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Death of John Gregg, Church of Ireland Archbishop of Armagh

John Allen Fitzgerald Gregg, Church of Ireland Archbishop of Armagh, dies at his home in Dún Laoghaire, County Dublin, on May 2, 1961.

Gregg is born on July 4, 1873, at North Cerney, Gloucestershire, England, into a distinguished family, youngest and only son among four children of the Rev. John Robert Gregg, vicar of Deptford, Kent, and Sarah Caroline Frances Gregg (née French), sister of Thomas Valpy French, Bishop of Lahore, India (in Pakistan since 1947). His grandfather, John Gregg, is Bishop of Cork. He is educated at Bedford School, enters Christ’s College, Cambridge, on a foundation scholarship in 1891, and graduates BA in 1894, distinguishing himself in sport and scholarship and winning the Hulsean prize in 1896 for his thesis Decian persecution (1897), taking his MA in 1897, BD in 1909, and DD in 1929. From the University of Dublin he graduates BD ad eundem in 1911 and DD in 1913.

His uncle Robert Gregg, Archbishop of Armagh, welcomes his decision to enter the church, but not his proposal to settle in Ireland, warning him that he will “find it very rough.” Ordained deacon at St. Luke’s Church, Belfast in 1896, he is successively appointed curate at Ballymena, County Antrim in 1896, curate and residentiary preacher at Saint Fin Barre’s Cathedral in Cork, County Cork, in 1899, and rector of St Michael’s, Blackrock, Cork from 1906 to 1912. On his appointment as Archbishop King’s professor of divinity at Trinity College Dublin (TCD) in 1911, he moves to Dublin and becomes canon of St. Patrick’s Cathedral, Dublin, chaplain to the Lord Lieutenant of Ireland from 1912 to 1915, and examining chaplain to the Archbishop of Dublin from 1913 to 1915, before joining the episcopal bench as Bishop of Ossory, Ferns and Leighlin from 1915 to 1920.

Though Gregg is instinctively conservative, his awareness of contemporary trends make him responsive to demands for change: he supports the resolution for women to hold parochial office and presents a petition to the General Synod in 1914, signed by 1,400 women. Though the motion is lost, he perseveres undaunted, and a bill for the ecclesiastical enfranchisement of women is finally carried in 1920. A unionist, he is also one of three Anglican and seventeen Catholic bishops to sign the declaration against partition in 1917, which is organised by the Catholic Bishop of Derry, Charles McHugh.

From the 1920s the Irish church is dominated by Gregg, first as Archbishop of Dublin (1920–39) and later as Archbishop of Armagh and Primate of All Ireland (1939–59). He provides stability to the church during a turbulent period of political and social change and is outspoken in defence of its interests, pragmatically espousing policies that will lead to the greater integration of the Protestant community into the new Irish state, as in his acceptance of the teaching of compulsory Irish in national schools. Despite a declining Protestant community in the south of Ireland, he maintains the unity of the church, overcoming the political division of the country into two entities. He regrets constitutional change but pledges the loyalty of the church to the Irish Free State. While recognising that the Protestant ethos is different from that of the majority of Irishmen, he maintains that “whatever our religious or political outlook may be, here is our home, and we have a right to be here.” He is elected to the first Irish Free State senate, and is subsequently consulted by Éamon de Valera, who later describes him as “a most learned and kindly gentleman, and . . . a highly valued friend,” in framing the text of the 1937 constitution. In 1949, he adapts, albeit with sadness, the state prayers to fit the republican form of government, observing that “the republic is a fact” and that “in our prayers, above all, there must be reality.”

