Finbar Furey, multi-instrumental Irish folk musician, is born in Ballyfermot, Dublin on September 28, 1946. He is best known for his band of brothers, The Fureys.
Furey’s well-known musician father, Ted, starts him on the Uilleann pipes while he is very young. By his teens, he has won three All Ireland Medals, The Oireachtas, and many Feisanna. He is the only piper to win the All Ireland, the Oireachtas medal and the four province titles in the same year. He is also an Irish Traveller.
Furey popularizes the pipes worldwide while on tour with his brother Eddie in the 1960s. In 1969, he and Eddie begin touring as backup musicians for the influential Irish folk group, The Clancy Brothers. He plays the pipes, as well as the banjo, tin whistle, and guitar with the group in live performances, on television, and on recordings. The Furey brothers leave the group the following year and begin performing as a duo again. They are awarded Single of the Year by John Peel in 1972.
In 1997, after nearly thirty years as The Fureys’ front man, Furey decides the time is right to follow his own path as a singer songwriter. He decides to step aside and pursue his solo career, to present his definitive one-man show and to explore new pastures as a singer, producer and writer.
In August 2013, Furey appears on the Irish television show The Hit. He records a single pitched by a songwriter, Gerry Fleming. The single, “The Last Great Love Song”, charts at number one in the Irish charts against Mundy‘s song “Jigsaw Man” written by Mark Walsh which charts at number five. The song is performed again with the RTÉ Concert Orchestra in the final and comes in first place in the public vote earning the title “The Ultimate Hit.”
Peck’s parents divorce when he is five years old. An only child, he is sent to live with his grandmother. He never feels as though he has a stable childhood. His fondest memories are of his grandmother taking him to the movies every week and of his dog, which follows him everywhere.
At the age of ten Peck is sent to a Catholic military school, St. John’s Military Academy in Los Angeles. While he is a student there, his grandmother dies. At 14, he moves back to San Diego to live with his father and attends San Diego High School. After graduating he enrolls for one year at San Diego State Teacher’s College (now known as San Diego State University).
With a string of hits to his credit, Peck makes the decision to only work in films that interest him. He continues to appear as the heroic, larger-than-life figures in such films as Captain Horatio Hornblower R.N. (1951) and Moby Dick (1956). He works with Audrey Hepburn in her debut film, Roman Holiday (1953).
Peck finally wins the Oscar, after four nominations, for his performance as lawyer Atticus Finch in To Kill a Mockingbird (1962). In the early 1960s, he appears in two darker films than he usually makes, Cape Fear (1962) and Captain Newman, M.D. (1963), which deal with the way people live. He also gives a powerful performance as Captain Keith Mallory in The Guns of Navarone (1961), one of the biggest box-office hits of that year.
In the early 1970s, Peck produces two films, The Trial of the Catonsville Nine (1972) and The Dove (1974), when his film career stalled. He makes a comeback playing, somewhat woodenly, Robert Thorn in the horror film The Omen (1976). After that, he returns to the bigger-than-life roles he is best known for, such as MacArthur (1977) and the monstrous Nazi Dr. Josef Mengele in the huge hit The Boys from Brazil (1978). In the 1980s, he moves into television with the miniseriesThe Blue and the Gray (1982) and The Scarlet and the Black (1983). In 1991, he appears in the remake of his 1962 film, playing a different role, in Martin Scorsese‘s Cape Fear (1991). He is also cast as the progressive-thinking owner of a wire and cable business in Other People’s Money (1991).
In 1967, Peck receives the Academy’s Jean Hersholt Humanitarian Award. He has also been awarded the Presidential Medal of Freedom. Always politically progressive, he is active in such causes as anti-war protests, workers’ rights and civil rights. In 2003, Peck’s portrayal of Atticus Finch is named the greatest film hero of the past 100 years by the American Film Institute.
Gregory Peck dies in his sleep at his home in Los Angeles, California from bronchopneumonia at the age of 87 on June 12, 2003. He is entombed in the Cathedral of Our Lady of the Angels mausoleum in Los Angeles. His eulogy is read by Brock Peters, whose character, Tom Robinson, was defended by Peck’s Atticus Finch in To Kill a Mockingbird.
Born into a musical family, O’Connell is the third of four sisters. Her mother’s family owns Costello’s fish shop in Ennis where O’Connell works until music becomes her full-time career. She grows up listening to her mother’s light opera, opera, and parlour music records. Her father’s interest leans towards the rebel ballads. Despite the presence of classical music in the house, O’Connell gets very involved in the local folk club scene and together with Mike Hanrahan, who later fronts folk rock outfit Stockton’s Wing, they perform a country music set, as a duo called “Tumbleweed.”
O’Connell attends St. Joseph’s Secondary School in Spanish Point from 1971 to 1974, where she takes part in the school choir. She is also a member of the “Cúl Aodha Choir”, led by Peader Ó Riada, that sings at the funeral of Willie Clancy in 1973.
O’Connell begins her professional musical journey during a six-week tour of the United States in 1980, as vocalist for the traditionally-based Celtic group De Dannan. The following year, she is featured on the band’s landmark album, The Star Spangled Molly, which becomes something of a national phenomenon in her homeland. However, not long after joining the group she becomes very interested in the experimental roots music of America’s New Grass Revival when the bands’ paths cross. She moves to the United States in 1986, settling in Nashville, Tennessee. There she meets progressive bluegrass pioneers Béla Fleck and Jerry Douglas, with whom she works on most of her records.
