seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Davy Byrne’s Pub


by Leave a comment

Death of Cecil Ffrench Salkeld, Painter, Printmaker, Critic & Writer

Cecil Ffrench Salkeld, Irish painter, printmaker, critic and writer dies in Dublin on May 11, 1969.

Salkeld is born in Assam, India on July 9, 1904. His parents are Henry Lyde Salkeld, a member of the Indian Civil Service (ICS), and Blanaid Salkeld (née Mullen), a poet. He returns to Ireland with his mother in 1910 following the death of his father in 1909. He attends Mount St. Benedict’s, Gorey, County Wexford, and the Dragon School in Oxford, England. He wins a scholarship to Oundle School in Oundle, North Northhamptonshire, but returns to Dublin where he enters the Dublin Metropolitan School of Art in 1919 to study under Seán Keating and James Sleator. He marries Irma Taesler in Germany in 1922. They have two daughters, Celia and Beatrice. The latter marries Brendan Behan in 1954.

Salkeld works in tempera and oil, as well as etching and wood engraving. In 1921 he travels to Germany to study under Ewald Dulberg at the Kassell Kunstschule. He attends the Union of Progressive International Artists in Düsseldorf in May 1922, and is exhibited at the Internationale Kunstausstellung. Upon his return to Dublin in 1924, he holds his first solo exhibition in the Society of Dublin Painters gallery. He becomes a member of the Dublin Painters in 1927. With Francis Stuart, he co-edits the first two issues of To-morrow in 1924. His studio is in a converted labourer’s cottage at Glencree, County Wicklow. He also exhibits with the New Irish Salon and the Radical Painters’ Group.

Salkeld wins the 1926 Royal Dublin Society‘s Taylor scholarship, and has his first exhibited work with the Royal Hibernian Academy (RHA) in 1929. He lives in Berlin for a year in 1932. He exhibits in Daniel Egan’s Gallery in Dublin in 1935. He has a wide circle of literary friends, including Samuel Beckett and Flann O’Brien. In O’Brien’s At Swim-Two-Birds, the character of Michael Byrne is designed for Salkeld, reflecting his debilitating alcoholism. He also teaches at the Dublin Metropolitan School of Art, teaching artists such as Reginald Gray.

From 1937 to 1946 Salkeld runs a private press called Gayfield Press. This is co-founded with his mother, and operates from a garden shed at their home, 43 Morehampton Road. The press is a small Adana wooden hand press. He illustrates her 1938 The Engine Left Running, as well as Ewart Milne‘s Forty North Fifty West (1938) and Liam O’Flaherty‘s Red Barbara and Other Stories (1928). In 1951, he loans the press to Liam and Josephine Miller to found the Dolmen Press.

Salkeld’s most famous public work is his 1942 three-part mural in Davy Byrne’s pub. He is a co-founder of the Irish National Ballet School in the 1940s in his capacity as a pianist. In 1946 he is appointed an associate member of the RHA. In 1953 his play Berlin Dusk is staged at 37 Theatre Club, Dublin. During the 1950s he is a broadcaster with Radio Éireann as well as a director of cultural events for An Tóstal. He dies on May 11, 1969 in St. Laurence’s Hospital, Dublin.

The National Gallery of Ireland holds a portrait by Salkeld of his daughter, Celia.

(Pictured: “The Climber” by Cecil Ffrench Salkeld, oil on canvas)


by Leave a comment

Bloomsday, Commemoration & Celebration of Writer James Joyce

Bloomsday is a commemoration and celebration of the life of Irish writer James Joyce, observed annually in Dublin and elsewhere on June 16, the day his novel Ulysses (1922) takes place in 1904, the date of his first outing with his wife-to-be, Nora Barnacle, and named after its protagonist Leopold Bloom.

The first mention of such a celebration is found in a letter by Joyce to Miss Weaver of June 27, 1924, which refers to “a group of people who observe what they call Bloom’s day – 16 June.”

The day involves a range of cultural activities, including Ulysses readings and dramatisations, pub crawls and other events, some of it hosted by the James Joyce Centre in North Great George’s Street. Enthusiasts often dress in Edwardian costume to celebrate Bloomsday, and retrace Bloom’s route around Dublin via landmarks such as Davy Byrne’s pub. Hard-core devotees have even been known to hold marathon readings of the entire novel, some lasting up to 36 hours.

