Mary Esperance (“Nancy”) Wynne-Jones is born on December 10, 1922, in Penmaenucha, Wales, to landowner Charles Llewellyn Wynne-Jones and Sybil Mary Gella Scott. The family spends half the year in Wales and half the year in Thornhill, Stalbridge, Dorset. She has two brothers, Andrew and Ronald (“Polly”), both of whom die in Africa during World War II.
Wynne-Jones is educated at home. Her skill in art leads to her getting lessons in Sherborne from a children’s book illustrator. Her music is encouraged by the family doctor and she begins to compose and study the violin, receiving lessons in Bournemouth with the first violinist of the symphony orchestra. After the start of World War II, she continues in Aberystwyth. She goes on to study the violin and composition at the Royal Academy of Music, London (1940–43). While in London she also serves as a Voluntary Aid Detachment nurse until 1943 and later as a draughtswoman at the Ordnance Survey.
After the war, Wynne-Jones purchases and manages a bookshop on the King’s Road in Chelsea, but it is not a financial success. She returns to painting, studying at the Heatherley School of Fine Art, London, from 1951 to 1952 and the Chelsea School of Art from 1952 to 1955. She travels extensively through Portugal and Italy painting landscapes. An interest in completing landscapes in an abstract manner leads her to study with Peter Lanyon in St. Ives, Cornwall.
In 1962, Wynne-Jones purchases Trevaylor House near Penzance and provides accommodation for other artists including renowned Irish painter Tony O’Malley, sculptor Conor Fallon and English poet and writer W. S. ‘Sydney’ Graham. In the 1970s she exhibits in Ireland at the Project Arts Centre, Dublin (1970) and at the Emmet Gallery, Dublin (1975 and 1977). During the 1980s she exhibits at the Lincoln and Hendricks galleries in Dublin before joining the Taylor Gallery, run by John and Patrick Taylor. She is elected an honorary member of the Royal Hibernian Academy (RHA) in 1994 and becomes a member of Aosdána in 1996. Originally an abstract artist, her contact with the Irish countryside slowly transforms her work to that of a landscape artist, albeit with an influence of abstraction attached to it. She becomes well-known in Irish art circles as an eminent Irish landscape artist.
Wynne-Jones is involved with artist Derek Middleton before moving to Cornwall. There she becomes romantically involved with Graham who is in an open marriage, however, it is the death of her mentor Peter Lanyon which devastates her. She meets the sculptor Conor Fallon through their mutual friend, Tony O’Malley. Fallon had arrived in Cornwall ostensibly to meet Lanyon. They marry in 1966. Their honeymoon in Provence is immortalised in expressionist paintings done by her. The couple adopts a boy and a girl, siblings, John and Bridget. In 1972, she moves with her family to Kinsale, County Cork. It is in the area around here that a number of her paintings are created. Later she paints the mountain visible from her Wicklow home after the family moves in the late 1980s. She moves to Ballard House, near Rathdrum, County Wicklow in 1987.
Wynne-Jones dies on November 9, 2006, and is buried in Ballinatone (Church of Ireland), Rathdrum.
Stoney is born in Dublin on February 4, 1870, to George and Margaret Sophia Stoney. Her father is a mathematical physicist who later serves as Secretary of Queen’s University of Ireland and is an advocate for women’s right to higher education in Ireland. His efforts are considered to be among the principal reasons that women can qualify for a medical license. Of weak health as a child, she is at first privately educated in the home but then attends the Royal College for Science of Ireland with her sister Edith. In 1883, the Stoney family moves to London in order to provide higher education for the daughters since this is unavailable for women in Ireland at the time. She attends the London School of Medicine for Women where she is a distinguished student with great academic achievements in subjects such as anatomy and physiology. She obtains her MBBS with honours in 1895 and a Doctor of Medicine in 1898, going on to specialise in radiology.
Stoney works as an ENT clinical assistant at the Royal Free Hospital as well as spending six years as a demonstrator in anatomy at the London School of Medicine for Women.
