seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Cecil Ffrench Salkeld, Painter, Critic & Writer

Cecil Ffrench Salkeld, Irish painter, printmaker, critic and writer, is born in Assam, India on July 9, 1904.

Salkeld’s parents are Henry Lyde Salkeld, a member of the Indian Civil Service (ICS), and Blanaid Salkeld (née Mullen), a poet. He returns to Ireland with his mother in 1910 following the death of his father in 1909. He attends Mount St. Benedict’s, Gorey, County Wexford, and the Dragon School in Oxford, England. He wins a scholarship to Oundle School in Oundle, North Northhamptonshire, but returns to Dublin where he enters the Dublin Metropolitan School of Art in 1919 to study under Seán Keating and James Sleator. He marries Irma Taesler in Germany in 1922. They have two daughters, Celia and Beatrice. The latter marries Brendan Behan in 1954.

Salkeld works in tempera and oil, as well as etching and wood engraving. In 1921 he travels to Germany to study under Ewald Dulberg at the Kassell Kunstschule. He attends the Union of Progressive International Artists in Düsseldorf in May 1922, and is exhibited at the Internationale Kunstausstellung. Upon his return to Dublin in 1924, he holds his first solo exhibition in the Society of Dublin Painters gallery. He becomes a member of the Dublin Painters in 1927. With Francis Stuart, he co-edits the first two issues of To-morrow in 1924. His studio is in a converted labourer’s cottage at Glencree, County Wicklow. He also exhibits with the New Irish Salon and the Radical Painters’ Group.

Salkeld wins the 1926 Royal Dublin Society‘s Taylor scholarship, and has his first exhibited work with the Royal Hibernian Academy (RHA) in 1929. He lives in Berlin for a year in 1932. He exhibits in Daniel Egan’s Gallery in Dublin in 1935. He has a wide circle of literary friends, including Samuel Beckett and Flann O’Brien. In O’Brien’s At Swim-Two-Birds, the character of Michael Byrne is designed for Salkeld, reflecting his debilitating alcoholism. He also teaches at the Dublin Metropolitan School of Art, teaching artists such as Reginald Gray.

From 1937 to 1946 Salkeld runs a private press called Gayfield Press. This is co-founded with his mother, and operates from a garden shed at their home, 43 Morehampton Road. The press is a small Adana wooden hand press. He illustrates her 1938 The Engine Left Running, as well as Ewart Milne‘s Forty North Fifty West (1938) and Liam O’Flaherty‘s Red Barbara and Other Stories (1928). In 1951, he loans the press to Liam and Josephine Miller to found the Dolmen Press.

Salkeld’s most famous public work is his 1942 three-part mural in Davy Byrne’s pub. He is a co-founder of the Irish National Ballet School in the 1940s in his capacity as a pianist. In 1946 he is appointed an associate member of the RHA. In 1953 his play Berlin Dusk is staged at 37 Theatre Club, Dublin. During the 1950s he is a broadcaster with Radio Éireann as well as a director of cultural events for An Tóstal. He dies on May 11, 1969, in St. Laurence’s Hospital, Dublin.

The National Gallery of Ireland holds a portrait by Salkeld of his daughter, Celia.

(Pictured: “Figures In Moonlight” by Cecil Ffrench Salkeld, oil on canvas)


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Death of Composer Brian Patrick Boydell

Brian Patrick Boydell, Irish composer whose works include orchestral pieces, chamber music, and songs, dies on November 8, 2000. He is Professor of Music at Trinity College Dublin for 20 years, founder of the Dowland Consort, conductor of the Dublin Orchestral Players, and a prolific broadcaster and writer on musical matters. He was also a prolific musicologist specialising in 18th-century Irish musical history.

Boydell is born on March 17, 1917, in Howth, County Dublin, into a prosperous Anglo-Irish family. His father James runs the family maltings business while his mother, Eileen Collins, is one of the first women graduates of Trinity College. Following their son’s birth, the Boydells move from Howth and live in a succession of rented houses before settling in Shankill, County Dublin. The young Boydell begins his formal education at Monkstown Park in Dublin and is subsequently sent to the Dragon School at Oxford, England. From there he goes to Rugby School, where he comes under the influence of Kenneth Stubbs, the music master. Although he later speaks of his resentment at the anti-Irish attitude he experiences at Rugby, he appreciates the very good education in science and music he receives there.

Having completed his secondary education, Boydell spends the summer of 1935 developing his musical knowledge at Heidelberg, Germany, where he writes his first songs and also studies organ. He wins a choral scholarship to Clare College, Cambridge, where, perhaps through parental pressure, he studies natural science, graduating in 1938 with a first-class degree.

However, his love of music leads him next to the Royal College of Music where he studies composition under Patrick Hadley, Herbert Howells and Vaughan Williams. Already a good pianist, he also becomes a proficient oboe player during this time.

Upon the outbreak of World War II, Boydell returns to Dublin and achieves further academic success in 1942 with a Bachelor of Music degree from Trinity College. He also takes further lessons in composition from John F. Larchet.

