seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Poet John Harold Hewitt

john-harold-hewittPoet John Harold Hewitt is born in Belfast on October 28, 1907. He is the most significant Belfast poet to emerge prior to the 1960s generation of Northern Irish poets that includes Seamus Heaney, Derek Mahon and Michael Longley.

After attending Agnes Street National School, Hewitt attends the Royal Belfast Academical Institution from 1919 to 1920 before moving to Methodist College Belfast, where he is a keen cricketer. In 1924, he starts an English degree at Queen’s University Belfast, obtaining a BA in 1930, which he follows by obtaining a teaching qualification from Stranmillis College, Belfast.

From November 1930 to 1957, Hewitt holds positions in the Belfast Museum & Art Gallery. His radical socialist ideals prove unacceptable to the Belfast Unionist establishment and he is passed over for promotion in 1953. Instead in 1957 he moves to Coventry, a city still rebuilding following its devastation during World War II. He is appointed Director of the Herbert Art Gallery & Museum where he works until retirement in 1972.

Hewitt is appointed the first writer-in-residence at Queen’s University Belfast in 1976. His collections includes The Day of the Corncrake (1969) and Out of My Time: Poems 1969 to 1974 (1974). He is also made a Freeman of the City of Belfast in 1983, and is awarded honorary doctorates at the University of Ulster and Queen’s University Belfast.

Hewitt has an active political life, describing himself as “a man of the left,” and is involved in the British Labour Party, the Fabian Society and the Belfast Peace League. He is attracted to the Ulster dissenting tradition and is drawn to a concept of regional identity within the island of Ireland, describing his identity as Ulster, Irish, British and European. He officially opens the Belfast Unemployed Resource Centre (BURC) Offices on May Day 1985.

John Hewitt dies in Belfast on June 22, 1987. His life and work are celebrated in two prominent ways – the annual John Hewitt International Summer School and, less conventionally, the John Hewitt Bar and Restaurant, a Belfast pub is named after him. The bar is named after him as he officially opens the Belfast Unemployed Resource Centre, which owns the establishment. It is a popular meeting place for local writers, musicians, journalists, students and artists. Both the Belfast Festival at Queen’s and the Belfast Film Festival use the venue to stage events.

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Bloody Sunday 1887 in London

Bloody Sunday takes place in London on November 13, 1887, when a march against unemployment and coercion in Ireland, as well as demanding the release of Member of Parliament (MP) William O’Brien, is attacked by the Metropolitan Police Service and the British Army. The demonstration is organised by the Social Democratic Federation (SDF) and the Irish National League. Violent clashes take place between the police and demonstrators, many “armed with iron bars, knives, pokers and gas pipes.” A contemporary report notes that 400 are arrested and 75 persons are badly injured, including many police, two policemen being stabbed and one protester bayonetted.

William Ewart Gladstone‘s espousal of the cause of Irish home rule has split the Liberal Party and makes it easy for the Conservatives to gain a majority in the House of Commons of the United Kingdom. The period from 1885 to 1906 is one of Tory dominance, with short intermissions. Coercion Acts are the answer of British governments perturbed by rural unrest in Ireland, and they involve various degrees of suspension of civil rights. Although one purpose of the November 13 demonstration is to protest about the handling of the Irish situation by the Conservative government of Robert Arthur Talbot Gascoyne-Cecil, 3rd Marquess of Salisbury, it has a much wider context.

The Long Depression, starting in 1873 and lasting almost to the end of the century, creates difficult social conditions in Britain, similar to the economic problems that drive rural agitation in Ireland. Falling food prices create rural unemployment, which results in both emigration and internal migration. Workers move to the towns and cities in thousands, eroding employment, wages and working conditions. By November 1887, unemployed workers’ demonstrations from the East End of London have been building up for more than two years. There have already been clashes with the police and with the members of upper class clubs. Trafalgar Square is seen symbolically as the point at which the working-class East End meets the upper-class West End of London, a focus of class conflict and an obvious flashpoint.

This attracts the attention of the small but growing socialist movement – the Marxists of both the Social Democratic Federation and Socialist League, and the reformist socialists of the Fabian Society. Police and government attempts to suppress or divert the demonstrations also bring in the radical wing of the Liberal Party and free speech activists from the National Secular Society.

Some 30,000 persons encircle Trafalgar Square as at least 10,000 protesters march in from several different directions, led by Elizabeth Reynolds, John Burns, William Morris, Annie Besant and Robert Bontine Cunninghame Graham, who are primarily leaders of the Social Democratic Federation. Also marching are the Fabian playwright George Bernard Shaw and Charlotte Wilson. Two thousand police and 400 troops are deployed to halt the demonstration. Burns and Cunninghame Graham are arrested and imprisoned for six weeks. Annie Besant, who is a Marxist, Fabian and secularist, speaks at the rally and offers herself for arrest, but the police decline to do so. Of the 400 arrested, 50 are detained in custody.

In the fighting, many rioters are injured by police truncheons and under the hooves of police horses. There are both infantry and cavalry present. Although the infantry are marched into position with bayonets fixed, they are not ordered to open fire and the cavalry are not ordered to draw their swords.

The following Sunday, November 20, sees another demonstration and more casualties. According to a report in the partisan Socialist Review, among them is a young clerk named Alfred Linnell, who is run down by a police horse, dying in hospital a fortnight later from complications of a shattered thigh.