After this she spends a short amount of time in the Victoria Hospital for Sick Children in Kingston upon Hull and then goes on to establish an X-ray department in the Elizabeth Garret Anderson Hospital for Women in London in 1902. At the hospital she carries out a variety of work but mainly deals with X-rays, often developing the radiographic plates at her own house. She is the first female radiologist to work in the United Kingdom at a time when knowledge on radiology and the equipment involved is still in its developmental stages. She is forced to work in poor conditions with badly ventilated rooms and a lack of space for X-ray work. She is given no assistance and has to do the majority of the work on her own. Furthermore, she is excluded as a member of the medical staff and from the X-ray department committee. In 1906 she sets up a practice in Harley Street.
Stoney leaves the hospital at the start of the war. She has 13 years of experience in her field when World War I breaks out in August 1914. She and her sister Edith, a medical physicist, volunteer to assist the British Red Cross, but both are refused by surgeon Frederick Treves since they were women. Despite the refusal, Stoney prepares an X-ray installation and helps to organise a unit of women volunteers alongside Mrs. St. Clair Stobart, Women’s Imperial Service League and the Belgian Red Cross to aid the Belgian soldiers in Antwerp. The team converts an abandoned music hall into a makeshift hospital where she manages the surgical unit as head of the medical staff and radiologist. The hospital comes under fire and after enduring ongoing shellfire for 18 hours, the hospital is evacuated. The team walks to Holland, where they manage to cross the Scheldt River on buses carrying ammunition, twenty minutes before the bridge is blown up. She and her unit earn the 1914 Star for bravery.
Stoney continues working in a hospital near Cherbourg in France, mainly dealing with cases relating to compound fractures and locating bullet fragments in wounds. During this time, she becomes experienced in recognizing dead bone and discovers that removing it will speed up recovery.
In March 1915, the Cherbourg hospital is no longer needed, and Stoney moves back London. She begins full-time work at the 1,000-bed Fulham Military Hospital. She is one of the first female physicians granted to serve as a full-time worker under the British War Office and goes on to receive the Order of the British Empire in June 1919. She works as the Head of the X-ray and Electrical Department and remains there until 1918.
In her later years, Stoney suffers from ill health, largely attributed to her over-exposure to radiation in her work. It is reported that she has X-ray dermatitis of her left hand, a painful skin condition associated in modern times with radiation therapy as a treatment for cancer. She moves to the south coastal town of Bournemouth in England where she is on the staff of two hospitals, practicing radiology part-time. She occupies the position of Honorary Medical Officer to the Electrical Department of the Royal Victoria and West Hants Hospital in Bournemouth. She is the founder and president of the Wessex branch of the British Institute of Radiology. She serves as the consulting actinotherapist at the Victoria Cripples Home. During retirement she pens a number of articles in contribution to the medical literature of the time. She publishes research on topics such as fibroids, goitre, Graves’ disease, soldier’s heart, rickets and osteomalacia.
Stoney retires from all of her hospital positions in 1928 at the age of 58. She, along with her older sister Edith, travel in retirement. One trip is to India, where she writes her final scientific paper, the subject of which is osteomalacia (bone softening), in particular in relation to pelvic deformities in childbirth. She studies and investigates this topic overseas, and specifically the association between UV exposure, vitamin D and skeletal development. In India, she also uses her expertise to advise on the use of UV light in hospitals.
Stoney dies at the age of 62, on October 7, 1932. She is suffering from a long and painful illness, vertebral cancer, again largely attributed to her work in the presence of high levels of radiation. Her funeral takes place on October 11 at Golders Green Crematorium, London. The British Journal of Radiology publishes her official obituary which spans five pages, containing many warm personal testimonials. After her sister’s death, Edith Stoney continues to travel and research.