Gregg is an able administrator, and his courage and integrity in facing difficult situations and his scholarship and devotion to the church earn him respect in the councils of the wider Anglican communion. He is known as “the churchman’s bishop” for his emphasis on doctrinal orthodoxy, ecclesiastical discipline, and loyalty to the clergy. Though conservative in his approach to church unity, he seeks closer relations between the Christian churches and frequently visits the reformed churches of the Iberian Peninsula, where a portrait plaque is unveiled in 1950 in St. John’s Church, Vila Nova de Gaia, Portugal. A baptistry in St. Paul’s Cathedral, Lisbon, is dedicated to his memory. Well known in England as a writer and preacher, he is appointed select preacher at the University of Cambridge (1916, 1930, 1936) and the University of Oxford (1946, 1947) and supports the institution of annual theological lectures at Queen’s University Belfast (QUB). His publications include Epistle of St. Clement of Rome (1899) and The Primitive Faith and Roman Catholic Developments (1909) – a minor classic which is used as a textbook for ordinands of the Church of England. He writes the introduction and notes to the revised version of the Wisdom of Solomon for the Cambridge Bible for Schools (1909) and publishes sermons and articles in religious journals. Elected Member of the Royal Irish Academy (MRIA) in 1914, he is elected to honorary fellowship in 1934 by Christ’s College, Cambridge, is awarded an honorary Doctor of Divinity (DD) in 1949 by QUB, and is created Order of the Companions of Honour (CH) in 1957.

A commanding figure, tall, thin, with raven-black hair, piercing eyes, and fine features, Gregg has an air of sacerdotal austerity, lightened on occasion by his dry sense of humour. He maintains a well regulated daily timetable and keeps a diary, writing his most personal thoughts in Greek. He makes time for recreation, a daily walk of two miles, tennis, and (from 1929) sailing, and holidays in Ireland and on the Continent. He has a great love of English literature and church music. In 1959, he retires to the Woodhouse, Rostrevor, County Down. Though incapacitated by blindness, deafness, and lameness, he never complains, and according to his wife, his life of prayer is enriched. He dies on May 2, 1961, at his home and is buried in Enniskerry, County Wicklow, beside his first wife and son.

Gregg marries Anna Alicia Jennings on November 26, 1902. They have two sons and two daughters. Anna dies in 1945. On January 22, 1947, he marries secondly Leslie Alexandra, daughter of the Rev. T. J. McEndoo, dean of Armagh, who officiates at the marriage of his daughter and of his archbishop.

(From: “Gregg, John Allen Fitzgerald” by Helen Andrews, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Annie Horniman, Theatre Patron & Manager

Annie Elizabeth Fredericka Horniman CH, English theatre patron and manager, is born at Surrey Mount, Forest Hill, London, on October 3, 1860. She establishes the Abbey Theatre in Dublin and founds the first regional repertory theatre company in Britain at the Gaiety Theatre in Manchester. She encourages the work of new writers and playwrights, including W. B. Yeats, George Bernard Shaw and members of what become known as the Manchester School of dramatists.

Horniman, the elder child of Frederick John Horniman and his first wife Rebekah (née Emslie). Her father is a tea merchant and the founder of the Horniman Museum. Her grandfather is John Horniman who founds the family tea business of Horniman and Company. She and her younger brother, Emslie, are educated privately at their home. Her father is opposed to the theatre, which he considers sinful, but their German governess takes her and Emslie secretly to a performance of The Merchant of Venice at The Crystal Palace when she is fourteen years old.

Horniman’s father allows her to enter the Slade School of Fine Art in 1882. Here she discovers that her talent in art is limited but she develops other interests, particularly in the theatre and opera. She takes great pleasure in Richard Wagner‘s Der Ring des Nibelungen and in Henrik Ibsen‘s plays. She cycles in London and twice over the Alps, smokes in public and explores alternative religions. The “lonely rich girl” has become “an independent-minded woman.” In 1890 she joins the occult society, the Hermetic Order of the Golden Dawn, where she remains a member until disagreements with its leaders lead to her resignation in 1903. During this time she meets and becomes a friend of W. B. Yeats, acting as his amanuensis for some years. Their friendship endures. Frank O’Connor recalls that on the day Yeats hears of her death, he spends the entire evening speaking of his memories of her.

Horniman’s first venture into the theatre is in 1894 and is made possible by a legacy from her grandfather. She anonymously supports her friend Florence Farr in a season of new plays at the Royal Avenue Theatre, London. This includes a new play by Yeats, The Land of Heart’s Desire, and the première of George Bernard Shaw’s play Arms and the Man. In 1903, Yeats persuades her to go to Dublin to back productions by the Irish National Theatre Society. Here she discovers her skill as a theatre administrator. She purchases a property and develops it into the Abbey Theatre, which opens in December 1904. Although she moves back to live in England, she continues to support the theatre financially until 1910. Meanwhile, in Manchester she purchases and renovates the Gaiety Theatre in 1908 and develops it into the first regional repertory theatre in Britain.

