seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Aberdeenshire


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Death of Grace Henry, Landscape Artist

Grace Henry HRHA, Scottish landscape artist who spends a large part of her career painting in Ireland, dies in Dublin on August 11, 1953.

Henry is born Emily Grace Mitchell at Kirktown St. Fergus, near Peterhead, Aberdeenshire, Scotland, on February 10, 1868. She is the ninth of ten children of the Rev. John Mitchell and Jane Mitchell (née Gardner). Lord Byron is a cousin of her maternal grandmother. She is educated at home, spending time at the family’s home in Piccadilly, where she experiences London society. After the death of her father, and the reduced circumstances she finds herself in, she leaves home in 1895 to pursue a career as an artist. The first record of her work being exhibited is with the Aberdeen Artists Society in 1896 and 1898. These paintings have not been traced since. In 1899, she leaves Scotland for the continent, visiting Holland and Belgium, studying at the Blanc‐Guerrins Academy in Brussels. She goes on to attend the Delacluze Academy in Paris. While in Paris, she meets Paul Henry, an Irish artist. The couple marries in September 1903 in London.

The Henrys live at a few different residences outside London until 1910. A small number of her works are known from this time, such as The Girl in White, which is in the collections of the Hugh Lane Gallery. This piece shows the influence of fellow artist James Abbott McNeill Whistler, whom she meets in Paris through her husband. The couple travels to Achill Island for the first time in 1910, intending to stay two-weeks, but going on to live there until 1919. During this time, she paints numerous night scenes, including Achill Cottages (Hugh Lane Gallery). One of her well-known works is Top of the Hill, on display in the Limerick City Gallery of Art, which shows a group of island women. The period spent on the island places a strain on the Henrys marriage, as she is not as happy living there.

The couple returns to Dublin in 1919 and are founding members of the Society of Dublin Painters in 1920 alongside Letitia Marion Hamilton, Mary Swanzy, and Jack Butler Yeats. The Society offers an outlet for younger Irish artists to exhibit. Five of Henry’s works are featured at the Irish Exhibition in Paris in 1922, and at a similar exhibition in Brussels in 1930.

Around 1920, Henry has a romantic association with Stephen Gwynn who is an important political, cultural and literary figure from the lost world of late-nineteenth and early-twentieth century Ireland. During this period, she travels with Gwynn in France and Italy and later paints a number of portraits of him. Invariably, during this time, the Henrys’ marriage continues to have problems, with the couple breaking up in 1924. Her affair with Gwynn, who she depicts in two known oil paintings including The Orange Man (Limerick City Gallery of Art) and Portrait of a Man, which depicts a much more distinguished Gwynn in later life, contribute to the breakup. The couple legally separates in 1930.

Henry develops her own style through the 1920s and 1930s, spending time in France and Italy. From 1924 to 1925, she studies with André Lhote, a cubist painter who also works with Mainie Jellett, Evie Hone, and Mary Swanzy. She goes on to display little of his influence in her work. She paints in Venice and in the environs of the Italian lakes, painting with the fauvist style, with free brushwork and vibrant colours. She also experiments with expressionism, which can be seen in Spring in Winter. Upon the outbreak of World War II, she returns to Ireland. She does not have a permanent residence during this period, instead stayed with friends or living in hotels. She also experiences periods of melancholy during these later years, though she continues to exhibit. Her work is regularly displayed at the Royal Hibernian Academy (RHA), and she has solo shows at the Waddington and Dawson galleries. She is made an honorary member of the RHA in 1949.

Henry dies in Dublin on August 11, 1953, and is buried at Mount Jerome Cemetery. During her career, and for a number of years after her death, she is largely overshadowed by her husband, sometimes being referred to as “Mrs. Paul Henry.” She is even omitted from Paul Henry’s two-volume autobiography. Her body of work is re-examined in the 1970s, which leads to wider public recognition and her inclusion in a number of exhibitions such as The Paintings of Paul and Grace Henry at the Hugh Lane Gallery in 1991. She is deemed to be a much bolder painter than her husband, incorporating more elements of the modernist movement, as evident in The Long Grey Road of Disting (1915). Her popularity has been growing since her rediscovery.

(Pictured: “Road to Destiny,” oil on board by Grace Henry)


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Birth of Margaret (May) Tennant, Promoter of Workers’ Rights & Public Health

Margaret Mary Edith (May) Tennant (née Abraham), promoter of workers’ rights and public health, is born April 5, 1869 at Rathgar, County Dublin, the only daughter of Dr. George Whitley Abraham, a lawyer in the civil service, and his wife, Margaret, daughter of Cornelius Curtain.

Abraham is educated at home by her father. Following his death in 1887, finding herself in financial straits, she moves to London, where she takes lodgings in Bloomsbury and works for Lady Emilia Dilke. Dilke is a social reformer and an advocate of trade unions for women, and as her secretary Margaret gains first-hand experience of the exploitative and unsanitary conditions afflicting women working in industry, a cause that she devotes the next decade to ameliorating. She is treasurer of the Womens’ Trade Union League, where she negotiates with employers on behalf of league members, organises meetings, and sends deputations to the House of Commons. From 1881 she coordinates a successful campaign to render regular government inspections of laundries mandatory (legislation is passed to this effect in 1908).

Abraham’s dedication to her work soon attracts wider recognition, and in 1891 she is appointed an assistant commissioner to undertake field inquiries for the Royal Labour Commission. In this capacity she travels incessantly throughout England and Ireland, gathering information and writing reports on often appalling working conditions. It is mainly because of this work that in 1893 the home secretary appoints her the first female factory inspector in England. Her new position marks a career shift from agitator to skillful and effective administrator. Traveling incessantly, the inspectors target illegal overtime, poor sanitation, and dangerous trades. In her first year alone she brings eighty prosecutions for illegal overtime.