The funeral of Linnell on December 18 provides another focus for the unemployed and Irish movements. William Morris, leader of the Socialist League, gives the main speech and advocates a holy war to prevent London from being turned into a huge prison. A smaller but similar event marks the burial of another of those killed, W. B. Curner, which takes place in January. The release of those imprisoned is celebrated on February 20, 1888, with a large public meeting. Henry Hyndman, leader of the SDF, violently denounces the Liberal Party and the Radicals who are present.

(Pictured: Bloody Sunday, 1887. This engraving from The Illustrated London News depicts a policeman being clubbed by a demonstrator as he wrests a banner from a female protester.)


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George Bernard Shaw Wins the Nobel Prize in Literature

George Bernard Shaw, Irish playwright, critic and polemicist, wins the Nobel Prize in Literature on November 11, 1925. Born in Dublin on July 26, 1856, Shaw is the only person to receive both a Nobel Prize in Literature and an Oscar (1938), for his work on the film Pygmalion, the adaptation of his play of the same name.

Shaw’s influence on Western theatre, culture and politics extends from the 1880s to his death and beyond. He writes more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1912) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw becomes the leading dramatist of his generation, culminating in 1925 with his awarding of the Nobel Prize in Literature.

Shaw moves to London in 1876, where he struggles to establish himself as a writer and novelist, and embarks on a rigorous process of self-education. By the mid-1880s he has become a respected theatre and music critic. Following a political awakening, he joins the gradualist Fabian Society and becomes its most prominent pamphleteer. He has been writing plays for years before his first public success, Arms and the Man, in 1894. Influenced by Henrik Ibsen, he seeks to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist is secured with a series of critical and popular successes that included Major Barbara, The Doctor’s Dilemma and Caesar and Cleopatra.

Shaw’s expressed views are often contentious. He promotes eugenics and alphabet reform, and opposes vaccination and organised religion. He courts unpopularity by denouncing both sides in World War I as equally culpable, and although not a republican, castigates British policy on Ireland in the postwar period. These stances have no lasting effect on his standing or productivity as a dramatist. The inter-war years see a series of often ambitious plays, which achieve varying degrees of popular success. In 1938 he provides the screenplay for a filmed version of Pygmalion for which he receives an Academy Award.

Shaw’s appetite for politics and controversy remain undiminished. By the late 1920s he has largely renounced Fabian gradualism and often writes and speaks favourably of dictatorships of the right and left. He expresses admiration for both Benito Mussolini and Joseph Stalin. In the final decade of his life he makes fewer public statements, but continues to write prolifically until shortly before his death on November 2, 1950, refusing all state honours including the Order of Merit in 1946.

Since Shaw’s death scholarly and critical opinion has varied about his works, but he has regularly been rated as second only to William Shakespeare among British dramatists. Analysts recognise his extensive influence on generations of English-language playwrights. The word “Shavian” has entered the language as encapsulating Shaw’s ideas and his means of expressing them.


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Birth of Playwright George Bernard Shaw

george-bernard-shawGeorge Bernard Shaw, Irish playwright, critic, and polemicist, is born on July 26, 1856, at 3 Upper Synge Street in Portobello, a lower-middle-class area of Dublin. Shaw’s influence on Western theatre, culture, and politics extend from the 1880s to his death and beyond.

Shaw writes more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1912) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw becomes the leading dramatist of his generation, and in 1925 is awarded the Nobel Prize in Literature.

Shaw moves to London in 1876, where he struggles to establish himself as a writer and novelist, and embarks on a rigorous process of self-education. By the mid-1880s he has become a respected theatre and music critic. Following a political awakening, he joins the gradualist Fabian Society and becomes its most prominent pamphleteer. Shaw has been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he seeks to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social, and religious ideas. By the early twentieth century his reputation as a dramatist is secured with a series of critical and popular successes that include Major Barbara, The Doctor’s Dilemma, and Caesar and Cleopatra.

Shaw’s expressed views are often contentious. He promotes eugenics and alphabet reform, and opposes vaccination and organised religion. He courts unpopularity by denouncing both sides in World War I as equally culpable, and although not a republican, castigates British policy on Ireland in the postwar period. These stances have no lasting effect on his standing or productivity as a dramatist.

The inter-war years see a series of often ambitious plays, which achieve varying degrees of popular success. In 1938 he provides the screenplay for a filmed version of Pygmalion for which he receives an Academy Award. His appetite for politics and controversy remain undiminished. By the late 1920s he has largely renounced Fabian gradualism and often writes and speaks favourably of dictatorships of the right and left — he expresses admiration for both Mussolini and Stalin. In the final decade of his life he makes fewer public statements, but continues to write prolifically until shortly before his death, refusing all state honours including the Order of Merit in 1946.

During his later years, Shaw enjoys tending the gardens at Shaw’s Corner. He dies on November 2, 1950, at the age of 94 of renal failure precipitated by injuries incurred when falling while pruning a tree. His body is cremated at Golders Green Crematorium on November 6, 1950. His ashes, mixed with those of his wife Charlotte, are scattered along footpaths and around the statue of Saint Joan in their garden.

Since Shaw’s death scholarly and critical opinion has varied about his works, but he has regularly been rated as second only to Shakespeare among English-language dramatists. Analysts recognise his extensive influence on generations of playwrights. The word “Shavian” has entered the language as encapsulating Shaw’s ideas and his means of expressing them.