Stoney is born into an old-established Anglo-Irish scientific family at 40 Wellington Road, Ballsbridge, Dublin, on January 6, 1869. The daughter of George Johnstone Stoney, FRS, an eminent physicist who coins the term “electron” in 1891 as the “fundamental unit quantity of electricity,” and his wife and cousin, Margaret Sophia Stoney. One of her two brothers, George Gerald, is an engineer and a Fellow of the Royal Society (FRS). One of her two sisters, Florence Stoney, is a radiologist and receives an OBE. Her cousin is the Dublin-based physicist George Francis FitzGerald FRS (1851–1901), and her uncle Bindon Blood Stoney FRS is Engineer of Dublin Port, renowned for building a number of the main Dublin bridges and developing the Quayside.
Stoney demonstrates considerable mathematical talent and gains a scholarship at Newnham College, Cambridge, where she achieves a First in the Part I Tripos examination in 1893. However, she is not awarded a University of Cambridge degree as women are excluded from graduation until 1948. During her time at Newnham, she is in charge of the College telescope. She is later awarded a BA and an MA from Trinity College Dublin, after they accept women in 1904.
Following the 1876 Medical Act, it is illegal for academic institutions to prevent access to medical education based on gender. The first medical school for women in Britain is established in 1874 by Dr. Sophia Jex-Blake in anticipation of this law. The London School of Medicine for Women quickly becomes part of the University of London, with clinical teaching at the Royal Free Hospital. Stoney’s sister Florence is a student at the school, graduates in medicine with honours in 1895 (MB BS) and obtains her MD in 1898. Meanwhile, Stoney gains an appointment as a physics lecturer at the school in 1899. Her first tasks are to set up a physics laboratory and design the physics course. The laboratory is planned for 20 students, and the course content is pure physics, as required by university regulations. It includes mechanics, magnetism, electricity, optics, sound, heat and energy. In her obituary in The Lancet, an ex-student of hers notes: “Her lectures on physics mostly developed into informal talks, during which Miss Stoney, usually in a blue pinafore, scratched on a blackboard with coloured chalks, turning anxiously at intervals to ask ‘Have you taken my point?’. She was perhaps too good a mathematician … to understand the difficulties of the average medical student, but experience had taught her how distressing these could be”.
In 1901, the Royal Free Hospital appoints Florence into a new part-time position of medical electrician. The following April, the two sisters open a new x-ray service in the electrical department. During their time at the Royal Free Hospital, the two sisters actively support the women’s suffrage movement, though oppose the direct violent action with which it is later associated.
During her time at the school, Stoney also plays a central role in the British Federation of University Women (BFUW). She is elected treasurer, in her absence, at the first executive meeting on October 9, 1909, a position she holds until the end of May 1915. She becomes increasingly engaged with the political lobbying of the Federation. At the executive meeting on October 19, 1912, she proposes the names of two members for a subcommittee to secure the passing into law of a bill to enable women to become barristers, solicitors or parliamentary agents. The legislation is eventually enacted after the war within the Sex Disqualification (Removal) Act 1919.
Stoney resigns her post at the school in March 1915 and it is recorded that “with due regret and most unwillingly a change is desirable in the physics lectureship.” She is offered £300 on tendering her resignation.
Both Stoney and Florence offer their services to the British Red Cross at the War Office in London, to provide a radiological service to support the troops in Europe, on the day Britain declares war. Their offer is refused, because they are women. Florence sets up her own unit with the Women’s Imperial Service League and spends the next 6 months in Europe. Stoney organises supplies from London where she also serves on the League’s committee. Florence returns to London at the time Stoney resigns from the London School of Medicine for Women. She contacts the Scottish Women’s Hospitals (SWH), an organisation formed in 1914 to give medical support in the field of battle and financed by the women’s suffrage movement. The organisation has gained agreement to set up a new 250-bed tented hospital at Domaine de Chanteloup, Sainte-Savine, near Troyes (France), funded by the Cambridge women’s colleges of Girton and Newnham and it becomes her role to plan and operate the x-ray facilities. She establishes stereoscopy to localise bullets and shrapnel and introduces the use of x-rays in the diagnosis of gas gangrene, interstitial gas being a mandate for immediate amputation to give any chance of survival.