At the Gaiety, Horniman appoints Ben Iden Payne as the director and employs actors on 40-week contracts, alternating their work between large and small parts. The plays produced include classics such as Euripides and Shakespeare, and she introduces works by contemporary playwrights such as Ibsen and Shaw. She also encourages local writers who form what becomes known as the Manchester School of dramatists, the leading members of which are Harold Brighouse, Stanley Houghton and Allan Monkhouse. The Gaiety company undertakes tours of the United States and Canada in 1912 and 1913. Horniman becomes a well-known public figure in Manchester, lecturing on subjects which include women’s suffrage and her views about the theatre. In 1910 she is awarded the honorary degree of MA by the University of Manchester. During World War I the Gaiety continues to stage plays but financial difficulties lead to the disbandment of the permanent company in 1917, following which productions in the theatre are by visiting companies. In 1921 she sells the theatre to a cinema company.

As a result of her tea connection, Horniman is known as “Hornibags.” She holds court at the Midland Hotel, wearing exotic clothing and openly smoking cigarettes, which is considered scandalous at the time. She introduces Manchester to what is called at the time “the play of ideas.” The theatre critic James Agate notes that her high-minded theatrical ventures have “an air of gloomy strenuousness” about them.

Horniman moves to London where she keeps a flat in Portman Square. In 1933 she is made a Companion of Honour. She and Algernon Blackwood might be the only past or present members of an occult society to receive a United Kingdom honour.

Horniman dies, unmarried, on August 6, 1937, while visiting friends in Shere, Surrey. Her estate amounts to a little over £50,000. The Annie Horniman Papers are held in the John Rylands Research Institute and Library at the University of Manchester. Her portrait, painted by John Butler Yeats in 1904, hangs in the public area of the Abbey Theatre.


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Mary Peters Becomes First Irish Woman to Win an Olympic Gold Medal

Lady Mary Elizabeth Peters, LG, CH, DBE, Northern Irish former athlete and athletics administrator, wins the women’s pentathlon on September 3, 1972, at the 1972 Summer Olympics in Munich, West Germany, becoming the first Irish woman to win an Olympic Gold medal.

Peters is born on July 6, 1939, in Halewood, Lancashire, England, later living at 5 Mere Avenue in Alkrington, where she goes to primary school. She moves to Ballymena (and later Belfast) at the age of eleven when her father’s job is relocated to Northern Ireland. As a teenager, her father encourages her athletic career by building her home practice facilities as birthday gifts. She qualifies as a teacher and works while training.

After Ballymena, the family moves to Portadown where she attends Portadown College. The headmaster, Donald Woodman, and the PE teacher, Kenneth McClelland, introduce her to athletics, McClelland being her first coach. She is head girl of the school in 1956.

At the 1972 Summer Olympics in Munich, competing for Great Britain and Northern Ireland, Peters wins the gold medal in the women’s pentathlon. She had finished 4th in 1964 and 9th in 1968. To win the gold medal, she narrowly beats the local favourite, West Germany’s Heide Rosendahl, by 10 points, setting a world record score. After her victory, death threats are phoned into the BBC: “Mary Peters is a Protestant and has won a medal for Britain. An attempt will be made on her life, and it will be blamed on the IRA … Her home will be going up in the near future.” But Peters insists she will return home to Belfast. She is greeted by fans and a band at the airport and paraded through the city streets but is not allowed back in her flat for three months. Turning down jobs in the United States and Australia, where her father lives, she insists on remaining in Northern Ireland.

In 1972, Peters wins the BBC Sports Personality of the Year award: “Peters, a 33-year-old secretary from Belfast, won Britain’s only athletics gold at the Munich Olympics. The pentathlon competition was decided on the final event, the 200m, and Peters claimed the title by one-tenth of a second.”

She represents Northern Ireland at every Commonwealth Games between 1958 and 1974. In these games she wins two gold medals for the pentathlon, plus a gold and silver medal for the shot put.

