1598), and Basilikon Doron (1599). He sponsors the translation of the Bible that is named after him – the Authorised King James Version.

In early 1625, James is plagued by severe attacks of arthritis, gout, and fainting fits. In March, he falls seriously ill with tertian ague followed by a stroke. He dies at Theobalds House on March 27 during a violent attack of dysentery. James is buried in Westminster Abbey, but the position of the tomb is lost for many years. In the 19th century, following an excavation of many of the vaults beneath the floor, the lead coffin is found in the Henry VII vault.