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Tag Archives: Martin Sheen


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Gerry Adams & Hillary Clinton Meet in New York City

On March 16, 2015, the eve of Saint Patrick’s Day, two ascendant politicians—one from Ireland, one from the United States—meet in a ballroom at the Essex House, in New York City. Hillary Clinton is there to be inducted into the Irish America Hall of Fame, in recognition of her “outstanding leadership” in bringing peace to Northern Ireland during the 1990s, when her husband was president of the United States. Gerry Adams, the president of the Irish Republican political party Sinn Féin, is there because for many Americans he is a living symbol of that peace. One of the architects of the Good Friday Agreement, which brought an end to the decades-long conflict in Northern Ireland that is known as the Troubles, he is very popular in the United States and makes regular trips here to raise funds for his party. According to a report in The Irish Times, Sinn Féin has raised twelve million dollars in the United States over the prior two decades, from construction companies, labor unions, and movie stars like Anjelica Huston and Martin Sheen.

Adams, however, remains a polarizing figure in Ireland. Though he is a longtime figurehead of the Republican movement, he insists that he was never a member of the Irish Republican Army (IRA) and that he played no role in the violence of the Troubles. Some people in Ireland do not actually believe this story, and, in recent years leading up to this meeting, some of his former compatriots in the Republican movement have said that he authorized a series of wartime atrocities, including the murder and secret burial of Jean McConville, a mother of ten. Adams denies these claims, and generally derides those who ask questions about his past as political foes with an agenda or opponents of the peace process.

“I remember very well when the request came, back in 1993, that my husband approve a visa for Gerry Adams,” Clinton told the crowd at the Essex House. Bill Clinton granted the visa, which was a controversial move at the time, because of Adams’s alleged association with the IRA, but also a crucial moment in the peace process, because it helped cement Adams’s transformation from a revolutionary to a statesman. “Absent that first step, that first risk, we might not have had the momentum to move forward, to get to the Good Friday accords and all that has followed,” Clinton said.

There is no way of knowing whether Clinton, dressed in Kelly green, felt any distaste at the prospect of sharing a table with Adams. There is some thirty-five million Irish Americans, a great many of whom regard Adams as a kind of Nelson Mandela, and no prospective presidential candidate can decline a Saint Patrick’s Day invitation. And to be sure, the IRA is not alone in standing accused of atrocities during the Troubles. Loyalist paramilitary groups and British government forces also perpetrated war crimes for which they have not been brought to account. But Clinton does indicate, obliquely, that the transition in Northern Ireland is not entirely complete. “There is still work to be done,” Clinton acknowledges. “You cannot bring peace and security to people just by signing an agreement.” The question for the people of Northern Ireland, and for Adams’s supporters in the United States, is whether you can bring enduring peace and security without some reckoning—by all parties in the conflict—with the crimes of the past.

(From: “Gerry Adams and Hillary Clinton in New York” by Patrick Radden Keefe, The New Yorker, http://www.new yorker.com, March 17, 2015 | Photo: Hillary Clinton at a previous meeting with Gerry Adams at the State Department in 2009. Photograph by Mark Wilson/Getty)


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Birth of Hugh Leonard, Dramatist, Writer & Essayist

hugh-leonardHugh Leonard, Irish dramatist, television writer and essayist, is born in Dublin on November 9, 1926. In a career that spans 50 years, he writes nearly 30 full-length plays, 10 one-act plays, three volumes of essays, two autobiographies, three novels and numerous screenplays and teleplays, as well as writing a regular newspaper column.

After birth, Leonard is put up for adoption. Raised in Dalkey, a suburb of Dublin, by Nicholas and Margaret Keyes, he changes his name to John Keyes Byrne. For the rest of his life, despite the pen name of “Hugh Leonard” which he later adopts and becomes well known by, he invites close friends to call him “Jack.”

Leonard is educated at the Harold Boys’ National School, Dalkey, and Presentation College, Glasthule, winning a scholarship to the latter. He works as a civil servant for fourteen years. During that time he both acts in and writes plays for community theatre groups. His first play to be professionally produced is The Big Birthday, which is mounted by the Abbey Theatre in Dublin in 1956. His career with the Abbey Theatre continues until 1994. After that his plays are produced regularly by Dublin’s theatres.

Leonard moves to Manchester for a while, working for Granada Television before returning to Ireland in 1970. There he settles in Dalkey.