In 1895 Abraham serves on a departmental committee at the Home Office on dangerous trades, where she meets Harold John Tennant, liberal MP for Berwickshire. The couple are married the following year, and have four sons and one daughter.

By 1896 Tennant is the superintending inspector of five more women inspectors, and her extensive experience in workers’ rights and public health is reflected in the book she publishes in that year, The law relating to factories and workshops, which runs to six editions. She finds it increasingly difficult to balance the pressures of her work with the demands of her private life, and she resigns her post soon after her marriage. However, she remains a committed social activist, serving as chairman of the Industrial Law Committee and on the Royal Commission on Divorce (1909). She is also an original member and treasurer of the Central Committee on Women’s Employment (1914–39).

During the World War I Tennant is chief adviser on women’s welfare to the Ministry of Munitions and director of the Women’s Department of the National Service Department. In recognition of her services the British government awards her the Companion of Honour in 1917, the same year that her eldest son, Harry, dies while on active service. Between the wars she turns her attention to women’s health, campaigning to improve maternal mortality and nursing care.

During the World War II, despite her failing health, Tennant works for the RAF Benevolent Fund. She is a member of the Central Consultative Council of Voluntary Organisations and the National Association for Prevention of Tuberculosis, chairman of the maternal health committee, governor of Bedford College, and a JP. She is also a director of the Mysore and Champion Reef Gold Mines, an enterprise of her husband’s family, and in this capacity travels to India and New Zealand in the mid-1920s.

The Tennants have homes in Edinglasserie, Aberdeenshire, and at 12 Victoria Square, London, as well as a restored country house, Great Maytham, at Rolvenden in Kent. She is a noted authority on gardening, and is director of The Gardener’s Chronicle (other interests included fishing, tennis, and gambling). After her husband’s death in 1935 she moves to a smaller house named Cornhill at Great Maytham, where she dies on July 11, 1946. Some of her correspondence is in the British Library, London.

(From: “Tennant (née Abraham), Margaret Mary Edith (May),” contributed by Sinéad Sturgeon and Georgina Clinton, Dictionary of Irish Biography, http://www.dib.ie)


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The Battle of Culloden

culloden-moor-memorial

The Battle of Culloden, the final confrontation of the Jacobite rising of 1745 known in Scotland as simply “The ’45,” is fought on April 16, 1746. The Jacobite army of Charles Edward Stuart, also known as Bonnie Prince Charlie, is decisively defeated by a British government force under William Augustus, Duke of Cumberland, on Drummossie Moor near Inverness in the Scottish Highlands. It is the last pitched battle fought on British soil.

Charles is the eldest son of James Francis Edward Stuart, the exiled Stuart claimant to the British throne. Believing there is support for a Stuart restoration in both Scotland and England, he lands in Scotland in July 1745. The Jacobite Army is often assumed to have been largely composed of Gaelic-speaking Catholic Highlanders. In reality nearly a quarter of the rank and file are recruited in Aberdeenshire, Forfarshire and Banffshire, with another 20% from Perthshire. Although the army is predominantly Scots it contains a few English recruits plus significant numbers of Irish, Scottish and French professionals in French service with the Irish Brigade and Garde Écossaise.

After amassing his army of Scots Jacobite supporters, Charles takes Edinburgh by September and defeats a British government force at Prestonpans. The government recalls 12,000 troops from the Continent to deal with the rising. A Jacobite invasion of England reaches as far as Derby before turning back, having attracted relatively few English recruits.

The Jacobites, with limited French military support, attempt to consolidate their control of Scotland, whereby early 1746 they are opposed by a substantial government army. A scrambled Jacobite victory at Falkirk fails to change the strategic situation. With supplies and pay running short and with the government troops resupplied and reorganised under the Duke of Cumberland, son of British monarch George II, the Jacobite leadership has few options left other than to stand and fight. The two armies eventually meet at Culloden, on terrain that gives Cumberland’s larger, well-rested force the advantage.

The battle lasts only an hour, with the Jacobites suffering a bloody defeat with between 1,500 and 2,000 killed or wounded. Approximately 300 government soldiers are killed or wounded. While perhaps as many as 6,000 Jacobites remain in arms in Scotland, the leadership takes the decision to disperse, effectively ending the rising. The men of the combined Irish regiments, under the command of Brigadier Walter Stapleton, are the last off the field, covering the retreat of Prince Charles and the remnants of his army. The Irish had given their blood to the cause of a Stuart King for the last time. Most of the surviving Irish surrender at Inverness. The prince himself eventually manages to make his escape to France.

Culloden and its aftermath continue to arouse strong feelings. The University of Glasgow awards the Duke of Cumberland an honorary doctorate, but many modern commentators allege that the aftermath of the battle and subsequent crackdown on Jacobite sympathisers were brutal, earning Cumberland the sobriquet “Butcher.” Efforts are subsequently made to further integrate the comparatively undeveloped Scottish Highlands into the Kingdom of Great Britain. Civil penalties are introduced to undermine the Scottish clan system, which had provided the Jacobites with the means to rapidly mobilise an army.

Today, a visitor centre is located near the site of the battle. This centre is first opened in December 2007, with the intention of preserving the battlefield in a condition similar to how it was on April 16, 1746. One difference is that it currently is covered in shrubs and heather. During the 18th century, however, the area was used as common grazing ground, mainly for tenants of the Culloden estate. Those visiting can walk the site by way of footpaths on the ground and can also enjoy a view from above on a raised platform. Possibly the most recognisable feature of the battlefield today is the 20-foot-tall memorial cairn, erected by Duncan Forbes in 1881. In the same year Forbes also erects headstones to mark the mass graves of the clans.