Boydell’s busy working life combines teaching, performing and composing. Following a brief stint in his father’s business, he plunges himself into Dublin’s classical music scene. In 1943, he succeeds Havelock Nelson as conductor of the Dublin Orchestral Players, beginning an association with the amateur orchestra that endures for a quarter of a century (until 1966). In 1944, he is appointed Professor of Singing at the Royal Irish Academy of Music, a position he holds for eight years. Along with fellow composers Edgar M. Deale, Aloys Fleischmann, and Frederick May he founds the Music Association of Ireland in 1948 as a vehicle to promote classical music throughout the country.

Boydell’s interest in Renaissance music, in particular the madrigal, leads in 1959 to founding the Dowland Consort, a vocal ensemble with which he performs for many years and records an LP. In 1962, having obtained a Doctorate in Music, he is appointed Professor of Music at Trinity College, a position he holds until 1982. He immediately revamps the course making it more relevant to the second half of the twentieth century. He also finds time to sit on the Arts Council throughout the 1960s, 70s, and early 80s.

Boydell’s communication skills combined with his infectious enthusiasm makes him a natural broadcaster. The appeal of his programmes on the history and performance of music, first on RTÉ Radio 1 and later on Telefís Éireann, go beyond a specialist audience and are, for many people, their introduction to a new world of aural pleasure.

Boydell has many interests beyond music. As a surrealist painter in the 1940s, having taken lessons from Mainie Jellett, he is a member of The White Stag Group. He is also passionate about cars and photography.

Following retirement from Trinity as Fellow Emeritus, Boydell devotes himself to musical scholarship, writing two books on the music of 18th century Dublin. He also contributes to The New Grove Dictionary of Music and Musicians.

Boydell dies at his home in Howth on November 8, 2000, at the age of 83 and in the company of his wife of 56 years, Mary (née Jones) and their sons, Cormac and Barra. A third son, Marnac, predeceases him.

Boydell is awarded several honorary titles in recognition of his services to music, including the Honorary Doctorate of Music from the National University of Ireland (1974), the Order of Merit of the Italian Republic (1983), the election to Aosdána, Ireland’s academy of creative artists (1984), and Honorary Fellowship of the Royal Irish Academy of Music (1990).


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Death of Cecil Ffrench Salkeld, Painter, Printmaker, Critic & Writer

Cecil Ffrench Salkeld, Irish painter, printmaker, critic and writer dies in Dublin on May 11, 1969.

Salkeld is born in Assam, India on July 9, 1904. His parents are Henry Lyde Salkeld, a member of the Indian Civil Service (ICS), and Blanaid Salkeld (née Mullen), a poet. He returns to Ireland with his mother in 1910 following the death of his father in 1909. He attends Mount St. Benedict’s, Gorey, County Wexford, and the Dragon School in Oxford, England. He wins a scholarship to Oundle School in Oundle, North Northhamptonshire, but returns to Dublin where he enters the Dublin Metropolitan School of Art in 1919 to study under Seán Keating and James Sleator. He marries Irma Taesler in Germany in 1922. They have two daughters, Celia and Beatrice. The latter marries Brendan Behan in 1954.

Salkeld works in tempera and oil, as well as etching and wood engraving. In 1921 he travels to Germany to study under Ewald Dulberg at the Kassell Kunstschule. He attends the Union of Progressive International Artists in Düsseldorf in May 1922, and is exhibited at the Internationale Kunstausstellung. Upon his return to Dublin in 1924, he holds his first solo exhibition in the Society of Dublin Painters gallery. He becomes a member of the Dublin Painters in 1927. With Francis Stuart, he co-edits the first two issues of To-morrow in 1924. His studio is in a converted labourer’s cottage at Glencree, County Wicklow. He also exhibits with the New Irish Salon and the Radical Painters’ Group.

Salkeld wins the 1926 Royal Dublin Society‘s Taylor scholarship, and has his first exhibited work with the Royal Hibernian Academy (RHA) in 1929. He lives in Berlin for a year in 1932. He exhibits in Daniel Egan’s Gallery in Dublin in 1935. He has a wide circle of literary friends, including Samuel Beckett and Flann O’Brien. In O’Brien’s At Swim-Two-Birds, the character of Michael Byrne is designed for Salkeld, reflecting his debilitating alcoholism. He also teaches at the Dublin Metropolitan School of Art, teaching artists such as Reginald Gray.

From 1937 to 1946 Salkeld runs a private press called Gayfield Press. This is co-founded with his mother, and operates from a garden shed at their home, 43 Morehampton Road. The press is a small Adana wooden hand press. He illustrates her 1938 The Engine Left Running, as well as Ewart Milne‘s Forty North Fifty West (1938) and Liam O’Flaherty‘s Red Barbara and Other Stories (1928). In 1951, he loans the press to Liam and Josephine Miller to found the Dolmen Press.

Salkeld’s most famous public work is his 1942 three-part mural in Davy Byrne’s pub. He is a co-founder of the Irish National Ballet School in the 1940s in his capacity as a pianist. In 1946 he is appointed an associate member of the RHA. In 1953 his play Berlin Dusk is staged at 37 Theatre Club, Dublin. During the 1950s he is a broadcaster with Radio Éireann as well as a director of cultural events for An Tóstal. He dies on May 11, 1969 in St. Laurence’s Hospital, Dublin.

The National Gallery of Ireland holds a portrait by Salkeld of his daughter, Celia.

(Pictured: “The Climber” by Cecil Ffrench Salkeld, oil on canvas)