During the 1960s and 1970s, Leonard is the first major Irish writer to establish a reputation in television, writing extensively for television including original plays, comedies, thrillers and adaptations of classic novels for British television. He is commissioned by RTÉ to write Insurrection, a 50th anniversary dramatic reconstruction of the Easter Rising of 1916. His Silent Song, adapted for the BBC from a short story by Frank O’Connor, wins the Prix Italia in 1967. He writes the script for the RTÉ adaptation of Strumpet City by James Plunkett.

Three of Leonard’s plays have been presented on Broadway: The Au Pair Man (1973), which stars Charles Durning and Julie Harris, Da (1978) and A Life (1980). Of these, Da, which originates off-off-Broadway at the Hudson Guild theatre before transferring to the Morosco Theatre, is the most successful, running for 20 months and 697 performances, then touring the United States for ten months. It earns Leonard both a Tony Award and a Drama Desk Award for Best Play. It is made into a film in 1988, starring Martin Sheen and Barnard Hughes, who reprises his Tony Award-winning Broadway performance.

Leonard writes two volumes of autobiography, Home Before Night (1979) and Out After Dark (1989). Some of his essays and journalism are collected in Leonard’s Last Book (1978) and A Peculiar People and Other Foibles (1979). In 1992 the Selected Plays of Hugh Leonard is published. Until 2006 he writes a humorous weekly column, “The Curmudgeon,” for the Irish Sunday Independent newspaper. He has a passion for cats and restaurants, and an abhorrence of broadcaster Gay Byrne.

Even after retiring as a Sunday Independent columnist, Leonard displays an acerbic humour. In an interview with Brendan O’Connor, he is asked if it galls him that Gay Byrne is now writing his old column. His reply is, “It would gall me more if he was any good at it.” He is a patron of the Dublin Theatre Festival.

In 1994, Leonard appears in a televised interview with Gerry Adams, president of Sinn Féin, an Irish political party associated with the Provisional Irish Republican Army. He has long been an opponent of political violence and a critic of the IRA. However, on the show and afterwards he is criticised for being “sanctimonious and theatrical” towards Adams. At one point he refers to Sinn Féin as “dogs.”

Hugh Leonard – Odd Man In, a film on his life and work is shown on RTÉ in March 2009. Leonard’s final play, Magicality, is not performed during his lifetime. A rehearsed reading of the second act is staged at the Dalkey Castle and Heritage Centre in June 2012.

Hugh Leonard dies after a long illness on February 12, 2009 in his hometown of Dalkey at the age of 82, leaving €1.5 million in his will.


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Birth of Actor Martin Sheen

martin-sheenRamón Gerard Antonio Estévez, known professionally as Martin Sheen, American actor of Spanish/Irish descent, is born in Dayton, Ohio on August 3, 1940. He first becomes known for his roles in the films The Subject Was Roses (1968) and Badlands (1973), and later achieves wide recognition for his leading role in Apocalypse Now (1979) and as President Josiah Bartlet in the television series The West Wing (1999-2006).

Sheen is born to immigrant parents, a first-generation Irish mother, Mary-Anne Phelan from Borrisokane, County Tipperary, and a Galician father, Francisco Estévez from Vigo in Galicia (Spain). He adopts the stage name Martin Sheen to help him gain acting parts from a combination of the CBS casting director Robert Dale Martin, who gives him his first big break, and the televangelist archbishop, Fulton J. Sheen. He is the father of four children (Emilio, Ramón, Carlos and Renée), all of whom are actors.

In film, Sheen has won the Best Actor award at the San Sebastián International Film Festival for his performance as Kit Carruthers in Badlands. Sheen’s portrayal of Capt. Willard in Apocalypse Now earns a nomination for the BAFTA Award for Best Actor in a Leading Role.

Sheen has worked with a wide variety of film directors, including Richard Attenborough, Francis Ford Coppola, Terrence Malick, David Cronenberg, Mike Nichols, Martin Scorsese, Steven Spielberg and Oliver Stone. He receives a star on the Hollywood Walk of Fame in 1989. In television, he has won a Golden Globe Award and two Screen Actors Guild Awards for playing the role of President Josiah Bartlet in The West Wing, and an Emmy Award for guest starring in the sitcom Murphy Brown.

Although known as an actor, Sheen also has directed one film, Cadence (1990), appearing alongside sons Charlie and Ramón. He has narrated, produced, and directed documentary television, earning two Daytime Emmy Awards in the 1980s. In addition to film and television, he has been active in liberal politics.