The James Joyce Tower and Museum at Sandycove, site of the opening chapter of Ulysses, hosts many free activities around Bloomsday including theatrical performances, musical events, tours of the iconic tower and readings from Joyce’s masterpiece.

In 1954, on the 50th anniversary of the events in the novel, artist, critic, publican and founder of Envoy magazine, John Ryan, and the novelist Brian O’Nolan organise what is to be a daylong pilgrimage along the Ulysses route. They are joined by Patrick Kavanagh, Anthony Cronin, Tom Joyce (Joyce’s cousin, representing the family interest) and A. J. Leventhal, a lecturer in French at Trinity College, Dublin. Ryan engages two horse-drawn cabs, of the old-fashioned sort, in which in Ulysses Mr. Bloom and his friends drive to Paddy Dignam’s funeral. The party are assigned roles from the novel. They plan to travel around the city through the day, starting at the Martello tower at Sandycove where the novel begins, visiting in turn the scenes of the novel, ending at night in what had once been the brothel quarter of the city, the area which Joyce called Nighttown. The pilgrimage is abandoned halfway through when the weary pilgrims succumb to inebriation and rancour at the Bailey pub in the city centre, which Ryan owns at the time, and at which in 1967 he installs the door to No. 7 Eccles Street (Leopold Bloom’s front door), having rescued it from demolition. A Bloomsday record of 1954, informally filmed by John Ryan, follows this pilgrimage.

On Bloomsday 1982, the centenary year of Joyce’s birth, Irish state broadcaster RTÉ transmits a continuous 30-hour dramatic performance of the entire text of Ulysses on radio.

A five-month-long festival, ReJoyce Dublin 2004, takes place in Dublin between April 1 and August 31, 2004. On the Sunday before the 100th “anniversary” of the fictional events described in the book, 10,000 people in Dublin are treated to a free, open-air, full Irish breakfast on O’Connell Street consisting of sausages, rashers, toast, beans, and black and white puddings.

The 2006 Bloomsday festivities are cancelled, the day coinciding with the funeral of former Taoiseach Charles Haughey.

(Pictured: Firstbloom (L to R) John Ryan, Anthony Cronin, Brian O’Nolan, Patrick Kavanagh and Tom Joyce (James Joyce’s cousin); Sandymount, 1954)


by Leave a comment

Birth of Painter Harry Aaron Kernoff

harry-aaron-kernoffHarry Aaron Kernoff, Irish painter of London/Russian extraction, is born in London on January 10, 1900. He is primarily remembered for his sympathetic interest in Dublin and its people.

Kernoff’s family moves to Dublin when he is 14 years old where he ultimately becomes a leading figure in Irish modernism. He studies drawing and painting during night classes at the Metropolitan School of Art. In 1923, he wins the Taylor Scholarship and becomes a full-time art student. During his studies he meets and is encouraged by fellow artists Patrick Tuohy (1894-1930), Seán Keating (1889-1977), and Maurice MacGonigal (1900-79).

Influenced by Keating, he paints the Irish landscape, genre scenes, portraits, street and pub scenes, as well as Dublin landmarks with sympathy and understanding. This is particularly evident in his woodcuts. While living in his adopted Dublin Jewish community he produces picture illustrations of his local scenes for a neighbourhood writer and friend Nick Harris for his book entitled Dublin’s Little Jerusalem.

In 1930, Kernoff visits the Soviet Union as part of an Irish delegation from the friends of Soviet Russia led by Hanna Sheehy-Skeffington. While visiting, he is influenced by the Association of Artists of Revolutionary Russia. He is famously associated with Davy Byrne’s pub. His paintings and woodcuts of Davy Byrne’s pub are documents of his friendship with the original owner.

Kernoff spends the vast majority of his life unappreciated, and makes little or nothing from his paintings until a few years before his death, when he begins to be appreciated by contemporary critics. He never marries.

Outside his home in Dublin, where he lives with two unmarried sisters, there is a long-standing sign in the front garden which says “… Descendants of the Abravanels…” The Abravanel (or Abrabanel) family is one of the most famous Sephardic Jewish families in history, noted for their large quotas of Rabbis, scholars, and members of a variety of scientific and artistic fields, dating from about the 13th century in Lisbon. The emergence of the famous philosopher and scholar Don Isaac Abravanel in the middle of the 16th century brings his works to greater universal recognition.

Kernoff dies in Dublin on December 25, 1974.

(Pictured: Portrait of Harry Aaron Kernoff, Oil on Canvas by John F. Kelly)