Peters establishes a charitable Sports Trust in 1975 (now known as the Mary Peters Trust) to support talented young sportsmen and -women, both able-bodied and disabled, from across Northern Ireland in a financial and advisory capacity. The trust has made a large number of awards and has a list of well-known alumni that includes Graeme McDowell, Rory McIlroy, Jonathan Rea, Darren Clarke, David Humphreys, Bethany Firth, Ryan Burnett, Carl Frampton, Paddy Barnes, Michael Conlan, Kelly Gallagher, and Michael McKillop.

In May 2001, following her athletic career, Peters becomes a Trustee of The Outward Bound Trust and is Vice-President of the Northern Ireland Outward Bound Association. She is also Patron of Springhill Hospice in Rochdale, Greater Manchester.

Peters is appointed a Member of the Order of the British Empire (MBE) for services to athletics in the 1973 New Year Honours. For services to sport, she is promoted in the same Order to Commander (CBE) in the 1990 Birthday Honours and again to Dame Commander (DBE) in the 2000 Birthday Honours. In the 2015 New Year Honours, she is awarded as Member of the Order of the Companions of Honour (CH), also for services to sport and the community in Northern Ireland, and in 2017, she is made a Dame of the Order of Saint John (DStJ). She is appointed a Lady Companion of the Order of the Garter (LG) on February 27, 2019, and therefore granted the title Lady. She represents the Order at the 2023 coronation.

Northern Ireland’s premier athletics track, on the outskirts of Belfast, is named after Peters. A statue of her stands within it.

In April 2009, Peters is named the Lord Lieutenant of the City of Belfast; she retires from the post in 2014, being succeeded by Fionnuala Jay-O’Boyle. She is a Freeman of the Cities of Lisburn and Belfast.

Peters now lives in Derriaghy, within the Lisburn and Castlereagh district, just outside Belfast.


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Death of May Tennant, Civil Servant & Trade Unionist

Margaret Edith (May) Tennant (née Abraham), CH, civil servant, trade unionist, factory inspector, and campaigner, dies at Great Maytham, near Rolvenden, Kent, England, on July 11, 1946.

Abraham is born on April 5, 1869, in Rathgar, County Dublin. She works to improve conditions for industrial workers and is also involved in women’s health and education. She is one of the first people to be appointed to the Order of the Companions of Honour in 1917.

Abraham is educated at home. Following her father’s death in 1887, she decides to move to London in search of employment. In London she becomes secretary to Emilia, Lady Dilke, who is a leader of the Women’s Trade Union League, an organisation of which she becomes treasurer. She supports the London Dock Strike of 1889 and helps organise laundresses.

In 1891, Abraham is appointed to the Royal Commission on Labour, set up to investigate the poor conditions faced by industrial workers, as one of four women assistant commissioners.

H. H. Asquith decides to appoint women factory inspectors in 1893, and Abraham is one of his first choices, soon superintending a team of five women inspectors. In this position, she is known for her good humour which helps relations with factory managers. In 1895, she joins the Departmental Committee on Dangerous Trades. She writes a book on factory legislation in 1896, The Laws Relating to Factories and Workshops, Including Laundries and Docks.

In 1896, Abraham marries Harold Tennant, brother-in-law of and parliamentary secretary to Asquith, and chairman of the Departmental Committee on Dangerous Trades. She resigns in 1897 shortly before the birth of her first son, to devote herself to her family. She goes on to have five children. Her eldest son, Henry, is killed in battle in 1917 during World War I.

Despite her new family life, Tennant does not give up her work entirely, remaining on the Committee on Dangerous Trades. In 1899, she becomes chairman of the Industrial Law Indemnity Fund, which provides compensation to victimised workers. She is on the Royal Commission on Divorce in 1909 and is a founder and treasurer of the Central Committee for Women’s Employment.

During World War I, Tennant takes on more work. She works initially for the War Office as welfare advisor, then briefly in the Women’s Department of the National Service Department, before moving to the Ministry of Munitions. After the war, she reduces her workload, but still serves on committees on maternal mortality and maternal health. She is also a governor of Bedford College in London, an institution founded for the education of women that is part of the University of London. From 1941 she is closely involved in campaigning for the Royal Air Force Benevolent Fund.