The hospital is near the front line and, in her own words, by September 1915, “the town had been evacuated, the station had been mined, and we heard the heavy guns ever going at nighttime.” The unit is entirely female, except for two part-time male drivers, and her technical assistant, Mr. Mallett.
They are assigned to the Corps Expéditionnaire d’Orient and ordered to move to Serbia. After boarding the steamship Mossoul in Marseille, they reach Salonika (known as Thessaloniki in modern Greece) on November 3, where they take the night train north to Ghevgheli (now Gevgelija in modern North Macedonia), on the Serbian side of the Greek border. They set up a hospital in an unused silk factory where they treat 100 patients with injuries ranging from frostbite to severe lung and head wounds. Following defeats at the hands of Bulgarian forces, Stoney and her staff retreat to Salonika by December 6, 1916. Eleven days later, they have re-established the hospital on a drained low swamp by the sea, and by New Year’s Day 1917 she has the lights on and the x-rays working. Despite the lack of equipment and resources, she establishes an electrotherapy department and various equipments for the muscular rehabilitation of the soldiers in their care. She also assists with problems on two British hospital ships, on which the x-ray systems have been damaged during a storm and gives support to the SWH unit in Ostrovo (now Arnissa on Lake Vegoritida formerly lake Ostrovo in Northern Greece), which arrives during September 1916. She has a break for sick leave in December 1917 and returns the following summer. She applies for an appointment as an army camp radiologist in Salonika, but her demand is blocked by the War Office.
In October 1917, Stoney returns to France to lead the x-ray departments at the SWH hospitals of Royaumont and Villers-Cotterêts. In March 1918, she has to supervise a camp closure and retreat for the third time, when Villers-Cotterêts is overrun by the German troops. During the final months of the war the fighting intensifies and there is a steep increase in workload. In the month of June alone the x-ray workload peaks at over 1,300, partly because of an increased use of fluoroscopy.
On returning to England, Stoney takes a post as lecturer in physics in the Household and Social Science department at King’s College for Women which she holds until retirement in 1925. After leaving King’s she moves to Bournemouth, where she lives with her sister Florence, who is suffering from spinal cancer, dying in 1932.
During her retirement, Stoney resumes her work with the BFUW for which she had acted as the first treasurer before the war. She becomes one of the earliest (and oldest) members of the Women’s Engineering Society and plays an active part in the organisation until shortly before her death. She travels widely and, in 1934, she speaks to the Australian Federation of University Women on the subject of women in engineering, highlighting the contribution made by women workers during the war. In 1936, she establishes the Johnstone and Florence Stoney Studentship in the BFUW, for “research in biological, geological, meteorological or radiological science undertaken preferably in Australia, New Zealand or South Africa.” The studentship is now administered by Newnham College, Cambridge, and supports clinical medical students going abroad for their elective period. The declaration of Trust is dated February 11, 1942 and the Johnstone And Florence Stoney Studentship Fund Charity is registered on March 25, 1976.
Stoney dies on June 25, 1938, at age 69, and obituaries are printed in both the scientific and medical press – Nature, The Lancet, The Woman Engineer and national newspapers in England, The Times and Australia.
Stoney is remembered for her considerable bravery and resourcefulness in the face of extreme danger, and her imagination in contributing to clinical care under the most difficult conditions of war. As a strong advocate of education for women, she enables young graduate women to spend time on research overseas and another to enable physicists to enter medical school thanks to the fund she created. Through her work and engagements, she is remembered as a pioneer of medical physics.
(Pictured: Edith Anne Stoney during her time in Cambridge in the early 1890s)
Russell is born on April 10, 1867, in Lurgan, County Armagh, in what is now Northern Ireland. He writes with the pseudonym Æ (often written AE or A.E.). He is also a writer on mysticism, and a central figure in the group of devotees of theosophy which meets in Dublin for many years. He takes his pseudonym from a proofreader’s query about his earlier pseudonym, “AEon.”
