seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

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The Corporals Killings

British Army corporals Derek Wood and David Howes are killed by the Provisional Irish Republican Army (IRA) on March 19, 1988, in Belfast, Northern Ireland, in what becomes known as the corporals killings. The soldiers, wearing civilian clothes, both armed with Browning Hi-Power pistols and in a silver Volkswagen Passat hatchback, drive into the funeral procession for IRA member Kevin Brady.

The Brady funeral is making its way along the Andersonstown Road toward Milltown Cemetery when the corporals’ car appears from the opposite direction. The car drives straight towards the front of the funeral, which is headed by several black taxis. It drives past a Sinn Féin steward who signals it to turn. Mourners at the funeral say they believed they were under attack from Ulster loyalists, as three days earlier, loyalist Michael Stone had attacked an IRA funeral and killed three people. The car then mounts a pavement, scattering mourners, and turns into a small side road. When this road is blocked, it then reverses at speed, ending up within the funeral procession. Corporal Wood attempts to drive the car out of the procession but his exit route is blocked by a black taxi.

An angry crowd surrounds the car, smashes the windows and attempts to drag the soldiers out. Wood produces a Browning Hi-Power 9mm handgun. He climbs partly out of a window and fires a shot in the air, which briefly scatters the crowd. The crowd then surges back, with some of them attacking the car with a wheel-brace and a stepladder snatched from a photographer. The corporals are eventually pulled from the car and punched and kicked to the ground.

The attack is witnessed by the media and passersby. Journalist Mary Holland recalls seeing one of the men being dragged past a group of journalists. “He didn’t cry out; just looked at us with terrified eyes, as though we were all enemies in a foreign country who wouldn’t have understood what language he was speaking if he called out for help.”

The men are taken to nearby Casement Park sports ground, just opposite. Here they are beaten, stripped to their underpants and socks, and searched by a small group of men. The BBC and The Independent write that the men were “tortured.” A search reveals that the men are British soldiers. Their captors find a military ID on Howes which is marked “Herford,” the site of a British military base in Germany, but it is believed they misread it as “Hereford,” the headquarters of the Special Air Service (SAS).

Redemptorist priest Father Alec Reid, who plays a significant part in the peace process leading to the 1998 Good Friday Agreement, intervenes and attempts to save the soldiers, and asks people to call an ambulance. “I got down between the two of them and I had my arm around this one and I was holding this one up by the shoulder….They were so disciplined, they just lay there totally still and I decided to myself they were soldiers. There was a helicopter circling overhead and I don’t know why they didn’t do something, radio to the police or soldiers to come up, because there were these two of their own soldiers.”

One of the captors warns Father Reid not to interfere and orders two men to take him away.

The two soldiers are placed in a taxi and driven fewer than 200 yards to a waste ground near Penny Lane (South Link), just off the main Andersonstown Road. There they are taken out of the vehicle and shot dead. Wood is shot six times and Howes is shot five times. Each also has multiple injuries to other parts of their bodies. The perpetrators quickly leave the scene. Father Reid hears the shots and rushes to the waste ground. He believes one of the soldiers is still breathing and attempts to give him mouth-to-mouth resuscitation. Upon realizing that the soldiers are dead, he gives them the last rites. According to photographer David Cairns, although photographers have their films taken by the IRA, he is able to keep his by quickly leaving the area after taking a photograph of Reid kneeling beside the almost naked body of Howes, administering the last rites. Cairns’ photograph is later named one of the best pictures of the past 50 years by Life magazine.

The whole incident is filmed by a British Army helicopter hovering overhead. An unnamed soldier of the Royal Scots says his eight-man patrol is nearby and sees the attack on the corporals’ car but are told not to intervene. Soldiers and police arrive on the scene three minutes after the corporals had been shot. A British Army spokesman says the army did not respond immediately because they needed time to assess the situation and were wary of being ambushed by the IRA. The large funeral procession also prevents them getting to the scene quickly.