Tennant and her husband purchase and rebuild a country house, Great Maytham, at Rolvenden, Kent, a property whose old walled garden had earlier been the inspiration for The Secret Garden by Frances Hodgson Burnett. She develops expertise as a gardener, becoming prominent in the Royal Horticultural Society. After her husband’s death in 1935, she moves to a smaller house named Cornhill at Great Maytham, where she dies July 11, 1946. Some of her correspondence is in the British Library, London.


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Death of Annie Horniman, Theatre Patron & Manager

Annie Elizabeth Fredericka Horniman CH, English theatre patron and manager, dies on August 6, 1937, while visiting friends in Shere, Surrey, England. She establishes the Abbey Theatre in Dublin and founds the first regional repertory theatre company in Britain at the Gaiety Theatre in Manchester. She encourages the work of new writers and playwrights, including W. B. Yeats, George Bernard Shaw and members of what become known as the Manchester School of dramatists.

Horniman is born at Surrey Mount, Forest Hill, London, on October 3, 1860, the elder child of Frederick John Horniman and his first wife Rebekah (née Emslie). Her father is a tea merchant and the founder of the Horniman Museum. Her grandfather is John Horniman who founds the family tea business of Horniman and Company. She and her younger brother Emslie are educated privately at their home. Her father is opposed to the theatre, which he considers sinful, but their German governess takes her and Emslie secretly to a performance of The Merchant of Venice at The Crystal Palace when she is fourteen years old.

Horniman’s father allows her to enter the Slade School of Fine Art in 1882. Here she discovers that her talent in art is limited but she develops other interests, particularly in the theatre and opera. She takes great pleasure in Richard Wagner‘s Der Ring des Nibelungen and in Henrik Ibsen‘s plays. She cycles in London and twice over the Alps, smokes in public and explores alternative religions. The “lonely rich girl” has become “an independent-minded woman.” In 1890 she joins the occult society, the Hermetic Order of the Golden Dawn, where she remains a member until disagreements with its leaders lead to her resignation in 1903. During this time she meets and becomes a friend of W. B. Yeats, acting as his amanuensis for some years. Their friendship endures. Frank O’Connor recalls that on the day Yeats hears of her death, he spends the entire evening speaking of his memories of her.

Horniman’s first venture into the theatre is in 1894 and is made possible by a legacy from her grandfather. She anonymously supports her friend Florence Farr in a season of new plays at the Royal Avenue Theatre, London. This includes a new play by Yeats, The Land of Heart’s Desire, and the première of George Bernard Shaw’s play Arms and the Man. In 1903 Yeats persuades her to go to Dublin to back productions by the Irish National Theatre Society. Here she discovers her skill as a theatre administrator. She purchases a property and develops it into the Abbey Theatre, which opens in December 1904. Although she moves back to live in England, she continues to support the theatre financially until 1910. Meanwhile, in Manchester she purchases and renovates the Gaiety Theatre in 1908 and develops it into the first regional repertory theatre in Britain.

At the Gaiety, Horniman appoints Ben Iden Payne as the director and employs actors on 40-week contracts, alternating their work between large and small parts. The plays produced include classics such as Euripides and Shakespeare, and she introduces works by contemporary playwrights such as Ibsen and Shaw. She also encourages local writers who form what becomes known as the Manchester School of dramatists, the leading members of which are Harold Brighouse, Stanley Houghton and Allan Monkhouse. The Gaiety company undertakes tours of the United States and Canada in 1912 and 1913. Horniman becomes a well-known public figure in Manchester, lecturing on subjects which include women’s suffrage and her views about the theatre. In 1910 she is awarded the honorary degree of MA by the University of Manchester. During World War I the Gaiety continues to stage plays but financial difficulties lead to the disbandment of the permanent company in 1917, following which productions in the theatre are by visiting companies. In 1921 she sells the theatre to a cinema company.

As a result of her tea connection, Horniman is known as “Hornibags.” She holds court at the Midland Hotel, wearing exotic clothing and openly smoking cigarettes, which is considered scandalous at the time. She introduces Manchester to what is called at the time “the play of ideas.” The theatre critic James Agate notes that her high-minded theatrical ventures have “an air of gloomy strenuousness” about them.