O’Connell records her first solo album in 1983, however, it does not make any impact in Ireland or in the United States. She receives a Grammy Award nomination for her 1989 album, Helpless Heart, which is her first record released under Warner Bros. Records. Real Life Story (1990) and Blue is the Colour of Hope (1992) register a move toward a pop synthesis. Her versions of “Living in These Troubled Times” and Cheryl Wheeler‘s “Summerfly” become standout tracks on the 1993 album A Woman’s Heart, on four all-female overseas tours and on the 1994 follow-up album in her homeland. A Woman’s Heart Vol. 2 features her heartfelt renditions of Nanci Griffith‘s “Trouble in the Fields” and Gerry O’Beirne’s “Western Highway.” After numerous albums heavily inspired by American newgrass music, she returns to her Irish roots with the 1997 release Wandering Home.
As the new millennium approaches, O’Connell signs with Sugar Hill Records in late 2000 and begins working on her seventh album. Instead of working with her longtime producer Jerry Douglas, she has Ray Kennedy produce Walls and Windows, which is released in 2001, and features an eclectic collection of songs, including work by Kim Richey, Van Morrison, John Prine, Eric Clapton and Patty Griffin. Her 2004 album, Don’t I Know, contains musical textures added by everything from fiddles, to clavinets, to lap steel guitar and B-3 organ.
In addition to her solo work, O’Connell has collaborated with a number of Celtic, folk, pop and country artists, including Van Morrison, Brian Kennedy, Moya Brennan, Mary Black, John Prine, Jerry Douglas, Tim O’Brien, John Gorka, Béla Fleck, Robert Earl Keen, Dolly Parton and Shawn Colvin. She has also sung background vocals for a number of artists, including Van Morrison’s 1988 project with The Chieftains, Irish Heartbeat and Stockton’s Wing on Take A Chance.
Aside from the music world, Martin Scorsese casts O’Connell, scruffed up for the role, as an Irish migrant street singer in his 19th-century epic Gangs of New York, released in 2002.
O’Connell announces the end of her solo career in 2013.
Ramón Gerard Antonio Estévez, known professionally as Martin Sheen, American actor of Spanish/Irish descent, is born in Dayton, Ohio on August 3, 1940. He first becomes known for his roles in the films The Subject Was Roses (1968) and Badlands (1973), and later achieves wide recognition for his leading role in Apocalypse Now (1979) and as President Josiah Bartlet in the television series The West Wing (1999-2006).
Sheen is born to immigrant parents, a first-generation Irish mother, Mary-Anne Phelan from Borrisokane, County Tipperary, and a Galician father, Francisco Estévez from Vigo in Galicia (Spain). He adopts the stage name Martin Sheen to help him gain acting parts from a combination of the CBS casting director Robert Dale Martin, who gives him his first big break, and the televangelistarchbishop, Fulton J. Sheen. He is the father of four children (Emilio, Ramón, Carlos and Renée), all of whom are actors.
Although known as an actor, Sheen also has directed one film, Cadence (1990), appearing alongside sons Charlie and Ramón. He has narrated, produced, and directed documentary television, earning two Daytime Emmy Awards in the 1980s. In addition to film and television, he has been active in liberal politics.
Clancy is Robert Joseph Clancy and Joanna McGrath’s ninth and youngest surviving child. He receives a Christian Brothers education before taking a job as an insurance man in Dublin. While there he also takes night classes at the National College of Art and Design.
Clancy begins singing with his brothers, Paddy and Tom Clancy, at fund-raising events for the Cherry Lane Theatre and the Guthrie benefits. The Clancy Brothers and Tommy Makem, begin recording on Paddy Clancy’s Tradition Records label in the late 1950s. Liam plays guitar in addition to singing and also records several solo albums. They record their seminal The Rising of the Moon album in 1959. There are international tours, which include performances at Carnegie Hall and the Royal Albert Hall. The quartet records numerous albums for Columbia Records and enjoys great success during the 1960s folk revival. In 1964, thirty percent of all albums sold in Ireland are Clancy Brothers and Tommy Makem records.
After The Clancy Brothers split up, Liam has a solo career in Canada. In 1975, he is booked to play a festival in Cleveland, Ohio, where Tommy Makem is also playing. The two play a set together and form the group Makem and Clancy, performing in numerous concerts and recording several albums together until 1988. The original Clancy Brothers and Tommy Makem line-up also get back together in the 1980s for a reunion tour and album.
In later life, Liam maintains a solo career accompanied by musicians Paul Grant and Kevin Evans, while also engaging in other pursuits. In 2001, Clancy publishes a memoir titled The Mountain of the Women. He is also in No Direction Home, the 2005 Bob Dylan documentary directed by Martin Scorsese. In 2006, Clancy is profiled in a two-hour documentary titled The Legend of Liam Clancy, produced by Anna Rodgers and John Murray with Crossing the Line Films, which wins the award for best series at the Irish Film and Television Awards in Dublin. His final album, The Wheels of Life, is released in 2009. It includes duets with Mary Black and Gemma Hayes as well as songs by Tom Paxton and Donovan.