Shortly after, the IRA releases a statement:

“The Belfast Brigade, IRA, claims responsibility for the execution of two SAS members who launched an attack on the funeral cortege of our comrade volunteer Kevin Brady. The SAS unit was initially apprehended by the people lining the route in the belief that armed loyalists were attacking them and they were removed from the immediate vicinity. Our volunteers forcibly removed the two men from the crowd and, after clearly ascertaining their identities from equipment and documentation, we executed them.”

Two men, Alex Murphy and Harry Maguire, are sentenced to life imprisonment for murder, but are released in 1998 under the terms of the Good Friday Agreement. Several other men receive lesser sentences for their part in the corporals killings.

(Pictured: Catholic priest Father Alec Reid administers the last rights to Corporal David Howes, one of two British soldiers brutally beaten and murdered in Belfast)


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The Dromcollogher Burning

drumcollogher-cinema-fire

Forty-eight people die when a fire breaks out in a make-shift cinema on the upper floor of the village hall in Dromcollagher, County Limerick, on September 5, 1926.

The conversion of village halls into makeshift cinemas is a common practice in many rural villages in Ireland, right up to the 1940s. Prints are often borrowed from cinemas in larger towns or in Cork city and then bicycled over to smaller venues (sometimes surreptitiously).

During the Irish Free State period (1922-1937), the exhibition of films is still governed by legislation put in place by the British government in 1909. The Cinematograph Act 1909 stipulates that cinema owners must apply for a license to screen films, and that venues must observe strict safety standards. Such standards include encasing projectors in fireproof booths, ensuring that the highly unstable nitrate film, then the industry standard, be properly stored and handled, and fitting out venues with several fire exits. The regulations are generally observed by established cinemas, but they are often ignored by operators of ad hoc venues/makeshift conversions.

The consequences of such indifference to patron safety are tragically realized in the small town of Dromcollogher in West Limerick in 1926. Situated a few miles from the County Cork border, its population is around 500 at the time, hardly enough to sustain a full-time cinema. However, local hackney driver, William Forde, identifies a business opportunity that seems too good to pass up. Through a contact, Patrick Downey, who works as a projectionist in Cork city’s Assembly Rooms cinema, he arranges for a print of Cecil B. DeMille’s Biblical epic The Ten Commandments to be bicycled over for an unofficial one-off screening.

Forde rents the upstairs room of a venue on Church Street, later described by the Leinster Express as a wooden two-story structure and advertises his evening’s entertainment. He finds a readymade audience among the churchgoers that come out of the service in the adjacent Catholic Church and straight into the hall, many with their rosary beads still entwined in their hands. It is estimated that 150 people crowd into the room and ascend the ladder to the upstairs room. Though Forde has been informed by one local Garda that he cannot run a screening unless the venue is equipped with fire blankets and exits, he and Downey disregard the advice and, in a bid to reduce the weight for the cyclist bringing the reels from Cork, instruct that the fireproof metal cases be left behind in the city.

A generator hooked up to a lorry is used to power the borrowed projector, and candles to illuminate the makeshift box-office. It is one of those candles, placed in close proximity to an exposed film reel, which sparks off a series of small fires that quickly developed into an inferno. Some of those seated closest to the main exit manage to escape, but those nearer the screen find themselves trapped and iron bars that had been placed on the few windows in the hall windows seal their fate. Whole families are wiped out and the final death toll comes to 48. As newspapers of the time report, 1/10th of the town’s population is lost.

Newspapers around the world carry reports of the tragedy and a relief fund is set up for the survivors with Hollywood star Will Rogers being one of the contributors. President of the Executive Council of the Irish Free State William T. Cosgrave later travels to the town to attend the mass funeral service held for the victims.

As for Forde and Downey, they are later charged with manslaughter, but the State chooses not to pursue the prosecutions. Forde apparently later immigrates to Australia and possibly accidentally poisons himself, and two others, while working as a cook in the Outback.

The “Dromcollogher Burning”, as it becomes known, holds the dubious honour of Ireland’s worst cinema fire. Sadly, it is not the last time safety regulations are disregarded in an entertainment venue: 75 years later the devastating Stardust Nightclub fire in Dublin also claims the lives of 48 patrons.

(From: “The Dromcollogher Cinema Fire,” http://www.corkmoviememories.com | Image Source: National Library of Ireland)