Horniman moves to London where she keeps a flat in Portman Square. In 1933 she is made a Companion of Honour. She and Algernon Blackwood might be the only past or present members of an occult society to receive a United Kingdom honour.

Horniman dies, unmarried, on August 6, 1937, while visiting friends in Shere, Surrey. Her estate amounts to a little over £50,000. The Annie Horniman Papers are held in the John Rylands Research Institute and Library at the University of Manchester. Her portrait, painted by John Butler Yeats in 1904, hangs in the public area of the Abbey Theatre.


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Birth of Margaret (May) Tennant, Promoter of Workers’ Rights & Public Health

Margaret Mary Edith (May) Tennant (née Abraham), promoter of workers’ rights and public health, is born April 5, 1869 at Rathgar, County Dublin, the only daughter of Dr. George Whitley Abraham, a lawyer in the civil service, and his wife, Margaret, daughter of Cornelius Curtain.

Abraham is educated at home by her father. Following his death in 1887, finding herself in financial straits, she moves to London, where she takes lodgings in Bloomsbury and works for Lady Emilia Dilke. Dilke is a social reformer and an advocate of trade unions for women, and as her secretary Margaret gains first-hand experience of the exploitative and unsanitary conditions afflicting women working in industry, a cause that she devotes the next decade to ameliorating. She is treasurer of the Womens’ Trade Union League, where she negotiates with employers on behalf of league members, organises meetings, and sends deputations to the House of Commons. From 1881 she coordinates a successful campaign to render regular government inspections of laundries mandatory (legislation is passed to this effect in 1908).

Abraham’s dedication to her work soon attracts wider recognition, and in 1891 she is appointed an assistant commissioner to undertake field inquiries for the Royal Labour Commission. In this capacity she travels incessantly throughout England and Ireland, gathering information and writing reports on often appalling working conditions. It is mainly because of this work that in 1893 the home secretary appoints her the first female factory inspector in England. Her new position marks a career shift from agitator to skillful and effective administrator. Traveling incessantly, the inspectors target illegal overtime, poor sanitation, and dangerous trades. In her first year alone she brings eighty prosecutions for illegal overtime.

In 1895 Abraham serves on a departmental committee at the Home Office on dangerous trades, where she meets Harold John Tennant, liberal MP for Berwickshire. The couple are married the following year, and have four sons and one daughter.

By 1896 Tennant is the superintending inspector of five more women inspectors, and her extensive experience in workers’ rights and public health is reflected in the book she publishes in that year, The law relating to factories and workshops, which runs to six editions. She finds it increasingly difficult to balance the pressures of her work with the demands of her private life, and she resigns her post soon after her marriage. However, she remains a committed social activist, serving as chairman of the Industrial Law Committee and on the Royal Commission on Divorce (1909). She is also an original member and treasurer of the Central Committee on Women’s Employment (1914–39).

During the World War I Tennant is chief adviser on women’s welfare to the Ministry of Munitions and director of the Women’s Department of the National Service Department. In recognition of her services the British government awards her the Companion of Honour in 1917, the same year that her eldest son, Harry, dies while on active service. Between the wars she turns her attention to women’s health, campaigning to improve maternal mortality and nursing care.

During the World War II, despite her failing health, Tennant works for the RAF Benevolent Fund. She is a member of the Central Consultative Council of Voluntary Organisations and the National Association for Prevention of Tuberculosis, chairman of the maternal health committee, governor of Bedford College, and a JP. She is also a director of the Mysore and Champion Reef Gold Mines, an enterprise of her husband’s family, and in this capacity travels to India and New Zealand in the mid-1920s.

The Tennants have homes in Edinglasserie, Aberdeenshire, and at 12 Victoria Square, London, as well as a restored country house, Great Maytham, at Rolvenden in Kent. She is a noted authority on gardening, and is director of The Gardener’s Chronicle (other interests included fishing, tennis, and gambling). After her husband’s death in 1935 she moves to a smaller house named Cornhill at Great Maytham, where she dies on July 11, 1946. Some of her correspondence is in the British Library, London.

(From: “Tennant (née Abraham), Margaret Mary Edith (May),” contributed by Sinéad Sturgeon and Georgina Clinton, Dictionary of Irish Biography, http://www.dib.ie)