Russell is the second son of Thomas Russell and Mary Armstrong. His father, the son of a small farmer, becomes an employee of Thomas Bell and Co., a prosperous firm of linen drapers. The family relocates to Dublin, where his father has a new offer of employment, when he is eleven years old.
Following his time at the Metropolitan School of Art, Russell becomes an accounts clerk in a drapery store but leaves in 1897 to organize agricultural cooperatives. Eventually he becomes editor of the periodicals Irish Homestead (1905–23) and The Irish Statesman (1923–30). In 1894 he publishes the first of many books of verse, Homeward: Songs by the Way, which establishes him in what is known as the Irish Literary Revival. His first volume of Collected Poems appears in 1913 and a second in 1926. He maintains a lifelong interest in theosophy, the origins of religion, and mystical experience. Candle of Vision: Autobiography of a Mystic (1918) is the best guide to his religious beliefs.
At the turn of the 20th century, Russell is considered by many to be the equal of Yeats, but he does not continue to grow and develop as Yeats does. He is prolific and versatile, but many critics find his poetry facile, vague, and monotonous, with “rather too much of the Celtic Twilight” in it.
Russell, who had become increasingly unhappy in the Irish Free State which, according to Yeats, he called “a country given over to the Devil,” moves to England soon after his wife’s death in 1932. Despite his failing health he goes on a final lecture tour in the United States but returns home utterly exhausted. He dies of cancer in Bournemouth, England, on July 17, 1935. His body is brought back to Ireland, and he is interred in Mount Jerome Cemetery, Dublin.
Russell is the second son of Thomas Russell and Mary Armstrong. His father, the son of a small farmer, becomes an employee of Thomas Bell and Co., a prosperous firm of linen drapers. The family relocates to Dublin, where his father has a new offer of employment, when he is eleven years old.
Following his time at the Metropolitan School of Art, Russell becomes an accounts clerk in a drapery store but leaves in 1897 to organize agricultural cooperatives. Eventually he becomes editor of the periodicals Irish Homestead (1905–23) and The Irish Statesman (1923–30). In 1894 he publishes the first of many books of verse, Homeward: Songs by the Way, which establishes him in what is known as the Irish Literary Revival. His first volume of Collected Poems appears in 1913 and a second in 1926. He maintains a lifelong interest in theosophy, the origins of religion, and mystical experience. Candle of Vision: Autobiography of a Mystic (1918) is the best guide to his religious beliefs.
At the turn of the 20th century, Russell is considered by many to be the equal of Yeats, but he does not continue to grow and develop as Yeats does. He is prolific and versatile, but many critics find his poetry facile, vague, and monotonous, with “rather too much of the Celtic Twilight” in it.
Russell, who had become increasingly unhappy in the Irish Free State which, according to Yeats, he called “a country given over to the Devil,” moves to England soon after his wife’s death in 1932. Despite his failing health he goes on a final lecture tour in the United States but returns home utterly exhausted. He dies of cancer in Bournemouth, England, on July 17, 1935. His body is brought back to Ireland, and he is interred in Mount Jerome Cemetery, Dublin.
Wynne-Jones is born to landowner Charles Llewellyn Wynne-Jones and Sybil Mary Gella Scott. The family spends half the year in Wales and half the year in Thornhill, Stalbridge, Dorset, England. She has two brothers, Andrew and Ronald (“Polly”), both of whom die in Africa during World War II.
Wynne-Jones is educated at home. Her skill in art leads to her getting lessons in Sherborne from a children’s book illustrator. Her music is encouraged by the family doctor, and she begins to compose and study the violin, receiving lessons in Bournemouth with the first violinist of the symphony orchestra and continues in Aberystwyth after the start of World War II. She goes on to study the violin and composition at the Royal Academy of Music, London (1940–43). While in London she also serves as a Voluntary Aid Detachment nurse until 1943 and later as a draughtswoman at the Ordnance Survey.
After the war Wynne-Jones purchases and manages a bookshop on the King’s Road in Chelsea, but it is not a financial success. She returns to painting, studying at the Heatherley School of Fine Art, London (1951-52) and the Chelsea School of Art (1952–55). She travels extensively through Portugal and Italy painting landscapes. An interest in completing landscapes in an abstract manner leads her to study with Peter Lanyon in St. Ives, Cornwall.
Wynne-Jones begins study in Cornwall in 1957 and remains there for fifteen years. Her first public exhibition is in a group show (1957) at the Pasmore Edwards Gallery, Newlyn. Other group shows are Jefferson Place Gallery, Washington, D.C., (1959), and in Falmouth, Cornwall (1960). Her solo exhibitions are at the New Vision Centre, London (1962 and 1965), Florence (1963) and Dolgellau (1964). From the 1960s through the 1990s she exhibits in Great Britain, Italy, Belgium, Germany, Ireland, Spain, Holland, South Africa, and the United States.
In 1962 Wynne-Jones purchases Trevaylor House near Penzance and provides accommodation for other artists including renowned Irish painter Tony O’Malley, sculptor Conor Fallon, and English poet and writer W. S. ‘Sydney’ Graham. In the 1970s she exhibits in Ireland at the Project Arts Centre, Dublin (1970) and at the Emmet Gallery, Dublin (1975 and 1977). During the 1980s she exhibits at the Lincoln and Hendricks galleries in Dublin before joining the Taylor Galleries, run by John and Patrick Taylor. She is elected honorary member of the Royal Hibernian Academy (RHA) in 1994 and becomes a member of Aosdána in 1996. Originally an abstract artist, her contact with the Irish countryside slowly transforms her work to that of a landscape artist, albeit with an influence of abstraction attached to it. She becomes well known in Irish art circles as an eminent Irish landscape artist.
Wynne-Jones is involved with artist Derek Middleton before moving to Cornwall. There she becomes romantically involved with Graham who is in an open marriage, however it is the death of her mentor Peter Lanyon that devastates her. She meets the sculptor Conor Fallon through their mutual friend Tony O’Malley. Fallon had arrived in Cornwall ostensibly to meet Lanyon. They marry in 1966. Their honeymoon in Provence is immortalised in expressionist paintings done by Wynne-Jones. The couple adopts a boy and a girl, siblings, John and Bridget. In 1972 she moves with her family to Kinsale, County Cork. It is in this area that a number of her paintings are created. She moves to Ballard House, near Rathdrum, County Wicklow in 1987. There she paints the mountain visible from her home.
Wynne-Jones dies at the age of 83 on November 9, 2006. She is buried in Ballinatone (Church of Ireland), Rathdrum.
(Pictured: “Klein Constantia with Table Mountain” by Nancy Wynne-Jones, acrylic on paper, 16 1/2″ x 23″)
Martin is born in Belfast on August 12, 1949. He starts learning the piano at the age of six and joins his first professional band, Killing Floor, in April or May 1968. In 1969 Martin and Stuart McDonald are recruited by 17-year-old Darryl Read who forms a band for Emperor Rosko‘s brother, Jeff Pasternak, called Crayon Angels. Read assembles the band and plays drums while Rosko acts as manager. Martin later leaves Killing Floor to play alongside Gallagher, and is featured on several of Gallagher’s albums, including Blueprint, Tattoo, Irish Tour ’74, Against the Grain, Calling Card, Defender and Fresh Evidence. He also plays rhythm guitar on one track, “Race the Breeze” from Blueprint.
Martin plays in the Nickey Barclay band in London in the 1980s, alongside Barclay on keyboards, with John Conroy and Dave Ball on lead guitar. The band plays across London on the blues rock circuit during the 1980s at venues such as The White Lion, Putney, The Star and Garter on Lower Richmond Road, The Golden Lion, Fulham and the Cartoon, Croydon.
Killing Floor releases an album in 2004 named Zero Tolerance, on which Martin participates.
After a period of illness including cancer and a number of strokes, Lou Martin dies peacefully in a hospital in Bournemouth, Dorset, at the age of 63, on August 17, 2012.
seamus dubhghaill 